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Folk Tales Every Child Should Know
Folk Tales Every Child Should Know

Chapter I · Chapter 1

Chapter 1 of Folk Tales Every Child Should Know is here in full — 480 sentences across 96 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/96 · 5 lines
English subtitles · tap any word to listen 1 / 5
FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."
When the traveller looks at Rome for the first time he does not realize that there have been several cities on the same piece of ground, and that the churches and palaces and other great buildings he sees to-day rest on an earlier and invisible city buried in dust beneath the foundations of the Rome of the Twentieth Century.
In like manner, and because all visible things on the surface of the earth have grown out of older things which have ceased to be, the world of habits, the ideas, customs, fancies, and arts, in which we live is a survival of a younger world which long ago disappeared.
When we speak of Friday as an unlucky day, or touch wood after saying that we have had good luck for a long time, or take the trouble to look at the new moon over the right shoulder, or avoid crossing the street while a funeral is passing, we are recalling old superstitions or beliefs, a vanished world in which our remote forefathers lived.
We do not realize how much of this vanished world still survives in our language, our talk, our books, our sculpture and pictures.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Folk Tales Every Child Should Know

Chapter I · Chapter 1

Chapter 1 of Folk Tales Every Child Should Know is here in full — 480 sentences across 96 reading sections, with audio for every sentence and word.

Reading 1/96 · 5 reading units · Lines 1–5

Line 1
FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."
Line 2
When the traveller looks at Rome for the first time he does not realize that there have been several cities on the same piece of ground, and that the churches and palaces and other great buildings he sees to-day rest on an earlier and invisible city buried in dust beneath the foundations of the Rome of the Twentieth Century.
Line 3
In like manner, and because all visible things on the surface of the earth have grown out of older things which have ceased to be, the world of habits, the ideas, customs, fancies, and arts, in which we live is a survival of a younger world which long ago disappeared.
/ɪn laɪk ˈmænər ənd bɪˈkɔːz ɔːl ˈvɪzəbəl θɪŋz ɑːn ðə ˈsɜːrfəs ʌv ðə ɜːrθ hæv ɡroʊn aʊt ʌv ˈoʊldər θɪŋz wɪtʃ hæv siːst tuː biː ðə wɜːrld ʌv ˈhæbəts ðə aɪˈdiːəz ˈkʌstəmz ˈfænsiz ənd ɑːrts ɪn wɪtʃ wiː laɪv ɪz ə sərˈvaɪvəl ʌv ə ˈjʌŋɡər wɜːrld wɪtʃ lɔːŋ əˈɡoʊ ˌdɪsəˈpɪrd/
Line 4
When we speak of Friday as an unlucky day, or touch wood after saying that we have had good luck for a long time, or take the trouble to look at the new moon over the right shoulder, or avoid crossing the street while a funeral is passing, we are recalling old superstitions or beliefs, a vanished world in which our remote forefathers lived.
/wen wiː spiːk ʌv ˈfraɪdi æz æn ənˈlʌki deɪ ɔːr tʌtʃ wʊd ˈæftər ˈseɪɪŋ ðæt wiː hæv hæd ɡʊd lʌk fɔːr ə lɔːŋ taɪm ɔːr teɪk ðə ˈtrʌbəl tuː lʊk æt ðə nuː muːn ˈoʊvər ðə raɪt ˈʃoʊldər ɔːr əˈvɔɪd ˈkrɔːsɪŋ ðə striːt waɪl ə ˈfjuːnərəl ɪz ˈpæsɪŋ wiː ɑːr rɪˈkɔːlɪŋ oʊld ˌsuːpərˈstɪʃənz ɔːr bɪˈliːfs ə ˈvænɪʃt wɜːrld ɪn wɪtʃ ˈaʊər rɪˈmoʊt ˈfɔːrfɑːðərz lɪvd/
Line 5
We do not realize how much of this vanished world still survives in our language, our talk, our books, our sculpture and pictures.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Badger's noun US /ˈbædʒərz/

possessive form of “badger” — a native or resident of Wisconsin

From this reading “FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."”

Balzac noun US /bɑːlˈzæk/

French novelist; he portrays the complexity of 19th century French society (1799-1850)

From this reading “FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."”

Chandler noun US /ˈtʃændlər/

United States writer of detective thrillers featuring the character of Philip Marlowe (1888-1959)

From this reading “FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."”

Dun noun US /dʌn/

horse of a dull brownish grey color

From this reading “FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."”

Houghton noun US /ˈhɔːtən/

United States publisher who founded a printing shop that became an important book publisher (1823-1895)

From this reading “FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."”

selections noun US /səˈlekʃənz/

plural of “selection” — the act of choosing or selecting

From this reading “FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."”

survival noun US /sərˈvaɪvəl/

a state of surviving; remaining alive

From this reading “In like manner, and because all visible things on the surface of the earth have grown out of older things which have ceased to be, the world of habits, the ideas, customs, fancies, and arts, in which we live is a survival of a younger world which long ago disappeared.”

survives verb US /sərˈvaɪvz/

third-person singular of “survive” — continue to live and avoid dying

From this reading “We do not realize how much of this vanished world still survives in our language, our talk, our books, our sculpture and pictures.”

All words in this reading · 211

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

afterprepositionUS /ˈæftər/

later than; following

From this reading When we speak of Friday as an unlucky day, or touch wood after saying that we have had good luck for a long time, or take the trouble to look at the new moon over the right shoulder, or avoid crossing the street while a funeral is passing, we are recalling old superstitions or beliefs, a vanished world in which our remote forefathers lived.

agoadverbUS /əˈɡoʊ/

in the past

From this reading In like manner, and because all visible things on the surface of the earth have grown out of older things which have ceased to be, the world of habits, the ideas, customs, fancies, and arts, in which we live is a survival of a younger world which long ago disappeared.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading In like manner, and because all visible things on the surface of the earth have grown out of older things which have ceased to be, the world of habits, the ideas, customs, fancies, and arts, in which we live is a survival of a younger world which long ago disappeared.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading When the traveller looks at Rome for the first time he does not realize that there have been several cities on the same piece of ground, and that the churches and palaces and other great buildings he sees to-day rest on an earlier and invisible city buried in dust beneath the foundations of the Rome of the Twentieth Century.

