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Francis Beaumont
Francis Beaumont

Chapter XVII

Chapter 17 of Francis Beaumont is here in full — 103 sentences across 21 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/20 · 5 lines
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STATEMENT OF THE PROBLEM; CRITICAL APPARATUS Much of the confusion which existed in the minds of readers and critics during the period following the Restoration concerning the respective productivity of Beaumont and Fletcher is due to accident.
The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.
The exception is _The Maske of the Gentlemen of Grayes-Inne and the Inner Temple_ "written by Francis Beaumont, Gentleman," which had been performed, Feb.
20, 1612-13, and had appeared in quarto without date (but probably 1613) as "by Francis Beaumont, Gent."
In seven instances, Fletcher is indicated in the 1647 folio by Prologue or Epilogue as author, or author revised, and in general correctly; but otherwise the thirty-four plays included (not counting the _Maske_) are introduced to the public merely by a general title-page as "written by Francis Beaumont and John Fletcher, Gentlemen.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Francis Beaumont

Chapter XVII

Chapter 17 of Francis Beaumont is here in full — 103 sentences across 21 reading sections, with audio for every sentence and word.

Reading 1/20 · 5 reading units · Lines 1–5

Line 1
STATEMENT OF THE PROBLEM; CRITICAL APPARATUS Much of the confusion which existed in the minds of readers and critics during the period following the Restoration concerning the respective productivity of Beaumont and Fletcher is due to accident.
/ˈsteɪtmənt ʌv ðə ˈprɑːbləm ˈkrɪtɪkəl ˌæpərˈætəs mʌtʃ ʌv ðə kənˈfjuːʒən wɪtʃ ɪɡˈzɪstəd ɪn ðə maɪndz ʌv ˈriːdərz ənd ˈkrɪtɪks ˈdʊrɪŋ ðə ˈpɪriəd ˈfɑːloʊɪŋ ðə ˌrestərˈeɪʃən kənˈsɜːrnɪŋ ðə rɪˈspektɪv ˌproʊdəkˈtɪvəti ʌv ˈboʊmɔːnt ənd ˈfletʃər ɪz duː tuː ˈæksədənt/
Line 2
The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.
Line 3
The exception is _The Maske of the Gentlemen of Grayes-Inne and the Inner Temple_ "written by Francis Beaumont, Gentleman," which had been performed, Feb.
Line 4
20, 1612-13, and had appeared in quarto without date (but probably 1613) as "by Francis Beaumont, Gent."
Line 5
In seven instances, Fletcher is indicated in the 1647 folio by Prologue or Epilogue as author, or author revised, and in general correctly; but otherwise the thirty-four plays included (not counting the _Maske_) are introduced to the public merely by a general title-page as "written by Francis Beaumont and John Fletcher, Gentlemen.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

authorship noun US /ˈɔːθərʃɪp/

the act of creating written works

From this reading “The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.”

Epilogue noun US /ˈepəlɔːɡ/

a short speech (often in verse) addressed directly to the audience by an actor at the end of a play

From this reading “In seven instances, Fletcher is indicated in the 1647 folio by Prologue or Epilogue as author, or author revised, and in general correctly; but otherwise the thirty-four plays included (not counting the _Maske_) are introduced to the public merely by a general title-page as "written by Francis Beaumont and John Fletcher, Gentlemen.”

productivity noun US /ˌproʊdəkˈtɪvəti/

the quality of being productive or having the power to produce

From this reading “STATEMENT OF THE PROBLEM; CRITICAL APPARATUS Much of the confusion which existed in the minds of readers and critics during the period following the Restoration concerning the respective productivity of Beaumont and Fletcher is due to accident.”

