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Eyes Like the Sea: A Novel
Eyes Like the Sea: A Novel

Chapter I · Chapter 1

Chapter 1 of Eyes Like the Sea: A Novel is here in full — 37 sentences across 8 reading sections, with audio for every sentence and word.

Cover illustration for Eyes Like the Sea: A Novel
Context Illustration Reading 1/7 · 5 lines
English subtitles · tap any word to listen 1 / 5
The pessimistic tone of Continental fiction, and its pronounced preference for minute and morbid analysis, are quite revolutionizing the modern novel.
Fiction is ceasing to be a branch of art, and fast becoming, instead, a branch of science.
The aim of the novelist, apparently, is to lecture instead of to amuse his readers.
Plot, incident, and description are being sacrificed more and more to the dissection of peculiar and abnormal types of character, and the story is too often lost in physiological details or psychological studies.
The wave of _Naturalism_, as it is called (though nothing could really be more unnatural), has spread from France all over Europe.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
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A keeper or guardian of historical records and memories.

Eyes Like the Sea: A Novel

Chapter I · Chapter 1

Chapter 1 of Eyes Like the Sea: A Novel is here in full — 37 sentences across 8 reading sections, with audio for every sentence and word.

Reading 1/7 · 5 reading units · Lines 1–5

Line 1
The pessimistic tone of Continental fiction, and its pronounced preference for minute and morbid analysis, are quite revolutionizing the modern novel.
/ðə ˌpesəˈmɪstɪk toʊn ʌv ˌkɑːntəˈnentəl ˈfɪkʃən ənd ɪts prəˈnaʊnst ˈprefərəns fɔːr ˈmɪnət ənd ˈmɔːrbəd əˈnæləsəs ɑːr kwaɪt ˌrevəˈluːʃənaɪzɪŋ ðə ˈmɑːdərn ˈnɑːvəl/
Line 2
Fiction is ceasing to be a branch of art, and fast becoming, instead, a branch of science.
/ˈfɪkʃən ɪz ˈsiːsɪŋ tuː biː ə bræntʃ ʌv ɑːrt ənd fæst bɪˈkʌmɪŋ ˌɪnˈsted ə bræntʃ ʌv ˈsaɪəns/
Line 3
The aim of the novelist, apparently, is to lecture instead of to amuse his readers.
/ðə eɪm ʌv ðə ˈnɑːvələst əˈperəntli ɪz tuː ˈlektʃər ˌɪnˈsted ʌv tuː əˈmjuːz hɪz ˈriːdərz/
Line 4
Plot, incident, and description are being sacrificed more and more to the dissection of peculiar and abnormal types of character, and the story is too often lost in physiological details or psychological studies.
/plɑːt ˈɪnsədənt ənd dɪˈskrɪpʃən ɑːr ˈbiːɪŋ ˈsækrəfaɪst mɔːr ənd mɔːr tuː ðə daɪˈsekʃən ʌv pəˈkjuːljər ənd æbˈnɔːrməl taɪps ʌv ˈkerɪktər ənd ðə ˈstɔːri ɪz tuː ˈɔːfən lɔːst ɪn ˌfɪziəˈlɑːdʒɪkəl dɪˈteɪlz ɔːr ˌsaɪkəˈlɑːdʒɪkəl ˈstʌdiz/
Line 5
The wave of _Naturalism_, as it is called (though nothing could really be more unnatural), has spread from France all over Europe.
/ðə weɪv ʌv ˈnætʃərəlɪzəm æz ɪt ɪz kɔːld ðoʊ ˈnʌθɪŋ kʊd ˈrɪli biː mɔːr ənˈnætʃərəl hæz spred frʌm fræns ɔːl ˈoʊvər ˈjʊrəp/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

abnormal adjective US /æbˈnɔːrməl/

not normal; not typical or usual or regular or conforming to a norm

From this reading “Plot, incident, and description are being sacrificed more and more to the dissection of peculiar and abnormal types of character, and the story is too often lost in physiological details or psychological studies.”

ceasing verb US /ˈsiːsɪŋ/

-ing form of “cease” — put an end to a state or an activity

From this reading “Fiction is ceasing to be a branch of art, and fast becoming, instead, a branch of science.”

dissection noun US /daɪˈsekʃən/

cutting so as to separate into pieces

From this reading “Plot, incident, and description are being sacrificed more and more to the dissection of peculiar and abnormal types of character, and the story is too often lost in physiological details or psychological studies.”

