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Francis Beaumont
Francis Beaumont

Chapter XXIX

Chapter 29 of Francis Beaumont is here in full — 79 sentences across 16 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/15 · 5 lines
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DID THE BEAUMONT 'ROMANCE' INFLUENCE SHAKESPEARE?
Richard Flecknoe, in his _Discourse of the English Stage_, 1664, thinking rather of the romantic and ornamented quality of Beaumont and Fletcher's plays, "full of fine flowers," than of any anticipation in them of the love and honour of plays of the Restoration, says that they were the first to write "in the Heroick way."
Symonds calls them the "inventors of the heroical romance."
And lately Professor Thorndike[256] and others have conjectured that the Shakespeare of _Cymbeline_, _Winter's Tale_, and _The Tempest_ was following the lead of the two younger dramatists in what is attributed to them as a new style of 'dramatic romance' in his dramas.
The argument is that _Philaster_ (acted before October 8, 1610) preceded _Cymbeline_ (acted between April 20, 1610 and May 15, 1611), and suggested to Shakespeare a radical change of dramatic method, first manifest in _Cymbeline_.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Francis Beaumont

Chapter XXIX

Chapter 29 of Francis Beaumont is here in full — 79 sentences across 16 reading sections, with audio for every sentence and word.

Reading 1/15 · 5 reading units · Lines 1–5

Line 1
DID THE BEAUMONT 'ROMANCE' INFLUENCE SHAKESPEARE?
/dɪd ðə ˈboʊmɔːnt roʊˈmæns ˈɪnfluːəns ˈʃeɪkspiːr/
Line 2
Richard Flecknoe, in his _Discourse of the English Stage_, 1664, thinking rather of the romantic and ornamented quality of Beaumont and Fletcher's plays, "full of fine flowers," than of any anticipation in them of the love and honour of plays of the Restoration, says that they were the first to write "in the Heroick way."
Line 3
Symonds calls them the "inventors of the heroical romance."
Line 4
And lately Professor Thorndike[256] and others have conjectured that the Shakespeare of _Cymbeline_, _Winter's Tale_, and _The Tempest_ was following the lead of the two younger dramatists in what is attributed to them as a new style of 'dramatic romance' in his dramas.
Line 5
The argument is that _Philaster_ (acted before October 8, 1610) preceded _Cymbeline_ (acted between April 20, 1610 and May 15, 1611), and suggested to Shakespeare a radical change of dramatic method, first manifest in _Cymbeline_.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

beaumont noun US /ˈboʊmɔːnt/

United States surgeon remembered for his studies of digestion (1785-1853)

From this reading “DID THE BEAUMONT 'ROMANCE' INFLUENCE SHAKESPEARE?”

dramas noun US /ˈdrɑːməz/

plural of “drama” — a dramatic work intended for performance by actors on a stage

From this reading “And lately Professor Thorndike[256] and others have conjectured that the Shakespeare of _Cymbeline_, _Winter's Tale_, and _The Tempest_ was following the lead of the two younger dramatists in what is attributed to them as a new style of 'dramatic romance' in his dramas.”

inventors noun US /ˌɪnˈventərz/

plural of “inventor” — someone who is the first to think of or make something

From this reading “Symonds calls them the "inventors of the heroical romance."”

ornamented verb US /ˈɔːrnəmentɪd/

past form of “ornament” — make more attractive by adding ornament, colour, etc.

From this reading “Richard Flecknoe, in his _Discourse of the English Stage_, 1664, thinking rather of the romantic and ornamented quality of Beaumont and Fletcher's plays, "full of fine flowers," than of any anticipation in them of the love and honour of plays of the Restoration, says that they were the first to write "in the Heroick way."”

radical noun US /ˈrædəkəl/

(chemistry) two or more atoms bound together as a single unit and forming part of a molecule

From this reading “The argument is that _Philaster_ (acted before October 8, 1610) preceded _Cymbeline_ (acted between April 20, 1610 and May 15, 1611), and suggested to Shakespeare a radical change of dramatic method, first manifest in _Cymbeline_.”

Symonds noun US /ˈsɪməndz/

English writer (1840-1893)

From this reading “Symonds calls them the "inventors of the heroical romance."”