Ananzi

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading When we speak of Friday as an unlucky day, or touch wood after saying that we have had good luck for a long time, or take the trouble to look at the new moon over the right shoulder, or avoid crossing the street while a funeral is passing, we are recalling old superstitions or beliefs, a vanished world in which our remote forefathers lived.

artsnounUS /ɑːrts/

studies intended to provide general knowledge and intellectual skills (rather than occupational or professional skills)

From this reading In like manner, and because all visible things on the surface of the earth have grown out of older things which have ceased to be, the world of habits, the ideas, customs, fancies, and arts, in which we live is a survival of a younger world which long ago disappeared.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading When we speak of Friday as an unlucky day, or touch wood after saying that we have had good luck for a long time, or take the trouble to look at the new moon over the right shoulder, or avoid crossing the street while a funeral is passing, we are recalling old superstitions or beliefs, a vanished world in which our remote forefathers lived.

atprepositionUS /æt/

in or near a particular place or position

From this reading When the traveller looks at Rome for the first time he does not realize that there have been several cities on the same piece of ground, and that the churches and palaces and other great buildings he sees to-day rest on an earlier and invisible city buried in dust beneath the foundations of the Rome of the Twentieth Century.

avoidverbUS /əˈvɔɪd/

stay clear from; keep away from; keep out of the way of someone or something

From this reading When we speak of Friday as an unlucky day, or touch wood after saying that we have had good luck for a long time, or take the trouble to look at the new moon over the right shoulder, or avoid crossing the street while a funeral is passing, we are recalling old superstitions or beliefs, a vanished world in which our remote forefathers lived.

BnounUS /biː/

aerobic rod-shaped spore-producing bacterium; often occurring in chainlike formations; found primarily in soil

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

Badger'snounUS /ˈbædʒərz/

possessive form of “badger” — a native or resident of Wisconsin

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

BalzacnounUS /bɑːlˈzæk/

French novelist; he portrays the complexity of 19th century French society (1799-1850)

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading In like manner, and because all visible things on the surface of the earth have grown out of older things which have ceased to be, the world of habits, the ideas, customs, fancies, and arts, in which we live is a survival of a younger world which long ago disappeared.

BearverbUS /ber/

have

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

becauseconjunctionUS /bɪˈkɔːz/

for the reason that

From this reading In like manner, and because all visible things on the surface of the earth have grown out of older things which have ceased to be, the world of habits, the ideas, customs, fancies, and arts, in which we live is a survival of a younger world which long ago disappeared.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading When the traveller looks at Rome for the first time he does not realize that there have been several cities on the same piece of ground, and that the churches and palaces and other great buildings he sees to-day rest on an earlier and invisible city buried in dust beneath the foundations of the Rome of the Twentieth Century.

Behari

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

beliefsnounUS /bɪˈliːfs/

plural of “belief” — any cognitive content held as true

From this reading When we speak of Friday as an unlucky day, or touch wood after saying that we have had good luck for a long time, or take the trouble to look at the new moon over the right shoulder, or avoid crossing the street while a funeral is passing, we are recalling old superstitions or beliefs, a vanished world in which our remote forefathers lived.

beneathprepositionUS /bɪˈniːθ/

Directly under; in or to a lower position than.

From this reading When the traveller looks at Rome for the first time he does not realize that there have been several cities on the same piece of ground, and that the churches and palaces and other great buildings he sees to-day rest on an earlier and invisible city buried in dust beneath the foundations of the Rome of the Twentieth Century.

BirdnounUS /bɜːrd/

warm-blooded egg-laying vertebrates characterized by feathers and forelimbs modified as wings

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

booksnounUS /bʊks/

Bound written or printed works.

From this reading We do not realize how much of this vanished world still survives in our language, our talk, our books, our sculpture and pictures.

BroadadjectiveUS /brɔːd/

having great (or a certain) extent from one side to the other

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

BrothernounUS /ˈbrʌðər/

a male with the same parents as someone else

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

BrownnounUS /braʊn/

an orange of low brightness and saturation

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

buildingsnounUS /ˈbɪldɪŋz/

plural of “building” — a structure that has a roof and walls and stands more or less permanently in one place

From this reading When the traveller looks at Rome for the first time he does not realize that there have been several cities on the same piece of ground, and that the churches and palaces and other great buildings he sees to-day rest on an earlier and invisible city buried in dust beneath the foundations of the Rome of the Twentieth Century.

buriedadjectiveUS /ˈberid/

placed in a grave

From this reading When the traveller looks at Rome for the first time he does not realize that there have been several cities on the same piece of ground, and that the churches and palaces and other great buildings he sees to-day rest on an earlier and invisible city buried in dust beneath the foundations of the Rome of the Twentieth Century.

byprepositionUS /baɪ/

showing who or what does the action

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

CnounUS /siː/

a degree on the centigrade scale of temperature

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

ceasedverbUS /siːst/

past form of “cease” — put an end to a state or an activity

From this reading In like manner, and because all visible things on the surface of the earth have grown out of older things which have ceased to be, the world of habits, the ideas, customs, fancies, and arts, in which we live is a survival of a younger world which long ago disappeared.

CenturynounUS /ˈsentʃəri/

a period of 100 years

From this reading When the traveller looks at Rome for the first time he does not realize that there have been several cities on the same piece of ground, and that the churches and palaces and other great buildings he sees to-day rest on an earlier and invisible city buried in dust beneath the foundations of the Rome of the Twentieth Century.

