Complete classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
Fifty Contemporary One-Act Plays
Fifty Contemporary One-Act Plays

Chapter I

Chapter 1 of Fifty Contemporary One-Act Plays is here in full — 973 sentences across 195 reading sections, with audio for every sentence and word.

Cover illustration for Fifty Contemporary One-Act Plays
Context Illustration Reading 1/194 · 5 lines
English subtitles · tap any word to listen 1 / 5
Tradition in the sphere of books is relentlessly imperious and will not be denied.
The present anthology of one-act plays, in defiance of a keen reluctance on the part of the editors, is condemned at birth to the heritage of a title; for this practice, as is well known, has been the unchallenged punctilio of book-making and book-editing from time immemorial.
And yet if the truth be told, the editors have found precisely this to be by far the most embarrassing of the various tasks that have arisen in connection with the project.
In the selection of a title, the immediate problem was of course to avoid, so far as possible, the slightest pretense or assumption of categorical standards of choice or even the merest intimation that there existed somewhere, attainable or unattainable, an ideal norm according to which one-act plays could be faultlessly assessed and pigeon-holed.
In point of fact, so many tolerably good one-act plays are being written and acted nowadays, that the editors early concluded that the business of editing a volume of fifty one-act pieces implies, so to speak, inviting the devil or the spirit that denies to the feast.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Fifty Contemporary One-Act Plays

Chapter I

Chapter 1 of Fifty Contemporary One-Act Plays is here in full — 973 sentences across 195 reading sections, with audio for every sentence and word.

Reading 1/194 · 5 reading units · Lines 1–5

Line 1
Tradition in the sphere of books is relentlessly imperious and will not be denied.
/trəˈdɪʃən ɪn ðə sfɪr ʌv bʊks ɪz rɪˈlentləsli ɪmˈpɪr.i.əs ənd wɪl nɑːt biː dɪˈnaɪd/
Line 2
The present anthology of one-act plays, in defiance of a keen reluctance on the part of the editors, is condemned at birth to the heritage of a title; for this practice, as is well known, has been the unchallenged punctilio of book-making and book-editing from time immemorial.
Line 3
And yet if the truth be told, the editors have found precisely this to be by far the most embarrassing of the various tasks that have arisen in connection with the project.
/ənd jet ɪf ðə truːθ biː toʊld ðə ˈedɪtərz hæv faʊnd prɪˈsaɪsli ðɪs tuː biː baɪ fɑːr ðə moʊst ɪmˈberəsɪŋ ʌv ðə ˈveriəs tæsks ðæt hæv ərˈɪzən ɪn kəˈnekʃən wɪð ðə ˈprɑːdʒekt/
Line 4
In the selection of a title, the immediate problem was of course to avoid, so far as possible, the slightest pretense or assumption of categorical standards of choice or even the merest intimation that there existed somewhere, attainable or unattainable, an ideal norm according to which one-act plays could be faultlessly assessed and pigeon-holed.
Line 5
In point of fact, so many tolerably good one-act plays are being written and acted nowadays, that the editors early concluded that the business of editing a volume of fifty one-act pieces implies, so to speak, inviting the devil or the spirit that denies to the feast.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

anthology noun US /ænˈθɑːlədʒi/

a collection of selected literary passages

From this reading “The present anthology of one-act plays, in defiance of a keen reluctance on the part of the editors, is condemned at birth to the heritage of a title; for this practice, as is well known, has been the unchallenged punctilio of book-making and book-editing from time immemorial.”

assessed verb US /əˈsest/

past form of “assess” — evaluate or estimate the nature, quality, ability, extent, or significance of

From this reading “In the selection of a title, the immediate problem was of course to avoid, so far as possible, the slightest pretense or assumption of categorical standards of choice or even the merest intimation that there existed somewhere, attainable or unattainable, an ideal norm according to which one-act plays could be faultlessly assessed and pigeon-holed.”

attainable adjective US /əˈteɪnəbəl/

capable of being attained or accomplished

From this reading “In the selection of a title, the immediate problem was of course to avoid, so far as possible, the slightest pretense or assumption of categorical standards of choice or even the merest intimation that there existed somewhere, attainable or unattainable, an ideal norm according to which one-act plays could be faultlessly assessed and pigeon-holed.”

categorical adjective US /ˌkætəˈɡɑːrɪkəl/

relating to or included in a category or categories

From this reading “In the selection of a title, the immediate problem was of course to avoid, so far as possible, the slightest pretense or assumption of categorical standards of choice or even the merest intimation that there existed somewhere, attainable or unattainable, an ideal norm according to which one-act plays could be faultlessly assessed and pigeon-holed.”

editing noun US /ˈedətɪŋ/

putting something (as a literary work or a legislative bill) into acceptable form

From this reading “The present anthology of one-act plays, in defiance of a keen reluctance on the part of the editors, is condemned at birth to the heritage of a title; for this practice, as is well known, has been the unchallenged punctilio of book-making and book-editing from time immemorial.”

norm noun US /nɔːrm/

a standard or model or pattern regarded as typical

From this reading “In the selection of a title, the immediate problem was of course to avoid, so far as possible, the slightest pretense or assumption of categorical standards of choice or even the merest intimation that there existed somewhere, attainable or unattainable, an ideal norm according to which one-act plays could be faultlessly assessed and pigeon-holed.”