Thorndike noun US /ˈθɔːrndɪk/

English actress (1882-1976)

From this reading “And lately Professor Thorndike[256] and others have conjectured that the Shakespeare of _Cymbeline_, _Winter's Tale_, and _The Tempest_ was following the lead of the two younger dramatists in what is attributed to them as a new style of 'dramatic romance' in his dramas.”

Winter's noun US /ˈwɪntərz/

possessive form of “winter” — the coldest season of the year; in the northern hemisphere it extends from the winter solstice to the vernal equinox

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

new style adjective + noun

In this reading “And lately Professor Thorndike[256] and others have conjectured that the Shakespeare of _Cymbeline_, _Winter's Tale_, and _The Tempest_ was following the lead of the two younger dramatists in what is attributed to them as a new style of 'dramatic romance' in his dramas.”

All words in this reading · 91

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

15

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The argument is that _Philaster_ (acted before October 8, 1610) preceded _Cymbeline_ (acted between April 20, 1610 and May 15, 1611), and suggested to Shakespeare a radical change of dramatic method, first manifest in _Cymbeline_.

1610

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The argument is that _Philaster_ (acted before October 8, 1610) preceded _Cymbeline_ (acted between April 20, 1610 and May 15, 1611), and suggested to Shakespeare a radical change of dramatic method, first manifest in _Cymbeline_.

1611

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The argument is that _Philaster_ (acted before October 8, 1610) preceded _Cymbeline_ (acted between April 20, 1610 and May 15, 1611), and suggested to Shakespeare a radical change of dramatic method, first manifest in _Cymbeline_.

1664

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Richard Flecknoe, in his _Discourse of the English Stage_, 1664, thinking rather of the romantic and ornamented quality of Beaumont and Fletcher's plays, "full of fine flowers," than of any anticipation in them of the love and honour of plays of the Restoration, says that they were the first to write "in the Heroick way."

20

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The argument is that _Philaster_ (acted before October 8, 1610) preceded _Cymbeline_ (acted between April 20, 1610 and May 15, 1611), and suggested to Shakespeare a radical change of dramatic method, first manifest in _Cymbeline_.

256

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading And lately Professor Thorndike[256] and others have conjectured that the Shakespeare of _Cymbeline_, _Winter's Tale_, and _The Tempest_ was following the lead of the two younger dramatists in what is attributed to them as a new style of 'dramatic romance' in his dramas.

8

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The argument is that _Philaster_ (acted before October 8, 1610) preceded _Cymbeline_ (acted between April 20, 1610 and May 15, 1611), and suggested to Shakespeare a radical change of dramatic method, first manifest in _Cymbeline_.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading And lately Professor Thorndike[256] and others have conjectured that the Shakespeare of _Cymbeline_, _Winter's Tale_, and _The Tempest_ was following the lead of the two younger dramatists in what is attributed to them as a new style of 'dramatic romance' in his dramas.

actedverbUS /ˈæktɪd/

past form of “act” — perform an action, or work out or perform (an action)

From this reading The argument is that _Philaster_ (acted before October 8, 1610) preceded _Cymbeline_ (acted between April 20, 1610 and May 15, 1611), and suggested to Shakespeare a radical change of dramatic method, first manifest in _Cymbeline_.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Richard Flecknoe, in his _Discourse of the English Stage_, 1664, thinking rather of the romantic and ornamented quality of Beaumont and Fletcher's plays, "full of fine flowers," than of any anticipation in them of the love and honour of plays of the Restoration, says that they were the first to write "in the Heroick way."

anticipationnounUS /ænˌtɪsəˈpeɪʃən/

an expectation

From this reading Richard Flecknoe, in his _Discourse of the English Stage_, 1664, thinking rather of the romantic and ornamented quality of Beaumont and Fletcher's plays, "full of fine flowers," than of any anticipation in them of the love and honour of plays of the Restoration, says that they were the first to write "in the Heroick way."

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading Richard Flecknoe, in his _Discourse of the English Stage_, 1664, thinking rather of the romantic and ornamented quality of Beaumont and Fletcher's plays, "full of fine flowers," than of any anticipation in them of the love and honour of plays of the Restoration, says that they were the first to write "in the Heroick way."