ChandlernounUS /ˈtʃændlər/

United States writer of detective thrillers featuring the character of Philip Marlowe (1888-1959)

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

CharlesnounUS /tʃɑːrlz/

King of France from 1560 to 1574 whose reign was dominated by his mother Catherine de Medicis (1550-1574)

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

ChildnounUS /tʃaɪld/

a young person of either sex

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

ChildrennounUS /ˈtʃɪldrən/

plural of “child” — a young person of either sex

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

churchesnounUS /ˈtʃɜːrtʃɪz/

plural of “church” — one of the groups of Christians who have their own beliefs and forms of worship

From this reading When the traveller looks at Rome for the first time he does not realize that there have been several cities on the same piece of ground, and that the churches and palaces and other great buildings he sees to-day rest on an earlier and invisible city buried in dust beneath the foundations of the Rome of the Twentieth Century.

citiesnounUS /ˈsɪtiz/

plural of “city” — a large and densely populated urban area; may include several independent administrative districts

From this reading When the traveller looks at Rome for the first time he does not realize that there have been several cities on the same piece of ground, and that the churches and palaces and other great buildings he sees to-day rest on an earlier and invisible city buried in dust beneath the foundations of the Rome of the Twentieth Century.

citynounUS /ˈsɪti/

a large and densely populated urban area; may include several independent administrative districts

From this reading When the traveller looks at Rome for the first time he does not realize that there have been several cities on the same piece of ground, and that the churches and palaces and other great buildings he sees to-day rest on an earlier and invisible city buried in dust beneath the foundations of the Rome of the Twentieth Century.

CompanynounUS /ˈkʌmpəniː/

an institution created to conduct business

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

crossingnounUS /ˈkrɔːsɪŋ/

traveling across

From this reading When we speak of Friday as an unlucky day, or touch wood after saying that we have had good luck for a long time, or take the trouble to look at the new moon over the right shoulder, or avoid crossing the street while a funeral is passing, we are recalling old superstitions or beliefs, a vanished world in which our remote forefathers lived.

customsnounUS /ˈkʌstəmz/

money collected under a tariff

From this reading In like manner, and because all visible things on the surface of the earth have grown out of older things which have ceased to be, the world of habits, the ideas, customs, fancies, and arts, in which we live is a survival of a younger world which long ago disappeared.

DnounUS /diː/

a fat-soluble vitamin that prevents rickets

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

Dasent

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

DaynounUS /deɪ/

time for Earth to make a complete rotation on its axis

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

denounUS /diː/

a Mid-Atlantic state; one of the original 13 colonies

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

Deil

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

disappearedverbUS /ˌdɪsəˈpɪrd/

past form of “disappear” — get lost, as without warning or explanation

From this reading In like manner, and because all visible things on the surface of the earth have grown out of older things which have ceased to be, the world of habits, the ideas, customs, fancies, and arts, in which we live is a survival of a younger world which long ago disappeared.

doauxiliary verbUS /duː/

used to form questions and negatives, and to give emphasis

From this reading We do not realize how much of this vanished world still survives in our language, our talk, our books, our sculpture and pictures.

doesauxiliary verbUS /dʌz/

the form of “do” used with he, she, it, or a singular noun

From this reading When the traveller looks at Rome for the first time he does not realize that there have been several cities on the same piece of ground, and that the churches and palaces and other great buildings he sees to-day rest on an earlier and invisible city buried in dust beneath the foundations of the Rome of the Twentieth Century.

DragonnounUS /ˈdræɡən/

a creature of Teutonic mythology; usually represented as breathing fire and having a reptilian body and sometimes wings

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

DunnounUS /dʌn/

horse of a dull brownish grey color

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

dustverbUS /dʌst/

remove the dust from

From this reading When the traveller looks at Rome for the first time he does not realize that there have been several cities on the same piece of ground, and that the churches and palaces and other great buildings he sees to-day rest on an earlier and invisible city buried in dust beneath the foundations of the Rome of the Twentieth Century.

earlieradverbUS /ˈɜːrliər/

earlier in time; previously

From this reading When the traveller looks at Rome for the first time he does not realize that there have been several cities on the same piece of ground, and that the churches and palaces and other great buildings he sees to-day rest on an earlier and invisible city buried in dust beneath the foundations of the Rome of the Twentieth Century.

earthnounUS /ɜːrθ/

the 3rd planet from the sun; the planet we live on

From this reading In like manner, and because all visible things on the surface of the earth have grown out of older things which have ceased to be, the world of habits, the ideas, customs, fancies, and arts, in which we live is a survival of a younger world which long ago disappeared.

EverydeterminerUS /ˈevəri/

all the members of a group, with none left out

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

ExclusivelyadverbUS /ɪkˈskluːsɪvli/

without any others being included or involved

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

fanciesnounUS /ˈfænsiz/

plural of “fancy” — something many people believe that is false

From this reading In like manner, and because all visible things on the surface of the earth have grown out of older things which have ceased to be, the world of habits, the ideas, customs, fancies, and arts, in which we live is a survival of a younger world which long ago disappeared.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading When the traveller looks at Rome for the first time he does not realize that there have been several cities on the same piece of ground, and that the churches and palaces and other great buildings he sees to-day rest on an earlier and invisible city buried in dust beneath the foundations of the Rome of the Twentieth Century.

FOLKnounUS /foʊk/

people in general (often used in the plural)

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

followingadjectiveUS /ˈfɑːloʊɪŋ/

about to be mentioned or specified

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

forefathersnounUS /ˈfɔːrfɑːðərz/

plural of “forefather” — the founder of a family

From this reading When we speak of Friday as an unlucky day, or touch wood after saying that we have had good luck for a long time, or take the trouble to look at the new moon over the right shoulder, or avoid crossing the street while a funeral is passing, we are recalling old superstitions or beliefs, a vanished world in which our remote forefathers lived.

foundationsnounUS /faʊnˈdeɪʃənz/

plural of “foundation” — the basis on which something is grounded

From this reading When the traveller looks at Rome for the first time he does not realize that there have been several cities on the same piece of ground, and that the churches and palaces and other great buildings he sees to-day rest on an earlier and invisible city buried in dust beneath the foundations of the Rome of the Twentieth Century.

FoxesnounUS /ˈfɑːksəz/

plural of “fox” — alert carnivorous mammal with pointed muzzle and ears and a bushy tail; most are predators that do not hunt in packs

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

FridaynounUS /ˈfraɪdi/

the sixth day of the week; the fifth working day

From this reading When we speak of Friday as an unlucky day, or touch wood after saying that we have had good luck for a long time, or take the trouble to look at the new moon over the right shoulder, or avoid crossing the street while a funeral is passing, we are recalling old superstitions or beliefs, a vanished world in which our remote forefathers lived.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

funeralnounUS /ˈfjuːnərəl/

a ceremony at which a dead person is buried or cremated

From this reading When we speak of Friday as an unlucky day, or touch wood after saying that we have had good luck for a long time, or take the trouble to look at the new moon over the right shoulder, or avoid crossing the street while a funeral is passing, we are recalling old superstitions or beliefs, a vanished world in which our remote forefathers lived.