relentlessly adverb US /rɪˈlentləsli/

in a relentless manner

From this reading “Tradition in the sphere of books is relentlessly imperious and will not be denied.”

unchallenged adjective US /ənˈtʃælɪndʒd/

generally agreed upon; not subject to dispute

From this reading “The present anthology of one-act plays, in defiance of a keen reluctance on the part of the editors, is condemned at birth to the heritage of a title; for this practice, as is well known, has been the unchallenged punctilio of book-making and book-editing from time immemorial.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

most embarrassing adverb + adjective

In this reading “And yet if the truth be told, the editors have found precisely this to be by far the most embarrassing of the various tasks that have arisen in connection with the project.”

tolerably good adverb + adjective

In this reading “In point of fact, so many tolerably good one-act plays are being written and acted nowadays, that the editors early concluded that the business of editing a volume of fifty one-act pieces implies, so to speak, inviting the devil or the spirit that denies to the feast.”

well known adverb + adjective

In this reading “The present anthology of one-act plays, in defiance of a keen reluctance on the part of the editors, is condemned at birth to the heritage of a title; for this practice, as is well known, has been the unchallenged punctilio of book-making and book-editing from time immemorial.”

of course preposition + noun

as might be expected

In this reading “In the selection of a title, the immediate problem was of course to avoid, so far as possible, the slightest pretense or assumption of categorical standards of choice or even the merest intimation that there existed somewhere, attainable or unattainable, an ideal norm according to which one-act plays could be faultlessly assessed and pigeon-holed.”

in connection preposition + noun

In this reading “And yet if the truth be told, the editors have found precisely this to be by far the most embarrassing of the various tasks that have arisen in connection with the project.”

in defiance preposition + noun

In this reading “The present anthology of one-act plays, in defiance of a keen reluctance on the part of the editors, is condemned at birth to the heritage of a title; for this practice, as is well known, has been the unchallenged punctilio of book-making and book-editing from time immemorial.”

on the part preposition + article + noun counted as “on … part”

In this reading “The present anthology of one-act plays, in defiance of a keen reluctance on the part of the editors, is condemned at birth to the heritage of a title; for this practice, as is well known, has been the unchallenged punctilio of book-making and book-editing from time immemorial.”

arisen in verb + particle counted as “arise in”

In this reading “And yet if the truth be told, the editors have found precisely this to be by far the most embarrassing of the various tasks that have arisen in connection with the project.”

All words in this reading · 120

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading The present anthology of one-act plays, in defiance of a keen reluctance on the part of the editors, is condemned at birth to the heritage of a title; for this practice, as is well known, has been the unchallenged punctilio of book-making and book-editing from time immemorial.

accordingadjectiveUS /əˈkɔːrdɪŋ/

(followed by “to”) in agreement with or accordant with

From this reading In the selection of a title, the immediate problem was of course to avoid, so far as possible, the slightest pretense or assumption of categorical standards of choice or even the merest intimation that there existed somewhere, attainable or unattainable, an ideal norm according to which one-act plays could be faultlessly assessed and pigeon-holed.

actedverbUS /ˈæktɪd/

past form of “act” — perform an action, or work out or perform (an action)

From this reading In point of fact, so many tolerably good one-act plays are being written and acted nowadays, that the editors early concluded that the business of editing a volume of fifty one-act pieces implies, so to speak, inviting the devil or the spirit that denies to the feast.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading In the selection of a title, the immediate problem was of course to avoid, so far as possible, the slightest pretense or assumption of categorical standards of choice or even the merest intimation that there existed somewhere, attainable or unattainable, an ideal norm according to which one-act plays could be faultlessly assessed and pigeon-holed.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Tradition in the sphere of books is relentlessly imperious and will not be denied.

anthologynounUS /ænˈθɑːlədʒi/

a collection of selected literary passages

From this reading The present anthology of one-act plays, in defiance of a keen reluctance on the part of the editors, is condemned at birth to the heritage of a title; for this practice, as is well known, has been the unchallenged punctilio of book-making and book-editing from time immemorial.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading In point of fact, so many tolerably good one-act plays are being written and acted nowadays, that the editors early concluded that the business of editing a volume of fifty one-act pieces implies, so to speak, inviting the devil or the spirit that denies to the feast.

arisenverbUS /ərˈɪzən/

inflected form of “arise” — come into existence; take on form or shape

From this reading And yet if the truth be told, the editors have found precisely this to be by far the most embarrassing of the various tasks that have arisen in connection with the project.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading The present anthology of one-act plays, in defiance of a keen reluctance on the part of the editors, is condemned at birth to the heritage of a title; for this practice, as is well known, has been the unchallenged punctilio of book-making and book-editing from time immemorial.

assessedverbUS /əˈsest/

past form of “assess” — evaluate or estimate the nature, quality, ability, extent, or significance of

From this reading In the selection of a title, the immediate problem was of course to avoid, so far as possible, the slightest pretense or assumption of categorical standards of choice or even the merest intimation that there existed somewhere, attainable or unattainable, an ideal norm according to which one-act plays could be faultlessly assessed and pigeon-holed.