AprilnounUS /ˈeɪprəl/

the month following March and preceding May

From this reading The argument is that _Philaster_ (acted before October 8, 1610) preceded _Cymbeline_ (acted between April 20, 1610 and May 15, 1611), and suggested to Shakespeare a radical change of dramatic method, first manifest in _Cymbeline_.

argumentnounUS /ˈɑːrɡjəmənt/

a fact or assertion offered as evidence that something is true

From this reading The argument is that _Philaster_ (acted before October 8, 1610) preceded _Cymbeline_ (acted between April 20, 1610 and May 15, 1611), and suggested to Shakespeare a radical change of dramatic method, first manifest in _Cymbeline_.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading And lately Professor Thorndike[256] and others have conjectured that the Shakespeare of _Cymbeline_, _Winter's Tale_, and _The Tempest_ was following the lead of the two younger dramatists in what is attributed to them as a new style of 'dramatic romance' in his dramas.

attributedverbUS /əˈtrɪbjətɪd/

past form of “attribute” — attribute or credit to

From this reading And lately Professor Thorndike[256] and others have conjectured that the Shakespeare of _Cymbeline_, _Winter's Tale_, and _The Tempest_ was following the lead of the two younger dramatists in what is attributed to them as a new style of 'dramatic romance' in his dramas.

BEAUMONTnounUS /ˈboʊmɔːnt/

United States surgeon remembered for his studies of digestion (1785-1853)

From this reading DID THE BEAUMONT 'ROMANCE' INFLUENCE SHAKESPEARE?

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading The argument is that _Philaster_ (acted before October 8, 1610) preceded _Cymbeline_ (acted between April 20, 1610 and May 15, 1611), and suggested to Shakespeare a radical change of dramatic method, first manifest in _Cymbeline_.

betweenprepositionUS /bɪˈtwiːn/

in the space, time, or range separating two things

From this reading The argument is that _Philaster_ (acted before October 8, 1610) preceded _Cymbeline_ (acted between April 20, 1610 and May 15, 1611), and suggested to Shakespeare a radical change of dramatic method, first manifest in _Cymbeline_.

callsnounUS /kɔːlz/

plural of “call” — a telephone connection

From this reading Symonds calls them the "inventors of the heroical romance."

changeverbUS /tʃeɪndʒ/

cause to change; make different; cause a transformation

From this reading The argument is that _Philaster_ (acted before October 8, 1610) preceded _Cymbeline_ (acted between April 20, 1610 and May 15, 1611), and suggested to Shakespeare a radical change of dramatic method, first manifest in _Cymbeline_.

conjectured

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading And lately Professor Thorndike[256] and others have conjectured that the Shakespeare of _Cymbeline_, _Winter's Tale_, and _The Tempest_ was following the lead of the two younger dramatists in what is attributed to them as a new style of 'dramatic romance' in his dramas.

Cymbeline

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading And lately Professor Thorndike[256] and others have conjectured that the Shakespeare of _Cymbeline_, _Winter's Tale_, and _The Tempest_ was following the lead of the two younger dramatists in what is attributed to them as a new style of 'dramatic romance' in his dramas.

DIDauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading DID THE BEAUMONT 'ROMANCE' INFLUENCE SHAKESPEARE?

DiscoursenounUS /ˈdɪskɔːrs/

extended verbal expression in speech or writing

From this reading Richard Flecknoe, in his _Discourse of the English Stage_, 1664, thinking rather of the romantic and ornamented quality of Beaumont and Fletcher's plays, "full of fine flowers," than of any anticipation in them of the love and honour of plays of the Restoration, says that they were the first to write "in the Heroick way."

dramasnounUS /ˈdrɑːməz/

plural of “drama” — a dramatic work intended for performance by actors on a stage

From this reading And lately Professor Thorndike[256] and others have conjectured that the Shakespeare of _Cymbeline_, _Winter's Tale_, and _The Tempest_ was following the lead of the two younger dramatists in what is attributed to them as a new style of 'dramatic romance' in his dramas.

dramaticadjectiveUS /drəˈmætɪk/

suitable to or characteristic of drama

From this reading And lately Professor Thorndike[256] and others have conjectured that the Shakespeare of _Cymbeline_, _Winter's Tale_, and _The Tempest_ was following the lead of the two younger dramatists in what is attributed to them as a new style of 'dramatic romance' in his dramas.

dramatists

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading And lately Professor Thorndike[256] and others have conjectured that the Shakespeare of _Cymbeline_, _Winter's Tale_, and _The Tempest_ was following the lead of the two younger dramatists in what is attributed to them as a new style of 'dramatic romance' in his dramas.

