Chapter XIV

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The original at Knole was already there, in the time of Lionel, seventh Earl of Dorset, 1711, and in default of information to the contrary we may conclude that it has always been in the possession of the Sackville family, and was painted for Beaumont's contemporary, and I have ventured to surmise friend as well as neighbour, Richard, third Earl of Dorset,--who had succeeded to the earldom in 1609--about the year of _Philaster_.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

used before a singular noun to mean one of a group, when it is not a particular one

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

on the subject of; concerning

From this reading The original at Knole was already there, in the time of Lionel, seventh Earl of Dorset, 1711, and in default of information to the contrary we may conclude that it has always been in the possession of the Sackville family, and was painted for Beaumont's contemporary, and I have ventured to surmise friend as well as neighbour, Richard, third Earl of Dorset,--who had succeeded to the earldom in 1609--about the year of _Philaster_.

equally

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

prior to a specified or implied time

From this reading The original at Knole was already there, in the time of Lionel, seventh Earl of Dorset, 1711, and in default of information to the contrary we may conclude that it has always been in the possession of the Sackville family, and was painted for Beaumont's contemporary, and I have ventured to surmise friend as well as neighbour, Richard, third Earl of Dorset,--who had succeeded to the earldom in 1609--about the year of _Philaster_.

in addition

From this reading They were also patrons of Beaumont's friends, Jonson and Drayton.

at all times; all the time and on every occasion

From this reading The original at Knole was already there, in the time of Lionel, seventh Earl of Dorset, 1711, and in default of information to the contrary we may conclude that it has always been in the possession of the Sackville family, and was painted for Beaumont's contemporary, and I have ventured to surmise friend as well as neighbour, Richard, third Earl of Dorset,--who had succeeded to the earldom in 1609--about the year of _Philaster_.

the form of “a” used before a word that begins with a vowel sound

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

used to join words or parts of a sentence that go together

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

from appearances alone

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

curved down like an eagle's beak

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

constructed with or in the form of an arch or arches

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

at the same time that; because; in the way that

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

a distinct feature or element in a problem

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

in or near a particular place or position

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

United States surgeon remembered for his studies of digestion (1785-1853)

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The original at Knole was already there, in the time of Lionel, seventh Earl of Dorset, 1711, and in default of information to the contrary we may conclude that it has always been in the possession of the Sackville family, and was painted for Beaumont's contemporary, and I have ventured to surmise friend as well as neighbour, Richard, third Earl of Dorset,--who had succeeded to the earldom in 1609--about the year of _Philaster_.

delighting the senses or exciting intellectual or emotional admiration

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

the past participle of “be”

From this reading The original at Knole was already there, in the time of Lionel, seventh Earl of Dorset, 1711, and in default of information to the contrary we may conclude that it has always been in the possession of the Sackville family, and was painted for Beaumont's contemporary, and I have ventured to surmise friend as well as neighbour, Richard, third Earl of Dorset,--who had succeeded to the earldom in 1609--about the year of _Philaster_.

third-person singular of “belong” — be owned by; be in the possession of

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

plural of “brow” — the part of the face above the eyes

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

used to introduce something that contrasts with what came before

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

showing who or what does the action

From this reading Hon. Lewis Harcourt at Nuneham,--a courtly gentleman of noble mien, of countenance dignified, beautiful, and mobile, and of dreamy eyes somewhat saddened as by physical suffering, or by sympathetic pondering on the mystery of life.

inflected form of “carry” — move while supporting, either in a vehicle or in one's hands or on one's body

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

rid of obstructions

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

a split or indentation in something (as the palate or chin)

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

a grouping of a number of similar things

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

an authoritative direction or instruction to do something

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

decide by reasoning; draw or come to a conclusion

From this reading The original at Knole was already there, in the time of Lionel, seventh Earl of Dorset, 1711, and in default of information to the contrary we may conclude that it has always been in the possession of the Sackville family, and was painted for Beaumont's contemporary, and I have ventured to surmise friend as well as neighbour, Richard, third Earl of Dorset,--who had succeeded to the earldom in 1609--about the year of _Philaster_.

being joined in close association

From this reading I have already shown that the Sackvilles were connected with the Fletchers by marriage.

