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Fair Margaret: A Portrait
Fair Margaret: A Portrait

Chapter V · Chapter 5

Chapter 5 of Fair Margaret: A Portrait is here in full — 189 sentences across 38 reading sections, with audio for every sentence and word.

Cover illustration for Fair Margaret: A Portrait
Context Illustration Reading 1/37 · 5 lines
English subtitles · tap any word to listen 1 / 5
Little Madame Durand-De Rosa took Margaret behind the scenes just before the second act of _Romeo and Juliet_ was over.
The famous teacher of singing was a privileged person at the Opera, and the man who kept the side door of communication between the house and the stage bowed low as he opened for her and Margaret.
Things are well managed in the great opera-houses nowadays, and it is not easy to get behind when anything is going on.
The young girl felt a new sensation of awe and excitement.
It was the first time she had ever found herself on the working side of the vast machinery of artistic pleasure, and her first impression was that she had been torn from an artificial paradise and was being dragged through an artificial inferno.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Fair Margaret: A Portrait

Chapter V · Chapter 5

Chapter 5 of Fair Margaret: A Portrait is here in full — 189 sentences across 38 reading sections, with audio for every sentence and word.

Reading 1/37 · 5 reading units · Lines 1–5

Line 1
Little Madame Durand-De Rosa took Margaret behind the scenes just before the second act of _Romeo and Juliet_ was over.
Line 2
The famous teacher of singing was a privileged person at the Opera, and the man who kept the side door of communication between the house and the stage bowed low as he opened for her and Margaret.
Line 3
Things are well managed in the great opera-houses nowadays, and it is not easy to get behind when anything is going on.
Line 4
The young girl felt a new sensation of awe and excitement.
/ðə jʌŋ ɡɜːrl felt ə nuː senˈseɪʃən ʌv ɑː ənd ɪkˈsaɪtmənt/
Line 5
It was the first time she had ever found herself on the working side of the vast machinery of artistic pleasure, and her first impression was that she had been torn from an artificial paradise and was being dragged through an artificial inferno.
/ɪt wɑːz ðə fɜːrst taɪm ʃiː hæd ˈevər faʊnd hərˈself ɑːn ðə ˈwɜːrkɪŋ saɪd ʌv ðə væst məˈʃiːnəri ʌv ɑːrˈtɪstɪk ˈpleʒər ənd hɜːr fɜːrst ˌɪmˈpreʃən wɑːz ðæt ʃiː hæd bɪn tɔːrn frʌm æn ˌɑːrtəˈfɪʃəl ˈperədaɪs ənd wɑːz ˈbiːɪŋ dræɡd θruː æn ˌɑːrtəˈfɪʃəl ˌɪnˈfɜːrnoʊ/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

artificial adjective US /ˌɑːrtəˈfɪʃəl/

contrived by art rather than nature

From this reading “It was the first time she had ever found herself on the working side of the vast machinery of artistic pleasure, and her first impression was that she had been torn from an artificial paradise and was being dragged through an artificial inferno.”

artistic adjective US /ɑːrˈtɪstɪk/

relating to or characteristic of art or artists

From this reading “It was the first time she had ever found herself on the working side of the vast machinery of artistic pleasure, and her first impression was that she had been torn from an artificial paradise and was being dragged through an artificial inferno.”

inferno noun US /ˌɪnˈfɜːrnoʊ/

any place of pain and turmoil

From this reading “It was the first time she had ever found herself on the working side of the vast machinery of artistic pleasure, and her first impression was that she had been torn from an artificial paradise and was being dragged through an artificial inferno.”

machinery noun US /məˈʃiːnəri/

machines or machine systems collectively

From this reading “It was the first time she had ever found herself on the working side of the vast machinery of artistic pleasure, and her first impression was that she had been torn from an artificial paradise and was being dragged through an artificial inferno.”

nowadays noun US /ˈnaʊədeɪz/

the period of time that is happening now; any continuous stretch of time including the moment of speech

From this reading “Things are well managed in the great opera-houses nowadays, and it is not easy to get behind when anything is going on.”

privileged adjective US /ˈprɪvlədʒd/

blessed with privileges

From this reading “The famous teacher of singing was a privileged person at the Opera, and the man who kept the side door of communication between the house and the stage bowed low as he opened for her and Margaret.”