EnglishnounUS /ˈɪŋɡlɪʃ/

an Indo-European language belonging to the West Germanic branch; the official language of Britain and the United States and most of the commonwealth countries

From this reading Richard Flecknoe, in his _Discourse of the English Stage_, 1664, thinking rather of the romantic and ornamented quality of Beaumont and Fletcher's plays, "full of fine flowers," than of any anticipation in them of the love and honour of plays of the Restoration, says that they were the first to write "in the Heroick way."

fineadjectiveUS /faɪn/

being satisfactory or in satisfactory condition

From this reading Richard Flecknoe, in his _Discourse of the English Stage_, 1664, thinking rather of the romantic and ornamented quality of Beaumont and Fletcher's plays, "full of fine flowers," than of any anticipation in them of the love and honour of plays of the Restoration, says that they were the first to write "in the Heroick way."

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading Richard Flecknoe, in his _Discourse of the English Stage_, 1664, thinking rather of the romantic and ornamented quality of Beaumont and Fletcher's plays, "full of fine flowers," than of any anticipation in them of the love and honour of plays of the Restoration, says that they were the first to write "in the Heroick way."

Flecknoe

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Richard Flecknoe, in his _Discourse of the English Stage_, 1664, thinking rather of the romantic and ornamented quality of Beaumont and Fletcher's plays, "full of fine flowers," than of any anticipation in them of the love and honour of plays of the Restoration, says that they were the first to write "in the Heroick way."

Fletcher's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Richard Flecknoe, in his _Discourse of the English Stage_, 1664, thinking rather of the romantic and ornamented quality of Beaumont and Fletcher's plays, "full of fine flowers," than of any anticipation in them of the love and honour of plays of the Restoration, says that they were the first to write "in the Heroick way."

flowersnounUS /ˈflaʊərz/

plural of “flower” — a plant cultivated for its blooms or blossoms

From this reading Richard Flecknoe, in his _Discourse of the English Stage_, 1664, thinking rather of the romantic and ornamented quality of Beaumont and Fletcher's plays, "full of fine flowers," than of any anticipation in them of the love and honour of plays of the Restoration, says that they were the first to write "in the Heroick way."

followingadjectiveUS /ˈfɑːloʊɪŋ/

about to be mentioned or specified

From this reading And lately Professor Thorndike[256] and others have conjectured that the Shakespeare of _Cymbeline_, _Winter's Tale_, and _The Tempest_ was following the lead of the two younger dramatists in what is attributed to them as a new style of 'dramatic romance' in his dramas.

fulladjectiveUS /fʊl/

containing as much or as many as is possible or normal

From this reading Richard Flecknoe, in his _Discourse of the English Stage_, 1664, thinking rather of the romantic and ornamented quality of Beaumont and Fletcher's plays, "full of fine flowers," than of any anticipation in them of the love and honour of plays of the Restoration, says that they were the first to write "in the Heroick way."

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading And lately Professor Thorndike[256] and others have conjectured that the Shakespeare of _Cymbeline_, _Winter's Tale_, and _The Tempest_ was following the lead of the two younger dramatists in what is attributed to them as a new style of 'dramatic romance' in his dramas.

heroicaladjective

having or displaying qualities appropriate for heroes

From this reading Symonds calls them the "inventors of the heroical romance."

Heroick

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Richard Flecknoe, in his _Discourse of the English Stage_, 1664, thinking rather of the romantic and ornamented quality of Beaumont and Fletcher's plays, "full of fine flowers," than of any anticipation in them of the love and honour of plays of the Restoration, says that they were the first to write "in the Heroick way."