Naturalism noun US /ˈnætʃərəlɪzəm/

(philosophy) the doctrine that the world can be understood in scientific terms without recourse to spiritual or supernatural explanations

pessimistic adjective US /ˌpesəˈmɪstɪk/

expecting the worst possible outcome

From this reading “The pessimistic tone of Continental fiction, and its pronounced preference for minute and morbid analysis, are quite revolutionizing the modern novel.”

physiological adjective US /ˌfɪziəˈlɑːdʒɪkəl/

of or relating to the biological study of physiology

From this reading “Plot, incident, and description are being sacrificed more and more to the dissection of peculiar and abnormal types of character, and the story is too often lost in physiological details or psychological studies.”

psychological adjective US /ˌsaɪkəˈlɑːdʒɪkəl/

mental or emotional as opposed to physical in nature

From this reading “Plot, incident, and description are being sacrificed more and more to the dissection of peculiar and abnormal types of character, and the story is too often lost in physiological details or psychological studies.”

revolutionizing verb US /ˌrevəˈluːʃənaɪzɪŋ/

-ing form of “revolutionize” — change radically

From this reading “The pessimistic tone of Continental fiction, and its pronounced preference for minute and morbid analysis, are quite revolutionizing the modern novel.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

modern novel adjective + noun

In this reading “The pessimistic tone of Continental fiction, and its pronounced preference for minute and morbid analysis, are quite revolutionizing the modern novel.”

fast becoming adverb + adjective

In this reading “Fiction is ceasing to be a branch of art, and fast becoming, instead, a branch of science.”

All words in this reading · 75

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Fiction is ceasing to be a branch of art, and fast becoming, instead, a branch of science.

abnormaladjectiveUS /æbˈnɔːrməl/

not normal; not typical or usual or regular or conforming to a norm

From this reading Plot, incident, and description are being sacrificed more and more to the dissection of peculiar and abnormal types of character, and the story is too often lost in physiological details or psychological studies.

aimverbUS /eɪm/

point or cause to go (blows, weapons, or objects such as photographic equipment) towards

From this reading The aim of the novelist, apparently, is to lecture instead of to amuse his readers.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading The wave of _Naturalism_, as it is called (though nothing could really be more unnatural), has spread from France all over Europe.

amuseverbUS /əˈmjuːz/

occupy in an agreeable, entertaining or pleasant fashion

From this reading The aim of the novelist, apparently, is to lecture instead of to amuse his readers.

analysisnounUS /əˈnæləsəs/

an investigation of the component parts of a whole and their relations in making up the whole

From this reading The pessimistic tone of Continental fiction, and its pronounced preference for minute and morbid analysis, are quite revolutionizing the modern novel.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading The pessimistic tone of Continental fiction, and its pronounced preference for minute and morbid analysis, are quite revolutionizing the modern novel.

apparentlyadverbUS /əˈperəntli/

from appearances alone

From this reading The aim of the novelist, apparently, is to lecture instead of to amuse his readers.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading The pessimistic tone of Continental fiction, and its pronounced preference for minute and morbid analysis, are quite revolutionizing the modern novel.

artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading Fiction is ceasing to be a branch of art, and fast becoming, instead, a branch of science.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading The wave of _Naturalism_, as it is called (though nothing could really be more unnatural), has spread from France all over Europe.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Fiction is ceasing to be a branch of art, and fast becoming, instead, a branch of science.

becomingadjectiveUS /bɪˈkʌmɪŋ/

according with custom or propriety

From this reading Fiction is ceasing to be a branch of art, and fast becoming, instead, a branch of science.

beingauxiliary verbUS /ˈbiːɪŋ/

the -ing form of “be”

From this reading Plot, incident, and description are being sacrificed more and more to the dissection of peculiar and abnormal types of character, and the story is too often lost in physiological details or psychological studies.

branchnounUS /bræntʃ/

a division of some larger or more complex organization

From this reading Fiction is ceasing to be a branch of art, and fast becoming, instead, a branch of science.

calledverbUS /kɔːld/

past form of “call” — assign a specified (usually proper) proper name to

From this reading The wave of _Naturalism_, as it is called (though nothing could really be more unnatural), has spread from France all over Europe.

ceasingverbUS /ˈsiːsɪŋ/

-ing form of “cease” — put an end to a state or an activity

From this reading Fiction is ceasing to be a branch of art, and fast becoming, instead, a branch of science.

characternounUS /ˈkerɪktər/

an imaginary person represented in a work of fiction (play or film or story)

From this reading Plot, incident, and description are being sacrificed more and more to the dissection of peculiar and abnormal types of character, and the story is too often lost in physiological details or psychological studies.

