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Francezka
Francezka

Chapter XVI · Chapter 16

Chapter 16 of Francezka is here in full — 211 sentences across 43 reading sections, with audio for every sentence and word.

Cover illustration for Francezka
Context Illustration Reading 1/42 · 5 lines
English subtitles · tap any word to listen 1 / 5
THE SETTING OF A STAR We returned arm in arm to Mademoiselle Lecouvreur's house.
It had not occurred to me to present myself uninvited, but without a word I followed this man, who had something compelling about him.
We went straight to Mademoiselle Lecouvreur's door, and the maid, who was watching, let us in.
Adrienne lay in her great purple silk bed, pale, but looking more weary and sad than ill.
I had often seen her look worse.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Francezka

Chapter XVI · Chapter 16

Chapter 16 of Francezka is here in full — 211 sentences across 43 reading sections, with audio for every sentence and word.

Reading 1/42 · 5 reading units · Lines 1–5

Line 1
THE SETTING OF A STAR We returned arm in arm to Mademoiselle Lecouvreur's house.
Line 2
It had not occurred to me to present myself uninvited, but without a word I followed this man, who had something compelling about him.
/ɪt hæd nɑːt əˈkɜːrd tuː miː tuː ˈprezənt ˌmaɪˈself ˌʌnɪnˈvaɪtɪd bʌt wɪˈθaʊt ə wɜːrd aɪ ˈfɑːloʊd ðɪs mæn huː hæd ˈsʌmθɪŋ kəmˈpelɪŋ əˈbaʊt hɪm/
Line 3
We went straight to Mademoiselle Lecouvreur's door, and the maid, who was watching, let us in.
Line 4
Adrienne lay in her great purple silk bed, pale, but looking more weary and sad than ill.
Line 5
I had often seen her look worse.
/aɪ hæd ˈɔːfən siːn hɜːr lʊk wɜːrs/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

compelling adjective US /kəmˈpelɪŋ/

driving or forcing

From this reading “It had not occurred to me to present myself uninvited, but without a word I followed this man, who had something compelling about him.”

Mademoiselle noun US /ˌmædəməˈzel/

small silvery drumfish often mistaken for white perch; found along coasts of United States from New York to Mexico

From this reading “THE SETTING OF A STAR We returned arm in arm to Mademoiselle Lecouvreur's house.”

purple noun US /ˈpɜːrpəl/

a purple color or pigment

From this reading “Adrienne lay in her great purple silk bed, pale, but looking more weary and sad than ill.”

setting noun US /ˈsetɪŋ/

the context and environment in which something is set

From this reading “THE SETTING OF A STAR We returned arm in arm to Mademoiselle Lecouvreur's house.”

silk noun US /sɪlk/

a fabric made from the fine threads produced by certain insect larvae

From this reading “Adrienne lay in her great purple silk bed, pale, but looking more weary and sad than ill.”

star noun US /stɑːr/

(astronomy) a celestial body of hot gases that radiates energy derived from thermonuclear reactions in the interior

From this reading “THE SETTING OF A STAR We returned arm in arm to Mademoiselle Lecouvreur's house.”

uninvited adjective US /ˌʌnɪnˈvaɪtɪd/

(of a thought or act) unwelcome or involuntary

From this reading “It had not occurred to me to present myself uninvited, but without a word I followed this man, who had something compelling about him.”

weary verb US /ˈwɪri/

exhaust or get tired through overuse or great strain or stress

From this reading “Adrienne lay in her great purple silk bed, pale, but looking more weary and sad than ill.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

purple silk noun + noun

In this reading “Adrienne lay in her great purple silk bed, pale, but looking more weary and sad than ill.”

without a word preposition + article + noun counted as “without … word”

In this reading “It had not occurred to me to present myself uninvited, but without a word I followed this man, who had something compelling about him.”

went straight verb + adjective counted as “go straight”

In this reading “We went straight to Mademoiselle Lecouvreur's door, and the maid, who was watching, let us in.”

lay in verb + particle

keep or lay aside for future use

In this reading “Adrienne lay in her great purple silk bed, pale, but looking more weary and sad than ill.”

All words in this reading · 60

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading THE SETTING OF A STAR We returned arm in arm to Mademoiselle Lecouvreur's house.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading It had not occurred to me to present myself uninvited, but without a word I followed this man, who had something compelling about him.