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Richard Flecknoe, in his _Discourse of the English Stage_, 1664, thinking rather of the romantic and ornamented quality of Beaumont and Fletcher's plays, "full of fine flowers," than of any anticipation in them of the love and honour of plays of the Restoration, says that they were the first to write "in the Heroick way."

honournounUS /ˈɑːnər/

the state of being honored

From this reading Richard Flecknoe, in his _Discourse of the English Stage_, 1664, thinking rather of the romantic and ornamented quality of Beaumont and Fletcher's plays, "full of fine flowers," than of any anticipation in them of the love and honour of plays of the Restoration, says that they were the first to write "in the Heroick way."

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Richard Flecknoe, in his _Discourse of the English Stage_, 1664, thinking rather of the romantic and ornamented quality of Beaumont and Fletcher's plays, "full of fine flowers," than of any anticipation in them of the love and honour of plays of the Restoration, says that they were the first to write "in the Heroick way."

INFLUENCEnounUS /ˈɪnfluːəns/

a power to affect persons or events especially power based on prestige etc

From this reading DID THE BEAUMONT 'ROMANCE' INFLUENCE SHAKESPEARE?

inventorsnounUS /ˌɪnˈventərz/

plural of “inventor” — someone who is the first to think of or make something

From this reading Symonds calls them the "inventors of the heroical romance."

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading And lately Professor Thorndike[256] and others have conjectured that the Shakespeare of _Cymbeline_, _Winter's Tale_, and _The Tempest_ was following the lead of the two younger dramatists in what is attributed to them as a new style of 'dramatic romance' in his dramas.

latelyadverbUS /ˈleɪtli/

in the recent past

From this reading And lately Professor Thorndike[256] and others have conjectured that the Shakespeare of _Cymbeline_, _Winter's Tale_, and _The Tempest_ was following the lead of the two younger dramatists in what is attributed to them as a new style of 'dramatic romance' in his dramas.

leadverbUS /led/

take somebody somewhere

From this reading And lately Professor Thorndike[256] and others have conjectured that the Shakespeare of _Cymbeline_, _Winter's Tale_, and _The Tempest_ was following the lead of the two younger dramatists in what is attributed to them as a new style of 'dramatic romance' in his dramas.

lovenounUS /lʌv/

a strong positive emotion of regard and affection

From this reading Richard Flecknoe, in his _Discourse of the English Stage_, 1664, thinking rather of the romantic and ornamented quality of Beaumont and Fletcher's plays, "full of fine flowers," than of any anticipation in them of the love and honour of plays of the Restoration, says that they were the first to write "in the Heroick way."

manifestverbUS /ˈmænəfest/

provide evidence for; stand as proof of; show by one's behavior, attitude, or external attributes

From this reading The argument is that _Philaster_ (acted before October 8, 1610) preceded _Cymbeline_ (acted between April 20, 1610 and May 15, 1611), and suggested to Shakespeare a radical change of dramatic method, first manifest in _Cymbeline_.

Maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading The argument is that _Philaster_ (acted before October 8, 1610) preceded _Cymbeline_ (acted between April 20, 1610 and May 15, 1611), and suggested to Shakespeare a radical change of dramatic method, first manifest in _Cymbeline_.

methodnounUS /ˈmeθəd/

a way of doing something, especially a systematic way; implies an orderly logical arrangement (usually in steps)

From this reading The argument is that _Philaster_ (acted before October 8, 1610) preceded _Cymbeline_ (acted between April 20, 1610 and May 15, 1611), and suggested to Shakespeare a radical change of dramatic method, first manifest in _Cymbeline_.

newadjectiveUS /nuː/

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading And lately Professor Thorndike[256] and others have conjectured that the Shakespeare of _Cymbeline_, _Winter's Tale_, and _The Tempest_ was following the lead of the two younger dramatists in what is attributed to them as a new style of 'dramatic romance' in his dramas.

OctobernounUS /ɑːkˈtoʊbər/

the month following September and preceding November

From this reading The argument is that _Philaster_ (acted before October 8, 1610) preceded _Cymbeline_ (acted between April 20, 1610 and May 15, 1611), and suggested to Shakespeare a radical change of dramatic method, first manifest in _Cymbeline_.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Richard Flecknoe, in his _Discourse of the English Stage_, 1664, thinking rather of the romantic and ornamented quality of Beaumont and Fletcher's plays, "full of fine flowers," than of any anticipation in them of the love and honour of plays of the Restoration, says that they were the first to write "in the Heroick way."

ornamentedverbUS /ˈɔːrnəmentɪd/

past form of “ornament” — make more attractive by adding ornament, colour, etc.