all the people living at the same time or of approximately the same age

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

characteristic of the present

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

very opposed in nature or character or purpose

From this reading The original at Knole was already there, in the time of Lionel, seventh Earl of Dorset, 1711, and in default of information to the contrary we may conclude that it has always been in the possession of the Sackville family, and was painted for Beaumont's contemporary, and I have ventured to surmise friend as well as neighbour, Richard, third Earl of Dorset,--who had succeeded to the earldom in 1609--about the year of _Philaster_.

the appearance conveyed by a person's face

From this reading Hon. Lewis Harcourt at Nuneham,--a courtly gentleman of noble mien, of countenance dignified, beautiful, and mobile, and of dreamy eyes somewhat saddened as by physical suffering, or by sympathetic pondering on the mystery of life.

refined or imposing in manner or appearance; befitting a royal court

From this reading Hon. Lewis Harcourt at Nuneham,--a courtly gentleman of noble mien, of countenance dignified, beautiful, and mobile, and of dreamy eyes somewhat saddened as by physical suffering, or by sympathetic pondering on the mystery of life.

not carefully or expertly made

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

loss due to not showing up

From this reading The original at Knole was already there, in the time of Lionel, seventh Earl of Dorset, 1711, and in default of information to the contrary we may conclude that it has always been in the possession of the Sackville family, and was painted for Beaumont's contemporary, and I have ventured to surmise friend as well as neighbour, Richard, third Earl of Dorset,--who had succeeded to the earldom in 1609--about the year of _Philaster_.

having or expressing dignity; especially formality or stateliness in bearing or appearance

From this reading Hon. Lewis Harcourt at Nuneham,--a courtly gentleman of noble mien, of countenance dignified, beautiful, and mobile, and of dreamy eyes somewhat saddened as by physical suffering, or by sympathetic pondering on the mystery of life.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The original at Knole was already there, in the time of Lionel, seventh Earl of Dorset, 1711, and in default of information to the contrary we may conclude that it has always been in the possession of the Sackville family, and was painted for Beaumont's contemporary, and I have ventured to surmise friend as well as neighbour, Richard, third Earl of Dorset,--who had succeeded to the earldom in 1609--about the year of _Philaster_.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading They were also patrons of Beaumont's friends, Jonson and Drayton.

dreamy in mood or nature

From this reading Hon. Lewis Harcourt at Nuneham,--a courtly gentleman of noble mien, of countenance dignified, beautiful, and mobile, and of dreamy eyes somewhat saddened as by physical suffering, or by sympathetic pondering on the mystery of life.

a British peer ranking below a marquess and above a viscount

From this reading The original at Knole was already there, in the time of Lionel, seventh Earl of Dorset, 1711, and in default of information to the contrary we may conclude that it has always been in the possession of the Sackville family, and was painted for Beaumont's contemporary, and I have ventured to surmise friend as well as neighbour, Richard, third Earl of Dorset,--who had succeeded to the earldom in 1609--about the year of _Philaster_.

the dignity or rank or position of an earl or countess

From this reading The original at Knole was already there, in the time of Lionel, seventh Earl of Dorset, 1711, and in default of information to the contrary we may conclude that it has always been in the possession of the Sackville family, and was painted for Beaumont's contemporary, and I have ventured to surmise friend as well as neighbour, Richard, third Earl of Dorset,--who had succeeded to the earldom in 1609--about the year of _Philaster_.

a print made from an engraving

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

the feelings expressed on a person's face

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

opinion or judgment

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

the front of the human head from the forehead to the chin and ear to ear

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

free from favoritism or self-interest or bias or deception; conforming with established standards or rules

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

a social unit living together

From this reading The original at Knole was already there, in the time of Lionel, seventh Earl of Dorset, 1711, and in default of information to the contrary we may conclude that it has always been in the possession of the Sackville family, and was painted for Beaumont's contemporary, and I have ventured to surmise friend as well as neighbour, Richard, third Earl of Dorset,--who had succeeded to the earldom in 1609--about the year of _Philaster_.

a prominent attribute or aspect of something

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

plural of “feature” — a prominent attribute or aspect of something

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

marked by firm determination or resolution; not shakable

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I have already shown that the Sackvilles were connected with the Fletchers by marriage.

