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Fata Morgana
Fata Morgana

Chapter XII

Chapter 12 of Fata Morgana is here in full — 183 sentences across 37 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/36 · 5 lines
English subtitles · tap any word to listen 1 / 5
WANTEDA DUCHESS!
As he had himself said to Ethel the day of his visit to Phil’s studio, Conrad di Tagliaferro, Duke of Morgania, was much to be pitiedhe had to quit Paris!
The duke reveled in the life of the Boulevard, losing himself amid the crowd, climbing to the tops of omnibuses, taking a cab to the opera, getting himself spoken of in the society news of the papers.
He was seen everywhere,—in salons and at the theater, at the clubs and at the races.
There was no ceremony for him, and he had no cares.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Fata Morgana

Chapter XII

Chapter 12 of Fata Morgana is here in full — 183 sentences across 37 reading sections, with audio for every sentence and word.

Reading 1/36 · 5 reading units · Lines 1–5

Line 1
WANTEDA DUCHESS!
Line 2
As he had himself said to Ethel the day of his visit to Phil’s studio, Conrad di Tagliaferro, Duke of Morgania, was much to be pitiedhe had to quit Paris!
Line 3
The duke reveled in the life of the Boulevard, losing himself amid the crowd, climbing to the tops of omnibuses, taking a cab to the opera, getting himself spoken of in the society news of the papers.
/ðə duːk ˈrevəld ɪn ðə laɪf ʌv ðə ˈbʊləvɑːrd ˈluːzɪŋ hɪmˈself əˈmɪd ðə kraʊd ˈklaɪmɪŋ tuː ðə tɑːps ʌv ˈɑːmnəbəsəz ˈteɪkɪŋ ə kæb tuː ðə ˈɑːprə ˈɡetɪŋ hɪmˈself ˈspoʊkən ʌv ɪn ðə səˈsaɪəti nuːz ʌv ðə ˈpeɪpərz/
Line 4
He was seen everywhere,—in salons and at the theater, at the clubs and at the races.
Line 5
There was no ceremony for him, and he had no cares.
/ðer wɑːz noʊ ˈserəmoʊni fɔːr hɪm ənd hiː hæd noʊ kerz/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Boulevard noun US /ˈbʊləvɑːrd/

a wide street or thoroughfare

From this reading “The duke reveled in the life of the Boulevard, losing himself amid the crowd, climbing to the tops of omnibuses, taking a cab to the opera, getting himself spoken of in the society news of the papers.”

clubs noun US /klʌbz/

plural of “club” — a team of professional baseball players who play and travel together

From this reading “He was seen everywhere,—in salons and at the theater, at the clubs and at the races.”

Conrad noun US /ˈkɑːnræd/

English novelist (born in Poland) noted for sea stories and for his narrative technique (1857-1924)

From this reading “As he had himself said to Ethel the day of his visit to Phil’s studio, Conrad di Tagliaferro, Duke of Morgania, was much to be pitied—he had to quit Paris!”

omnibuses noun US /ˈɑːmnəbəsəz/

plural of “omnibus” — an anthology of articles on a related subject or an anthology of the works of a single author

From this reading “The duke reveled in the life of the Boulevard, losing himself amid the crowd, climbing to the tops of omnibuses, taking a cab to the opera, getting himself spoken of in the society news of the papers.”

pitied verb US /ˈpɪtiːd/

inflected form of “pity” — share the suffering of

From this reading “As he had himself said to Ethel the day of his visit to Phil’s studio, Conrad di Tagliaferro, Duke of Morgania, was much to be pitied—he had to quit Paris!”

reveled verb US /ˈrevəld/

past form of “revel” — take delight in

From this reading “The duke reveled in the life of the Boulevard, losing himself amid the crowd, climbing to the tops of omnibuses, taking a cab to the opera, getting himself spoken of in the society news of the papers.”

salons noun US /səˈlɑːnz/

plural of “salon” — gallery where works of art can be displayed

From this reading “He was seen everywhere,—in salons and at the theater, at the clubs and at the races.”

theater noun US /ˈθiːətər/

a building where theatrical performances or motion-picture shows can be presented

From this reading “He was seen everywhere,—in salons and at the theater, at the clubs and at the races.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

reveled in verb + particle counted as “revel in”

In this reading “The duke reveled in the life of the Boulevard, losing himself amid the crowd, climbing to the tops of omnibuses, taking a cab to the opera, getting himself spoken of in the society news of the papers.”

at the clubs preposition + article + noun counted as “at … club”

In this reading “He was seen everywhere,—in salons and at the theater, at the clubs and at the races.”