From this reading Richard Flecknoe, in his _Discourse of the English Stage_, 1664, thinking rather of the romantic and ornamented quality of Beaumont and Fletcher's plays, "full of fine flowers," than of any anticipation in them of the love and honour of plays of the Restoration, says that they were the first to write "in the Heroick way."

others

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading And lately Professor Thorndike[256] and others have conjectured that the Shakespeare of _Cymbeline_, _Winter's Tale_, and _The Tempest_ was following the lead of the two younger dramatists in what is attributed to them as a new style of 'dramatic romance' in his dramas.

Philaster

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The argument is that _Philaster_ (acted before October 8, 1610) preceded _Cymbeline_ (acted between April 20, 1610 and May 15, 1611), and suggested to Shakespeare a radical change of dramatic method, first manifest in _Cymbeline_.

playsnounUS /pleɪz/

plural of “play” — a dramatic work intended for performance by actors on a stage

From this reading Richard Flecknoe, in his _Discourse of the English Stage_, 1664, thinking rather of the romantic and ornamented quality of Beaumont and Fletcher's plays, "full of fine flowers," than of any anticipation in them of the love and honour of plays of the Restoration, says that they were the first to write "in the Heroick way."

precededverbUS /prɪˈsiːdɪd/

past form of “precede” — be earlier in time; go back further

From this reading The argument is that _Philaster_ (acted before October 8, 1610) preceded _Cymbeline_ (acted between April 20, 1610 and May 15, 1611), and suggested to Shakespeare a radical change of dramatic method, first manifest in _Cymbeline_.

ProfessornounUS /prəˈfesər/

someone who is a member of the faculty at a college or university

From this reading And lately Professor Thorndike[256] and others have conjectured that the Shakespeare of _Cymbeline_, _Winter's Tale_, and _The Tempest_ was following the lead of the two younger dramatists in what is attributed to them as a new style of 'dramatic romance' in his dramas.

qualitynounUS /ˈkwɑːləti/

an essential and distinguishing attribute of something or someone

From this reading Richard Flecknoe, in his _Discourse of the English Stage_, 1664, thinking rather of the romantic and ornamented quality of Beaumont and Fletcher's plays, "full of fine flowers," than of any anticipation in them of the love and honour of plays of the Restoration, says that they were the first to write "in the Heroick way."

radicalnounUS /ˈrædəkəl/

(chemistry) two or more atoms bound together as a single unit and forming part of a molecule

From this reading The argument is that _Philaster_ (acted before October 8, 1610) preceded _Cymbeline_ (acted between April 20, 1610 and May 15, 1611), and suggested to Shakespeare a radical change of dramatic method, first manifest in _Cymbeline_.

ratheradverbUS /ˈræðər/

on the contrary

From this reading Richard Flecknoe, in his _Discourse of the English Stage_, 1664, thinking rather of the romantic and ornamented quality of Beaumont and Fletcher's plays, "full of fine flowers," than of any anticipation in them of the love and honour of plays of the Restoration, says that they were the first to write "in the Heroick way."

RestorationnounUS /ˌrestərˈeɪʃən/

the reign of Charles II in England; 1660-1685

From this reading Richard Flecknoe, in his _Discourse of the English Stage_, 1664, thinking rather of the romantic and ornamented quality of Beaumont and Fletcher's plays, "full of fine flowers," than of any anticipation in them of the love and honour of plays of the Restoration, says that they were the first to write "in the Heroick way."

Richard

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Richard Flecknoe, in his _Discourse of the English Stage_, 1664, thinking rather of the romantic and ornamented quality of Beaumont and Fletcher's plays, "full of fine flowers," than of any anticipation in them of the love and honour of plays of the Restoration, says that they were the first to write "in the Heroick way."