ContinentaladjectiveUS /ˌkɑːntəˈnentəl/

of or pertaining to or typical of Europe

From this reading The pessimistic tone of Continental fiction, and its pronounced preference for minute and morbid analysis, are quite revolutionizing the modern novel.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading The wave of _Naturalism_, as it is called (though nothing could really be more unnatural), has spread from France all over Europe.

descriptionnounUS /dɪˈskrɪpʃən/

a statement that represents something in words

From this reading Plot, incident, and description are being sacrificed more and more to the dissection of peculiar and abnormal types of character, and the story is too often lost in physiological details or psychological studies.

detailsnounUS /dɪˈteɪlz/

true confidential information

From this reading Plot, incident, and description are being sacrificed more and more to the dissection of peculiar and abnormal types of character, and the story is too often lost in physiological details or psychological studies.

dissectionnounUS /daɪˈsekʃən/

cutting so as to separate into pieces

From this reading Plot, incident, and description are being sacrificed more and more to the dissection of peculiar and abnormal types of character, and the story is too often lost in physiological details or psychological studies.

EuropenounUS /ˈjʊrəp/

the 2nd smallest continent (actually a vast peninsula of Eurasia); the British use “Europe” to refer to all of the continent except the British Isles

From this reading The wave of _Naturalism_, as it is called (though nothing could really be more unnatural), has spread from France all over Europe.

fastadverbUS /fæst/

quickly or rapidly (often used as a combining form)

From this reading Fiction is ceasing to be a branch of art, and fast becoming, instead, a branch of science.

fictionnounUS /ˈfɪkʃən/

a literary work based on the imagination and not necessarily on fact

From this reading The pessimistic tone of Continental fiction, and its pronounced preference for minute and morbid analysis, are quite revolutionizing the modern novel.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading The pessimistic tone of Continental fiction, and its pronounced preference for minute and morbid analysis, are quite revolutionizing the modern novel.

FrancenounUS /fræns/

a republic in western Europe; the largest country wholly in Europe

From this reading The wave of _Naturalism_, as it is called (though nothing could really be more unnatural), has spread from France all over Europe.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading The wave of _Naturalism_, as it is called (though nothing could really be more unnatural), has spread from France all over Europe.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading The wave of _Naturalism_, as it is called (though nothing could really be more unnatural), has spread from France all over Europe.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading The aim of the novelist, apparently, is to lecture instead of to amuse his readers.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Plot, incident, and description are being sacrificed more and more to the dissection of peculiar and abnormal types of character, and the story is too often lost in physiological details or psychological studies.

incidentnounUS /ˈɪnsədənt/

a single distinct event

From this reading Plot, incident, and description are being sacrificed more and more to the dissection of peculiar and abnormal types of character, and the story is too often lost in physiological details or psychological studies.

insteadadverbUS /ˌɪnˈsted/

in place of, or as an alternative to

From this reading Fiction is ceasing to be a branch of art, and fast becoming, instead, a branch of science.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Fiction is ceasing to be a branch of art, and fast becoming, instead, a branch of science.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading The wave of _Naturalism_, as it is called (though nothing could really be more unnatural), has spread from France all over Europe.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading The pessimistic tone of Continental fiction, and its pronounced preference for minute and morbid analysis, are quite revolutionizing the modern novel.

lectureverbUS /ˈlektʃər/

deliver a lecture or talk

From this reading The aim of the novelist, apparently, is to lecture instead of to amuse his readers.

lostadjectiveUS /lɔːst/

no longer in your possession or control; unable to be found or recovered

From this reading Plot, incident, and description are being sacrificed more and more to the dissection of peculiar and abnormal types of character, and the story is too often lost in physiological details or psychological studies.

minutenounUS /ˈmɪnət/

a unit of time equal to 60 seconds or 1/60th of an hour

From this reading The pessimistic tone of Continental fiction, and its pronounced preference for minute and morbid analysis, are quite revolutionizing the modern novel.

modernadjectiveUS /ˈmɑːdərn/

belonging to the modern era; since the Middle Ages

From this reading The pessimistic tone of Continental fiction, and its pronounced preference for minute and morbid analysis, are quite revolutionizing the modern novel.

morbidadjectiveUS /ˈmɔːrbəd/

suggesting an unhealthy mental state

From this reading The pessimistic tone of Continental fiction, and its pronounced preference for minute and morbid analysis, are quite revolutionizing the modern novel.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading Plot, incident, and description are being sacrificed more and more to the dissection of peculiar and abnormal types of character, and the story is too often lost in physiological details or psychological studies.