Romeo noun US /ˈroʊmioʊ/

an ardent male lover

Rosa noun US /ˈroʊzə/

large genus of erect or climbing prickly shrubs including roses

From this reading “Little Madame Durand-De Rosa took Margaret behind the scenes just before the second act of _Romeo and Juliet_ was over.”

All words in this reading · 92

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading The famous teacher of singing was a privileged person at the Opera, and the man who kept the side door of communication between the house and the stage bowed low as he opened for her and Margaret.

actverbUS /ækt/

perform an action, or work out or perform (an action)

From this reading Little Madame Durand-De Rosa took Margaret behind the scenes just before the second act of _Romeo and Juliet_ was over.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading It was the first time she had ever found herself on the working side of the vast machinery of artistic pleasure, and her first impression was that she had been torn from an artificial paradise and was being dragged through an artificial inferno.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Little Madame Durand-De Rosa took Margaret behind the scenes just before the second act of _Romeo and Juliet_ was over.

anythingpronounUS /ˈeniθɪŋ/

any thing at all

From this reading Things are well managed in the great opera-houses nowadays, and it is not easy to get behind when anything is going on.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading Things are well managed in the great opera-houses nowadays, and it is not easy to get behind when anything is going on.

artificialadjectiveUS /ˌɑːrtəˈfɪʃəl/

contrived by art rather than nature

From this reading It was the first time she had ever found herself on the working side of the vast machinery of artistic pleasure, and her first impression was that she had been torn from an artificial paradise and was being dragged through an artificial inferno.

artisticadjectiveUS /ɑːrˈtɪstɪk/

relating to or characteristic of art or artists

From this reading It was the first time she had ever found herself on the working side of the vast machinery of artistic pleasure, and her first impression was that she had been torn from an artificial paradise and was being dragged through an artificial inferno.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading The famous teacher of singing was a privileged person at the Opera, and the man who kept the side door of communication between the house and the stage bowed low as he opened for her and Margaret.

atprepositionUS /æt/

in or near a particular place or position

From this reading The famous teacher of singing was a privileged person at the Opera, and the man who kept the side door of communication between the house and the stage bowed low as he opened for her and Margaret.

awenounUS /ɑː/

an overwhelming feeling of wonder or admiration

From this reading The young girl felt a new sensation of awe and excitement.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading It was the first time she had ever found herself on the working side of the vast machinery of artistic pleasure, and her first impression was that she had been torn from an artificial paradise and was being dragged through an artificial inferno.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading Little Madame Durand-De Rosa took Margaret behind the scenes just before the second act of _Romeo and Juliet_ was over.

behindprepositionUS /bɪˈhaɪnd/

at or toward the back of something

From this reading Little Madame Durand-De Rosa took Margaret behind the scenes just before the second act of _Romeo and Juliet_ was over.

beingauxiliary verbUS /ˈbiːɪŋ/

the -ing form of “be”

From this reading It was the first time she had ever found herself on the working side of the vast machinery of artistic pleasure, and her first impression was that she had been torn from an artificial paradise and was being dragged through an artificial inferno.

betweenprepositionUS /bɪˈtwiːn/

in the space, time, or range separating two things

From this reading The famous teacher of singing was a privileged person at the Opera, and the man who kept the side door of communication between the house and the stage bowed low as he opened for her and Margaret.

bowedadjectiveUS /baʊd/

of a stringed instrument; sounded by stroking with a bow

From this reading The famous teacher of singing was a privileged person at the Opera, and the man who kept the side door of communication between the house and the stage bowed low as he opened for her and Margaret.

communicationnounUS /kəˌmjuːnəˈkeɪʃən/

the activity of communicating; the activity of conveying information

From this reading The famous teacher of singing was a privileged person at the Opera, and the man who kept the side door of communication between the house and the stage bowed low as he opened for her and Margaret.