ROMANCEnounUS /roʊˈmæns/

a relationship between two lovers

From this reading DID THE BEAUMONT 'ROMANCE' INFLUENCE SHAKESPEARE?

romanticadjectiveUS /roʊˈmæntɪk/

belonging to or characteristic of Romanticism or the Romantic Movement in the arts

From this reading Richard Flecknoe, in his _Discourse of the English Stage_, 1664, thinking rather of the romantic and ornamented quality of Beaumont and Fletcher's plays, "full of fine flowers," than of any anticipation in them of the love and honour of plays of the Restoration, says that they were the first to write "in the Heroick way."

saysnounUS /sez/

plural of “say” — the chance to speak

From this reading Richard Flecknoe, in his _Discourse of the English Stage_, 1664, thinking rather of the romantic and ornamented quality of Beaumont and Fletcher's plays, "full of fine flowers," than of any anticipation in them of the love and honour of plays of the Restoration, says that they were the first to write "in the Heroick way."

SHAKESPEAREnounUS /ˈʃeɪkspiːr/

English poet and dramatist considered one of the greatest English writers (1564-1616)

From this reading DID THE BEAUMONT 'ROMANCE' INFLUENCE SHAKESPEARE?

StagenounUS /steɪdʒ/

any distinct time period in a sequence of events

From this reading Richard Flecknoe, in his _Discourse of the English Stage_, 1664, thinking rather of the romantic and ornamented quality of Beaumont and Fletcher's plays, "full of fine flowers," than of any anticipation in them of the love and honour of plays of the Restoration, says that they were the first to write "in the Heroick way."

stylenounUS /staɪl/

how something is done or how it happens

From this reading And lately Professor Thorndike[256] and others have conjectured that the Shakespeare of _Cymbeline_, _Winter's Tale_, and _The Tempest_ was following the lead of the two younger dramatists in what is attributed to them as a new style of 'dramatic romance' in his dramas.

suggestedverbUS /səˈdʒestɪd/

past form of “suggest” — make a proposal, declare a plan for something

From this reading The argument is that _Philaster_ (acted before October 8, 1610) preceded _Cymbeline_ (acted between April 20, 1610 and May 15, 1611), and suggested to Shakespeare a radical change of dramatic method, first manifest in _Cymbeline_.

SymondsnounUS /ˈsɪməndz/

English writer (1840-1893)

From this reading Symonds calls them the "inventors of the heroical romance."

TalenounUS /teɪl/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading And lately Professor Thorndike[256] and others have conjectured that the Shakespeare of _Cymbeline_, _Winter's Tale_, and _The Tempest_ was following the lead of the two younger dramatists in what is attributed to them as a new style of 'dramatic romance' in his dramas.

TempestnounUS /ˈtempəst/

a violent commotion or disturbance

From this reading And lately Professor Thorndike[256] and others have conjectured that the Shakespeare of _Cymbeline_, _Winter's Tale_, and _The Tempest_ was following the lead of the two younger dramatists in what is attributed to them as a new style of 'dramatic romance' in his dramas.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading Richard Flecknoe, in his _Discourse of the English Stage_, 1664, thinking rather of the romantic and ornamented quality of Beaumont and Fletcher's plays, "full of fine flowers," than of any anticipation in them of the love and honour of plays of the Restoration, says that they were the first to write "in the Heroick way."

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Richard Flecknoe, in his _Discourse of the English Stage_, 1664, thinking rather of the romantic and ornamented quality of Beaumont and Fletcher's plays, "full of fine flowers," than of any anticipation in them of the love and honour of plays of the Restoration, says that they were the first to write "in the Heroick way."

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading DID THE BEAUMONT 'ROMANCE' INFLUENCE SHAKESPEARE?

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading Richard Flecknoe, in his _Discourse of the English Stage_, 1664, thinking rather of the romantic and ornamented quality of Beaumont and Fletcher's plays, "full of fine flowers," than of any anticipation in them of the love and honour of plays of the Restoration, says that they were the first to write "in the Heroick way."

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading Richard Flecknoe, in his _Discourse of the English Stage_, 1664, thinking rather of the romantic and ornamented quality of Beaumont and Fletcher's plays, "full of fine flowers," than of any anticipation in them of the love and honour of plays of the Restoration, says that they were the first to write "in the Heroick way."

thinkingnounUS /ˈθɪŋkɪŋ/

the process of using your mind to consider something carefully

From this reading Richard Flecknoe, in his _Discourse of the English Stage_, 1664, thinking rather of the romantic and ornamented quality of Beaumont and Fletcher's plays, "full of fine flowers," than of any anticipation in them of the love and honour of plays of the Restoration, says that they were the first to write "in the Heroick way."