assumptionnounUS /əˈsʌmpʃən/

a statement that is assumed to be true and from which a conclusion can be drawn

From this reading In the selection of a title, the immediate problem was of course to avoid, so far as possible, the slightest pretense or assumption of categorical standards of choice or even the merest intimation that there existed somewhere, attainable or unattainable, an ideal norm according to which one-act plays could be faultlessly assessed and pigeon-holed.

atprepositionUS /æt/

in or near a particular place or position

From this reading The present anthology of one-act plays, in defiance of a keen reluctance on the part of the editors, is condemned at birth to the heritage of a title; for this practice, as is well known, has been the unchallenged punctilio of book-making and book-editing from time immemorial.

attainableadjectiveUS /əˈteɪnəbəl/

capable of being attained or accomplished

From this reading In the selection of a title, the immediate problem was of course to avoid, so far as possible, the slightest pretense or assumption of categorical standards of choice or even the merest intimation that there existed somewhere, attainable or unattainable, an ideal norm according to which one-act plays could be faultlessly assessed and pigeon-holed.

avoidverbUS /əˈvɔɪd/

stay clear from; keep away from; keep out of the way of someone or something

From this reading In the selection of a title, the immediate problem was of course to avoid, so far as possible, the slightest pretense or assumption of categorical standards of choice or even the merest intimation that there existed somewhere, attainable or unattainable, an ideal norm according to which one-act plays could be faultlessly assessed and pigeon-holed.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Tradition in the sphere of books is relentlessly imperious and will not be denied.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading The present anthology of one-act plays, in defiance of a keen reluctance on the part of the editors, is condemned at birth to the heritage of a title; for this practice, as is well known, has been the unchallenged punctilio of book-making and book-editing from time immemorial.

beingauxiliary verbUS /ˈbiːɪŋ/

the -ing form of “be”

From this reading In point of fact, so many tolerably good one-act plays are being written and acted nowadays, that the editors early concluded that the business of editing a volume of fifty one-act pieces implies, so to speak, inviting the devil or the spirit that denies to the feast.

birthnounUS /bɜːrθ/

the time when something begins (especially life)

From this reading The present anthology of one-act plays, in defiance of a keen reluctance on the part of the editors, is condemned at birth to the heritage of a title; for this practice, as is well known, has been the unchallenged punctilio of book-making and book-editing from time immemorial.

book-editing

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The present anthology of one-act plays, in defiance of a keen reluctance on the part of the editors, is condemned at birth to the heritage of a title; for this practice, as is well known, has been the unchallenged punctilio of book-making and book-editing from time immemorial.

book-making

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The present anthology of one-act plays, in defiance of a keen reluctance on the part of the editors, is condemned at birth to the heritage of a title; for this practice, as is well known, has been the unchallenged punctilio of book-making and book-editing from time immemorial.

booksnounUS /bʊks/

Bound written or printed works.

From this reading Tradition in the sphere of books is relentlessly imperious and will not be denied.

businessnounUS /ˈbɪznəs/

a commercial or industrial enterprise and the people who constitute it

From this reading In point of fact, so many tolerably good one-act plays are being written and acted nowadays, that the editors early concluded that the business of editing a volume of fifty one-act pieces implies, so to speak, inviting the devil or the spirit that denies to the feast.

byprepositionUS /baɪ/

showing who or what does the action

From this reading And yet if the truth be told, the editors have found precisely this to be by far the most embarrassing of the various tasks that have arisen in connection with the project.

categoricaladjectiveUS /ˌkætəˈɡɑːrɪkəl/

relating to or included in a category or categories

From this reading In the selection of a title, the immediate problem was of course to avoid, so far as possible, the slightest pretense or assumption of categorical standards of choice or even the merest intimation that there existed somewhere, attainable or unattainable, an ideal norm according to which one-act plays could be faultlessly assessed and pigeon-holed.

choicenounUS /tʃɔɪs/

the person or thing chosen or selected

From this reading In the selection of a title, the immediate problem was of course to avoid, so far as possible, the slightest pretense or assumption of categorical standards of choice or even the merest intimation that there existed somewhere, attainable or unattainable, an ideal norm according to which one-act plays could be faultlessly assessed and pigeon-holed.

concludedadjectiveUS /kənˈkluːdəd/

having come or been brought to a conclusion

From this reading In point of fact, so many tolerably good one-act plays are being written and acted nowadays, that the editors early concluded that the business of editing a volume of fifty one-act pieces implies, so to speak, inviting the devil or the spirit that denies to the feast.

condemnedverbUS /kənˈdemd/

past form of “condemn” — express strong disapproval of

From this reading The present anthology of one-act plays, in defiance of a keen reluctance on the part of the editors, is condemned at birth to the heritage of a title; for this practice, as is well known, has been the unchallenged punctilio of book-making and book-editing from time immemorial.

connectionnounUS /kəˈnekʃən/

a relation between things or events (as in the case of one causing the other or sharing features with it)

From this reading And yet if the truth be told, the editors have found precisely this to be by far the most embarrassing of the various tasks that have arisen in connection with the project.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading In the selection of a title, the immediate problem was of course to avoid, so far as possible, the slightest pretense or assumption of categorical standards of choice or even the merest intimation that there existed somewhere, attainable or unattainable, an ideal norm according to which one-act plays could be faultlessly assessed and pigeon-holed.