NaturalismnounUS /ˈnætʃərəlɪzəm/

(philosophy) the doctrine that the world can be understood in scientific terms without recourse to spiritual or supernatural explanations

From this reading The wave of _Naturalism_, as it is called (though nothing could really be more unnatural), has spread from France all over Europe.

nothingpronounUS /ˈnʌθɪŋ/

not one thing; not anything

From this reading The wave of _Naturalism_, as it is called (though nothing could really be more unnatural), has spread from France all over Europe.

novelnounUS /ˈnɑːvəl/

an extended fictional work in prose; usually in the form of a story

From this reading The pessimistic tone of Continental fiction, and its pronounced preference for minute and morbid analysis, are quite revolutionizing the modern novel.

novelistnounUS /ˈnɑːvələst/

one who writes novels

From this reading The aim of the novelist, apparently, is to lecture instead of to amuse his readers.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading The pessimistic tone of Continental fiction, and its pronounced preference for minute and morbid analysis, are quite revolutionizing the modern novel.

oftenadverbUS /ˈɔːfən/

many times at short intervals

From this reading Plot, incident, and description are being sacrificed more and more to the dissection of peculiar and abnormal types of character, and the story is too often lost in physiological details or psychological studies.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Plot, incident, and description are being sacrificed more and more to the dissection of peculiar and abnormal types of character, and the story is too often lost in physiological details or psychological studies.

overprepositionUS /ˈoʊvər/

above and across; more than

From this reading The wave of _Naturalism_, as it is called (though nothing could really be more unnatural), has spread from France all over Europe.

peculiaradjectiveUS /pəˈkjuːljər/

beyond or deviating from the usual or expected

From this reading Plot, incident, and description are being sacrificed more and more to the dissection of peculiar and abnormal types of character, and the story is too often lost in physiological details or psychological studies.

pessimisticadjectiveUS /ˌpesəˈmɪstɪk/

expecting the worst possible outcome

From this reading The pessimistic tone of Continental fiction, and its pronounced preference for minute and morbid analysis, are quite revolutionizing the modern novel.

physiologicaladjectiveUS /ˌfɪziəˈlɑːdʒɪkəl/

of or relating to the biological study of physiology

From this reading Plot, incident, and description are being sacrificed more and more to the dissection of peculiar and abnormal types of character, and the story is too often lost in physiological details or psychological studies.

PlotnounUS /plɑːt/

a secret scheme to do something (especially something underhand or illegal)

From this reading Plot, incident, and description are being sacrificed more and more to the dissection of peculiar and abnormal types of character, and the story is too often lost in physiological details or psychological studies.

preferencenounUS /ˈprefərəns/

a strong liking

From this reading The pessimistic tone of Continental fiction, and its pronounced preference for minute and morbid analysis, are quite revolutionizing the modern novel.

pronouncedadjectiveUS /prəˈnaʊnst/

strongly marked; easily noticeable

From this reading The pessimistic tone of Continental fiction, and its pronounced preference for minute and morbid analysis, are quite revolutionizing the modern novel.

psychologicaladjectiveUS /ˌsaɪkəˈlɑːdʒɪkəl/

mental or emotional as opposed to physical in nature

From this reading Plot, incident, and description are being sacrificed more and more to the dissection of peculiar and abnormal types of character, and the story is too often lost in physiological details or psychological studies.

quiteadverbUS /kwaɪt/

to a degree (not used with a negative)

From this reading The pessimistic tone of Continental fiction, and its pronounced preference for minute and morbid analysis, are quite revolutionizing the modern novel.

readersnounUS /ˈriːdərz/

plural of “reader” — a person who enjoys reading

From this reading The aim of the novelist, apparently, is to lecture instead of to amuse his readers.

reallyadverbUS /ˈrɪli/

in accordance with truth or fact or reality

From this reading The wave of _Naturalism_, as it is called (though nothing could really be more unnatural), has spread from France all over Europe.

revolutionizingverbUS /ˌrevəˈluːʃənaɪzɪŋ/

-ing form of “revolutionize” — change radically

From this reading The pessimistic tone of Continental fiction, and its pronounced preference for minute and morbid analysis, are quite revolutionizing the modern novel.

