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Fifty Contemporary One-Act Plays
Fifty Contemporary One-Act Plays

Chapter XVI

Chapter 16 of Fifty Contemporary One-Act Plays is here in full — 995 sentences across 199 reading sections, with audio for every sentence and word.

Cover illustration for Fifty Contemporary One-Act Plays
Context Illustration Reading 1/199 · 5 lines
English subtitles · tap any word to listen 1 / 5
FIRST TOURIST.
Aha!
He'll drop at night.
SECOND TOURIST.
In two hours.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Fifty Contemporary One-Act Plays

Chapter XVI

Chapter 16 of Fifty Contemporary One-Act Plays is here in full — 995 sentences across 199 reading sections, with audio for every sentence and word.

Reading 1/199 · 5 reading units · Lines 1–5

Line 1
FIRST TOURIST.
/fɜːrst ˈtʊrəst/
Line 2
Aha!
Line 3
He'll drop at night.
Line 4
SECOND TOURIST.
/ˈsekənd ˈtʊrəst/
Line 5
In two hours.
/ɪn tuː ˈaʊərz/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

drop verb US /drɑːp/

let fall to the ground

From this reading “He'll drop at night.”

first adjective US /fɜːrst/

preceding all others in time or space or degree

From this reading “FIRST TOURIST.”

hours noun US /ˈaʊərz/

a period of time assigned for work

From this reading “In two hours.”

night noun US /naɪt/

the time after sunset and before sunrise while it is dark outside

From this reading “He'll drop at night.”

second noun US /ˈsekənd/

1/60 of a minute; the basic unit of time adopted under the Systeme International d'Unites

From this reading “SECOND TOURIST.”

tourist noun US /ˈtʊrəst/

someone who travels for pleasure

From this reading “FIRST TOURIST.”

two noun US /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading “In two hours.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

two hours noun + noun

In this reading “In two hours.”

at night preposition + noun

In this reading “He'll drop at night.”

All words in this reading · 11

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

Aha

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Aha!

atprepositionUS /æt/

in or near a particular place or position

From this reading He'll drop at night.

dropverbUS /drɑːp/

let fall to the ground

From this reading He'll drop at night.

FIRSTadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading FIRST TOURIST.

He'll

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He'll drop at night.

hoursnounUS /ˈaʊərz/

a period of time assigned for work

From this reading In two hours.

InprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading In two hours.

nightnounUS /naɪt/

the time after sunset and before sunrise while it is dark outside

From this reading He'll drop at night.

SECONDnounUS /ˈsekənd/

1/60 of a minute; the basic unit of time adopted under the Systeme International d'Unites

From this reading SECOND TOURIST.

TOURISTnounUS /ˈtʊrəst/

someone who travels for pleasure

From this reading FIRST TOURIST.

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading In two hours.

Chapter 16 of Fifty Contemporary One-Act Plays by Frank [Editor] Shay holds 995 sentences, grouped into 199 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 16 of Fifty Contemporary One-Act Plays contain?

Chapter 16 holds 995 sentences of Fifty Contemporary One-Act Plays, unabridged, divided into 199 reading sections.

This page carries chapter 16 of Fifty Contemporary One-Act Plays by Frank [Editor] Shay exactly as it stands in the source edition, without abridgement. It runs to 995 sentences, grouped into 199 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 16 of Fifty Contemporary One-Act Plays?

Work through the 199 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 199 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 16 be read aloud to me?

Yes — every sentence and every individual word in chapter 16 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Fifty Contemporary One-Act Plays

Common questions about reading Fifty Contemporary One-Act Plays by Frank [Editor] Shay on this page, its source edition and its audio.

Is this the complete text of Fifty Contemporary One-Act Plays?

Yes. All 35466 sentences of Project Gutenberg eBook #36984 are kept, with a record of which sentences cover which part.

Which edition of Fifty Contemporary One-Act Plays is used?

Project Gutenberg eBook #36984, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Fifty Contemporary One-Act Plays take to read?

About 600 minutes of reading across 7094 sections of 5 sentences each, at an unhurried pace.

How to read Fifty Contemporary One-Act Plays section by section

How to work through Fifty Contemporary One-Act Plays section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 37 chapters of Fifty Contemporary One-Act Plays to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Fifty Contemporary One-Act Plays

Words and structures a reader meets early in Fifty Contemporary One-Act Plays, each tappable for pronunciation and meaning.

Tradition
A word that appears in the opening chapter of Fifty Contemporary One-Act Plays; the reader can tap it to hear it and see its dictionary entry.
Sphere
A word that appears in the opening chapter of Fifty Contemporary One-Act Plays; the reader can tap it to hear it and see its dictionary entry.
Books
A word that appears in the opening chapter of Fifty Contemporary One-Act Plays; the reader can tap it to hear it and see its dictionary entry.
Relentlessly
A word that appears in the opening chapter of Fifty Contemporary One-Act Plays; the reader can tap it to hear it and see its dictionary entry.