Prologue noun US /ˈproʊlɑːɡ/

an introduction to a play

From this reading “In seven instances, Fletcher is indicated in the 1647 folio by Prologue or Epilogue as author, or author revised, and in general correctly; but otherwise the thirty-four plays included (not counting the _Maske_) are introduced to the public merely by a general title-page as "written by Francis Beaumont and John Fletcher, Gentlemen.”

purported verb US /pərˈpɔːrtɪd/

past form of “purport” — have the often specious appearance of being, intending, or claiming

From this reading “The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.”

quarto noun US /ˈkwɔːrtoʊ/

the size of a book whose pages are made by folding a sheet of paper twice to form four leaves

From this reading “20, 1612-13, and had appeared in quarto without date (but probably 1613) as "by Francis Beaumont, Gent."”

revised adjective US /rɪˈvaɪzd/

improved or brought up to date

From this reading “In seven instances, Fletcher is indicated in the 1647 folio by Prologue or Epilogue as author, or author revised, and in general correctly; but otherwise the thirty-four plays included (not counting the _Maske_) are introduced to the public merely by a general title-page as "written by Francis Beaumont and John Fletcher, Gentlemen.”

unauthorized adjective US /əˈnɔːθəraɪzd/

not endowed with authority

From this reading “The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

collected works adjective + noun

In this reading “The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.”

during the period preposition + article + noun counted as “during … period”

In this reading “STATEMENT OF THE PROBLEM; CRITICAL APPARATUS Much of the confusion which existed in the minds of readers and critics during the period following the Restoration concerning the respective productivity of Beaumont and Fletcher is due to accident.”

existed in verb + particle counted as “exist in”

In this reading “STATEMENT OF THE PROBLEM; CRITICAL APPARATUS Much of the confusion which existed in the minds of readers and critics during the period following the Restoration concerning the respective productivity of Beaumont and Fletcher is due to accident.”

appeared in verb + particle counted as “appear in”

In this reading “20, 1612-13, and had appeared in quarto without date (but probably 1613) as "by Francis Beaumont, Gent."”

name of verb + particle

In this reading “The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.”

All words in this reading · 113

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

13

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 20, 1612-13, and had appeared in quarto without date (but probably 1613) as "by Francis Beaumont, Gent."

1612

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 20, 1612-13, and had appeared in quarto without date (but probably 1613) as "by Francis Beaumont, Gent."

1613

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 20, 1612-13, and had appeared in quarto without date (but probably 1613) as "by Francis Beaumont, Gent."

1647

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.

20

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 20, 1612-13, and had appeared in quarto without date (but probably 1613) as "by Francis Beaumont, Gent."

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading In seven instances, Fletcher is indicated in the 1647 folio by Prologue or Epilogue as author, or author revised, and in general correctly; but otherwise the thirty-four plays included (not counting the _Maske_) are introduced to the public merely by a general title-page as "written by Francis Beaumont and John Fletcher, Gentlemen.

accidentnounUS /ˈæksədənt/

an unfortunate mishap; especially one causing damage or injury

From this reading STATEMENT OF THE PROBLEM; CRITICAL APPARATUS Much of the confusion which existed in the minds of readers and critics during the period following the Restoration concerning the respective productivity of Beaumont and Fletcher is due to accident.

afterprepositionUS /ˈæftər/

later than; following

From this reading The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading STATEMENT OF THE PROBLEM; CRITICAL APPARATUS Much of the confusion which existed in the minds of readers and critics during the period following the Restoration concerning the respective productivity of Beaumont and Fletcher is due to accident.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.

APPARATUSnounUS /ˌæpərˈætəs/

equipment designed to serve a specific function

From this reading STATEMENT OF THE PROBLEM; CRITICAL APPARATUS Much of the confusion which existed in the minds of readers and critics during the period following the Restoration concerning the respective productivity of Beaumont and Fletcher is due to accident.

appearedverbUS /əˈpɪrd/

past form of “appear” — give a certain impression or have a certain outward aspect

From this reading 20, 1612-13, and had appeared in quarto without date (but probably 1613) as "by Francis Beaumont, Gent."