GnounUS /dʒiː/

a metric unit of weight equal to one thousandth of a kilogram

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

GeorgenounUS /dʒɔːrdʒ/

Christian martyr; patron saint of England; hero of the legend of Saint George and the Dragon in which he slew a dragon and saved a princess (?-303)

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

GoatnounUS /ɡoʊt/

any of numerous agile ruminants related to sheep but having a beard and straight horns

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

GoodadjectiveUS /ɡʊd/

having desirable or positive qualities especially those suitable for a thing specified

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

GratefuladjectiveUS /ˈɡreɪtfəl/

feeling or showing gratitude

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading When the traveller looks at Rome for the first time he does not realize that there have been several cities on the same piece of ground, and that the churches and palaces and other great buildings he sees to-day rest on an earlier and invisible city buried in dust beneath the foundations of the Rome of the Twentieth Century.

Grinnell

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

groundnounUS /ɡraʊnd/

the solid part of the earth's surface

From this reading When the traveller looks at Rome for the first time he does not realize that there have been several cities on the same piece of ground, and that the churches and palaces and other great buildings he sees to-day rest on an earlier and invisible city buried in dust beneath the foundations of the Rome of the Twentieth Century.

grownadjectiveUS /ɡroʊn/

(of animals) fully developed

From this reading In like manner, and because all visible things on the surface of the earth have grown out of older things which have ceased to be, the world of habits, the ideas, customs, fancies, and arts, in which we live is a survival of a younger world which long ago disappeared.

HnounUS /eɪtʃ/

a nonmetallic univalent element that is normally a colorless and odorless highly flammable diatomic gas; the simplest and lightest and most abundant element in the universe

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

habitsnounUS /ˈhæbəts/

plural of “habit” — an established custom

From this reading In like manner, and because all visible things on the surface of the earth have grown out of older things which have ceased to be, the world of habits, the ideas, customs, fancies, and arts, in which we live is a survival of a younger world which long ago disappeared.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading When we speak of Friday as an unlucky day, or touch wood after saying that we have had good luck for a long time, or take the trouble to look at the new moon over the right shoulder, or avoid crossing the street while a funeral is passing, we are recalling old superstitions or beliefs, a vanished world in which our remote forefathers lived.

HairnounUS /her/

a covering for the body (or parts of it) consisting of a dense growth of threadlike structures (as on the human head); helps to prevent heat loss

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

HarrisnounUS /ˈherɪs/

United States author who wrote the stories about Uncle Remus (1848-1908)

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

Hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading When the traveller looks at Rome for the first time he does not realize that there have been several cities on the same piece of ground, and that the churches and palaces and other great buildings he sees to-day rest on an earlier and invisible city buried in dust beneath the foundations of the Rome of the Twentieth Century.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading When the traveller looks at Rome for the first time he does not realize that there have been several cities on the same piece of ground, and that the churches and palaces and other great buildings he sees to-day rest on an earlier and invisible city buried in dust beneath the foundations of the Rome of the Twentieth Century.

Honore

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

HorsenounUS /hɔːrs/

solid-hoofed herbivorous quadruped domesticated since prehistoric times

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

HoughtonnounUS /ˈhɔːtən/

United States publisher who founded a printing shop that became an important book publisher (1823-1895)

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

how

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading We do not realize how much of this vanished world still survives in our language, our talk, our books, our sculpture and pictures.

ideasnounUS /aɪˈdiːəz/

plural of “idea” — the content of cognition; the main thing you are thinking about

From this reading In like manner, and because all visible things on the surface of the earth have grown out of older things which have ceased to be, the world of habits, the ideas, customs, fancies, and arts, in which we live is a survival of a younger world which long ago disappeared.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading When the traveller looks at Rome for the first time he does not realize that there have been several cities on the same piece of ground, and that the churches and palaces and other great buildings he sees to-day rest on an earlier and invisible city buried in dust beneath the foundations of the Rome of the Twentieth Century.

IntelligencenounUS /ˌɪnˈtelədʒəns/

the ability to comprehend; to understand and profit from experience

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

invisibleadjectiveUS /ˌɪnˈvɪzəbəl/

impossible or nearly impossible to see; imperceptible by the eye

From this reading When the traveller looks at Rome for the first time he does not realize that there have been several cities on the same piece of ground, and that the churches and palaces and other great buildings he sees to-day rest on an earlier and invisible city buried in dust beneath the foundations of the Rome of the Twentieth Century.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

JoelnounUS /ˈdʒoʊəl/

a Hebrew minor prophet

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

KnowverbUS /noʊ/

be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

LnounUS /el/

a metric unit of capacity, formerly defined as the volume of one kilogram of pure water under standard conditions; now equal to 1,000 cubic centimeters (or approximately 1.75 pints)

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

LadnounUS /læd/

a boy or man

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

Lal

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

languagenounUS /ˈlæŋɡwədʒ/

a systematic means of communicating by the use of sounds or conventional symbols

From this reading We do not realize how much of this vanished world still survives in our language, our talk, our books, our sculpture and pictures.

likeverbUS /laɪk/

prefer or wish to do something

From this reading In like manner, and because all visible things on the surface of the earth have grown out of older things which have ceased to be, the world of habits, the ideas, customs, fancies, and arts, in which we live is a survival of a younger world which long ago disappeared.

LionnounUS /ˈlaɪən/

large gregarious predatory feline of Africa and India having a tawny coat with a shaggy mane in the male

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

LittleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

liveverbUS /laɪv/

be an inhabitant of or reside in

From this reading In like manner, and because all visible things on the surface of the earth have grown out of older things which have ceased to be, the world of habits, the ideas, customs, fancies, and arts, in which we live is a survival of a younger world which long ago disappeared.

livedverbUS /lɪvd/

past form of “live” — be an inhabitant of or reside in

From this reading When we speak of Friday as an unlucky day, or touch wood after saying that we have had good luck for a long time, or take the trouble to look at the new moon over the right shoulder, or avoid crossing the street while a funeral is passing, we are recalling old superstitions or beliefs, a vanished world in which our remote forefathers lived.