sacrificedverbUS /ˈsækrəfaɪst/

past form of “sacrifice” — endure the loss of

From this reading Plot, incident, and description are being sacrificed more and more to the dissection of peculiar and abnormal types of character, and the story is too often lost in physiological details or psychological studies.

sciencenounUS /ˈsaɪəns/

a particular branch of scientific knowledge

From this reading Fiction is ceasing to be a branch of art, and fast becoming, instead, a branch of science.

spreadverbUS /spred/

distribute or disperse widely

From this reading The wave of _Naturalism_, as it is called (though nothing could really be more unnatural), has spread from France all over Europe.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading Plot, incident, and description are being sacrificed more and more to the dissection of peculiar and abnormal types of character, and the story is too often lost in physiological details or psychological studies.

studiesnounUS /ˈstʌdiz/

plural of “study” — a detailed critical inspection

From this reading Plot, incident, and description are being sacrificed more and more to the dissection of peculiar and abnormal types of character, and the story is too often lost in physiological details or psychological studies.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading The pessimistic tone of Continental fiction, and its pronounced preference for minute and morbid analysis, are quite revolutionizing the modern novel.

thoughconjunctionUS /ðoʊ/

in spite of the fact that

From this reading The wave of _Naturalism_, as it is called (though nothing could really be more unnatural), has spread from France all over Europe.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Fiction is ceasing to be a branch of art, and fast becoming, instead, a branch of science.

tonenounUS /toʊn/

the quality of a person's voice

From this reading The pessimistic tone of Continental fiction, and its pronounced preference for minute and morbid analysis, are quite revolutionizing the modern novel.

tooadverbUS /tuː/

to a degree exceeding normal or proper limits

From this reading Plot, incident, and description are being sacrificed more and more to the dissection of peculiar and abnormal types of character, and the story is too often lost in physiological details or psychological studies.

typesnounUS /taɪps/

plural of “type” — a subdivision of a particular kind of thing

From this reading Plot, incident, and description are being sacrificed more and more to the dissection of peculiar and abnormal types of character, and the story is too often lost in physiological details or psychological studies.

unnaturaladjectiveUS /ənˈnætʃərəl/

not in accordance with or determined by nature; contrary to nature

From this reading The wave of _Naturalism_, as it is called (though nothing could really be more unnatural), has spread from France all over Europe.

wavenounUS /weɪv/

one of a series of ridges that moves across the surface of a liquid (especially across a large body of water)

From this reading The wave of _Naturalism_, as it is called (though nothing could really be more unnatural), has spread from France all over Europe.

Chapter 1 of Eyes Like the Sea: A Novel by Mór Jókai holds 37 sentences, grouped into 8 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of Eyes Like the Sea: A Novel contain?

Chapter 1 holds 37 sentences of Eyes Like the Sea: A Novel, unabridged, divided into 8 reading sections.

This page carries chapter 1 of Eyes Like the Sea: A Novel by Mór Jókai exactly as it stands in the source edition, without abridgement. It runs to 37 sentences, grouped into 8 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of Eyes Like the Sea: A Novel?

Work through the 8 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 8 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Eyes Like the Sea: A Novel

Common questions about reading Eyes Like the Sea: A Novel by Mór Jókai on this page, its source edition and its audio.

Is this the complete text of Eyes Like the Sea: A Novel?

Yes. All 6474 sentences of Project Gutenberg eBook #31642 are kept, with a record of which sentences cover which part.

Which edition of Eyes Like the Sea: A Novel is used?

Project Gutenberg eBook #31642, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Eyes Like the Sea: A Novel take to read?

About 539 minutes of reading across 1295 sections of 5 sentences each, at an unhurried pace.

How to read Eyes Like the Sea: A Novel section by section

How to work through Eyes Like the Sea: A Novel section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

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  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Eyes Like the Sea: A Novel

Words and structures a reader meets early in Eyes Like the Sea: A Novel, each tappable for pronunciation and meaning.

Pessimistic
A word that appears in the opening chapter of Eyes Like the Sea: A Novel; the reader can tap it to hear it and see its dictionary entry.
Continental
A word that appears in the opening chapter of Eyes Like the Sea: A Novel; the reader can tap it to hear it and see its dictionary entry.
Fiction
A word that appears in the opening chapter of Eyes Like the Sea: A Novel; the reader can tap it to hear it and see its dictionary entry.
Pronounced
A word that appears in the opening chapter of Eyes Like the Sea: A Novel; the reader can tap it to hear it and see its dictionary entry.