Chapter XXV
Chapter 25 of Fifty Contemporary One-Act Plays is here in full — 962 sentences across 193 reading sections, with audio for every sentence and word.
MAN. What is this that you are saying? Is it true? FIRST GIRL. Yes, it is true.
Chapter 25 of Fifty Contemporary One-Act Plays is here in full — 962 sentences across 193 reading sections, with audio for every sentence and word.
Chapter XXV
Chapter 25 of Fifty Contemporary One-Act Plays is here in full — 962 sentences across 193 reading sections, with audio for every sentence and word.
MAN. What is this that you are saying? Is it true? FIRST GIRL. Yes, it is true.
Chapter 25 of Fifty Contemporary One-Act Plays is here in full — 962 sentences across 193 reading sections, with audio for every sentence and word.
Reading 1/192 · 5 reading units · Lines 1–5
These definitions explain words found in the current reading and keep every example grounded in its original sentence.
Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.
preceding all others in time or space or degree
From this reading “FIRST GIRL.”
a young female
From this reading “FIRST GIRL.”
an adult person who is male (as opposed to a woman)
From this reading “MAN.”
a word or phrase that particular people use in particular situations
From this reading “What is this that you are saying?”
consistent with fact or reality; not false
From this reading “Is it true?”
an affirmative
From this reading “Yes, it is true.”
English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.
Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.
Every word in these five lines is listed here, and every one of them can be played on its own.
Dictionary details are shown only when verified; these are not licensed Oxford entries.
the form of “be” used with you, we, they, or a plural noun
From this reading What is this that you are saying?
preceding all others in time or space or degree
From this reading FIRST GIRL.
a young female
From this reading FIRST GIRL.
the form of “be” used with he, she, it, or a singular noun
From this reading What is this that you are saying?
a thing, animal, or idea already mentioned
From this reading Is it true?
an adult person who is male (as opposed to a woman)
From this reading MAN.
a word or phrase that particular people use in particular situations
From this reading What is this that you are saying?
used to introduce what somebody said, thought, or felt
From this reading What is this that you are saying?
used for a person or thing that is near, or that has just been mentioned
From this reading What is this that you are saying?
consistent with fact or reality; not false
From this reading Is it true?
used to ask for information about something
From this reading What is this that you are saying?
an affirmative
From this reading Yes, it is true.
the person or people being spoken to
From this reading What is this that you are saying?
Chapter 25 of Fifty Contemporary One-Act Plays by Frank [Editor] Shay holds 962 sentences, grouped into 193 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.
Chapter 25 holds 962 sentences of Fifty Contemporary One-Act Plays, unabridged, divided into 193 reading sections.
This page carries chapter 25 of Fifty Contemporary One-Act Plays by Frank [Editor] Shay exactly as it stands in the source edition, without abridgement. It runs to 962 sentences, grouped into 193 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.
Work through the 193 sections in order, replaying any sentence and tapping unfamiliar words for their entries.
Each of the 193 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.
Yes — every sentence and every individual word in chapter 25 can be played aloud in United States English.
Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.
Common questions about reading Fifty Contemporary One-Act Plays by Frank [Editor] Shay on this page, its source edition and its audio.
Yes. All 35466 sentences of Project Gutenberg eBook #36984 are kept, with a record of which sentences cover which part.
Project Gutenberg eBook #36984, unabridged. The Project Gutenberg header, footer and licence are removed.
About 600 minutes of reading across 7094 sections of 5 sentences each, at an unhurried pace.
How to work through Fifty Contemporary One-Act Plays section by section, using the audio and the tap-to-define vocabulary.
Choose one of the 37 chapters of Fifty Contemporary One-Act Plays to begin.
Each section holds 5 sentences; read it once through.
Play the section aloud, then tap any unfamiliar word for its entry.
Words and structures a reader meets early in Fifty Contemporary One-Act Plays, each tappable for pronunciation and meaning.