intended to be given to, or used by, somebody

From this reading The original at Knole was already there, in the time of Lionel, seventh Earl of Dorset, 1711, and in default of information to the contrary we may conclude that it has always been in the possession of the Sackville family, and was painted for Beaumont's contemporary, and I have ventured to surmise friend as well as neighbour, Richard, third Earl of Dorset,--who had succeeded to the earldom in 1609--about the year of _Philaster_.

the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

a person you know well and regard with affection and trust

From this reading The original at Knole was already there, in the time of Lionel, seventh Earl of Dorset, 1711, and in default of information to the contrary we may conclude that it has always been in the possession of the Sackville family, and was painted for Beaumont's contemporary, and I have ventured to surmise friend as well as neighbour, Richard, third Earl of Dorset,--who had succeeded to the earldom in 1609--about the year of _Philaster_.

plural of “friend” — a person you know well and regard with affection and trust

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

showing where something starts, or who sent it

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

the side that is forward or prominent

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

containing as much or as many as is possible or normal

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

a man of refinement

From this reading Hon. Lewis Harcourt at Nuneham,--a courtly gentleman of noble mien, of countenance dignified, beautiful, and mobile, and of dreamy eyes somewhat saddened as by physical suffering, or by sympathetic pondering on the mystery of life.

death of a person

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

the past form of “have”, used to form the past perfect

From this reading The original at Knole was already there, in the time of Lionel, seventh Earl of Dorset, 1711, and in default of information to the contrary we may conclude that it has always been in the possession of the Sackville family, and was painted for Beaumont's contemporary, and I have ventured to surmise friend as well as neighbour, Richard, third Earl of Dorset,--who had succeeded to the earldom in 1609--about the year of _Philaster_.

a covering for the body (or parts of it) consisting of a dense growth of threadlike structures (as on the human head); helps to prevent heat loss

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

pleasing in appearance especially by reason of conformity to ideals of form and proportion

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Hon. Lewis Harcourt at Nuneham,--a courtly gentleman of noble mien, of countenance dignified, beautiful, and mobile, and of dreamy eyes somewhat saddened as by physical suffering, or by sympathetic pondering on the mystery of life.

the form of “have” used with he, she, it, or a singular noun

From this reading The original at Knole was already there, in the time of Lionel, seventh Earl of Dorset, 1711, and in default of information to the contrary we may conclude that it has always been in the possession of the Sackville family, and was painted for Beaumont's contemporary, and I have ventured to surmise friend as well as neighbour, Richard, third Earl of Dorset,--who had succeeded to the earldom in 1609--about the year of _Philaster_.

used with a past participle to form the perfect tenses

From this reading The original at Knole was already there, in the time of Lionel, seventh Earl of Dorset, 1711, and in default of information to the contrary we may conclude that it has always been in the possession of the Sackville family, and was painted for Beaumont's contemporary, and I have ventured to surmise friend as well as neighbour, Richard, third Earl of Dorset,--who had succeeded to the earldom in 1609--about the year of _Philaster_.

the upper part of the human body or the front part of the body in animals; contains the face and brains

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

of comparatively great physical weight or density

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

greater than normal in degree or intensity or amount

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

the male already mentioned, as the object of a verb or preposition

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Hon. Lewis Harcourt at Nuneham,--a courtly gentleman of noble mien, of countenance dignified, beautiful, and mobile, and of dreamy eyes somewhat saddened as by physical suffering, or by sympathetic pondering on the mystery of life.

the person speaking or writing, as the subject of the verb

From this reading The original at Knole was already there, in the time of Lionel, seventh Earl of Dorset, 1711, and in default of information to the contrary we may conclude that it has always been in the possession of the Sackville family, and was painted for Beaumont's contemporary, and I have ventured to surmise friend as well as neighbour, Richard, third Earl of Dorset,--who had succeeded to the earldom in 1609--about the year of _Philaster_.