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading In seven instances, Fletcher is indicated in the 1647 folio by Prologue or Epilogue as author, or author revised, and in general correctly; but otherwise the thirty-four plays included (not counting the _Maske_) are introduced to the public merely by a general title-page as "written by Francis Beaumont and John Fletcher, Gentlemen.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.

ascriptions

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.

authornounUS /ˈɔːθər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.

authorshipnounUS /ˈɔːθərʃɪp/

the act of creating written works

From this reading The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.

BeaumontnounUS /ˈboʊmɔːnt/

United States surgeon remembered for his studies of digestion (1785-1853)

From this reading STATEMENT OF THE PROBLEM; CRITICAL APPARATUS Much of the confusion which existed in the minds of readers and critics during the period following the Restoration concerning the respective productivity of Beaumont and Fletcher is due to accident.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading The exception is _The Maske of the Gentlemen of Grayes-Inne and the Inner Temple_ "written by Francis Beaumont, Gentleman," which had been performed, Feb.

bothdeterminerUS /boʊθ/

the two together, not just one

From this reading The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading 20, 1612-13, and had appeared in quarto without date (but probably 1613) as "by Francis Beaumont, Gent."

byprepositionUS /baɪ/

showing who or what does the action

From this reading The exception is _The Maske of the Gentlemen of Grayes-Inne and the Inner Temple_ "written by Francis Beaumont, Gentleman," which had been performed, Feb.

circulationnounUS /ˈsɜːrkjəleɪʃən/

the dissemination of copies of periodicals (as newspapers or magazines)

From this reading The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.

collectedadjectiveUS /kəˈlektəd/

brought together in one place

From this reading The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.

concerningverbUS /kənˈsɜːrnɪŋ/

-ing form of “concern” — be relevant to

From this reading STATEMENT OF THE PROBLEM; CRITICAL APPARATUS Much of the confusion which existed in the minds of readers and critics during the period following the Restoration concerning the respective productivity of Beaumont and Fletcher is due to accident.

confusionnounUS /kənˈfjuːʒən/

disorder resulting from a failure to behave predictably

From this reading STATEMENT OF THE PROBLEM; CRITICAL APPARATUS Much of the confusion which existed in the minds of readers and critics during the period following the Restoration concerning the respective productivity of Beaumont and Fletcher is due to accident.

correctlyadverbUS /kərˈektli/

in an accurate manner

From this reading In seven instances, Fletcher is indicated in the 1647 folio by Prologue or Epilogue as author, or author revised, and in general correctly; but otherwise the thirty-four plays included (not counting the _Maske_) are introduced to the public merely by a general title-page as "written by Francis Beaumont and John Fletcher, Gentlemen.

countingnounUS /ˈkaʊntɪŋ/

the act of counting; reciting numbers in ascending order

From this reading In seven instances, Fletcher is indicated in the 1647 folio by Prologue or Epilogue as author, or author revised, and in general correctly; but otherwise the thirty-four plays included (not counting the _Maske_) are introduced to the public merely by a general title-page as "written by Francis Beaumont and John Fletcher, Gentlemen.

CRITICALadjectiveUS /ˈkrɪtɪkəl/

marked by a tendency to find and call attention to errors and flaws

From this reading STATEMENT OF THE PROBLEM; CRITICAL APPARATUS Much of the confusion which existed in the minds of readers and critics during the period following the Restoration concerning the respective productivity of Beaumont and Fletcher is due to accident.

criticsnounUS /ˈkrɪtɪks/

plural of “critic” — a person who is professionally engaged in the analysis and interpretation of works of art

From this reading STATEMENT OF THE PROBLEM; CRITICAL APPARATUS Much of the confusion which existed in the minds of readers and critics during the period following the Restoration concerning the respective productivity of Beaumont and Fletcher is due to accident.