coursenounUS /kɔːrs/

education imparted in a series of lessons or meetings

From this reading In the selection of a title, the immediate problem was of course to avoid, so far as possible, the slightest pretense or assumption of categorical standards of choice or even the merest intimation that there existed somewhere, attainable or unattainable, an ideal norm according to which one-act plays could be faultlessly assessed and pigeon-holed.

defiancenounUS /dɪˈfaɪəns/

intentionally contemptuous behavior or attitude

From this reading The present anthology of one-act plays, in defiance of a keen reluctance on the part of the editors, is condemned at birth to the heritage of a title; for this practice, as is well known, has been the unchallenged punctilio of book-making and book-editing from time immemorial.

deniedverbUS /dɪˈnaɪd/

inflected form of “deny” — declare untrue; contradict

From this reading Tradition in the sphere of books is relentlessly imperious and will not be denied.

deniesverbUS /dɪˈnaɪz/

third-person singular of “deny” — declare untrue; contradict

From this reading In point of fact, so many tolerably good one-act plays are being written and acted nowadays, that the editors early concluded that the business of editing a volume of fifty one-act pieces implies, so to speak, inviting the devil or the spirit that denies to the feast.

devilnounUS /ˈdevəl/

(Judeo-Christian and Islamic religions) chief spirit of evil and adversary of God; tempter of mankind; master of Hell

From this reading In point of fact, so many tolerably good one-act plays are being written and acted nowadays, that the editors early concluded that the business of editing a volume of fifty one-act pieces implies, so to speak, inviting the devil or the spirit that denies to the feast.

earlyadjectiveUS /ˈɜːrli/

at or near the beginning of a period of time or course of events or before the usual or expected time

From this reading In point of fact, so many tolerably good one-act plays are being written and acted nowadays, that the editors early concluded that the business of editing a volume of fifty one-act pieces implies, so to speak, inviting the devil or the spirit that denies to the feast.

editingnounUS /ˈedətɪŋ/

putting something (as a literary work or a legislative bill) into acceptable form

From this reading In point of fact, so many tolerably good one-act plays are being written and acted nowadays, that the editors early concluded that the business of editing a volume of fifty one-act pieces implies, so to speak, inviting the devil or the spirit that denies to the feast.

editorsnounUS /ˈedɪtərz/

plural of “editor” — a person responsible for the editorial aspects of publication; the person who determines the final content of a text (especially of a newspaper or magazine)

From this reading The present anthology of one-act plays, in defiance of a keen reluctance on the part of the editors, is condemned at birth to the heritage of a title; for this practice, as is well known, has been the unchallenged punctilio of book-making and book-editing from time immemorial.

embarrassingadjectiveUS /ɪmˈberəsɪŋ/

hard to deal with; especially causing pain or embarrassment

From this reading And yet if the truth be told, the editors have found precisely this to be by far the most embarrassing of the various tasks that have arisen in connection with the project.

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading In the selection of a title, the immediate problem was of course to avoid, so far as possible, the slightest pretense or assumption of categorical standards of choice or even the merest intimation that there existed somewhere, attainable or unattainable, an ideal norm according to which one-act plays could be faultlessly assessed and pigeon-holed.

existedverbUS /ɪɡˈzɪstəd/

past form of “exist” — have an existence, be extant

From this reading In the selection of a title, the immediate problem was of course to avoid, so far as possible, the slightest pretense or assumption of categorical standards of choice or even the merest intimation that there existed somewhere, attainable or unattainable, an ideal norm according to which one-act plays could be faultlessly assessed and pigeon-holed.

factnounUS /fækt/

a piece of information about circumstances that exist or events that have occurred

From this reading In point of fact, so many tolerably good one-act plays are being written and acted nowadays, that the editors early concluded that the business of editing a volume of fifty one-act pieces implies, so to speak, inviting the devil or the spirit that denies to the feast.

faradverbUS /fɑːr/

to a considerable degree; very much

From this reading And yet if the truth be told, the editors have found precisely this to be by far the most embarrassing of the various tasks that have arisen in connection with the project.

faultlesslyadverb

without a fault; in a faultless manner

From this reading In the selection of a title, the immediate problem was of course to avoid, so far as possible, the slightest pretense or assumption of categorical standards of choice or even the merest intimation that there existed somewhere, attainable or unattainable, an ideal norm according to which one-act plays could be faultlessly assessed and pigeon-holed.

feastnounUS /fiːst/

a ceremonial dinner party for many people

From this reading In point of fact, so many tolerably good one-act plays are being written and acted nowadays, that the editors early concluded that the business of editing a volume of fifty one-act pieces implies, so to speak, inviting the devil or the spirit that denies to the feast.

fiftynounUS /ˈfɪfti/

the cardinal number that is the product of ten and five

From this reading In point of fact, so many tolerably good one-act plays are being written and acted nowadays, that the editors early concluded that the business of editing a volume of fifty one-act pieces implies, so to speak, inviting the devil or the spirit that denies to the feast.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading The present anthology of one-act plays, in defiance of a keen reluctance on the part of the editors, is condemned at birth to the heritage of a title; for this practice, as is well known, has been the unchallenged punctilio of book-making and book-editing from time immemorial.

foundverbUS /faʊnd/

set up or found

From this reading And yet if the truth be told, the editors have found precisely this to be by far the most embarrassing of the various tasks that have arisen in connection with the project.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading The present anthology of one-act plays, in defiance of a keen reluctance on the part of the editors, is condemned at birth to the heritage of a title; for this practice, as is well known, has been the unchallenged punctilio of book-making and book-editing from time immemorial.