relating to or associated with an empire

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

inside something, or within a place, period, or state

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

a message received and understood

From this reading The original at Knole was already there, in the time of Lionel, seventh Earl of Dorset, 1711, and in default of information to the contrary we may conclude that it has always been in the possession of the Sackville family, and was painted for Beaumont's contemporary, and I have ventured to surmise friend as well as neighbour, Richard, third Earl of Dorset,--who had succeeded to the earldom in 1609--about the year of _Philaster_.

a thing, animal, or idea already mentioned

From this reading The original at Knole was already there, in the time of Lionel, seventh Earl of Dorset, 1711, and in default of information to the contrary we may conclude that it has always been in the possession of the Sackville family, and was painted for Beaumont's contemporary, and I have ventured to surmise friend as well as neighbour, Richard, third Earl of Dorset,--who had succeeded to the earldom in 1609--about the year of _Philaster_.

belonging to the thing or animal already mentioned

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

English dramatist and poet who was the first real poet laureate of England (1572-1637)

From this reading They were also patrons of Beaumont's friends, Jonson and Drayton.

the cognitive process of reaching a decision or drawing conclusions

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

having the rank of or resembling or befitting a king

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

above average in size or number or quantity or magnitude or extent

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

United States rock star singer and pianist (born in 1935)

From this reading Hon. Lewis Harcourt at Nuneham,--a courtly gentleman of noble mien, of countenance dignified, beautiful, and mobile, and of dreamy eyes somewhat saddened as by physical suffering, or by sympathetic pondering on the mystery of life.

a characteristic state or mode of living

From this reading Hon. Lewis Harcourt at Nuneham,--a courtly gentleman of noble mien, of countenance dignified, beautiful, and mobile, and of dreamy eyes somewhat saddened as by physical suffering, or by sympathetic pondering on the mystery of life.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The original at Knole was already there, in the time of Lionel, seventh Earl of Dorset, 1711, and in default of information to the contrary we may conclude that it has always been in the possession of the Sackville family, and was painted for Beaumont's contemporary, and I have ventured to surmise friend as well as neighbour, Richard, third Earl of Dorset,--who had succeeded to the earldom in 1609--about the year of _Philaster_.

plural of “lip” — either of two fleshy folds of tissue that surround the mouth and play a role in speaking

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

limited or below average in number or quantity or magnitude or extent

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

produced by a manufacturing process

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

the state of being a married couple voluntarily joined for life (or until divorce)

From this reading I have already shown that the Sackvilles were connected with the Fletchers by marriage.

used to say something is possible, or to give permission

From this reading The original at Knole was already there, in the time of Lionel, seventh Earl of Dorset, 1711, and in default of information to the contrary we may conclude that it has always been in the possession of the Sackville family, and was painted for Beaumont's contemporary, and I have ventured to surmise friend as well as neighbour, Richard, third Earl of Dorset,--who had succeeded to the earldom in 1609--about the year of _Philaster_.

dignified manner or conduct

From this reading Hon. Lewis Harcourt at Nuneham,--a courtly gentleman of noble mien, of countenance dignified, beautiful, and mobile, and of dreamy eyes somewhat saddened as by physical suffering, or by sympathetic pondering on the mystery of life.

migratory

From this reading Hon. Lewis Harcourt at Nuneham,--a courtly gentleman of noble mien, of countenance dignified, beautiful, and mobile, and of dreamy eyes somewhat saddened as by physical suffering, or by sympathetic pondering on the mystery of life.

the opening through which food is taken in and vocalizations emerge

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

belonging to the person speaking

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

something that baffles understanding and cannot be explained

From this reading Hon. Lewis Harcourt at Nuneham,--a courtly gentleman of noble mien, of countenance dignified, beautiful, and mobile, and of dreamy eyes somewhat saddened as by physical suffering, or by sympathetic pondering on the mystery of life.

a person who lives (or is located) near another

From this reading The original at Knole was already there, in the time of Lionel, seventh Earl of Dorset, 1711, and in default of information to the contrary we may conclude that it has always been in the possession of the Sackville family, and was painted for Beaumont's contemporary, and I have ventured to surmise friend as well as neighbour, Richard, third Earl of Dorset,--who had succeeded to the earldom in 1609--about the year of _Philaster_.