Adrienne

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Adrienne lay in her great purple silk bed, pale, but looking more weary and sad than ill.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading We went straight to Mademoiselle Lecouvreur's door, and the maid, who was watching, let us in.

armnounUS /ɑːrm/

a human limb; technically the part of the superior limb between the shoulder and the elbow but commonly used to refer to the whole superior limb

From this reading THE SETTING OF A STAR We returned arm in arm to Mademoiselle Lecouvreur's house.

bednounUS /bed/

a piece of furniture that provides a place to sleep

From this reading Adrienne lay in her great purple silk bed, pale, but looking more weary and sad than ill.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading It had not occurred to me to present myself uninvited, but without a word I followed this man, who had something compelling about him.

compellingadjectiveUS /kəmˈpelɪŋ/

driving or forcing

From this reading It had not occurred to me to present myself uninvited, but without a word I followed this man, who had something compelling about him.

doornounUS /dɔːr/

a swinging or sliding barrier that will close the entrance to a room or building or vehicle

From this reading We went straight to Mademoiselle Lecouvreur's door, and the maid, who was watching, let us in.

followedverbUS /ˈfɑːloʊd/

past form of “follow” — to travel behind, go after, come after

From this reading It had not occurred to me to present myself uninvited, but without a word I followed this man, who had something compelling about him.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading Adrienne lay in her great purple silk bed, pale, but looking more weary and sad than ill.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading It had not occurred to me to present myself uninvited, but without a word I followed this man, who had something compelling about him.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading Adrienne lay in her great purple silk bed, pale, but looking more weary and sad than ill.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading It had not occurred to me to present myself uninvited, but without a word I followed this man, who had something compelling about him.

housenounUS /haʊs/

a dwelling that serves as living quarters for one or more families

From this reading THE SETTING OF A STAR We returned arm in arm to Mademoiselle Lecouvreur's house.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading It had not occurred to me to present myself uninvited, but without a word I followed this man, who had something compelling about him.

illadjectiveUS /ɪl/

affected by an impairment of normal physical or mental function

From this reading Adrienne lay in her great purple silk bed, pale, but looking more weary and sad than ill.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading THE SETTING OF A STAR We returned arm in arm to Mademoiselle Lecouvreur's house.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It had not occurred to me to present myself uninvited, but without a word I followed this man, who had something compelling about him.

layverbUS /leɪ/

put into a certain place or abstract location

From this reading Adrienne lay in her great purple silk bed, pale, but looking more weary and sad than ill.

Lecouvreur's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE SETTING OF A STAR We returned arm in arm to Mademoiselle Lecouvreur's house.

letauxiliary verbUS /let/

used to make a suggestion or a command including the speaker

From this reading We went straight to Mademoiselle Lecouvreur's door, and the maid, who was watching, let us in.

lookverbUS /lʊk/

perceive with attention; direct one's gaze towards

From this reading I had often seen her look worse.

lookingnounUS /ˈlʊkɪŋ/

the act of directing the eyes toward something and perceiving it visually

From this reading Adrienne lay in her great purple silk bed, pale, but looking more weary and sad than ill.

MademoisellenounUS /ˌmædəməˈzel/

small silvery drumfish often mistaken for white perch; found along coasts of United States from New York to Mexico

From this reading THE SETTING OF A STAR We returned arm in arm to Mademoiselle Lecouvreur's house.

maidnounUS /meɪd/

a female domestic

From this reading We went straight to Mademoiselle Lecouvreur's door, and the maid, who was watching, let us in.

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading It had not occurred to me to present myself uninvited, but without a word I followed this man, who had something compelling about him.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading It had not occurred to me to present myself uninvited, but without a word I followed this man, who had something compelling about him.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading Adrienne lay in her great purple silk bed, pale, but looking more weary and sad than ill.

myselfpronounUS /ˌmaɪˈself/

used when the speaker is also the object of the action

From this reading It had not occurred to me to present myself uninvited, but without a word I followed this man, who had something compelling about him.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading It had not occurred to me to present myself uninvited, but without a word I followed this man, who had something compelling about him.

occurredverbUS /əˈkɜːrd/

inflected form of “occur” — come to pass

From this reading It had not occurred to me to present myself uninvited, but without a word I followed this man, who had something compelling about him.

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading THE SETTING OF A STAR We returned arm in arm to Mademoiselle Lecouvreur's house.

oftenadverbUS /ˈɔːfən/

many times at short intervals

From this reading I had often seen her look worse.

paleadjectiveUS /peɪl/

very light colored; highly diluted with white

From this reading Adrienne lay in her great purple silk bed, pale, but looking more weary and sad than ill.

presentverbUS /ˈprezənt/

give an exhibition of to an interested audience

From this reading It had not occurred to me to present myself uninvited, but without a word I followed this man, who had something compelling about him.

purplenounUS /ˈpɜːrpəl/

a purple color or pigment

From this reading Adrienne lay in her great purple silk bed, pale, but looking more weary and sad than ill.

returnedverbUS /rɪˈtɜːrnd/

past form of “return” — go or come back to place, condition, or activity where one has been before

From this reading THE SETTING OF A STAR We returned arm in arm to Mademoiselle Lecouvreur's house.

sadadjectiveUS /sæd/

experiencing or showing sorrow or unhappiness

From this reading Adrienne lay in her great purple silk bed, pale, but looking more weary and sad than ill.

seenverbUS /siːn/

inflected form of “see” — perceive by sight or have the power to perceive by sight

From this reading I had often seen her look worse.