goodadjectiveUS /ɡʊd/

having desirable or positive qualities especially those suitable for a thing specified

From this reading In point of fact, so many tolerably good one-act plays are being written and acted nowadays, that the editors early concluded that the business of editing a volume of fifty one-act pieces implies, so to speak, inviting the devil or the spirit that denies to the feast.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading The present anthology of one-act plays, in defiance of a keen reluctance on the part of the editors, is condemned at birth to the heritage of a title; for this practice, as is well known, has been the unchallenged punctilio of book-making and book-editing from time immemorial.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading And yet if the truth be told, the editors have found precisely this to be by far the most embarrassing of the various tasks that have arisen in connection with the project.

heritagenounUS /ˈherətədʒ/

practices that are handed down from the past by tradition

From this reading The present anthology of one-act plays, in defiance of a keen reluctance on the part of the editors, is condemned at birth to the heritage of a title; for this practice, as is well known, has been the unchallenged punctilio of book-making and book-editing from time immemorial.

idealadjectiveUS /aɪˈdiːl/

conforming to an ultimate standard of perfection or excellence; embodying an ideal

From this reading In the selection of a title, the immediate problem was of course to avoid, so far as possible, the slightest pretense or assumption of categorical standards of choice or even the merest intimation that there existed somewhere, attainable or unattainable, an ideal norm according to which one-act plays could be faultlessly assessed and pigeon-holed.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading And yet if the truth be told, the editors have found precisely this to be by far the most embarrassing of the various tasks that have arisen in connection with the project.

immediateadjectiveUS /ˌɪˈmiːdiːət/

of the present time and place

From this reading In the selection of a title, the immediate problem was of course to avoid, so far as possible, the slightest pretense or assumption of categorical standards of choice or even the merest intimation that there existed somewhere, attainable or unattainable, an ideal norm according to which one-act plays could be faultlessly assessed and pigeon-holed.

immemorialadjectiveUS /ˌɪməˈmɔːriəl/

long past; beyond the limits of memory or tradition or recorded history

From this reading The present anthology of one-act plays, in defiance of a keen reluctance on the part of the editors, is condemned at birth to the heritage of a title; for this practice, as is well known, has been the unchallenged punctilio of book-making and book-editing from time immemorial.

imperiousadjUS /ɪmˈpɪr.i.əs/

Assuming power or authority without justification; arrogant and domineering. (Hách dịch, độc đoán, kiêu kỳ.)

From this reading Tradition in the sphere of books is relentlessly imperious and will not be denied.

impliesverbUS /ˌɪmˈplaɪz/

third-person singular of “imply” — express or state indirectly

From this reading In point of fact, so many tolerably good one-act plays are being written and acted nowadays, that the editors early concluded that the business of editing a volume of fifty one-act pieces implies, so to speak, inviting the devil or the spirit that denies to the feast.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Tradition in the sphere of books is relentlessly imperious and will not be denied.

intimationnounUS /ˌɪntəˈmeɪʃən/

an indirect suggestion

From this reading In the selection of a title, the immediate problem was of course to avoid, so far as possible, the slightest pretense or assumption of categorical standards of choice or even the merest intimation that there existed somewhere, attainable or unattainable, an ideal norm according to which one-act plays could be faultlessly assessed and pigeon-holed.

invitingadjectiveUS /ˌɪnˈvaɪtɪŋ/

attractive and tempting

From this reading In point of fact, so many tolerably good one-act plays are being written and acted nowadays, that the editors early concluded that the business of editing a volume of fifty one-act pieces implies, so to speak, inviting the devil or the spirit that denies to the feast.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Tradition in the sphere of books is relentlessly imperious and will not be denied.

keenadjectiveUS /kiːn/

having or demonstrating ability to recognize or draw fine distinctions

From this reading The present anthology of one-act plays, in defiance of a keen reluctance on the part of the editors, is condemned at birth to the heritage of a title; for this practice, as is well known, has been the unchallenged punctilio of book-making and book-editing from time immemorial.

knownadjectiveUS /noʊn/

apprehended with certainty

From this reading The present anthology of one-act plays, in defiance of a keen reluctance on the part of the editors, is condemned at birth to the heritage of a title; for this practice, as is well known, has been the unchallenged punctilio of book-making and book-editing from time immemorial.

manyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading In point of fact, so many tolerably good one-act plays are being written and acted nowadays, that the editors early concluded that the business of editing a volume of fifty one-act pieces implies, so to speak, inviting the devil or the spirit that denies to the feast.

merestadjectiveUS /ˈmerəst/

superlative of “mere” — being nothing more than specified

From this reading In the selection of a title, the immediate problem was of course to avoid, so far as possible, the slightest pretense or assumption of categorical standards of choice or even the merest intimation that there existed somewhere, attainable or unattainable, an ideal norm according to which one-act plays could be faultlessly assessed and pigeon-holed.

mostadverbUS /moʊst/

used to form the superlative

From this reading And yet if the truth be told, the editors have found precisely this to be by far the most embarrassing of the various tasks that have arisen in connection with the project.