LondonnounUS /ˈlʌndən/

the capital and largest city of England; located on the Thames in southeastern England; financial and industrial and cultural center

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

LongadjectiveUS /lɔːŋ/

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

lookverbUS /lʊk/

perceive with attention; direct one's gaze towards

From this reading When we speak of Friday as an unlucky day, or touch wood after saying that we have had good luck for a long time, or take the trouble to look at the new moon over the right shoulder, or avoid crossing the street while a funeral is passing, we are recalling old superstitions or beliefs, a vanished world in which our remote forefathers lived.

looksnounUS /lʊks/

plural of “look” — the feelings expressed on a person's face

From this reading When the traveller looks at Rome for the first time he does not realize that there have been several cities on the same piece of ground, and that the churches and palaces and other great buildings he sees to-day rest on an earlier and invisible city buried in dust beneath the foundations of the Rome of the Twentieth Century.

LucknounUS /lʌk/

your overall circumstances or condition in life (including everything that happens to you)

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

MnounUS /em/

the basic unit of length adopted under the Systeme International d'Unites (approximately 1.094 yards)

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

Macmillan

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

mannernounUS /ˈmænər/

how something is done or how it happens

From this reading In like manner, and because all visible things on the surface of the earth have grown out of older things which have ceased to be, the world of habits, the ideas, customs, fancies, and arts, in which we live is a survival of a younger world which long ago disappeared.

Messrs

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

Mifflin

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

Mitfordnoun

United States writer (born in England) who wrote on American culture (1917-1996)

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

MoneynounUS /ˈmʌni/

the most common medium of exchange; functions as legal tender

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

moonnounUS /muːn/

the natural satellite of the Earth

From this reading When we speak of Friday as an unlucky day, or touch wood after saying that we have had good luck for a long time, or take the trouble to look at the new moon over the right shoulder, or avoid crossing the street while a funeral is passing, we are recalling old superstitions or beliefs, a vanished world in which our remote forefathers lived.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading We do not realize how much of this vanished world still survives in our language, our talk, our books, our sculpture and pictures.

NapoleonnounUS /nəˈpoʊliən/

French general who became emperor of the French (1769-1821)

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

NewadjectiveUS /nuː/

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

NodeterminerUS /noʊ/

not any; not one

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

NorthnounUS /nɔːrθ/

the region of the United States lying to the north of the Mason-Dixon line

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading When the traveller looks at Rome for the first time he does not realize that there have been several cities on the same piece of ground, and that the churches and palaces and other great buildings he sees to-day rest on an earlier and invisible city buried in dust beneath the foundations of the Rome of the Twentieth Century.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading When we speak of Friday as an unlucky day, or touch wood after saying that we have had good luck for a long time, or take the trouble to look at the new moon over the right shoulder, or avoid crossing the street while a funeral is passing, we are recalling old superstitions or beliefs, a vanished world in which our remote forefathers lived.

olderadjectiveUS /ˈoʊldər/

advanced in years; (“aged” is pronounced as two syllables)

From this reading In like manner, and because all visible things on the surface of the earth have grown out of older things which have ceased to be, the world of habits, the ideas, customs, fancies, and arts, in which we live is a survival of a younger world which long ago disappeared.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading When the traveller looks at Rome for the first time he does not realize that there have been several cities on the same piece of ground, and that the churches and palaces and other great buildings he sees to-day rest on an earlier and invisible city buried in dust beneath the foundations of the Rome of the Twentieth Century.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading When we speak of Friday as an unlucky day, or touch wood after saying that we have had good luck for a long time, or take the trouble to look at the new moon over the right shoulder, or avoid crossing the street while a funeral is passing, we are recalling old superstitions or beliefs, a vanished world in which our remote forefathers lived.

OriginnounUS /ˈɔːrədʒən/

the place where something begins, where it springs into being

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading When the traveller looks at Rome for the first time he does not realize that there have been several cities on the same piece of ground, and that the churches and palaces and other great buildings he sees to-day rest on an earlier and invisible city buried in dust beneath the foundations of the Rome of the Twentieth Century.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading When we speak of Friday as an unlucky day, or touch wood after saying that we have had good luck for a long time, or take the trouble to look at the new moon over the right shoulder, or avoid crossing the street while a funeral is passing, we are recalling old superstitions or beliefs, a vanished world in which our remote forefathers lived.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading In like manner, and because all visible things on the surface of the earth have grown out of older things which have ceased to be, the world of habits, the ideas, customs, fancies, and arts, in which we live is a survival of a younger world which long ago disappeared.

overprepositionUS /ˈoʊvər/

above and across; more than

From this reading When we speak of Friday as an unlucky day, or touch wood after saying that we have had good luck for a long time, or take the trouble to look at the new moon over the right shoulder, or avoid crossing the street while a funeral is passing, we are recalling old superstitions or beliefs, a vanished world in which our remote forefathers lived.

PnounUS /piː/

a multivalent nonmetallic element of the nitrogen family that occurs commonly in inorganic phosphate rocks and as organic phosphates in all living cells; is highly reactive and occurs in several allotropic forms

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

palacesnounUS /ˈpæləsəz/

plural of “palace” — a large and stately mansion

From this reading When the traveller looks at Rome for the first time he does not realize that there have been several cities on the same piece of ground, and that the churches and palaces and other great buildings he sees to-day rest on an earlier and invisible city buried in dust beneath the foundations of the Rome of the Twentieth Century.

passingnounUS /ˈpæsɪŋ/

(American football) a play that involves one player throwing the ball to a teammate

From this reading When we speak of Friday as an unlucky day, or touch wood after saying that we have had good luck for a long time, or take the trouble to look at the new moon over the right shoulder, or avoid crossing the street while a funeral is passing, we are recalling old superstitions or beliefs, a vanished world in which our remote forefathers lived.

