Chapter II
Chapter 2
Chapter 2 of Five Tales is here in full — 240 sentences across 48 reading sections, with audio for every sentence and word.
“Give them to me. What else have you that connects you with her?” “Nothing.” “In your rooms?” “No.”
Chapter 2 of Five Tales is here in full — 240 sentences across 48 reading sections, with audio for every sentence and word.
Chapter II
Chapter 2 of Five Tales is here in full — 240 sentences across 48 reading sections, with audio for every sentence and word.
“Give them to me. What else have you that connects you with her?” “Nothing.” “In your rooms?” “No.”
Chapter 2 of Five Tales is here in full — 240 sentences across 48 reading sections, with audio for every sentence and word.
Reading 1/48 · 5 reading units · Lines 1–5
These definitions explain words found in the current reading and keep every example grounded in its original sentence.
Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.
third-person singular of “connect” — connect, fasten, or put together two or more pieces
From this reading “What else have you that connects you with her?””
cause to have, in the abstract sense or physical sense
From this reading ““Give them to me.”
used with a past participle to form the perfect tenses
From this reading “What else have you that connects you with her?””
not one thing; not anything
From this reading ““Nothing.””
apartment consisting of a series of connected rooms used as a living unit (as in a hotel)
From this reading ““In your rooms?””
Every word in these five lines is listed here, and every one of them can be played on its own.
Dictionary details are shown only when verified; these are not licensed Oxford entries.
third-person singular of “connect” — connect, fasten, or put together two or more pieces
From this reading What else have you that connects you with her?”
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading What else have you that connects you with her?”
cause to have, in the abstract sense or physical sense
From this reading “Give them to me.
used with a past participle to form the perfect tenses
From this reading What else have you that connects you with her?”
belonging to a woman, girl, or female animal already mentioned
From this reading What else have you that connects you with her?”
inside something, or within a place, period, or state
From this reading “In your rooms?”
the person speaking, as the object of a verb or preposition
From this reading “Give them to me.
not any; not one
From this reading “No.”
not one thing; not anything
From this reading “Nothing.”
apartment consisting of a series of connected rooms used as a living unit (as in a hotel)
From this reading “In your rooms?”
used to introduce what somebody said, thought, or felt
From this reading What else have you that connects you with her?”
the people or things already mentioned, as the object
From this reading “Give them to me.
used before the base form of a verb to make the infinitive
From this reading “Give them to me.
used to ask for information about something
From this reading What else have you that connects you with her?”
in the company of; together with
From this reading What else have you that connects you with her?”
the person or people being spoken to
From this reading What else have you that connects you with her?”
belonging to the person or people being spoken to
From this reading “In your rooms?”
Chapter 2 of Five Tales by John Galsworthy holds 240 sentences, grouped into 48 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.
Chapter 2 holds 240 sentences of Five Tales, unabridged, divided into 48 reading sections.
This page carries chapter 2 of Five Tales by John Galsworthy exactly as it stands in the public-domain source edition, without abridgement. It runs to 240 sentences, grouped into 48 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.
Work through the 48 sections in order, replaying any sentence and tapping unfamiliar words for their entries.
Each of the 48 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.
Yes — every sentence and every individual word in chapter 2 can be played aloud in United States English.
Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.
Common questions about reading Five Tales by John Galsworthy on this page, its source edition and its audio.
Yes. All 6914 sentences of Project Gutenberg eBook #2684 are kept, with a record of which sentences cover which part.
Project Gutenberg eBook #2684, a public-domain edition. The Project Gutenberg header, footer and licence are removed.
About 576 minutes of reading across 1383 sections of 5 sentences each, at an unhurried pace.
How to work through Five Tales section by section, using the audio and the tap-to-define vocabulary.
Choose one of the 32 chapters of Five Tales to begin.
Each section holds 5 sentences; read it once through.
Play the section aloud, then tap any unfamiliar word for its entry.
Words and structures a reader meets early in Five Tales, each tappable for pronunciation and meaning.