Chapter 4 of Evan Harrington — Volume 6 is here in full — 134 sentences across 27 reading sections, with audio for every sentence and word.
A keeper or guardian of historical records and memories.
Chapter IV
Chapter 4 of Evan Harrington — Volume 6 is here in full — 134 sentences across 27 reading sections, with audio for every sentence and word.
ROSE WOUNDED The light of morning was yet cold along the passages of the house when Polly Wheedle, hurrying to her young mistress, met her loosely dressed and with a troubled face. 'What 's the matter, Polly? I was coming to you.' 'O, Miss Rose! and I was coming to you. Miss Bonner's gone back to her convulsions again.
Chapter 4 of Evan Harrington — Volume 6 is here in full — 134 sentences across 27 reading sections, with audio for every sentence and word.
Reading 1/26 · 5 reading units · Lines 1–5
These definitions explain words found in the current reading and keep every example grounded in its original sentence.
Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.
plural of “convulsion” — a sudden uncontrollable attack
From this reading “Miss Bonner's gone back to her convulsions again.”
dressed or clothed especially in fine attire; often used in combination
From this reading “ROSE WOUNDED The light of morning was yet cold along the passages of the house when Polly Wheedle, hurrying to her young mistress, met her loosely dressed and with a troubled face.”
moving with great haste
From this reading “ROSE WOUNDED The light of morning was yet cold along the passages of the house when Polly Wheedle, hurrying to her young mistress, met her loosely dressed and with a troubled face.”
in a relaxed manner; not rigid
From this reading “ROSE WOUNDED The light of morning was yet cold along the passages of the house when Polly Wheedle, hurrying to her young mistress, met her loosely dressed and with a troubled face.”
an adulterous woman; a woman who has an ongoing extramarital sexual relationship with a man
From this reading “ROSE WOUNDED The light of morning was yet cold along the passages of the house when Polly Wheedle, hurrying to her young mistress, met her loosely dressed and with a troubled face.”
plural of “passage” — the act of passing from one state or place to the next
From this reading “ROSE WOUNDED The light of morning was yet cold along the passages of the house when Polly Wheedle, hurrying to her young mistress, met her loosely dressed and with a troubled face.”
characterized by or indicative of distress or affliction or danger or need
From this reading “ROSE WOUNDED The light of morning was yet cold along the passages of the house when Polly Wheedle, hurrying to her young mistress, met her loosely dressed and with a troubled face.”
people who are wounded
From this reading “ROSE WOUNDED The light of morning was yet cold along the passages of the house when Polly Wheedle, hurrying to her young mistress, met her loosely dressed and with a troubled face.”
Every word in these five lines is listed here, and every one of them can be played on its own.
Dictionary details are shown only when verified; these are not licensed Oxford entries.
used before a singular noun to mean one of a group, when it is not a particular one
From this reading ROSE WOUNDED The light of morning was yet cold along the passages of the house when Polly Wheedle, hurrying to her young mistress, met her loosely dressed and with a troubled face.
anew
From this reading Miss Bonner's gone back to her convulsions again.
following the length of something from one end toward the other
From this reading ROSE WOUNDED The light of morning was yet cold along the passages of the house when Polly Wheedle, hurrying to her young mistress, met her loosely dressed and with a troubled face.
used to join words or parts of a sentence that go together
From this reading ROSE WOUNDED The light of morning was yet cold along the passages of the house when Polly Wheedle, hurrying to her young mistress, met her loosely dressed and with a troubled face.
in or to or toward a former location
From this reading Miss Bonner's gone back to her convulsions again.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading Miss Bonner's gone back to her convulsions again.
having a low or inadequate temperature or feeling a sensation of coldness or having been made cold by e.g. ice or refrigeration
From this reading ROSE WOUNDED The light of morning was yet cold along the passages of the house when Polly Wheedle, hurrying to her young mistress, met her loosely dressed and with a troubled face.
the act of drawing spatially closer to something
From this reading I was coming to you.'
plural of “convulsion” — a sudden uncontrollable attack
From this reading Miss Bonner's gone back to her convulsions again.
dressed or clothed especially in fine attire; often used in combination
From this reading ROSE WOUNDED The light of morning was yet cold along the passages of the house when Polly Wheedle, hurrying to her young mistress, met her loosely dressed and with a troubled face.
the front of the human head from the forehead to the chin and ear to ear
From this reading ROSE WOUNDED The light of morning was yet cold along the passages of the house when Polly Wheedle, hurrying to her young mistress, met her loosely dressed and with a troubled face.
destroyed or killed
From this reading Miss Bonner's gone back to her convulsions again.
belonging to a woman, girl, or female animal already mentioned
From this reading ROSE WOUNDED The light of morning was yet cold along the passages of the house when Polly Wheedle, hurrying to her young mistress, met her loosely dressed and with a troubled face.
a dwelling that serves as living quarters for one or more families
From this reading ROSE WOUNDED The light of morning was yet cold along the passages of the house when Polly Wheedle, hurrying to her young mistress, met her loosely dressed and with a troubled face.
moving with great haste
From this reading ROSE WOUNDED The light of morning was yet cold along the passages of the house when Polly Wheedle, hurrying to her young mistress, met her loosely dressed and with a troubled face.
the person speaking or writing, as the subject of the verb
From this reading I was coming to you.'
of comparatively little physical weight or density
From this reading ROSE WOUNDED The light of morning was yet cold along the passages of the house when Polly Wheedle, hurrying to her young mistress, met her loosely dressed and with a troubled face.
in a relaxed manner; not rigid
From this reading ROSE WOUNDED The light of morning was yet cold along the passages of the house when Polly Wheedle, hurrying to her young mistress, met her loosely dressed and with a troubled face.