PeasantnounUS /ˈpezənt/

a country person

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

picturesnounUS /ˈpɪktʃərz/

plural of “picture” — a visual representation (of an object or scene or person or abstraction) produced on a surface

From this reading We do not realize how much of this vanished world still survives in our language, our talk, our books, our sculpture and pictures.

piecenounUS /piːs/

a separate part of a whole

From this reading When the traveller looks at Rome for the first time he does not realize that there have been several cities on the same piece of ground, and that the churches and palaces and other great buildings he sees to-day rest on an earlier and invisible city buried in dust beneath the foundations of the Rome of the Twentieth Century.

PrincenounUS /prɪns/

a male member of a royal family other than the sovereign (especially the son of a sovereign)

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

Putnam's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

realizeverbUS /ˈriːəlaɪz/

be fully aware or cognizant of

From this reading When the traveller looks at Rome for the first time he does not realize that there have been several cities on the same piece of ground, and that the churches and palaces and other great buildings he sees to-day rest on an earlier and invisible city buried in dust beneath the foundations of the Rome of the Twentieth Century.

recallingverbUS /rɪˈkɔːlɪŋ/

-ing form of “recall” — recall knowledge from memory; have a recollection

From this reading When we speak of Friday as an unlucky day, or touch wood after saying that we have had good luck for a long time, or take the trouble to look at the new moon over the right shoulder, or avoid crossing the street while a funeral is passing, we are recalling old superstitions or beliefs, a vanished world in which our remote forefathers lived.

remoteadjectiveUS /rɪˈmoʊt/

located far away spatially

From this reading When we speak of Friday as an unlucky day, or touch wood after saying that we have had good luck for a long time, or take the trouble to look at the new moon over the right shoulder, or avoid crossing the street while a funeral is passing, we are recalling old superstitions or beliefs, a vanished world in which our remote forefathers lived.

restverbUS /rest/

not move; be in a resting position

From this reading When the traveller looks at Rome for the first time he does not realize that there have been several cities on the same piece of ground, and that the churches and palaces and other great buildings he sees to-day rest on an earlier and invisible city buried in dust beneath the foundations of the Rome of the Twentieth Century.

RevverbUS /rev/

increase the number of rotations per minute

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

rightadverbUS /raɪt/

precisely, exactly

From this reading When we speak of Friday as an unlucky day, or touch wood after saying that we have had good luck for a long time, or take the trouble to look at the new moon over the right shoulder, or avoid crossing the street while a funeral is passing, we are recalling old superstitions or beliefs, a vanished world in which our remote forefathers lived.

RomenounUS /roʊm/

capital and largest city of Italy; on the Tiber; seat of the Roman Catholic Church; formerly the capital of the Roman Republic and the Roman Empire

From this reading When the traveller looks at Rome for the first time he does not realize that there have been several cities on the same piece of ground, and that the churches and palaces and other great buildings he sees to-day rest on an earlier and invisible city buried in dust beneath the foundations of the Rome of the Twentieth Century.

RubiesnounUS /ˈruːbiz/

plural of “ruby” — a transparent piece of ruby that has been cut and polished and is valued as a precious gem

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

SaltnounUS /sɔːlt/

a compound formed by replacing hydrogen in an acid by a metal (or a radical that acts like a metal)

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

sameadjectiveUS /seɪm/

Identical; not different.

From this reading When the traveller looks at Rome for the first time he does not realize that there have been several cities on the same piece of ground, and that the churches and palaces and other great buildings he sees to-day rest on an earlier and invisible city buried in dust beneath the foundations of the Rome of the Twentieth Century.

sayingnounUS /ˈseɪɪŋ/

a word or phrase that particular people use in particular situations

From this reading When we speak of Friday as an unlucky day, or touch wood after saying that we have had good luck for a long time, or take the trouble to look at the new moon over the right shoulder, or avoid crossing the street while a funeral is passing, we are recalling old superstitions or beliefs, a vanished world in which our remote forefathers lived.

Scribner's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

sculpturenounUS /ˈskʌlptʃər/

a three-dimensional work of plastic art

From this reading We do not realize how much of this vanished world still survives in our language, our talk, our books, our sculpture and pictures.

SeanounUS /siː/

a division of an ocean or a large body of salt water partially enclosed by land

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

seesnounUS /siːz/

plural of “see” — the seat within a bishop's diocese where his cathedral is located

From this reading When the traveller looks at Rome for the first time he does not realize that there have been several cities on the same piece of ground, and that the churches and palaces and other great buildings he sees to-day rest on an earlier and invisible city buried in dust beneath the foundations of the Rome of the Twentieth Century.

selectionsnounUS /səˈlekʃənz/

plural of “selection” — the act of choosing or selecting

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

severaladjectiveUS /ˈsevrəl/

(used with count nouns) of an indefinite number more than 2 or 3 but not many

From this reading When the traveller looks at Rome for the first time he does not realize that there have been several cities on the same piece of ground, and that the churches and palaces and other great buildings he sees to-day rest on an earlier and invisible city buried in dust beneath the foundations of the Rome of the Twentieth Century.

Sharpsight

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

Shouldmodal verbUS /ʃʊd/

used to say what is right, expected, or advisable

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

shoulderverbUS /ˈʃoʊldər/

lift onto one's shoulders

From this reading When we speak of Friday as an unlucky day, or touch wood after saying that we have had good luck for a long time, or take the trouble to look at the new moon over the right shoulder, or avoid crossing the street while a funeral is passing, we are recalling old superstitions or beliefs, a vanished world in which our remote forefathers lived.

SirnounUS /sɜːr/

term of address for a man

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

SixtyadjectiveUS /ˈsɪksti/

being ten more than fifty

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

Slavonicnoun

a branch of the Indo-European family of languages

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

SonsnounUS /sʌnz/

plural of “son” — a male human offspring

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

SourcesnounUS /ˈsɔːrsəz/

plural of “source” — the place where something begins, where it springs into being

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

speakverbUS /spiːk/

express in speech

From this reading When we speak of Friday as an unlucky day, or touch wood after saying that we have had good luck for a long time, or take the trouble to look at the new moon over the right shoulder, or avoid crossing the street while a funeral is passing, we are recalling old superstitions or beliefs, a vanished world in which our remote forefathers lived.

stilladjectiveUS /stɪl/

not in physical motion

From this reading We do not realize how much of this vanished world still survives in our language, our talk, our books, our sculpture and pictures.

StorynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

streetnounUS /striːt/

a thoroughfare (usually including sidewalks) that is lined with buildings

From this reading When we speak of Friday as an unlucky day, or touch wood after saying that we have had good luck for a long time, or take the trouble to look at the new moon over the right shoulder, or avoid crossing the street while a funeral is passing, we are recalling old superstitions or beliefs, a vanished world in which our remote forefathers lived.

superstitionsnounUS /ˌsuːpərˈstɪʃənz/

plural of “superstition” — an irrational belief arising from ignorance or fear

From this reading When we speak of Friday as an unlucky day, or touch wood after saying that we have had good luck for a long time, or take the trouble to look at the new moon over the right shoulder, or avoid crossing the street while a funeral is passing, we are recalling old superstitions or beliefs, a vanished world in which our remote forefathers lived.

surfacenounUS /ˈsɜːrfəs/

the outer boundary of an artifact or a material layer constituting or resembling such a boundary

From this reading In like manner, and because all visible things on the surface of the earth have grown out of older things which have ceased to be, the world of habits, the ideas, customs, fancies, and arts, in which we live is a survival of a younger world which long ago disappeared.

survivalnounUS /sərˈvaɪvəl/

a state of surviving; remaining alive

From this reading In like manner, and because all visible things on the surface of the earth have grown out of older things which have ceased to be, the world of habits, the ideas, customs, fancies, and arts, in which we live is a survival of a younger world which long ago disappeared.

survivesverbUS /sərˈvaɪvz/

third-person singular of “survive” — continue to live and avoid dying

From this reading We do not realize how much of this vanished world still survives in our language, our talk, our books, our sculpture and pictures.

TailnounUS /teɪl/

the posterior part of the body of a vertebrate especially when elongated and extending beyond the trunk or main part of the body

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

takeverbUS /teɪk/

carry out

From this reading When we speak of Friday as an unlucky day, or touch wood after saying that we have had good luck for a long time, or take the trouble to look at the new moon over the right shoulder, or avoid crossing the street while a funeral is passing, we are recalling old superstitions or beliefs, a vanished world in which our remote forefathers lived.

TALESnounUS /teɪlz/

plural of “tale” — a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

talkverbUS /tɔːk/

exchange thoughts; talk with

From this reading We do not realize how much of this vanished world still survives in our language, our talk, our books, our sculpture and pictures.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading When the traveller looks at Rome for the first time he does not realize that there have been several cities on the same piece of ground, and that the churches and palaces and other great buildings he sees to-day rest on an earlier and invisible city buried in dust beneath the foundations of the Rome of the Twentieth Century.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

thereadverbUS /ðer/

in or at that place or location

From this reading When the traveller looks at Rome for the first time he does not realize that there have been several cities on the same piece of ground, and that the churches and palaces and other great buildings he sees to-day rest on an earlier and invisible city buried in dust beneath the foundations of the Rome of the Twentieth Century.

thingsnounUS /θɪŋz/

any movable possession (especially articles of clothing)

From this reading In like manner, and because all visible things on the surface of the earth have grown out of older things which have ceased to be, the world of habits, the ideas, customs, fancies, and arts, in which we live is a survival of a younger world which long ago disappeared.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading We do not realize how much of this vanished world still survives in our language, our talk, our books, our sculpture and pictures.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading When the traveller looks at Rome for the first time he does not realize that there have been several cities on the same piece of ground, and that the churches and palaces and other great buildings he sees to-day rest on an earlier and invisible city buried in dust beneath the foundations of the Rome of the Twentieth Century.

ToparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

to-day

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading When the traveller looks at Rome for the first time he does not realize that there have been several cities on the same piece of ground, and that the churches and palaces and other great buildings he sees to-day rest on an earlier and invisible city buried in dust beneath the foundations of the Rome of the Twentieth Century.

touchverbUS /tʌtʃ/

make physical contact with, come in contact with

From this reading When we speak of Friday as an unlucky day, or touch wood after saying that we have had good luck for a long time, or take the trouble to look at the new moon over the right shoulder, or avoid crossing the street while a funeral is passing, we are recalling old superstitions or beliefs, a vanished world in which our remote forefathers lived.

translatedverbUS /trænzˈleɪtɪd/

past form of “translate” — restate (words) from one language into another language

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

travellernounUS /ˈtrævələr/

a person who changes location

From this reading When the traveller looks at Rome for the first time he does not realize that there have been several cities on the same piece of ground, and that the churches and palaces and other great buildings he sees to-day rest on an earlier and invisible city buried in dust beneath the foundations of the Rome of the Twentieth Century.

troublenounUS /ˈtrʌbəl/

a source of difficulty

From this reading When we speak of Friday as an unlucky day, or touch wood after saying that we have had good luck for a long time, or take the trouble to look at the new moon over the right shoulder, or avoid crossing the street while a funeral is passing, we are recalling old superstitions or beliefs, a vanished world in which our remote forefathers lived.

TwentiethnounUS /ˈtwentiəθ/

position 20 in a countable series of things

From this reading When the traveller looks at Rome for the first time he does not realize that there have been several cities on the same piece of ground, and that the churches and palaces and other great buildings he sees to-day rest on an earlier and invisible city buried in dust beneath the foundations of the Rome of the Twentieth Century.

unluckyadjectiveUS /ənˈlʌki/

having or bringing misfortune

From this reading When we speak of Friday as an unlucky day, or touch wood after saying that we have had good luck for a long time, or take the trouble to look at the new moon over the right shoulder, or avoid crossing the street while a funeral is passing, we are recalling old superstitions or beliefs, a vanished world in which our remote forefathers lived.

vanishedadjectiveUS /ˈvænɪʃt/

having passed out of existence

From this reading When we speak of Friday as an unlucky day, or touch wood after saying that we have had good luck for a long time, or take the trouble to look at the new moon over the right shoulder, or avoid crossing the street while a funeral is passing, we are recalling old superstitions or beliefs, a vanished world in which our remote forefathers lived.

visibleadjectiveUS /ˈvɪzəbəl/

capable of being seen; or open to easy view

From this reading In like manner, and because all visible things on the surface of the earth have grown out of older things which have ceased to be, the world of habits, the ideas, customs, fancies, and arts, in which we live is a survival of a younger world which long ago disappeared.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading In like manner, and because all visible things on the surface of the earth have grown out of older things which have ceased to be, the world of habits, the ideas, customs, fancies, and arts, in which we live is a survival of a younger world which long ago disappeared.