doornounUS /dɔːr/

a swinging or sliding barrier that will close the entrance to a room or building or vehicle

From this reading The famous teacher of singing was a privileged person at the Opera, and the man who kept the side door of communication between the house and the stage bowed low as he opened for her and Margaret.

draggedverbUS /dræɡd/

inflected form of “drag” — pull, as against a resistance

From this reading It was the first time she had ever found herself on the working side of the vast machinery of artistic pleasure, and her first impression was that she had been torn from an artificial paradise and was being dragged through an artificial inferno.

Durand-De

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Little Madame Durand-De Rosa took Margaret behind the scenes just before the second act of _Romeo and Juliet_ was over.

easyadjectiveUS /ˈiːzi/

posing no difficulty; requiring little effort

From this reading Things are well managed in the great opera-houses nowadays, and it is not easy to get behind when anything is going on.

everadverbUS /ˈevər/

at any time

From this reading It was the first time she had ever found herself on the working side of the vast machinery of artistic pleasure, and her first impression was that she had been torn from an artificial paradise and was being dragged through an artificial inferno.

excitementnounUS /ɪkˈsaɪtmənt/

the feeling of lively and cheerful joy

From this reading The young girl felt a new sensation of awe and excitement.

famousadjectiveUS /ˈfeɪməs/

widely known and esteemed

From this reading The famous teacher of singing was a privileged person at the Opera, and the man who kept the side door of communication between the house and the stage bowed low as he opened for her and Margaret.

feltverbUS /felt/

mat together and make felt-like

From this reading The young girl felt a new sensation of awe and excitement.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading It was the first time she had ever found herself on the working side of the vast machinery of artistic pleasure, and her first impression was that she had been torn from an artificial paradise and was being dragged through an artificial inferno.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading The famous teacher of singing was a privileged person at the Opera, and the man who kept the side door of communication between the house and the stage bowed low as he opened for her and Margaret.

foundverbUS /faʊnd/

set up or found

From this reading It was the first time she had ever found herself on the working side of the vast machinery of artistic pleasure, and her first impression was that she had been torn from an artificial paradise and was being dragged through an artificial inferno.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading It was the first time she had ever found herself on the working side of the vast machinery of artistic pleasure, and her first impression was that she had been torn from an artificial paradise and was being dragged through an artificial inferno.

getverbUS /ɡet/

come into the possession of something concrete or abstract

From this reading Things are well managed in the great opera-houses nowadays, and it is not easy to get behind when anything is going on.

girlnounUS /ɡɜːrl/

a young female

From this reading The young girl felt a new sensation of awe and excitement.

goingnounUS /ˈɡoʊɪŋ/

the act of departing

From this reading Things are well managed in the great opera-houses nowadays, and it is not easy to get behind when anything is going on.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading Things are well managed in the great opera-houses nowadays, and it is not easy to get behind when anything is going on.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading It was the first time she had ever found herself on the working side of the vast machinery of artistic pleasure, and her first impression was that she had been torn from an artificial paradise and was being dragged through an artificial inferno.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading The famous teacher of singing was a privileged person at the Opera, and the man who kept the side door of communication between the house and the stage bowed low as he opened for her and Margaret.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading The famous teacher of singing was a privileged person at the Opera, and the man who kept the side door of communication between the house and the stage bowed low as he opened for her and Margaret.

herselfpronounUS /hərˈself/

used when the woman or girl doing the action is also its object

From this reading It was the first time she had ever found herself on the working side of the vast machinery of artistic pleasure, and her first impression was that she had been torn from an artificial paradise and was being dragged through an artificial inferno.

housenounUS /haʊs/

a dwelling that serves as living quarters for one or more families

From this reading The famous teacher of singing was a privileged person at the Opera, and the man who kept the side door of communication between the house and the stage bowed low as he opened for her and Margaret.