impressive in appearance

From this reading Hon. Lewis Harcourt at Nuneham,--a courtly gentleman of noble mien, of countenance dignified, beautiful, and mobile, and of dreamy eyes somewhat saddened as by physical suffering, or by sympathetic pondering on the mystery of life.

the organ of smell and entrance to the respiratory tract; the prominent part of the face of man or other mammals

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

used to make a word, phrase, or sentence negative

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Hon. Lewis Harcourt at Nuneham,--a courtly gentleman of noble mien, of countenance dignified, beautiful, and mobile, and of dreamy eyes somewhat saddened as by physical suffering, or by sympathetic pondering on the mystery of life.

the act of making and recording a measurement

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

belonging to, or connected with, somebody or something

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

touching and supported by a surface

From this reading Hon. Lewis Harcourt at Nuneham,--a courtly gentleman of noble mien, of countenance dignified, beautiful, and mobile, and of dreamy eyes somewhat saddened as by physical suffering, or by sympathetic pondering on the mystery of life.

on one occasion

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

used to mean any person in general, including the speaker

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

used to join alternatives or possibilities

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

preceding all others in time or being as first made or performed

From this reading The original at Knole was already there, in the time of Lionel, seventh Earl of Dorset, 1711, and in default of information to the contrary we may conclude that it has always been in the possession of the Sackville family, and was painted for Beaumont's contemporary, and I have ventured to surmise friend as well as neighbour, Richard, third Earl of Dorset,--who had succeeded to the earldom in 1609--about the year of _Philaster_.

belonging to the speaker and others

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

a closed plane curve resulting from the intersection of a circular cone and a plane cutting completely through it

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

coated with paint

From this reading The original at Knole was already there, in the time of Lionel, seventh Earl of Dorset, 1711, and in default of information to the contrary we may conclude that it has always been in the possession of the Sackville family, and was painted for Beaumont's contemporary, and I have ventured to surmise friend as well as neighbour, Richard, third Earl of Dorset,--who had succeeded to the earldom in 1609--about the year of _Philaster_.

a large area of land preserved in its natural state as public property

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

plural of “patron” — a regular customer

From this reading They were also patrons of Beaumont's friends, Jonson and Drayton.

the complex of all the attributes--behavioral, temperamental, emotional and mental--that characterize a unique individual

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The original at Knole was already there, in the time of Lionel, seventh Earl of Dorset, 1711, and in default of information to the contrary we may conclude that it has always been in the possession of the Sackville family, and was painted for Beaumont's contemporary, and I have ventured to surmise friend as well as neighbour, Richard, third Earl of Dorset,--who had succeeded to the earldom in 1609--about the year of _Philaster_.

printing from an intaglio plate prepared by photographic methods

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

involving the body as distinguished from the mind or spirit

From this reading Hon. Lewis Harcourt at Nuneham,--a courtly gentleman of noble mien, of countenance dignified, beautiful, and mobile, and of dreamy eyes somewhat saddened as by physical suffering, or by sympathetic pondering on the mystery of life.

possessive form of “poet” — a writer of poems (the term is usually reserved for writers of good poetry)

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

deeply or seriously thoughtful

From this reading Hon. Lewis Harcourt at Nuneham,--a courtly gentleman of noble mien, of countenance dignified, beautiful, and mobile, and of dreamy eyes somewhat saddened as by physical suffering, or by sympathetic pondering on the mystery of life.

a word picture of a person's appearance and character

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

the act of having and controlling property

From this reading The original at Knole was already there, in the time of Lionel, seventh Earl of Dorset, 1711, and in default of information to the contrary we may conclude that it has always been in the possession of the Sackville family, and was painted for Beaumont's contemporary, and I have ventured to surmise friend as well as neighbour, Richard, third Earl of Dorset,--who had succeeded to the earldom in 1609--about the year of _Philaster_.

with considerable certainty; without much doubt

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

someone who is a member of the faculty at a college or university

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

free of extraneous elements of any kind

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

characterized by an absence or near absence of agitation or activity

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

in the recent past

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

the process of generating offspring

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

the state of being held in high esteem and honor

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The original at Knole was already there, in the time of Lionel, seventh Earl of Dorset, 1711, and in default of information to the contrary we may conclude that it has always been in the possession of the Sackville family, and was painted for Beaumont's contemporary, and I have ventured to surmise friend as well as neighbour, Richard, third Earl of Dorset,--who had succeeded to the earldom in 1609--about the year of _Philaster_.