a vaguely specified concern
From this reading 'What 's the matter, Polly?
inflected form of “meet” — come together
From this reading ROSE WOUNDED The light of morning was yet cold along the passages of the house when Polly Wheedle, hurrying to her young mistress, met her loosely dressed and with a troubled face.
fail to perceive or to catch with the senses or the mind
From this reading 'O, Miss Rose! and I was coming to you.
an adulterous woman; a woman who has an ongoing extramarital sexual relationship with a man
From this reading ROSE WOUNDED The light of morning was yet cold along the passages of the house when Polly Wheedle, hurrying to her young mistress, met her loosely dressed and with a troubled face.
the time period between dawn and noon
From this reading ROSE WOUNDED The light of morning was yet cold along the passages of the house when Polly Wheedle, hurrying to her young mistress, met her loosely dressed and with a troubled face.
a nonmetallic bivalent element that is normally a colorless odorless tasteless nonflammable diatomic gas; constitutes 21 percent of the atmosphere by volume; the most abundant element in the earth's crust
From this reading 'O, Miss Rose! and I was coming to you.
belonging to, or connected with, somebody or something
From this reading ROSE WOUNDED The light of morning was yet cold along the passages of the house when Polly Wheedle, hurrying to her young mistress, met her loosely dressed and with a troubled face.
plural of “passage” — the act of passing from one state or place to the next
From this reading ROSE WOUNDED The light of morning was yet cold along the passages of the house when Polly Wheedle, hurrying to her young mistress, met her loosely dressed and with a troubled face.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading ROSE WOUNDED The light of morning was yet cold along the passages of the house when Polly Wheedle, hurrying to her young mistress, met her loosely dressed and with a troubled face.
any of many shrubs of the genus Rosa that bear roses
From this reading ROSE WOUNDED The light of morning was yet cold along the passages of the house when Polly Wheedle, hurrying to her young mistress, met her loosely dressed and with a troubled face.
1/60 of a minute; the basic unit of time adopted under the Systeme International d'Unites
From this reading 'What 's the matter, Polly?
used before a noun that is already known, already mentioned, or the only one of its kind
From this reading ROSE WOUNDED The light of morning was yet cold along the passages of the house when Polly Wheedle, hurrying to her young mistress, met her loosely dressed and with a troubled face.
used before the base form of a verb to make the infinitive
From this reading ROSE WOUNDED The light of morning was yet cold along the passages of the house when Polly Wheedle, hurrying to her young mistress, met her loosely dressed and with a troubled face.
characterized by or indicative of distress or affliction or danger or need
From this reading ROSE WOUNDED The light of morning was yet cold along the passages of the house when Polly Wheedle, hurrying to her young mistress, met her loosely dressed and with a troubled face.
the past form of “be” used with I, he, she, it, or a singular noun
From this reading ROSE WOUNDED The light of morning was yet cold along the passages of the house when Polly Wheedle, hurrying to her young mistress, met her loosely dressed and with a troubled face.
used to ask for information about something
From this reading 'What 's the matter, Polly?
influence or urge by gentle urging, caressing, or flattering
From this reading ROSE WOUNDED The light of morning was yet cold along the passages of the house when Polly Wheedle, hurrying to her young mistress, met her loosely dressed and with a troubled face.
at the time that
From this reading ROSE WOUNDED The light of morning was yet cold along the passages of the house when Polly Wheedle, hurrying to her young mistress, met her loosely dressed and with a troubled face.
in the company of; together with
From this reading ROSE WOUNDED The light of morning was yet cold along the passages of the house when Polly Wheedle, hurrying to her young mistress, met her loosely dressed and with a troubled face.
people who are wounded
From this reading ROSE WOUNDED The light of morning was yet cold along the passages of the house when Polly Wheedle, hurrying to her young mistress, met her loosely dressed and with a troubled face.
but in spite of that
From this reading ROSE WOUNDED The light of morning was yet cold along the passages of the house when Polly Wheedle, hurrying to her young mistress, met her loosely dressed and with a troubled face.
the person or people being spoken to
From this reading I was coming to you.'
(used of living things especially persons) in an early period of life or development or growth
From this reading ROSE WOUNDED The light of morning was yet cold along the passages of the house when Polly Wheedle, hurrying to her young mistress, met her loosely dressed and with a troubled face.
Chapter 4 of Evan Harrington — Volume 6 by George Meredith holds 134 sentences, grouped into 27 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.
Chapter 4 holds 134 sentences of Evan Harrington — Volume 6, unabridged, divided into 27 reading sections.
This page carries chapter 4 of Evan Harrington — Volume 6 by George Meredith exactly as it stands in the public-domain source edition, without abridgement. It runs to 134 sentences, grouped into 27 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.
Work through the 27 sections in order, replaying any sentence and tapping unfamiliar words for their entries.
Each of the 27 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.
Yes — every sentence and every individual word in chapter 4 can be played aloud in United States English.
Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.
Common questions about reading Evan Harrington — Volume 6 by George Meredith on this page, its source edition and its audio.
Yes. All 1648 sentences of Project Gutenberg eBook #4432 are kept, with a record of which sentences cover which part.
Project Gutenberg eBook #4432, a public-domain edition. The Project Gutenberg header, footer and licence are removed.
About 137 minutes of reading across 330 sections of 5 sentences each, at an unhurried pace.
How to work through Evan Harrington — Volume 6 section by section, using the audio and the tap-to-define vocabulary.
Choose one of the 7 chapters of Evan Harrington — Volume 6 to begin.
Each section holds 5 sentences; read it once through.
Play the section aloud, then tap any unfamiliar word for its entry.
Words and structures a reader meets early in Evan Harrington — Volume 6, each tappable for pronunciation and meaning.
