Chapter I
Chapter 1
Chapter 1 of Favourite Fables in Prose and Verse is here in full — 423 sentences across 85 reading sections, with audio for every sentence and word.
In Prose and Verse. BY HARRISON WEIR. CORNER OF ST. PAUL'S CHURCHYARD. MDCCCLXX.
Chapter 1 of Favourite Fables in Prose and Verse is here in full — 423 sentences across 85 reading sections, with audio for every sentence and word.
Chapter I
Chapter 1 of Favourite Fables in Prose and Verse is here in full — 423 sentences across 85 reading sections, with audio for every sentence and word.
In Prose and Verse. BY HARRISON WEIR. CORNER OF ST. PAUL'S CHURCHYARD. MDCCCLXX.
Chapter 1 of Favourite Fables in Prose and Verse is here in full — 423 sentences across 85 reading sections, with audio for every sentence and word.
Reading 1/84 · 5 reading units · Lines 1–5
These definitions explain words found in the current reading and keep every example grounded in its original sentence.
Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.
the yard associated with a church
From this reading “PAUL'S CHURCHYARD.”
a place off to the side of an area
From this reading “CORNER OF ST.”
English actor on stage and in films (1908-1990)
From this reading “BY HARRISON WEIR.”
possessive form of “paul” — United States feminist (1885-1977)
From this reading “PAUL'S CHURCHYARD.”
ordinary writing as distinguished from verse
From this reading “In Prose and Verse.”
literature in metrical form
From this reading “In Prose and Verse.”
a low dam built across a stream to raise its level or divert its flow
From this reading “BY HARRISON WEIR.”
Every word in these five lines is listed here, and every one of them can be played on its own.
Dictionary details are shown only when verified; these are not licensed Oxford entries.
used to join words or parts of a sentence that go together
From this reading In Prose and Verse.
showing who or what does the action
From this reading BY HARRISON WEIR.
the yard associated with a church
From this reading PAUL'S CHURCHYARD.
a place off to the side of an area
From this reading CORNER OF ST.
English actor on stage and in films (1908-1990)
From this reading BY HARRISON WEIR.
inside something, or within a place, period, or state
From this reading In Prose and Verse.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading MDCCCLXX.
belonging to, or connected with, somebody or something
From this reading CORNER OF ST.
possessive form of “paul” — United States feminist (1885-1977)
From this reading PAUL'S CHURCHYARD.
ordinary writing as distinguished from verse
From this reading In Prose and Verse.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading CORNER OF ST.
literature in metrical form
From this reading In Prose and Verse.
a low dam built across a stream to raise its level or divert its flow
From this reading BY HARRISON WEIR.
Chapter 1 of Favourite Fables in Prose and Verse by Harrison [Illustrator] Weir holds 423 sentences, grouped into 85 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.
Chapter 1 holds 423 sentences of Favourite Fables in Prose and Verse, unabridged, divided into 85 reading sections.
This page carries chapter 1 of Favourite Fables in Prose and Verse by Harrison [Illustrator] Weir exactly as it stands in the source edition, without abridgement. It runs to 423 sentences, grouped into 85 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.
Work through the 85 sections in order, replaying any sentence and tapping unfamiliar words for their entries.
Each of the 85 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.
Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.
Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.
Common questions about reading Favourite Fables in Prose and Verse by Harrison [Illustrator] Weir on this page, its source edition and its audio.
Yes. All 1314 sentences of Project Gutenberg eBook #21446 are kept, with a record of which sentences cover which part.
Project Gutenberg eBook #21446, unabridged. The Project Gutenberg header, footer and licence are removed.
About 109 minutes of reading across 263 sections of 5 sentences each, at an unhurried pace.
How to work through Favourite Fables in Prose and Verse section by section, using the audio and the tap-to-define vocabulary.
Choose one of the 3 chapters of Favourite Fables in Prose and Verse to begin.
Each section holds 5 sentences; read it once through.
Play the section aloud, then tap any unfamiliar word for its entry.
Words and structures a reader meets early in Favourite Fables in Prose and Verse, each tappable for pronunciation and meaning.