Chapter XVI
Chapter 16 of Fifty Contemporary One-Act Plays is here in full — 995 sentences across 199 reading sections, with audio for every sentence and word.
FIRST TOURIST. Aha! He'll drop at night. SECOND TOURIST. In two hours.
Chapter 16 of Fifty Contemporary One-Act Plays is here in full — 995 sentences across 199 reading sections, with audio for every sentence and word.
Chapter XVI
Chapter 16 of Fifty Contemporary One-Act Plays is here in full — 995 sentences across 199 reading sections, with audio for every sentence and word.
FIRST TOURIST. Aha! He'll drop at night. SECOND TOURIST. In two hours.
Chapter 16 of Fifty Contemporary One-Act Plays is here in full — 995 sentences across 199 reading sections, with audio for every sentence and word.
Reading 1/199 · 5 reading units · Lines 1–5
These definitions explain words found in the current reading and keep every example grounded in its original sentence.
Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.
let fall to the ground
From this reading “He'll drop at night.”
preceding all others in time or space or degree
From this reading “FIRST TOURIST.”
a period of time assigned for work
From this reading “In two hours.”
the time after sunset and before sunrise while it is dark outside
From this reading “He'll drop at night.”
1/60 of a minute; the basic unit of time adopted under the Systeme International d'Unites
From this reading “SECOND TOURIST.”
someone who travels for pleasure
From this reading “FIRST TOURIST.”
the cardinal number that is the sum of one and one or a numeral representing this number
From this reading “In two hours.”
English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.
Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.
In this reading “In two hours.”
In this reading “He'll drop at night.”
Every word in these five lines is listed here, and every one of them can be played on its own.
Dictionary details are shown only when verified; these are not licensed Oxford entries.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading Aha!
in or near a particular place or position
From this reading He'll drop at night.
let fall to the ground
From this reading He'll drop at night.
preceding all others in time or space or degree
From this reading FIRST TOURIST.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading He'll drop at night.
a period of time assigned for work
From this reading In two hours.
inside something, or within a place, period, or state
From this reading In two hours.
the time after sunset and before sunrise while it is dark outside
From this reading He'll drop at night.
1/60 of a minute; the basic unit of time adopted under the Systeme International d'Unites
From this reading SECOND TOURIST.
someone who travels for pleasure
From this reading FIRST TOURIST.
the cardinal number that is the sum of one and one or a numeral representing this number
From this reading In two hours.
Chapter 16 of Fifty Contemporary One-Act Plays by Frank [Editor] Shay holds 995 sentences, grouped into 199 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.
Chapter 16 holds 995 sentences of Fifty Contemporary One-Act Plays, unabridged, divided into 199 reading sections.
This page carries chapter 16 of Fifty Contemporary One-Act Plays by Frank [Editor] Shay exactly as it stands in the source edition, without abridgement. It runs to 995 sentences, grouped into 199 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.
Work through the 199 sections in order, replaying any sentence and tapping unfamiliar words for their entries.
Each of the 199 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.
Yes — every sentence and every individual word in chapter 16 can be played aloud in United States English.
Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.
Common questions about reading Fifty Contemporary One-Act Plays by Frank [Editor] Shay on this page, its source edition and its audio.
Yes. All 35466 sentences of Project Gutenberg eBook #36984 are kept, with a record of which sentences cover which part.
Project Gutenberg eBook #36984, unabridged. The Project Gutenberg header, footer and licence are removed.
About 600 minutes of reading across 7094 sections of 5 sentences each, at an unhurried pace.
How to work through Fifty Contemporary One-Act Plays section by section, using the audio and the tap-to-define vocabulary.
Choose one of the 37 chapters of Fifty Contemporary One-Act Plays to begin.
Each section holds 5 sentences; read it once through.
Play the section aloud, then tap any unfamiliar word for its entry.
Words and structures a reader meets early in Fifty Contemporary One-Act Plays, each tappable for pronunciation and meaning.