normnounUS /nɔːrm/

a standard or model or pattern regarded as typical

From this reading In the selection of a title, the immediate problem was of course to avoid, so far as possible, the slightest pretense or assumption of categorical standards of choice or even the merest intimation that there existed somewhere, attainable or unattainable, an ideal norm according to which one-act plays could be faultlessly assessed and pigeon-holed.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Tradition in the sphere of books is relentlessly imperious and will not be denied.

nowadaysnounUS /ˈnaʊədeɪz/

the period of time that is happening now; any continuous stretch of time including the moment of speech

From this reading In point of fact, so many tolerably good one-act plays are being written and acted nowadays, that the editors early concluded that the business of editing a volume of fifty one-act pieces implies, so to speak, inviting the devil or the spirit that denies to the feast.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Tradition in the sphere of books is relentlessly imperious and will not be denied.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading The present anthology of one-act plays, in defiance of a keen reluctance on the part of the editors, is condemned at birth to the heritage of a title; for this practice, as is well known, has been the unchallenged punctilio of book-making and book-editing from time immemorial.

one-act

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The present anthology of one-act plays, in defiance of a keen reluctance on the part of the editors, is condemned at birth to the heritage of a title; for this practice, as is well known, has been the unchallenged punctilio of book-making and book-editing from time immemorial.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading In the selection of a title, the immediate problem was of course to avoid, so far as possible, the slightest pretense or assumption of categorical standards of choice or even the merest intimation that there existed somewhere, attainable or unattainable, an ideal norm according to which one-act plays could be faultlessly assessed and pigeon-holed.

partnounUS /pɑːrt/

something determined in relation to something that includes it

From this reading The present anthology of one-act plays, in defiance of a keen reluctance on the part of the editors, is condemned at birth to the heritage of a title; for this practice, as is well known, has been the unchallenged punctilio of book-making and book-editing from time immemorial.

piecesnounUS /ˈpiːsəz/

plural of “piece” — a separate part of a whole

From this reading In point of fact, so many tolerably good one-act plays are being written and acted nowadays, that the editors early concluded that the business of editing a volume of fifty one-act pieces implies, so to speak, inviting the devil or the spirit that denies to the feast.

pigeon-holed

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the selection of a title, the immediate problem was of course to avoid, so far as possible, the slightest pretense or assumption of categorical standards of choice or even the merest intimation that there existed somewhere, attainable or unattainable, an ideal norm according to which one-act plays could be faultlessly assessed and pigeon-holed.

playsnounUS /pleɪz/

plural of “play” — a dramatic work intended for performance by actors on a stage

From this reading The present anthology of one-act plays, in defiance of a keen reluctance on the part of the editors, is condemned at birth to the heritage of a title; for this practice, as is well known, has been the unchallenged punctilio of book-making and book-editing from time immemorial.

pointnounUS /pɔɪnt/

a geometric element that has position but no extension

From this reading In point of fact, so many tolerably good one-act plays are being written and acted nowadays, that the editors early concluded that the business of editing a volume of fifty one-act pieces implies, so to speak, inviting the devil or the spirit that denies to the feast.

possibleadjectiveUS /ˈpɑːsəbəl/

capable of happening or existing

From this reading In the selection of a title, the immediate problem was of course to avoid, so far as possible, the slightest pretense or assumption of categorical standards of choice or even the merest intimation that there existed somewhere, attainable or unattainable, an ideal norm according to which one-act plays could be faultlessly assessed and pigeon-holed.

practicenounUS /ˈpræktəs/

a customary way of operation or behavior

From this reading The present anthology of one-act plays, in defiance of a keen reluctance on the part of the editors, is condemned at birth to the heritage of a title; for this practice, as is well known, has been the unchallenged punctilio of book-making and book-editing from time immemorial.

preciselyadverbUS /prɪˈsaɪsli/

indicating exactness or preciseness

From this reading And yet if the truth be told, the editors have found precisely this to be by far the most embarrassing of the various tasks that have arisen in connection with the project.

presentverbUS /ˈprezənt/

give an exhibition of to an interested audience

From this reading The present anthology of one-act plays, in defiance of a keen reluctance on the part of the editors, is condemned at birth to the heritage of a title; for this practice, as is well known, has been the unchallenged punctilio of book-making and book-editing from time immemorial.

pretensenounUS /priˈtens/

the act of giving a false appearance

From this reading In the selection of a title, the immediate problem was of course to avoid, so far as possible, the slightest pretense or assumption of categorical standards of choice or even the merest intimation that there existed somewhere, attainable or unattainable, an ideal norm according to which one-act plays could be faultlessly assessed and pigeon-holed.

problemnounUS /ˈprɑːbləm/

a state of difficulty that needs to be resolved

From this reading In the selection of a title, the immediate problem was of course to avoid, so far as possible, the slightest pretense or assumption of categorical standards of choice or even the merest intimation that there existed somewhere, attainable or unattainable, an ideal norm according to which one-act plays could be faultlessly assessed and pigeon-holed.

projectverbUS /ˈprɑːdʒekt/

communicate vividly

From this reading And yet if the truth be told, the editors have found precisely this to be by far the most embarrassing of the various tasks that have arisen in connection with the project.

punctilionoun

a fine point of etiquette or petty formality

From this reading The present anthology of one-act plays, in defiance of a keen reluctance on the part of the editors, is condemned at birth to the heritage of a title; for this practice, as is well known, has been the unchallenged punctilio of book-making and book-editing from time immemorial.

