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Five Thousand an Hour
Five Thousand an Hour

Chapter III · Chapter 3

Chapter 3 of Five Thousand an Hour is here in full — 150 sentences across 30 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/30 · 5 lines
English subtitles · tap any word to listen 1 / 5
IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.
The man started nervously as Gresham touched him on the shoulder, and his thin lips parted in a frightened snarl.
"You have such a ghastly way of slipping up behind one," he complained, brushing the shoulder upon which Gresham had laid his hand.
"You're nervous, Collaton.
I'm not Johnny Gamble," laughed Gresham.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Five Thousand an Hour

Chapter III · Chapter 3

Chapter 3 of Five Thousand an Hour is here in full — 150 sentences across 30 reading sections, with audio for every sentence and word.

Reading 1/30 · 5 reading units · Lines 1–5

Line 1
IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.
Line 2
The man started nervously as Gresham touched him on the shoulder, and his thin lips parted in a frightened snarl.
/ðə mæn ˈstɑːrtɪd ˈnɜːrvəsli æz ˈɡreʃəm tʌtʃt hɪm ɑːn ðə ˈʃoʊldər ənd hɪz θɪn lɪps ˈpɑːrtɪd ɪn ə ˈfraɪtənd snɑːrl/
Line 3
"You have such a ghastly way of slipping up behind one," he complained, brushing the shoulder upon which Gresham had laid his hand.
/juː hæv sʌtʃ ə ˈɡæstli weɪ ʌv ˈslɪpɪŋ ʌp bɪˈhaɪnd wʌn hiː kəmˈpleɪnd ˈbrʌʃɪŋ ðə ˈʃoʊldər əˈpɑːn wɪtʃ ˈɡreʃəm hæd leɪd hɪz hænd/
Line 4
"You're nervous, Collaton.
Line 5
I'm not Johnny Gamble," laughed Gresham.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

accommodating adjective US /əˈkɑːmədeɪtɪŋ/

helpful in bringing about a harmonious adaptation

From this reading “IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.”

brushing noun US /ˈbrʌʃɪŋ/

the act of brushing your teeth

From this reading “"You have such a ghastly way of slipping up behind one," he complained, brushing the shoulder upon which Gresham had laid his hand.”

colorless adjective US /ˈkʌlərləs/

lacking in variety and interest

From this reading “IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.”

Gamble verb US /ˈɡæmbəl/

take a risk in the hope of a favorable outcome

From this reading “I'm not Johnny Gamble," laughed Gresham.”

grandstand noun US /ˈɡrændstænd/

the audience at a stadium or racetrack

From this reading “IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.”

gresham noun US /ˈɡreʃəm/

English financier (1519-1579)

From this reading “IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.”

johnny's noun US /ˈdʒɑːniz/

possessive form of “johnny” — “Johnny” was applied as a nickname for Confederate soldiers by the Federal soldiers in the American Civil War; “greyback” derived from their grey Confederate uniforms

From this reading “IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.”

snarl verb US /snɑːrl/

utter in an angry, sharp, or abrupt tone

From this reading “The man started nervously as Gresham touched him on the shoulder, and his thin lips parted in a frightened snarl.”

All words in this reading · 75

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.

ACCOMMODATINGadjectiveUS /əˈkɑːmədeɪtɪŋ/

helpful in bringing about a harmonious adaptation

From this reading IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.

almostadverbUS /ˈɔːlmoʊst/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.

behindprepositionUS /bɪˈhaɪnd/

at or toward the back of something

From this reading "You have such a ghastly way of slipping up behind one," he complained, brushing the shoulder upon which Gresham had laid his hand.

BeneathprepositionUS /bɪˈniːθ/

Directly under; in or to a lower position than.

From this reading IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.

blankadjectiveUS /blæŋk/

(of a surface) not written or printed on

From this reading IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.

brushingnounUS /ˈbrʌʃɪŋ/

the act of brushing your teeth

From this reading "You have such a ghastly way of slipping up behind one," he complained, brushing the shoulder upon which Gresham had laid his hand.

caughtverbUS /kɑːt/

inflected form of “catch” — discover or come upon accidentally, suddenly, or unexpectedly; catch somebody doing something or in a certain state

From this reading IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.