datenounUS /deɪt/

the specified day of the month

From this reading 20, 1612-13, and had appeared in quarto without date (but probably 1613) as "by Francis Beaumont, Gent."

deadadjectiveUS /ded/

no longer having or seeming to have or expecting to have life

From this reading The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.

dramatists

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.

dueadjectiveUS /duː/

owed and payable immediately or on demand

From this reading STATEMENT OF THE PROBLEM; CRITICAL APPARATUS Much of the confusion which existed in the minds of readers and critics during the period following the Restoration concerning the respective productivity of Beaumont and Fletcher is due to accident.

duringprepositionUS /ˈdʊrɪŋ/

all through a period, or at some point within it

From this reading STATEMENT OF THE PROBLEM; CRITICAL APPARATUS Much of the confusion which existed in the minds of readers and critics during the period following the Restoration concerning the respective productivity of Beaumont and Fletcher is due to accident.

EpiloguenounUS /ˈepəlɔːɡ/

a short speech (often in verse) addressed directly to the audience by an actor at the end of a play

From this reading In seven instances, Fletcher is indicated in the 1647 folio by Prologue or Epilogue as author, or author revised, and in general correctly; but otherwise the thirty-four plays included (not counting the _Maske_) are introduced to the public merely by a general title-page as "written by Francis Beaumont and John Fletcher, Gentlemen.

exceptionnounUS /ɪkˈsepʃən/

a deliberate act of omission

From this reading The exception is _The Maske of the Gentlemen of Grayes-Inne and the Inner Temple_ "written by Francis Beaumont, Gentleman," which had been performed, Feb.

existedverbUS /ɪɡˈzɪstəd/

past form of “exist” — have an existence, be extant

From this reading STATEMENT OF THE PROBLEM; CRITICAL APPARATUS Much of the confusion which existed in the minds of readers and critics during the period following the Restoration concerning the respective productivity of Beaumont and Fletcher is due to accident.

FebnounUS /ˈfebjəweri/

the month following January and preceding March

From this reading The exception is _The Maske of the Gentlemen of Grayes-Inne and the Inner Temple_ "written by Francis Beaumont, Gentleman," which had been performed, Feb.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.

FletchernounUS /ˈfletʃər/

prolific English dramatist who collaborated with Francis Beaumont and many other dramatists (1579-1625)

From this reading STATEMENT OF THE PROBLEM; CRITICAL APPARATUS Much of the confusion which existed in the minds of readers and critics during the period following the Restoration concerning the respective productivity of Beaumont and Fletcher is due to accident.

folionounUS /ˈfoʊliːoʊ/

the system of numbering pages

From this reading The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.

followingadjectiveUS /ˈfɑːloʊɪŋ/

about to be mentioned or specified

From this reading STATEMENT OF THE PROBLEM; CRITICAL APPARATUS Much of the confusion which existed in the minds of readers and critics during the period following the Restoration concerning the respective productivity of Beaumont and Fletcher is due to accident.

Francis

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The exception is _The Maske of the Gentlemen of Grayes-Inne and the Inner Temple_ "written by Francis Beaumont, Gentleman," which had been performed, Feb.

generaladjectiveUS /ˈdʒenərəl/

applying to all or most members of a category or group

From this reading In seven instances, Fletcher is indicated in the 1647 folio by Prologue or Epilogue as author, or author revised, and in general correctly; but otherwise the thirty-four plays included (not counting the _Maske_) are introduced to the public merely by a general title-page as "written by Francis Beaumont and John Fletcher, Gentlemen.

generallyadverbUS /ˈdʒenərəli/

usually; as a rule

From this reading The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.

GentnounUS /dʒent/

informal abbreviation of “gentleman”

From this reading 20, 1612-13, and had appeared in quarto without date (but probably 1613) as "by Francis Beaumont, Gent."

GentlemannounUS /ˈdʒentəlmən/

a man of refinement

From this reading The exception is _The Maske of the Gentlemen of Grayes-Inne and the Inner Temple_ "written by Francis Beaumont, Gentleman," which had been performed, Feb.