relentlesslyadverbUS /rɪˈlentləsli/

in a relentless manner

From this reading Tradition in the sphere of books is relentlessly imperious and will not be denied.

reluctancenounUS /rɪˈlʌktəns/

(physics) opposition to magnetic flux (analogous to electric resistance)

From this reading The present anthology of one-act plays, in defiance of a keen reluctance on the part of the editors, is condemned at birth to the heritage of a title; for this practice, as is well known, has been the unchallenged punctilio of book-making and book-editing from time immemorial.

selectionnounUS /səˈlekʃən/

the act of choosing or selecting

From this reading In the selection of a title, the immediate problem was of course to avoid, so far as possible, the slightest pretense or assumption of categorical standards of choice or even the merest intimation that there existed somewhere, attainable or unattainable, an ideal norm according to which one-act plays could be faultlessly assessed and pigeon-holed.

slightestadjectiveUS /ˈslaɪtəst/

superlative of “slight” — (quantifier used with mass nouns) small in quantity or degree; not much or almost none or (with “a”) at least some

From this reading In the selection of a title, the immediate problem was of course to avoid, so far as possible, the slightest pretense or assumption of categorical standards of choice or even the merest intimation that there existed somewhere, attainable or unattainable, an ideal norm according to which one-act plays could be faultlessly assessed and pigeon-holed.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading In the selection of a title, the immediate problem was of course to avoid, so far as possible, the slightest pretense or assumption of categorical standards of choice or even the merest intimation that there existed somewhere, attainable or unattainable, an ideal norm according to which one-act plays could be faultlessly assessed and pigeon-holed.

somewhereadverbUS /ˈsʌmwer/

in or at or to some place

From this reading In the selection of a title, the immediate problem was of course to avoid, so far as possible, the slightest pretense or assumption of categorical standards of choice or even the merest intimation that there existed somewhere, attainable or unattainable, an ideal norm according to which one-act plays could be faultlessly assessed and pigeon-holed.

speakverbUS /spiːk/

express in speech

From this reading In point of fact, so many tolerably good one-act plays are being written and acted nowadays, that the editors early concluded that the business of editing a volume of fifty one-act pieces implies, so to speak, inviting the devil or the spirit that denies to the feast.

spherenounUS /sfɪr/

a particular environment or walk of life

From this reading Tradition in the sphere of books is relentlessly imperious and will not be denied.

spiritnounUS /ˈspɪrət/

the vital principle or animating force within living things

From this reading In point of fact, so many tolerably good one-act plays are being written and acted nowadays, that the editors early concluded that the business of editing a volume of fifty one-act pieces implies, so to speak, inviting the devil or the spirit that denies to the feast.

standardsnounUS /ˈstændərdz/

plural of “standard” — a basis for comparison; a reference point against which other things can be evaluated

From this reading In the selection of a title, the immediate problem was of course to avoid, so far as possible, the slightest pretense or assumption of categorical standards of choice or even the merest intimation that there existed somewhere, attainable or unattainable, an ideal norm according to which one-act plays could be faultlessly assessed and pigeon-holed.

tasksnounUS /tæsks/

plural of “task” — any piece of work that is undertaken or attempted

From this reading And yet if the truth be told, the editors have found precisely this to be by far the most embarrassing of the various tasks that have arisen in connection with the project.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading And yet if the truth be told, the editors have found precisely this to be by far the most embarrassing of the various tasks that have arisen in connection with the project.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Tradition in the sphere of books is relentlessly imperious and will not be denied.

thereadverbUS /ðer/

in or at that place or location

From this reading In the selection of a title, the immediate problem was of course to avoid, so far as possible, the slightest pretense or assumption of categorical standards of choice or even the merest intimation that there existed somewhere, attainable or unattainable, an ideal norm according to which one-act plays could be faultlessly assessed and pigeon-holed.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading The present anthology of one-act plays, in defiance of a keen reluctance on the part of the editors, is condemned at birth to the heritage of a title; for this practice, as is well known, has been the unchallenged punctilio of book-making and book-editing from time immemorial.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading The present anthology of one-act plays, in defiance of a keen reluctance on the part of the editors, is condemned at birth to the heritage of a title; for this practice, as is well known, has been the unchallenged punctilio of book-making and book-editing from time immemorial.

titlenounUS /ˈtaɪtəl/

a heading that names a statute or legislative bill; may give a brief summary of the matters it deals with

From this reading The present anthology of one-act plays, in defiance of a keen reluctance on the part of the editors, is condemned at birth to the heritage of a title; for this practice, as is well known, has been the unchallenged punctilio of book-making and book-editing from time immemorial.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading The present anthology of one-act plays, in defiance of a keen reluctance on the part of the editors, is condemned at birth to the heritage of a title; for this practice, as is well known, has been the unchallenged punctilio of book-making and book-editing from time immemorial.

toldverbUS /toʊld/

inflected form of “tell” — express in words

From this reading And yet if the truth be told, the editors have found precisely this to be by far the most embarrassing of the various tasks that have arisen in connection with the project.

tolerablyadverb

in an acceptable (but not outstanding) manner

From this reading In point of fact, so many tolerably good one-act plays are being written and acted nowadays, that the editors early concluded that the business of editing a volume of fifty one-act pieces implies, so to speak, inviting the devil or the spirit that denies to the feast.