Collaton

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "You're nervous, Collaton.

colorlessadjectiveUS /ˈkʌlərləs/

lacking in variety and interest

From this reading IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.

complainedverbUS /kəmˈpleɪnd/

past form of “complain” — express complaints, discontent, displeasure, or unhappiness

From this reading "You have such a ghastly way of slipping up behind one," he complained, brushing the shoulder upon which Gresham had laid his hand.

countenancenounUS /ˈkaʊntənəns/

the appearance conveyed by a person's face

From this reading IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.

drawnadjectiveUS /drɔːn/

showing the wearing effects of overwork or care or suffering

From this reading IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.

expressionnounUS /ɪkˈspreʃən/

the feelings expressed on a person's face

From this reading IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.

eyebrowsnounUS /ˈaɪbraʊz/

plural of “eyebrow” — the arch of hair above each eye

From this reading IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.

eyesnounUS /aɪz/

opinion or judgment

From this reading IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.

facenounUS /feɪs/

the front of the human head from the forehead to the chin and ear to ear

From this reading IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.

featuresnounUS /ˈfiːtʃərz/

plural of “feature” — a prominent attribute or aspect of something

From this reading IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.

FINDSnounUS /faɪndz/

plural of “find” — a productive insight

From this reading IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.

forgottenadjectiveUS /fərˈɡɑːt.n̩/

Not remembered; lapsed from memory.

From this reading IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.

frightenedadjectiveUS /ˈfraɪtənd/

made afraid

From this reading The man started nervously as Gresham touched him on the shoulder, and his thin lips parted in a frightened snarl.

GambleverbUS /ˈɡæmbəl/

take a risk in the hope of a favorable outcome

From this reading I'm not Johnny Gamble," laughed Gresham.

gaveverbUS /ɡeɪv/

inflected form of “give” — cause to have, in the abstract sense or physical sense

From this reading IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.

ghastlyadjectiveUS /ˈɡæstli/

shockingly repellent; inspiring horror

From this reading "You have such a ghastly way of slipping up behind one," he complained, brushing the shoulder upon which Gresham had laid his hand.

grandstandnounUS /ˈɡrændstænd/

the audience at a stadium or racetrack

From this reading IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.

GRESHAMnounUS /ˈɡreʃəm/

English financier (1519-1579)

From this reading IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.

handnounUS /hænd/

the (prehensile) extremity of the superior limb

From this reading "You have such a ghastly way of slipping up behind one," he complained, brushing the shoulder upon which Gresham had laid his hand.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading "You have such a ghastly way of slipping up behind one," he complained, brushing the shoulder upon which Gresham had laid his hand.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading "You have such a ghastly way of slipping up behind one," he complained, brushing the shoulder upon which Gresham had laid his hand.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading The man started nervously as Gresham touched him on the shoulder, and his thin lips parted in a frightened snarl.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.

I'm

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I'm not Johnny Gamble," laughed Gresham.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.

INprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.

JohnnynounUS /ˈdʒɑːni/

“Johnny” was applied as a nickname for Confederate soldiers by the Federal soldiers in the American Civil War; “greyback” derived from their grey Confederate uniforms

From this reading I'm not Johnny Gamble," laughed Gresham.

JOHNNY'SnounUS /ˈdʒɑːniz/

possessive form of “johnny” — “Johnny” was applied as a nickname for Confederate soldiers by the Federal soldiers in the American Civil War; “greyback” derived from their grey Confederate uniforms

From this reading IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.

laidadjectiveUS /leɪd/

set down according to a plan

From this reading "You have such a ghastly way of slipping up behind one," he complained, brushing the shoulder upon which Gresham had laid his hand.

laughedverbUS /læft/

past form of “laugh” — produce laughter

From this reading I'm not Johnny Gamble," laughed Gresham.

lipsnounUS /lɪps/

plural of “lip” — either of two fleshy folds of tissue that surround the mouth and play a role in speaking

From this reading The man started nervously as Gresham touched him on the shoulder, and his thin lips parted in a frightened snarl.

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.

markverbUS /mɑːrk/

attach a tag or label to

From this reading IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.

nervousadjectiveUS /ˈnɜːrvəs/

easily agitated

From this reading "You're nervous, Collaton.

nervouslyadverbUS /ˈnɜːrvəsli/

in an anxiously nervous manner

From this reading The man started nervously as Gresham touched him on the shoulder, and his thin lips parted in a frightened snarl.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading I'm not Johnny Gamble," laughed Gresham.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading "You have such a ghastly way of slipping up behind one," he complained, brushing the shoulder upon which Gresham had laid his hand.

OLDadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading The man started nervously as Gresham touched him on the shoulder, and his thin lips parted in a frightened snarl.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.

partedadjectiveUS /ˈpɑːrtɪd/

having a margin incised almost to the base so as to create distinct divisions or lobes

From this reading The man started nervously as Gresham touched him on the shoulder, and his thin lips parted in a frightened snarl.