GentlemennounUS /ˈdʒentəlmɪn/

plural of “gentleman” — a man of refinement

From this reading The exception is _The Maske of the Gentlemen of Grayes-Inne and the Inner Temple_ "written by Francis Beaumont, Gentleman," which had been performed, Feb.

Grayes-Inne

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The exception is _The Maske of the Gentlemen of Grayes-Inne and the Inner Temple_ "written by Francis Beaumont, Gentleman," which had been performed, Feb.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading The exception is _The Maske of the Gentlemen of Grayes-Inne and the Inner Temple_ "written by Francis Beaumont, Gentleman," which had been performed, Feb.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading STATEMENT OF THE PROBLEM; CRITICAL APPARATUS Much of the confusion which existed in the minds of readers and critics during the period following the Restoration concerning the respective productivity of Beaumont and Fletcher is due to accident.

includedadjectiveUS /ˌɪnˈkluːdəd/

enclosed in the same envelope or package

From this reading In seven instances, Fletcher is indicated in the 1647 folio by Prologue or Epilogue as author, or author revised, and in general correctly; but otherwise the thirty-four plays included (not counting the _Maske_) are introduced to the public merely by a general title-page as "written by Francis Beaumont and John Fletcher, Gentlemen.

indicatedverbUS /ˈɪndəkeɪtəd/

past form of “indicate” — be a signal for or a symptom of

From this reading In seven instances, Fletcher is indicated in the 1647 folio by Prologue or Epilogue as author, or author revised, and in general correctly; but otherwise the thirty-four plays included (not counting the _Maske_) are introduced to the public merely by a general title-page as "written by Francis Beaumont and John Fletcher, Gentlemen.

individualadjectiveUS /ˌɪndəˈvɪdʒəwəl/

being or characteristic of a single thing or person

From this reading The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.

InneradjectiveUS /ˈɪnər/

located inward

From this reading The exception is _The Maske of the Gentlemen of Grayes-Inne and the Inner Temple_ "written by Francis Beaumont, Gentleman," which had been performed, Feb.

instancenounUS /ˈɪnstəns/

an occurrence of something

From this reading The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.

instancesnounUS /ˈɪnstənsəz/

plural of “instance” — an occurrence of something

From this reading In seven instances, Fletcher is indicated in the 1647 folio by Prologue or Epilogue as author, or author revised, and in general correctly; but otherwise the thirty-four plays included (not counting the _Maske_) are introduced to the public merely by a general title-page as "written by Francis Beaumont and John Fletcher, Gentlemen.

introducedverbUS /ˌɪntrəˈduːst/

past form of “introduce” — cause to come to know personally

From this reading In seven instances, Fletcher is indicated in the 1647 folio by Prologue or Epilogue as author, or author revised, and in general correctly; but otherwise the thirty-four plays included (not counting the _Maske_) are introduced to the public merely by a general title-page as "written by Francis Beaumont and John Fletcher, Gentlemen.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading STATEMENT OF THE PROBLEM; CRITICAL APPARATUS Much of the confusion which existed in the minds of readers and critics during the period following the Restoration concerning the respective productivity of Beaumont and Fletcher is due to accident.

JohnnounUS /dʒɑːn/

a room or building equipped with one or more toilets

From this reading In seven instances, Fletcher is indicated in the 1647 folio by Prologue or Epilogue as author, or author revised, and in general correctly; but otherwise the thirty-four plays included (not counting the _Maske_) are introduced to the public merely by a general title-page as "written by Francis Beaumont and John Fletcher, Gentlemen.

lackedverbUS /lækt/

past form of “lack” — be without

From this reading The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.

longadjectiveUS /lɔːŋ/

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.