All words in this reading · 60

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading WANTED—A DUCHESS!

amidprepositionUS /əˈmɪd/

in the middle of; surrounded by

From this reading The duke reveled in the life of the Boulevard, losing himself amid the crowd, climbing to the tops of omnibuses, taking a cab to the opera, getting himself spoken of in the society news of the papers.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading He was seen everywhere,—in salons and at the theater, at the clubs and at the races.

AsconjunctionUS /æz/

at the same time that; because; in the way that

From this reading As he had himself said to Ethel the day of his visit to Phil’s studio, Conrad di Tagliaferro, Duke of Morgania, was much to be pitied—he had to quit Paris!

atprepositionUS /æt/

in or near a particular place or position

From this reading He was seen everywhere,—in salons and at the theater, at the clubs and at the races.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading As he had himself said to Ethel the day of his visit to Phil’s studio, Conrad di Tagliaferro, Duke of Morgania, was much to be pitied—he had to quit Paris!

BoulevardnounUS /ˈbʊləvɑːrd/

a wide street or thoroughfare

From this reading The duke reveled in the life of the Boulevard, losing himself amid the crowd, climbing to the tops of omnibuses, taking a cab to the opera, getting himself spoken of in the society news of the papers.

cabnounUS /kæb/

a compartment at the front of a motor vehicle or locomotive where driver sits

From this reading The duke reveled in the life of the Boulevard, losing himself amid the crowd, climbing to the tops of omnibuses, taking a cab to the opera, getting himself spoken of in the society news of the papers.

caresnounUS /kerz/

plural of “care” — the work of providing treatment for or attending to someone or something

From this reading There was no ceremony for him, and he had no cares.

ceremonynounUS /ˈserəmoʊni/

a formal event performed on a special occasion

From this reading There was no ceremony for him, and he had no cares.

climbingnounUS /ˈklaɪmɪŋ/

an event that involves rising to a higher point (as in altitude or temperature or intensity etc.)

From this reading The duke reveled in the life of the Boulevard, losing himself amid the crowd, climbing to the tops of omnibuses, taking a cab to the opera, getting himself spoken of in the society news of the papers.

clubsnounUS /klʌbz/

plural of “club” — a team of professional baseball players who play and travel together

From this reading He was seen everywhere,—in salons and at the theater, at the clubs and at the races.

ConradnounUS /ˈkɑːnræd/

English novelist (born in Poland) noted for sea stories and for his narrative technique (1857-1924)

From this reading As he had himself said to Ethel the day of his visit to Phil’s studio, Conrad di Tagliaferro, Duke of Morgania, was much to be pitied—he had to quit Paris!

crowdverbUS /kraʊd/

cause to herd, drive, or crowd together

From this reading The duke reveled in the life of the Boulevard, losing himself amid the crowd, climbing to the tops of omnibuses, taking a cab to the opera, getting himself spoken of in the society news of the papers.

daynounUS /deɪ/

time for Earth to make a complete rotation on its axis

From this reading As he had himself said to Ethel the day of his visit to Phil’s studio, Conrad di Tagliaferro, Duke of Morgania, was much to be pitied—he had to quit Paris!

di

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading As he had himself said to Ethel the day of his visit to Phil’s studio, Conrad di Tagliaferro, Duke of Morgania, was much to be pitied—he had to quit Paris!

DUCHESSnounUS /ˈdʌtʃəs/

the wife of a duke or a woman holding ducal title in her own right

From this reading WANTED—A DUCHESS!

DukenounUS /duːk/

a British peer of the highest rank

From this reading As he had himself said to Ethel the day of his visit to Phil’s studio, Conrad di Tagliaferro, Duke of Morgania, was much to be pitied—he had to quit Paris!

Ethel

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading As he had himself said to Ethel the day of his visit to Phil’s studio, Conrad di Tagliaferro, Duke of Morgania, was much to be pitied—he had to quit Paris!

everywhereadverbUS /ˈevriwer/

to or in any or all places

From this reading He was seen everywhere,—in salons and at the theater, at the clubs and at the races.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading There was no ceremony for him, and he had no cares.

gettingnounUS /ˈɡetɪŋ/

the act of acquiring something

From this reading The duke reveled in the life of the Boulevard, losing himself amid the crowd, climbing to the tops of omnibuses, taking a cab to the opera, getting himself spoken of in the society news of the papers.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading As he had himself said to Ethel the day of his visit to Phil’s studio, Conrad di Tagliaferro, Duke of Morgania, was much to be pitied—he had to quit Paris!

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading As he had himself said to Ethel the day of his visit to Phil’s studio, Conrad di Tagliaferro, Duke of Morgania, was much to be pitied—he had to quit Paris!