PARTNERnounUS /ˈpɑːrtnər/

a person's partner in marriage

From this reading IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.

peculiarlyadverbUS /pɪˈkjuːljərli/

uniquely or characteristically

From this reading IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.

sandy-haired

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.

shoulderverbUS /ˈʃoʊldər/

lift onto one's shoulders

From this reading The man started nervously as Gresham touched him on the shoulder, and his thin lips parted in a frightened snarl.

slippingadjectiveUS /ˈslɪpɪŋ/

moving as on a slippery surface

From this reading "You have such a ghastly way of slipping up behind one," he complained, brushing the shoulder upon which Gresham had laid his hand.

snarlverbUS /snɑːrl/

utter in an angry, sharp, or abrupt tone

From this reading The man started nervously as Gresham touched him on the shoulder, and his thin lips parted in a frightened snarl.

startedverbUS /ˈstɑːrtɪd/

past form of “start” — take the first step or steps in carrying out an action

From this reading The man started nervously as Gresham touched him on the shoulder, and his thin lips parted in a frightened snarl.

suchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading "You have such a ghastly way of slipping up behind one," he complained, brushing the shoulder upon which Gresham had laid his hand.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.

thinadjectiveUS /θɪn/

Having little thickness or extent.

From this reading The man started nervously as Gresham touched him on the shoulder, and his thin lips parted in a frightened snarl.

thin-faced

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.

touchedadjectiveUS /tʌtʃt/

having come into contact

From this reading The man started nervously as Gresham touched him on the shoulder, and his thin lips parted in a frightened snarl.

upadjectiveUS /ʌp/

being or moving higher in position or greater in some value; being above a former position or level

From this reading IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading "You have such a ghastly way of slipping up behind one," he complained, brushing the shoulder upon which Gresham had laid his hand.

waxlikeadjective

having the paleness of wax

From this reading IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.

waynounUS /weɪ/

how something is done or how it happens

From this reading "You have such a ghastly way of slipping up behind one," he complained, brushing the shoulder upon which Gresham had laid his hand.

WHICHpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.

whosedeterminerUS /huːz/

belonging to which person

From this reading IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.

withprepositionUS /wɪð/

in the company of; together with

From this reading IN WHICH GRESHAM FINDS JOHNNY'S OLD PARTNER ACCOMMODATING Beneath the grandstand, Gresham caught up with a thin-faced and sandy-haired man whose colorless eyebrows and almost colorless eyes gave his waxlike countenance a peculiarly blank expression--much as if one had drawn a face and had forgotten to mark in the features.

YoupronounUS /juː/

the person or people being spoken to

From this reading "You have such a ghastly way of slipping up behind one," he complained, brushing the shoulder upon which Gresham had laid his hand.

You're

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "You're nervous, Collaton.

Chapter 3 of Five Thousand an Hour by George Randolph Chester holds 150 sentences, grouped into 30 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 3 of Five Thousand an Hour contain?

Chapter 3 holds 150 sentences of Five Thousand an Hour, unabridged, divided into 30 reading sections.

This page carries chapter 3 of Five Thousand an Hour by George Randolph Chester exactly as it stands in the source edition, without abridgement. It runs to 150 sentences, grouped into 30 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 3 of Five Thousand an Hour?

Work through the 30 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 30 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 3 be read aloud to me?

Yes — every sentence and every individual word in chapter 3 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Five Thousand an Hour

Common questions about reading Five Thousand an Hour by George Randolph Chester on this page, its source edition and its audio.

Is this the complete text of Five Thousand an Hour?

Yes. All 3817 sentences of Project Gutenberg eBook #4353 are kept, with a record of which sentences cover which part.

Which edition of Five Thousand an Hour is used?

Project Gutenberg eBook #4353, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Five Thousand an Hour take to read?

About 318 minutes of reading across 764 sections of 5 sentences each, at an unhurried pace.

How to read Five Thousand an Hour section by section

How to work through Five Thousand an Hour section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 24 chapters of Five Thousand an Hour to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Five Thousand an Hour

Words and structures a reader meets early in Five Thousand an Hour, each tappable for pronunciation and meaning.

Where
A word that appears in the opening chapter of Five Thousand an Hour; the reader can tap it to hear it and see its dictionary entry.
Constance
A word that appears in the opening chapter of Five Thousand an Hour; the reader can tap it to hear it and see its dictionary entry.
Joy--slender
A word that appears in the opening chapter of Five Thousand an Hour; the reader can tap it to hear it and see its dictionary entry.
Tall--entertained
A word that appears in the opening chapter of Five Thousand an Hour; the reader can tap it to hear it and see its dictionary entry.