Maske

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The exception is _The Maske of the Gentlemen of Grayes-Inne and the Inner Temple_ "written by Francis Beaumont, Gentleman," which had been performed, Feb.

merelyadverbUS /ˈmɪrli/

and nothing more

From this reading In seven instances, Fletcher is indicated in the 1647 folio by Prologue or Epilogue as author, or author revised, and in general correctly; but otherwise the thirty-four plays included (not counting the _Maske_) are introduced to the public merely by a general title-page as "written by Francis Beaumont and John Fletcher, Gentlemen.

mindsnounUS /maɪndz/

plural of “mind” — that which is responsible for one's thoughts, feelings, and conscious brain functions; the seat of the faculty of reason

From this reading STATEMENT OF THE PROBLEM; CRITICAL APPARATUS Much of the confusion which existed in the minds of readers and critics during the period following the Restoration concerning the respective productivity of Beaumont and Fletcher is due to accident.

MuchadverbUS /mʌtʃ/

to a great degree or extent

From this reading STATEMENT OF THE PROBLEM; CRITICAL APPARATUS Much of the confusion which existed in the minds of readers and critics during the period following the Restoration concerning the respective productivity of Beaumont and Fletcher is due to accident.

nameverbUS /neɪm/

assign a specified (usually proper) proper name to

From this reading The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.

nodeterminerUS /noʊ/

not any; not one

From this reading The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading STATEMENT OF THE PROBLEM; CRITICAL APPARATUS Much of the confusion which existed in the minds of readers and critics during the period following the Restoration concerning the respective productivity of Beaumont and Fletcher is due to accident.

oftenadverbUS /ˈɔːfən/

many times at short intervals

From this reading The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.

otherwiseadverbUS /ˈʌðərwaɪz/

in other respects or ways

From this reading In seven instances, Fletcher is indicated in the 1647 folio by Prologue or Epilogue as author, or author revised, and in general correctly; but otherwise the thirty-four plays included (not counting the _Maske_) are introduced to the public merely by a general title-page as "written by Francis Beaumont and John Fletcher, Gentlemen.

performedverbUS /pərˈfɔːrmd/

past form of “perform” — carry out or perform an action

From this reading The exception is _The Maske of the Gentlemen of Grayes-Inne and the Inner Temple_ "written by Francis Beaumont, Gentleman," which had been performed, Feb.

periodnounUS /ˈpɪriəd/

an amount of time

From this reading STATEMENT OF THE PROBLEM; CRITICAL APPARATUS Much of the confusion which existed in the minds of readers and critics during the period following the Restoration concerning the respective productivity of Beaumont and Fletcher is due to accident.

playverbUS /pleɪ/

participate in games or sport

From this reading The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.

playsnounUS /pleɪz/

plural of “play” — a dramatic work intended for performance by actors on a stage

From this reading The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.

prefixed

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.

presentedverbUS /priˈzentɪd/

past form of “present” — give an exhibition of to an interested audience

From this reading The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.

probablyadverbUS /ˈprɑːbəbliː/

with considerable certainty; without much doubt

From this reading 20, 1612-13, and had appeared in quarto without date (but probably 1613) as "by Francis Beaumont, Gent."

PROBLEMnounUS /ˈprɑːbləm/

a state of difficulty that needs to be resolved

From this reading STATEMENT OF THE PROBLEM; CRITICAL APPARATUS Much of the confusion which existed in the minds of readers and critics during the period following the Restoration concerning the respective productivity of Beaumont and Fletcher is due to accident.

productivitynounUS /ˌproʊdəkˈtɪvəti/

the quality of being productive or having the power to produce

From this reading STATEMENT OF THE PROBLEM; CRITICAL APPARATUS Much of the confusion which existed in the minds of readers and critics during the period following the Restoration concerning the respective productivity of Beaumont and Fletcher is due to accident.