Webbe

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

WentverbUS /went/

inflected form of “go” — change location; move, travel, or proceed, also metaphorically

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

WhenconjunctionUS /wen/

at the time that

From this reading When the traveller looks at Rome for the first time he does not realize that there have been several cities on the same piece of ground, and that the churches and palaces and other great buildings he sees to-day rest on an earlier and invisible city buried in dust beneath the foundations of the Rome of the Twentieth Century.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading In like manner, and because all visible things on the surface of the earth have grown out of older things which have ceased to be, the world of habits, the ideas, customs, fancies, and arts, in which we live is a survival of a younger world which long ago disappeared.

whileconjunctionUS /waɪl/

during the time that

From this reading When we speak of Friday as an unlucky day, or touch wood after saying that we have had good luck for a long time, or take the trouble to look at the new moon over the right shoulder, or avoid crossing the street while a funeral is passing, we are recalling old superstitions or beliefs, a vanished world in which our remote forefathers lived.

WhopronounUS /huː/

which person or people

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

WhynounUS /waɪ/

the cause or intention underlying an action or situation, especially in the phrase “the whys and wherefores”

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

WindnounUS /waɪnd/

air moving (sometimes with considerable force) from an area of high pressure to an area of low pressure

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

WonderfuladjectiveUS /ˈwʌndərfəl/

extraordinarily good or great; used especially as intensifiers

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

woodnounUS /wʊd/

the hard fibrous lignified substance under the bark of trees

From this reading When we speak of Friday as an unlucky day, or touch wood after saying that we have had good luck for a long time, or take the trouble to look at the new moon over the right shoulder, or avoid crossing the street while a funeral is passing, we are recalling old superstitions or beliefs, a vanished world in which our remote forefathers lived.

worldnounUS /wɜːrld/

everything that exists anywhere

From this reading In like manner, and because all visible things on the surface of the earth have grown out of older things which have ceased to be, the world of habits, the ideas, customs, fancies, and arts, in which we live is a survival of a younger world which long ago disappeared.

Wratislaw

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

YorknounUS /jɔːrk/

the English royal house (a branch of the Plantagenet line) that reigned from 1461 to 1485; its emblem was a white rose

From this reading FOLK TALES Every Child Should Know To Messrs. G.P. Putnam's Sons for "Why the Sea is Salt," "The Lad Who Went to the North Wind," "The Lad and the Deil," and "Ananzi and the Lion," by Sir George Webbe Dasent, D.C.L.; to the Macmillan Company, New York, for "The Grateful Foxes" and "The Badger's Money," by A.B. Mitford; to Messrs. Macmillan & Company, London, for "The Origin of Rubies," by Rev. Lal Behari Day; to Messrs. Charles Scribner's Sons for "The Dun Horse," by George Bird Grinnell; to Messrs. Little, Brown & Company for "The Peasant Story of Napoleon," by Honore de Balzac; to Messrs. Houghton, Mifflin & Company for "Why Brother Bear Has No Tail," by Joel Chandler Harris, and for the following selections from "Sixty Folk Tales, from Exclusively Slavonic Sources," translated by A.H. Wratislaw, M.A.:--"Long, Broad, and Sharpsight," "Intelligence and Luck," "George and the Goat," "The Wonderful Hair," "The Dragon and the Prince," and "The Good Children."

youngeradjectiveUS /ˈjʌŋɡər/

used of the younger of two persons of the same name especially used to distinguish a son from his father

From this reading In like manner, and because all visible things on the surface of the earth have grown out of older things which have ceased to be, the world of habits, the ideas, customs, fancies, and arts, in which we live is a survival of a younger world which long ago disappeared.

Chapter 1 of Folk Tales Every Child Should Know by Hamilton Wright [Editor] Mabie holds 480 sentences, grouped into 96 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of Folk Tales Every Child Should Know contain?

Chapter 1 holds 480 sentences of Folk Tales Every Child Should Know, unabridged, divided into 96 reading sections.

This page carries chapter 1 of Folk Tales Every Child Should Know by Hamilton Wright [Editor] Mabie exactly as it stands in the source edition, without abridgement. It runs to 480 sentences, grouped into 96 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of Folk Tales Every Child Should Know?

Work through the 96 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 96 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Folk Tales Every Child Should Know

Common questions about reading Folk Tales Every Child Should Know by Hamilton Wright [Editor] Mabie on this page, its source edition and its audio.

Is this the complete text of Folk Tales Every Child Should Know?

Yes. All 1975 sentences of Project Gutenberg eBook #15164 are kept, with a record of which sentences cover which part.

Which edition of Folk Tales Every Child Should Know is used?

Project Gutenberg eBook #15164, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Folk Tales Every Child Should Know take to read?

About 164 minutes of reading across 395 sections of 5 sentences each, at an unhurried pace.

How to read Folk Tales Every Child Should Know section by section

How to work through Folk Tales Every Child Should Know section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 4 chapters of Folk Tales Every Child Should Know to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Folk Tales Every Child Should Know

Words and structures a reader meets early in Folk Tales Every Child Should Know, each tappable for pronunciation and meaning.

Tales
A word that appears in the opening chapter of Folk Tales Every Child Should Know; the reader can tap it to hear it and see its dictionary entry.
Every
A word that appears in the opening chapter of Folk Tales Every Child Should Know; the reader can tap it to hear it and see its dictionary entry.
Child
A word that appears in the opening chapter of Folk Tales Every Child Should Know; the reader can tap it to hear it and see its dictionary entry.
Messrs
A word that appears in the opening chapter of Folk Tales Every Child Should Know; the reader can tap it to hear it and see its dictionary entry.