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading There was no ceremony for him, and he had no cares.

himselfpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading As he had himself said to Ethel the day of his visit to Phil’s studio, Conrad di Tagliaferro, Duke of Morgania, was much to be pitied—he had to quit Paris!

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading As he had himself said to Ethel the day of his visit to Phil’s studio, Conrad di Tagliaferro, Duke of Morgania, was much to be pitied—he had to quit Paris!

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading The duke reveled in the life of the Boulevard, losing himself amid the crowd, climbing to the tops of omnibuses, taking a cab to the opera, getting himself spoken of in the society news of the papers.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading The duke reveled in the life of the Boulevard, losing himself amid the crowd, climbing to the tops of omnibuses, taking a cab to the opera, getting himself spoken of in the society news of the papers.

losingverbUS /ˈluːzɪŋ/

-ing form of “lose” — fail to keep or to maintain; cease to have, either physically or in an abstract sense

From this reading The duke reveled in the life of the Boulevard, losing himself amid the crowd, climbing to the tops of omnibuses, taking a cab to the opera, getting himself spoken of in the society news of the papers.

Morgania

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading As he had himself said to Ethel the day of his visit to Phil’s studio, Conrad di Tagliaferro, Duke of Morgania, was much to be pitied—he had to quit Paris!

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading As he had himself said to Ethel the day of his visit to Phil’s studio, Conrad di Tagliaferro, Duke of Morgania, was much to be pitied—he had to quit Paris!

newsnounUS /nuːz/

information about recent and important events

From this reading The duke reveled in the life of the Boulevard, losing himself amid the crowd, climbing to the tops of omnibuses, taking a cab to the opera, getting himself spoken of in the society news of the papers.

nodeterminerUS /noʊ/

not any; not one

From this reading There was no ceremony for him, and he had no cares.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading As he had himself said to Ethel the day of his visit to Phil’s studio, Conrad di Tagliaferro, Duke of Morgania, was much to be pitied—he had to quit Paris!

omnibusesnounUS /ˈɑːmnəbəsəz/

plural of “omnibus” — an anthology of articles on a related subject or an anthology of the works of a single author

From this reading The duke reveled in the life of the Boulevard, losing himself amid the crowd, climbing to the tops of omnibuses, taking a cab to the opera, getting himself spoken of in the society news of the papers.

operanounUS /ˈɑːprə/

a drama set to music; consists of singing with orchestral accompaniment and an orchestral overture and interludes

From this reading The duke reveled in the life of the Boulevard, losing himself amid the crowd, climbing to the tops of omnibuses, taking a cab to the opera, getting himself spoken of in the society news of the papers.

papersnounUS /ˈpeɪpərz/

writing that provides information (especially information of an official nature)

From this reading The duke reveled in the life of the Boulevard, losing himself amid the crowd, climbing to the tops of omnibuses, taking a cab to the opera, getting himself spoken of in the society news of the papers.

ParisnounUS /ˈperɪs/

the capital and largest city of France; and international center of culture and commerce

From this reading As he had himself said to Ethel the day of his visit to Phil’s studio, Conrad di Tagliaferro, Duke of Morgania, was much to be pitied—he had to quit Paris!

Phil's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading As he had himself said to Ethel the day of his visit to Phil’s studio, Conrad di Tagliaferro, Duke of Morgania, was much to be pitied—he had to quit Paris!

pitiedverbUS /ˈpɪtiːd/

inflected form of “pity” — share the suffering of

From this reading As he had himself said to Ethel the day of his visit to Phil’s studio, Conrad di Tagliaferro, Duke of Morgania, was much to be pitied—he had to quit Paris!

quitverbUS /kwɪt/

put an end to a state or an activity

From this reading As he had himself said to Ethel the day of his visit to Phil’s studio, Conrad di Tagliaferro, Duke of Morgania, was much to be pitied—he had to quit Paris!

racesnounUS /ˈreɪsəz/

plural of “race” — any competition

From this reading He was seen everywhere,—in salons and at the theater, at the clubs and at the races.

reveledverbUS /ˈrevəld/

past form of “revel” — take delight in

From this reading The duke reveled in the life of the Boulevard, losing himself amid the crowd, climbing to the tops of omnibuses, taking a cab to the opera, getting himself spoken of in the society news of the papers.