ProloguenounUS /ˈproʊlɑːɡ/

an introduction to a play

From this reading In seven instances, Fletcher is indicated in the 1647 folio by Prologue or Epilogue as author, or author revised, and in general correctly; but otherwise the thirty-four plays included (not counting the _Maske_) are introduced to the public merely by a general title-page as "written by Francis Beaumont and John Fletcher, Gentlemen.

publicnounUS /ˈpʌblɪk/

people in general considered as a whole

From this reading In seven instances, Fletcher is indicated in the 1647 folio by Prologue or Epilogue as author, or author revised, and in general correctly; but otherwise the thirty-four plays included (not counting the _Maske_) are introduced to the public merely by a general title-page as "written by Francis Beaumont and John Fletcher, Gentlemen.

purportedverbUS /pərˈpɔːrtɪd/

past form of “purport” — have the often specious appearance of being, intending, or claiming

From this reading The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.

quartonounUS /ˈkwɔːrtoʊ/

the size of a book whose pages are made by folding a sheet of paper twice to form four leaves

From this reading 20, 1612-13, and had appeared in quarto without date (but probably 1613) as "by Francis Beaumont, Gent."

quartos

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.

readersnounUS /ˈriːdərz/

plural of “reader” — a person who enjoys reading

From this reading STATEMENT OF THE PROBLEM; CRITICAL APPARATUS Much of the confusion which existed in the minds of readers and critics during the period following the Restoration concerning the respective productivity of Beaumont and Fletcher is due to accident.

respectiveadjectiveUS /rɪˈspektɪv/

considered individually

From this reading STATEMENT OF THE PROBLEM; CRITICAL APPARATUS Much of the confusion which existed in the minds of readers and critics during the period following the Restoration concerning the respective productivity of Beaumont and Fletcher is due to accident.

RestorationnounUS /ˌrestərˈeɪʃən/

the reign of Charles II in England; 1660-1685

From this reading STATEMENT OF THE PROBLEM; CRITICAL APPARATUS Much of the confusion which existed in the minds of readers and critics during the period following the Restoration concerning the respective productivity of Beaumont and Fletcher is due to accident.

revisedadjectiveUS /rɪˈvaɪzd/

improved or brought up to date

From this reading In seven instances, Fletcher is indicated in the 1647 folio by Prologue or Epilogue as author, or author revised, and in general correctly; but otherwise the thirty-four plays included (not counting the _Maske_) are introduced to the public merely by a general title-page as "written by Francis Beaumont and John Fletcher, Gentlemen.

saveprepositionUS /seɪv/

except for; apart from

From this reading The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.

sevennounUS /ˈsevən/

the cardinal number that is the sum of six and one

From this reading In seven instances, Fletcher is indicated in the 1647 folio by Prologue or Epilogue as author, or author revised, and in general correctly; but otherwise the thirty-four plays included (not counting the _Maske_) are introduced to the public merely by a general title-page as "written by Francis Beaumont and John Fletcher, Gentlemen.

STATEMENTnounUS /ˈsteɪtmənt/

a message that is stated or declared; a communication (oral or written) setting forth particulars or facts etc

From this reading STATEMENT OF THE PROBLEM; CRITICAL APPARATUS Much of the confusion which existed in the minds of readers and critics during the period following the Restoration concerning the respective productivity of Beaumont and Fletcher is due to accident.

TemplenounUS /ˈtempəl/

place of worship consisting of an edifice for the worship of a deity

From this reading The exception is _The Maske of the Gentlemen of Grayes-Inne and the Inner Temple_ "written by Francis Beaumont, Gentleman," which had been performed, Feb.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading STATEMENT OF THE PROBLEM; CRITICAL APPARATUS Much of the confusion which existed in the minds of readers and critics during the period following the Restoration concerning the respective productivity of Beaumont and Fletcher is due to accident.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.

thirty-fouradjective

being four more than thirty

From this reading In seven instances, Fletcher is indicated in the 1647 folio by Prologue or Epilogue as author, or author revised, and in general correctly; but otherwise the thirty-four plays included (not counting the _Maske_) are introduced to the public merely by a general title-page as "written by Francis Beaumont and John Fletcher, Gentlemen.