TraditionnounUS /trəˈdɪʃən/

an inherited pattern of thought or action

From this reading Tradition in the sphere of books is relentlessly imperious and will not be denied.

truthnounUS /truːθ/

a fact that has been verified

From this reading And yet if the truth be told, the editors have found precisely this to be by far the most embarrassing of the various tasks that have arisen in connection with the project.

unattainableadjectiveUS /ˌʌnəˈteɪnəbəl/

impossible to achieve

From this reading In the selection of a title, the immediate problem was of course to avoid, so far as possible, the slightest pretense or assumption of categorical standards of choice or even the merest intimation that there existed somewhere, attainable or unattainable, an ideal norm according to which one-act plays could be faultlessly assessed and pigeon-holed.

unchallengedadjectiveUS /ənˈtʃælɪndʒd/

generally agreed upon; not subject to dispute

From this reading The present anthology of one-act plays, in defiance of a keen reluctance on the part of the editors, is condemned at birth to the heritage of a title; for this practice, as is well known, has been the unchallenged punctilio of book-making and book-editing from time immemorial.

variousadjectiveUS /ˈveriəs/

of many different kinds purposefully arranged but lacking any uniformity

From this reading And yet if the truth be told, the editors have found precisely this to be by far the most embarrassing of the various tasks that have arisen in connection with the project.

volumenounUS /ˈvɑːljuːm/

the amount of 3-dimensional space occupied by an object

From this reading In point of fact, so many tolerably good one-act plays are being written and acted nowadays, that the editors early concluded that the business of editing a volume of fifty one-act pieces implies, so to speak, inviting the devil or the spirit that denies to the feast.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading In the selection of a title, the immediate problem was of course to avoid, so far as possible, the slightest pretense or assumption of categorical standards of choice or even the merest intimation that there existed somewhere, attainable or unattainable, an ideal norm according to which one-act plays could be faultlessly assessed and pigeon-holed.

welladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading The present anthology of one-act plays, in defiance of a keen reluctance on the part of the editors, is condemned at birth to the heritage of a title; for this practice, as is well known, has been the unchallenged punctilio of book-making and book-editing from time immemorial.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading In the selection of a title, the immediate problem was of course to avoid, so far as possible, the slightest pretense or assumption of categorical standards of choice or even the merest intimation that there existed somewhere, attainable or unattainable, an ideal norm according to which one-act plays could be faultlessly assessed and pigeon-holed.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading Tradition in the sphere of books is relentlessly imperious and will not be denied.

withprepositionUS /wɪð/

in the company of; together with

From this reading And yet if the truth be told, the editors have found precisely this to be by far the most embarrassing of the various tasks that have arisen in connection with the project.

writtenadjectiveUS /ˈrɪtən/

set down in writing in any of various ways

From this reading In point of fact, so many tolerably good one-act plays are being written and acted nowadays, that the editors early concluded that the business of editing a volume of fifty one-act pieces implies, so to speak, inviting the devil or the spirit that denies to the feast.

yetconjunctionUS /jet/

but in spite of that

From this reading And yet if the truth be told, the editors have found precisely this to be by far the most embarrassing of the various tasks that have arisen in connection with the project.

Chapter 1 of Fifty Contemporary One-Act Plays by Frank [Editor] Shay holds 973 sentences, grouped into 195 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of Fifty Contemporary One-Act Plays contain?

Chapter 1 holds 973 sentences of Fifty Contemporary One-Act Plays, unabridged, divided into 195 reading sections.

This page carries chapter 1 of Fifty Contemporary One-Act Plays by Frank [Editor] Shay exactly as it stands in the source edition, without abridgement. It runs to 973 sentences, grouped into 195 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of Fifty Contemporary One-Act Plays?

Work through the 195 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 195 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Fifty Contemporary One-Act Plays

Common questions about reading Fifty Contemporary One-Act Plays by Frank [Editor] Shay on this page, its source edition and its audio.

Is this the complete text of Fifty Contemporary One-Act Plays?

Yes. All 35466 sentences of Project Gutenberg eBook #36984 are kept, with a record of which sentences cover which part.

Which edition of Fifty Contemporary One-Act Plays is used?

Project Gutenberg eBook #36984, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Fifty Contemporary One-Act Plays take to read?

About 600 minutes of reading across 7094 sections of 5 sentences each, at an unhurried pace.

How to read Fifty Contemporary One-Act Plays section by section

How to work through Fifty Contemporary One-Act Plays section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 37 chapters of Fifty Contemporary One-Act Plays to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Fifty Contemporary One-Act Plays

Words and structures a reader meets early in Fifty Contemporary One-Act Plays, each tappable for pronunciation and meaning.

Tradition
A word that appears in the opening chapter of Fifty Contemporary One-Act Plays; the reader can tap it to hear it and see its dictionary entry.
Sphere
A word that appears in the opening chapter of Fifty Contemporary One-Act Plays; the reader can tap it to hear it and see its dictionary entry.
Books
A word that appears in the opening chapter of Fifty Contemporary One-Act Plays; the reader can tap it to hear it and see its dictionary entry.
Relentlessly
A word that appears in the opening chapter of Fifty Contemporary One-Act Plays; the reader can tap it to hear it and see its dictionary entry.