possessive form of “robinson” — English chemist noted for his studies of molecular structures in plants (1886-1975)

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The original at Knole was already there, in the time of Lionel, seventh Earl of Dorset, 1711, and in default of information to the contrary we may conclude that it has always been in the possession of the Sackville family, and was painted for Beaumont's contemporary, and I have ventured to surmise friend as well as neighbour, Richard, third Earl of Dorset,--who had succeeded to the earldom in 1609--about the year of _Philaster_.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I have already shown that the Sackvilles were connected with the Fletchers by marriage.

past form of “sadden” — make unhappy

From this reading Hon. Lewis Harcourt at Nuneham,--a courtly gentleman of noble mien, of countenance dignified, beautiful, and mobile, and of dreamy eyes somewhat saddened as by physical suffering, or by sympathetic pondering on the mystery of life.

cut with a saw

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

characteristic of scholars or scholarship

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

perceive by sight or have the power to perceive by sight

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

plural of “see” — the seat within a bishop's diocese where his cathedral is located

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

put into a certain place or abstract location

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

coming next after the sixth and just before the eighth in position

From this reading The original at Knole was already there, in the time of Lionel, seventh Earl of Dorset, 1711, and in default of information to the contrary we may conclude that it has always been in the possession of the Sackville family, and was painted for Beaumont's contemporary, and I have ventured to surmise friend as well as neighbour, Richard, third Earl of Dorset,--who had succeeded to the earldom in 1609--about the year of _Philaster_.

inflected form of “show” — give an exhibition of to an interested audience

From this reading I have already shown that the Sackvilles were connected with the Fletchers by marriage.

important in effect or meaning

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

yielding readily to pressure or weight

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

to a small degree or extent

From this reading Hon. Lewis Harcourt at Nuneham,--a courtly gentleman of noble mien, of countenance dignified, beautiful, and mobile, and of dreamy eyes somewhat saddened as by physical suffering, or by sympathetic pondering on the mystery of life.

the utterance of intelligible speech

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

having strength or power greater than average or expected

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

past form of “succeed” — attain success or reach a desired goal

From this reading The original at Knole was already there, in the time of Lionel, seventh Earl of Dorset, 1711, and in default of information to the contrary we may conclude that it has always been in the possession of the Sackville family, and was painted for Beaumont's contemporary, and I have ventured to surmise friend as well as neighbour, Richard, third Earl of Dorset,--who had succeeded to the earldom in 1609--about the year of _Philaster_.

a state of acute pain

From this reading Hon. Lewis Harcourt at Nuneham,--a courtly gentleman of noble mien, of countenance dignified, beautiful, and mobile, and of dreamy eyes somewhat saddened as by physical suffering, or by sympathetic pondering on the mystery of life.

infer from incomplete evidence

From this reading The original at Knole was already there, in the time of Lionel, seventh Earl of Dorset, 1711, and in default of information to the contrary we may conclude that it has always been in the possession of the Sackville family, and was painted for Beaumont's contemporary, and I have ventured to surmise friend as well as neighbour, Richard, third Earl of Dorset,--who had succeeded to the earldom in 1609--about the year of _Philaster_.

English poet (1837-1909)

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

of or relating to the sympathetic nervous system

From this reading Hon. Lewis Harcourt at Nuneham,--a courtly gentleman of noble mien, of countenance dignified, beautiful, and mobile, and of dreamy eyes somewhat saddened as by physical suffering, or by sympathetic pondering on the mystery of life.

used to introduce what somebody said, thought, or felt

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

in or at that place or location

From this reading The original at Knole was already there, in the time of Lionel, seventh Earl of Dorset, 1711, and in default of information to the contrary we may conclude that it has always been in the possession of the Sackville family, and was painted for Beaumont's contemporary, and I have ventured to surmise friend as well as neighbour, Richard, third Earl of Dorset,--who had succeeded to the earldom in 1609--about the year of _Philaster_.

the people, animals, or things already mentioned, as the subject

From this reading They were also patrons of Beaumont's friends, Jonson and Drayton.