title-page

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In seven instances, Fletcher is indicated in the 1647 folio by Prologue or Epilogue as author, or author revised, and in general correctly; but otherwise the thirty-four plays included (not counting the _Maske_) are introduced to the public merely by a general title-page as "written by Francis Beaumont and John Fletcher, Gentlemen.

title-pages

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading STATEMENT OF THE PROBLEM; CRITICAL APPARATUS Much of the confusion which existed in the minds of readers and critics during the period following the Restoration concerning the respective productivity of Beaumont and Fletcher is due to accident.

unauthorizedadjectiveUS /əˈnɔːθəraɪzd/

not endowed with authority

From this reading The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.

whatpronounUS /wʌt/

used to ask for information about something

From this reading The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading STATEMENT OF THE PROBLEM; CRITICAL APPARATUS Much of the confusion which existed in the minds of readers and critics during the period following the Restoration concerning the respective productivity of Beaumont and Fletcher is due to accident.

withoutprepositionUS /wɪˈθaʊt/

not having, not using, or not accompanied by

From this reading 20, 1612-13, and had appeared in quarto without date (but probably 1613) as "by Francis Beaumont, Gent."

worksnounUS /wɜːrks/

buildings for carrying on industrial labor

From this reading The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.

writtenadjectiveUS /ˈrɪtən/

set down in writing in any of various ways

From this reading The exception is _The Maske of the Gentlemen of Grayes-Inne and the Inner Temple_ "written by Francis Beaumont, Gentleman," which had been performed, Feb.

wrongadjectiveUS /rɔːŋ/

not correct; not in conformity with fact or truth

From this reading The quartos (generally unauthorized) of individual plays in circulation were, as often as not, wrong in their ascriptions of authorship to one, or the other, or both of the dramatists; and the folio of 1647, which, long after both were dead, first presented what purported to be their collected works, lacked title-pages to the individual plays, and, save in one instance, prefixed no name of author to any play.

Chapter 17 of Francis Beaumont by Charles Mills Gayley holds 103 sentences, grouped into 21 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 17 of Francis Beaumont contain?

Chapter 17 holds 103 sentences of Francis Beaumont, unabridged, divided into 21 reading sections.

This page carries chapter 17 of Francis Beaumont by Charles Mills Gayley exactly as it stands in the source edition, without abridgement. It runs to 103 sentences, grouped into 21 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 17 of Francis Beaumont?

Work through the 21 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 21 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 17 be read aloud to me?

Yes — every sentence and every individual word in chapter 17 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Francis Beaumont

Common questions about reading Francis Beaumont by Charles Mills Gayley on this page, its source edition and its audio.

Is this the complete text of Francis Beaumont?

Yes. All 3628 sentences of Project Gutenberg eBook #34214 are kept, with a record of which sentences cover which part.

Which edition of Francis Beaumont is used?

Project Gutenberg eBook #34214, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Francis Beaumont take to read?

About 302 minutes of reading across 726 sections of 5 sentences each, at an unhurried pace.

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How to work through Francis Beaumont section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 30 chapters of Francis Beaumont to begin.

  2. Read one section

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  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Francis Beaumont

Words and structures a reader meets early in Francis Beaumont, each tappable for pronunciation and meaning.

Italics
A word that appears in the opening chapter of Francis Beaumont; the reader can tap it to hear it and see its dictionary entry.
Surrounded
A word that appears in the opening chapter of Francis Beaumont; the reader can tap it to hear it and see its dictionary entry.
Underscores
A word that appears in the opening chapter of Francis Beaumont; the reader can tap it to hear it and see its dictionary entry.
Large
A word that appears in the opening chapter of Francis Beaumont; the reader can tap it to hear it and see its dictionary entry.