impressionnounUS /ˌɪmˈpreʃən/

a vague idea in which some confidence is placed

From this reading It was the first time she had ever found herself on the working side of the vast machinery of artistic pleasure, and her first impression was that she had been torn from an artificial paradise and was being dragged through an artificial inferno.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Things are well managed in the great opera-houses nowadays, and it is not easy to get behind when anything is going on.

infernonounUS /ˌɪnˈfɜːrnoʊ/

any place of pain and turmoil

From this reading It was the first time she had ever found herself on the working side of the vast machinery of artistic pleasure, and her first impression was that she had been torn from an artificial paradise and was being dragged through an artificial inferno.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Things are well managed in the great opera-houses nowadays, and it is not easy to get behind when anything is going on.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Things are well managed in the great opera-houses nowadays, and it is not easy to get behind when anything is going on.

Juliet

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Little Madame Durand-De Rosa took Margaret behind the scenes just before the second act of _Romeo and Juliet_ was over.

justadverbUS /dʒʌst/

and nothing more

From this reading Little Madame Durand-De Rosa took Margaret behind the scenes just before the second act of _Romeo and Juliet_ was over.

keptadjectiveUS /kept/

(especially of promises or contracts) not violated or disregarded

From this reading The famous teacher of singing was a privileged person at the Opera, and the man who kept the side door of communication between the house and the stage bowed low as he opened for her and Margaret.

LittleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading Little Madame Durand-De Rosa took Margaret behind the scenes just before the second act of _Romeo and Juliet_ was over.

lowadjectiveUS /loʊ/

less than normal in degree or intensity or amount

From this reading The famous teacher of singing was a privileged person at the Opera, and the man who kept the side door of communication between the house and the stage bowed low as he opened for her and Margaret.

machinerynounUS /məˈʃiːnəri/

machines or machine systems collectively

From this reading It was the first time she had ever found herself on the working side of the vast machinery of artistic pleasure, and her first impression was that she had been torn from an artificial paradise and was being dragged through an artificial inferno.

MadamenounUS /ˈmædəm/

title used for a married Frenchwoman

From this reading Little Madame Durand-De Rosa took Margaret behind the scenes just before the second act of _Romeo and Juliet_ was over.

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading The famous teacher of singing was a privileged person at the Opera, and the man who kept the side door of communication between the house and the stage bowed low as he opened for her and Margaret.

managedverbUS /ˈmænədʒd/

past form of “manage” — be successful; achieve a goal

From this reading Things are well managed in the great opera-houses nowadays, and it is not easy to get behind when anything is going on.

Margaret

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Little Madame Durand-De Rosa took Margaret behind the scenes just before the second act of _Romeo and Juliet_ was over.

newadjectiveUS /nuː/

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading The young girl felt a new sensation of awe and excitement.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Things are well managed in the great opera-houses nowadays, and it is not easy to get behind when anything is going on.

nowadaysnounUS /ˈnaʊədeɪz/

the period of time that is happening now; any continuous stretch of time including the moment of speech

From this reading Things are well managed in the great opera-houses nowadays, and it is not easy to get behind when anything is going on.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Little Madame Durand-De Rosa took Margaret behind the scenes just before the second act of _Romeo and Juliet_ was over.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading Things are well managed in the great opera-houses nowadays, and it is not easy to get behind when anything is going on.

openedadjectiveUS /ˈoʊpənd/

used of mouth or eyes

From this reading The famous teacher of singing was a privileged person at the Opera, and the man who kept the side door of communication between the house and the stage bowed low as he opened for her and Margaret.