one of three equal parts of a divisible whole

From this reading The original at Knole was already there, in the time of Lionel, seventh Earl of Dorset, 1711, and in default of information to the contrary we may conclude that it has always been in the possession of the Sackville family, and was painted for Beaumont's contemporary, and I have ventured to surmise friend as well as neighbour, Richard, third Earl of Dorset,--who had succeeded to the earldom in 1609--about the year of _Philaster_.

having intellectual depth

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

an instance or single occasion for some event

From this reading The original at Knole was already there, in the time of Lionel, seventh Earl of Dorset, 1711, and in default of information to the contrary we may conclude that it has always been in the possession of the Sackville family, and was painted for Beaumont's contemporary, and I have ventured to surmise friend as well as neighbour, Richard, third Earl of Dorset,--who had succeeded to the earldom in 1609--about the year of _Philaster_.

the extreme end of something; especially something pointed

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

used before the base form of a verb to make the infinitive

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

arousing no interest or attention or curiosity or excitement

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

past form of “venture” — proceed somewhere despite the risk of possible dangers

From this reading The original at Knole was already there, in the time of Lionel, seventh Earl of Dorset, 1711, and in default of information to the contrary we may conclude that it has always been in the possession of the Sackville family, and was painted for Beaumont's contemporary, and I have ventured to surmise friend as well as neighbour, Richard, third Earl of Dorset,--who had succeeded to the earldom in 1609--about the year of _Philaster_.

the past form of “be” used with I, he, she, it, or a singular noun

From this reading The original at Knole was already there, in the time of Lionel, seventh Earl of Dorset, 1711, and in default of information to the contrary we may conclude that it has always been in the possession of the Sackville family, and was painted for Beaumont's contemporary, and I have ventured to surmise friend as well as neighbour, Richard, third Earl of Dorset,--who had succeeded to the earldom in 1609--about the year of _Philaster_.

the speaker together with one or more other people

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading The original at Knole was already there, in the time of Lionel, seventh Earl of Dorset, 1711, and in default of information to the contrary we may conclude that it has always been in the possession of the Sackville family, and was painted for Beaumont's contemporary, and I have ventured to surmise friend as well as neighbour, Richard, third Earl of Dorset,--who had succeeded to the earldom in 1609--about the year of _Philaster_.

the past form of “be” used with you, we, they, or a plural noun

From this reading I have already shown that the Sackvilles were connected with the Fletchers by marriage.

used to introduce a clause giving more about a thing just mentioned

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

which person or people

From this reading The original at Knole was already there, in the time of Lionel, seventh Earl of Dorset, 1711, and in default of information to the contrary we may conclude that it has always been in the possession of the Sackville family, and was painted for Beaumont's contemporary, and I have ventured to surmise friend as well as neighbour, Richard, third Earl of Dorset,--who had succeeded to the earldom in 1609--about the year of _Philaster_.

in the company of; together with

From this reading THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT Our poet's contemporaries saw him, not as one of my scholarly friends, Professor Herford, judging apparently from the crude engraving of 1711,[121] or from that of 1812, sees him, "of heavy and uninteresting features," but as Swinburne saw him, probably in Robinson's engraving of 1840, "handsome and significant in feature and expression alike ... with clear thoughtful eyes, full arched brows, and strong aquiline nose with a little cleft at the tip; a grave and beautiful mouth, with full and finely-curved lips; the form of face a long pure oval, and the imperial head, with its 'fair large front' and clustering hair, set firm and carried high with an aspect at once of quiet command and kingly observation";[122] as we see him to-day in the soft and speaking photogravure[123] recently made from the portrait at Knole Park or in the reproduction of 1911[124] of the portrait which belongs to the Rt.

a period of time containing 365 (or 366) days

From this reading The original at Knole was already there, in the time of Lionel, seventh Earl of Dorset, 1711, and in default of information to the contrary we may conclude that it has always been in the possession of the Sackville family, and was painted for Beaumont's contemporary, and I have ventured to surmise friend as well as neighbour, Richard, third Earl of Dorset,--who had succeeded to the earldom in 1609--about the year of _Philaster_.