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading As he had himself said to Ethel the day of his visit to Phil’s studio, Conrad di Tagliaferro, Duke of Morgania, was much to be pitied—he had to quit Paris!

salonsnounUS /səˈlɑːnz/

plural of “salon” — gallery where works of art can be displayed

From this reading He was seen everywhere,—in salons and at the theater, at the clubs and at the races.

seenverbUS /siːn/

inflected form of “see” — perceive by sight or have the power to perceive by sight

From this reading He was seen everywhere,—in salons and at the theater, at the clubs and at the races.

societynounUS /səˈsaɪəti/

an extended social group having a distinctive cultural and economic organization

From this reading The duke reveled in the life of the Boulevard, losing himself amid the crowd, climbing to the tops of omnibuses, taking a cab to the opera, getting himself spoken of in the society news of the papers.

spokenadjectiveUS /ˈspoʊkən/

uttered through the medium of speech or characterized by speech; sometimes used in combination

From this reading The duke reveled in the life of the Boulevard, losing himself amid the crowd, climbing to the tops of omnibuses, taking a cab to the opera, getting himself spoken of in the society news of the papers.

studionounUS /ˈstuːdioʊ/

workplace for the teaching or practice of an art

From this reading As he had himself said to Ethel the day of his visit to Phil’s studio, Conrad di Tagliaferro, Duke of Morgania, was much to be pitied—he had to quit Paris!

Tagliaferro

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading As he had himself said to Ethel the day of his visit to Phil’s studio, Conrad di Tagliaferro, Duke of Morgania, was much to be pitied—he had to quit Paris!

takingnounUS /ˈteɪkɪŋ/

the act of someone who picks up or takes something

From this reading The duke reveled in the life of the Boulevard, losing himself amid the crowd, climbing to the tops of omnibuses, taking a cab to the opera, getting himself spoken of in the society news of the papers.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading As he had himself said to Ethel the day of his visit to Phil’s studio, Conrad di Tagliaferro, Duke of Morgania, was much to be pitied—he had to quit Paris!

theaternounUS /ˈθiːətər/

a building where theatrical performances or motion-picture shows can be presented

From this reading He was seen everywhere,—in salons and at the theater, at the clubs and at the races.

ThereadverbUS /ðer/

in or at that place or location

From this reading There was no ceremony for him, and he had no cares.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading As he had himself said to Ethel the day of his visit to Phil’s studio, Conrad di Tagliaferro, Duke of Morgania, was much to be pitied—he had to quit Paris!

topsadjectiveUS /tɑːps/

of the highest quality

From this reading The duke reveled in the life of the Boulevard, losing himself amid the crowd, climbing to the tops of omnibuses, taking a cab to the opera, getting himself spoken of in the society news of the papers.

visitverbUS /ˈvɪzɪt/

go to see a place, as for entertainment

From this reading As he had himself said to Ethel the day of his visit to Phil’s studio, Conrad di Tagliaferro, Duke of Morgania, was much to be pitied—he had to quit Paris!

WANTEDadjectiveUS /ˈwɔːntɪd/

desired or wished for or sought

From this reading WANTED—A DUCHESS!

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading As he had himself said to Ethel the day of his visit to Phil’s studio, Conrad di Tagliaferro, Duke of Morgania, was much to be pitied—he had to quit Paris!

Chapter 12 of Fata Morgana by J. André Castaigne holds 183 sentences, grouped into 37 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 12 of Fata Morgana contain?

Chapter 12 holds 183 sentences of Fata Morgana, unabridged, divided into 37 reading sections.

This page carries chapter 12 of Fata Morgana by J. André Castaigne exactly as it stands in the source edition, without abridgement. It runs to 183 sentences, grouped into 37 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 12 of Fata Morgana?

Work through the 37 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 37 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 12 be read aloud to me?

Yes — every sentence and every individual word in chapter 12 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Fata Morgana

Common questions about reading Fata Morgana by J. André Castaigne on this page, its source edition and its audio.

Is this the complete text of Fata Morgana?

Yes. All 6808 sentences of Project Gutenberg eBook #59052 are kept, with a record of which sentences cover which part.

Which edition of Fata Morgana is used?

Project Gutenberg eBook #59052, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Fata Morgana take to read?

About 567 minutes of reading across 1362 sections of 5 sentences each, at an unhurried pace.

How to read Fata Morgana section by section

How to work through Fata Morgana section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 36 chapters of Fata Morgana to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Fata Morgana

Words and structures a reader meets early in Fata Morgana, each tappable for pronunciation and meaning.

Z-arts
A word that appears in the opening chapter of Fata Morgana; the reader can tap it to hear it and see its dictionary entry.
Daybreak
A word that appears in the opening chapter of Fata Morgana; the reader can tap it to hear it and see its dictionary entry.
Longwill
A word that appears in the opening chapter of Fata Morgana; the reader can tap it to hear it and see its dictionary entry.
Young
A word that appears in the opening chapter of Fata Morgana; the reader can tap it to hear it and see its dictionary entry.