OperanounUS /ˈɑːprə/

a drama set to music; consists of singing with orchestral accompaniment and an orchestral overture and interludes

From this reading The famous teacher of singing was a privileged person at the Opera, and the man who kept the side door of communication between the house and the stage bowed low as he opened for her and Margaret.

opera-houses

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Things are well managed in the great opera-houses nowadays, and it is not easy to get behind when anything is going on.

overprepositionUS /ˈoʊvər/

above and across; more than

From this reading Little Madame Durand-De Rosa took Margaret behind the scenes just before the second act of _Romeo and Juliet_ was over.

paradisenounUS /ˈperədaɪs/

any place of complete bliss and delight and peace

From this reading It was the first time she had ever found herself on the working side of the vast machinery of artistic pleasure, and her first impression was that she had been torn from an artificial paradise and was being dragged through an artificial inferno.

personnounUS /ˈpɜːrsən/

a human being

From this reading The famous teacher of singing was a privileged person at the Opera, and the man who kept the side door of communication between the house and the stage bowed low as he opened for her and Margaret.

pleasurenounUS /ˈpleʒər/

a fundamental feeling that is hard to define but that people desire to experience

From this reading It was the first time she had ever found herself on the working side of the vast machinery of artistic pleasure, and her first impression was that she had been torn from an artificial paradise and was being dragged through an artificial inferno.

privilegedadjectiveUS /ˈprɪvlədʒd/

blessed with privileges

From this reading The famous teacher of singing was a privileged person at the Opera, and the man who kept the side door of communication between the house and the stage bowed low as he opened for her and Margaret.

RomeonounUS /ˈroʊmioʊ/

an ardent male lover

From this reading Little Madame Durand-De Rosa took Margaret behind the scenes just before the second act of _Romeo and Juliet_ was over.

RosanounUS /ˈroʊzə/

large genus of erect or climbing prickly shrubs including roses

From this reading Little Madame Durand-De Rosa took Margaret behind the scenes just before the second act of _Romeo and Juliet_ was over.

scenesnounUS /siːnz/

plural of “scene” — the place where some action occurs

From this reading Little Madame Durand-De Rosa took Margaret behind the scenes just before the second act of _Romeo and Juliet_ was over.

secondnounUS /ˈsekənd/

1/60 of a minute; the basic unit of time adopted under the Systeme International d'Unites

From this reading Little Madame Durand-De Rosa took Margaret behind the scenes just before the second act of _Romeo and Juliet_ was over.

sensationnounUS /senˈseɪʃən/

an unelaborated elementary awareness of stimulation

From this reading The young girl felt a new sensation of awe and excitement.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading It was the first time she had ever found herself on the working side of the vast machinery of artistic pleasure, and her first impression was that she had been torn from an artificial paradise and was being dragged through an artificial inferno.

sidenounUS /saɪd/

a place within a region identified relative to a center or reference location

From this reading The famous teacher of singing was a privileged person at the Opera, and the man who kept the side door of communication between the house and the stage bowed low as he opened for her and Margaret.

singingnounUS /ˈsɪŋɪŋ/

the act of singing vocal music

From this reading The famous teacher of singing was a privileged person at the Opera, and the man who kept the side door of communication between the house and the stage bowed low as he opened for her and Margaret.

stagenounUS /steɪdʒ/

any distinct time period in a sequence of events

From this reading The famous teacher of singing was a privileged person at the Opera, and the man who kept the side door of communication between the house and the stage bowed low as he opened for her and Margaret.

teachernounUS /ˈtiːtʃər/

a person whose occupation is teaching

From this reading The famous teacher of singing was a privileged person at the Opera, and the man who kept the side door of communication between the house and the stage bowed low as he opened for her and Margaret.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading It was the first time she had ever found herself on the working side of the vast machinery of artistic pleasure, and her first impression was that she had been torn from an artificial paradise and was being dragged through an artificial inferno.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Little Madame Durand-De Rosa took Margaret behind the scenes just before the second act of _Romeo and Juliet_ was over.