SETTINGnounUS /ˈsetɪŋ/

the context and environment in which something is set

From this reading THE SETTING OF A STAR We returned arm in arm to Mademoiselle Lecouvreur's house.

silknounUS /sɪlk/

a fabric made from the fine threads produced by certain insect larvae

From this reading Adrienne lay in her great purple silk bed, pale, but looking more weary and sad than ill.

somethingpronounUS /ˈsʌmθɪŋ/

a thing, without saying which

From this reading It had not occurred to me to present myself uninvited, but without a word I followed this man, who had something compelling about him.

STARnounUS /stɑːr/

(astronomy) a celestial body of hot gases that radiates energy derived from thermonuclear reactions in the interior

From this reading THE SETTING OF A STAR We returned arm in arm to Mademoiselle Lecouvreur's house.

straightadjectiveUS /streɪt/

successive (without a break)

From this reading We went straight to Mademoiselle Lecouvreur's door, and the maid, who was watching, let us in.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading Adrienne lay in her great purple silk bed, pale, but looking more weary and sad than ill.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE SETTING OF A STAR We returned arm in arm to Mademoiselle Lecouvreur's house.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading It had not occurred to me to present myself uninvited, but without a word I followed this man, who had something compelling about him.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading THE SETTING OF A STAR We returned arm in arm to Mademoiselle Lecouvreur's house.

uninvitedadjectiveUS /ˌʌnɪnˈvaɪtɪd/

(of a thought or act) unwelcome or involuntary

From this reading It had not occurred to me to present myself uninvited, but without a word I followed this man, who had something compelling about him.

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading We went straight to Mademoiselle Lecouvreur's door, and the maid, who was watching, let us in.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading We went straight to Mademoiselle Lecouvreur's door, and the maid, who was watching, let us in.

watchingnounUS /ˈwɑːtʃɪŋ/

the act of observing; taking a patient look

From this reading We went straight to Mademoiselle Lecouvreur's door, and the maid, who was watching, let us in.

WepronounUS /wiː/

the speaker together with one or more other people

From this reading THE SETTING OF A STAR We returned arm in arm to Mademoiselle Lecouvreur's house.

wearyverbUS /ˈwɪri/

exhaust or get tired through overuse or great strain or stress

From this reading Adrienne lay in her great purple silk bed, pale, but looking more weary and sad than ill.

wentverbUS /went/

inflected form of “go” — change location; move, travel, or proceed, also metaphorically

From this reading We went straight to Mademoiselle Lecouvreur's door, and the maid, who was watching, let us in.

whopronounUS /huː/

which person or people

From this reading It had not occurred to me to present myself uninvited, but without a word I followed this man, who had something compelling about him.

withoutprepositionUS /wɪˈθaʊt/

not having, not using, or not accompanied by

From this reading It had not occurred to me to present myself uninvited, but without a word I followed this man, who had something compelling about him.

wordnounUS /wɜːrd/

a unit of language that native speakers can identify

From this reading It had not occurred to me to present myself uninvited, but without a word I followed this man, who had something compelling about him.

worseadjectiveUS /wɜːrs/

(comparative of “bad”) inferior to another in quality or condition or desirability

From this reading I had often seen her look worse.

Chapter 16 of Francezka by Molly Elliot Seawell holds 211 sentences, grouped into 43 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 16 of Francezka contain?

Chapter 16 holds 211 sentences of Francezka, unabridged, divided into 43 reading sections.

This page carries chapter 16 of Francezka by Molly Elliot Seawell exactly as it stands in the source edition, without abridgement. It runs to 211 sentences, grouped into 43 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 16 of Francezka?

Work through the 43 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 43 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 16 be read aloud to me?

Yes — every sentence and every individual word in chapter 16 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Francezka

Common questions about reading Francezka by Molly Elliot Seawell on this page, its source edition and its audio.

Is this the complete text of Francezka?

Yes. All 6313 sentences of Project Gutenberg eBook #31804 are kept, with a record of which sentences cover which part.

Which edition of Francezka is used?

Project Gutenberg eBook #31804, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Francezka take to read?

About 526 minutes of reading across 1263 sections of 5 sentences each, at an unhurried pace.

How to read Francezka section by section

How to work through Francezka section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 35 chapters of Francezka to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Francezka

Words and structures a reader meets early in Francezka, each tappable for pronunciation and meaning.

Author
A word that appears in the opening chapter of Francezka; the reader can tap it to hear it and see its dictionary entry.
Sprightly
A word that appears in the opening chapter of Francezka; the reader can tap it to hear it and see its dictionary entry.
Romance
A word that appears in the opening chapter of Francezka; the reader can tap it to hear it and see its dictionary entry.
Marsac
A word that appears in the opening chapter of Francezka; the reader can tap it to hear it and see its dictionary entry.