ThingsnounUS /θɪŋz/

any movable possession (especially articles of clothing)

From this reading Things are well managed in the great opera-houses nowadays, and it is not easy to get behind when anything is going on.

throughprepositionUS /θruː/

from one end or side of something to the other

From this reading It was the first time she had ever found herself on the working side of the vast machinery of artistic pleasure, and her first impression was that she had been torn from an artificial paradise and was being dragged through an artificial inferno.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading It was the first time she had ever found herself on the working side of the vast machinery of artistic pleasure, and her first impression was that she had been torn from an artificial paradise and was being dragged through an artificial inferno.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Things are well managed in the great opera-houses nowadays, and it is not easy to get behind when anything is going on.

tookverbUS /tʊk/

inflected form of “take” — carry out

From this reading Little Madame Durand-De Rosa took Margaret behind the scenes just before the second act of _Romeo and Juliet_ was over.

tornadjectiveUS /tɔːrn/

having edges that are jagged from injury

From this reading It was the first time she had ever found herself on the working side of the vast machinery of artistic pleasure, and her first impression was that she had been torn from an artificial paradise and was being dragged through an artificial inferno.

vastadjectiveUS /væst/

unusually great in size or amount or degree or especially extent or scope

From this reading It was the first time she had ever found herself on the working side of the vast machinery of artistic pleasure, and her first impression was that she had been torn from an artificial paradise and was being dragged through an artificial inferno.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Little Madame Durand-De Rosa took Margaret behind the scenes just before the second act of _Romeo and Juliet_ was over.

welladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading Things are well managed in the great opera-houses nowadays, and it is not easy to get behind when anything is going on.

whenconjunctionUS /wen/

at the time that

From this reading Things are well managed in the great opera-houses nowadays, and it is not easy to get behind when anything is going on.

whopronounUS /huː/

which person or people

From this reading The famous teacher of singing was a privileged person at the Opera, and the man who kept the side door of communication between the house and the stage bowed low as he opened for her and Margaret.

workingadjectiveUS /ˈwɜːrkɪŋ/

actively engaged in paid work

From this reading It was the first time she had ever found herself on the working side of the vast machinery of artistic pleasure, and her first impression was that she had been torn from an artificial paradise and was being dragged through an artificial inferno.

youngadjectiveUS /jʌŋ/

(used of living things especially persons) in an early period of life or development or growth

From this reading The young girl felt a new sensation of awe and excitement.

Chapter 5 of Fair Margaret: A Portrait by F. Marion (Francis Marion) Crawford holds 189 sentences, grouped into 38 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 5 of Fair Margaret: A Portrait contain?

Chapter 5 holds 189 sentences of Fair Margaret: A Portrait, unabridged, divided into 38 reading sections.

This page carries chapter 5 of Fair Margaret: A Portrait by F. Marion (Francis Marion) Crawford exactly as it stands in the source edition, without abridgement. It runs to 189 sentences, grouped into 38 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 5 of Fair Margaret: A Portrait?

Work through the 38 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 38 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 5 be read aloud to me?

Yes — every sentence and every individual word in chapter 5 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Fair Margaret: A Portrait

Common questions about reading Fair Margaret: A Portrait by F. Marion (Francis Marion) Crawford on this page, its source edition and its audio.

Is this the complete text of Fair Margaret: A Portrait?

Yes. All 5857 sentences of Project Gutenberg eBook #25838 are kept, with a record of which sentences cover which part.

Which edition of Fair Margaret: A Portrait is used?

Project Gutenberg eBook #25838, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Fair Margaret: A Portrait take to read?

About 488 minutes of reading across 1172 sections of 5 sentences each, at an unhurried pace.

How to read Fair Margaret: A Portrait section by section

How to work through Fair Margaret: A Portrait section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 20 chapters of Fair Margaret: A Portrait to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Fair Margaret: A Portrait

Words and structures a reader meets early in Fair Margaret: A Portrait, each tappable for pronunciation and meaning.

Realist
A word that appears in the opening chapter of Fair Margaret: A Portrait; the reader can tap it to hear it and see its dictionary entry.
Edmund
A word that appears in the opening chapter of Fair Margaret: A Portrait; the reader can tap it to hear it and see its dictionary entry.
Lushington
A word that appears in the opening chapter of Fair Margaret: A Portrait; the reader can tap it to hear it and see its dictionary entry.
Explained
A word that appears in the opening chapter of Fair Margaret: A Portrait; the reader can tap it to hear it and see its dictionary entry.