ThorndikenounUS /ˈθɔːrndɪk/

English actress (1882-1976)

From this reading And lately Professor Thorndike[256] and others have conjectured that the Shakespeare of _Cymbeline_, _Winter's Tale_, and _The Tempest_ was following the lead of the two younger dramatists in what is attributed to them as a new style of 'dramatic romance' in his dramas.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Richard Flecknoe, in his _Discourse of the English Stage_, 1664, thinking rather of the romantic and ornamented quality of Beaumont and Fletcher's plays, "full of fine flowers," than of any anticipation in them of the love and honour of plays of the Restoration, says that they were the first to write "in the Heroick way."

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading And lately Professor Thorndike[256] and others have conjectured that the Shakespeare of _Cymbeline_, _Winter's Tale_, and _The Tempest_ was following the lead of the two younger dramatists in what is attributed to them as a new style of 'dramatic romance' in his dramas.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading And lately Professor Thorndike[256] and others have conjectured that the Shakespeare of _Cymbeline_, _Winter's Tale_, and _The Tempest_ was following the lead of the two younger dramatists in what is attributed to them as a new style of 'dramatic romance' in his dramas.

waynounUS /weɪ/

how something is done or how it happens

From this reading Richard Flecknoe, in his _Discourse of the English Stage_, 1664, thinking rather of the romantic and ornamented quality of Beaumont and Fletcher's plays, "full of fine flowers," than of any anticipation in them of the love and honour of plays of the Restoration, says that they were the first to write "in the Heroick way."

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading Richard Flecknoe, in his _Discourse of the English Stage_, 1664, thinking rather of the romantic and ornamented quality of Beaumont and Fletcher's plays, "full of fine flowers," than of any anticipation in them of the love and honour of plays of the Restoration, says that they were the first to write "in the Heroick way."

whatpronounUS /wʌt/

used to ask for information about something

From this reading And lately Professor Thorndike[256] and others have conjectured that the Shakespeare of _Cymbeline_, _Winter's Tale_, and _The Tempest_ was following the lead of the two younger dramatists in what is attributed to them as a new style of 'dramatic romance' in his dramas.

Winter'snounUS /ˈwɪntərz/

possessive form of “winter” — the coldest season of the year; in the northern hemisphere it extends from the winter solstice to the vernal equinox

From this reading And lately Professor Thorndike[256] and others have conjectured that the Shakespeare of _Cymbeline_, _Winter's Tale_, and _The Tempest_ was following the lead of the two younger dramatists in what is attributed to them as a new style of 'dramatic romance' in his dramas.

writeverbUS /raɪt/

produce a literary work

From this reading Richard Flecknoe, in his _Discourse of the English Stage_, 1664, thinking rather of the romantic and ornamented quality of Beaumont and Fletcher's plays, "full of fine flowers," than of any anticipation in them of the love and honour of plays of the Restoration, says that they were the first to write "in the Heroick way."

youngeradjectiveUS /ˈjʌŋɡər/

used of the younger of two persons of the same name especially used to distinguish a son from his father

From this reading And lately Professor Thorndike[256] and others have conjectured that the Shakespeare of _Cymbeline_, _Winter's Tale_, and _The Tempest_ was following the lead of the two younger dramatists in what is attributed to them as a new style of 'dramatic romance' in his dramas.

Chapter 29 of Francis Beaumont by Charles Mills Gayley holds 79 sentences, grouped into 16 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 29 of Francis Beaumont contain?

Chapter 29 holds 79 sentences of Francis Beaumont, unabridged, divided into 16 reading sections.

This page carries chapter 29 of Francis Beaumont by Charles Mills Gayley exactly as it stands in the source edition, without abridgement. It runs to 79 sentences, grouped into 16 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 29 of Francis Beaumont?

Work through the 16 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 16 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

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Yes — every sentence and every individual word in chapter 29 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Francis Beaumont

Common questions about reading Francis Beaumont by Charles Mills Gayley on this page, its source edition and its audio.

Is this the complete text of Francis Beaumont?

Yes. All 3628 sentences of Project Gutenberg eBook #34214 are kept, with a record of which sentences cover which part.

Which edition of Francis Beaumont is used?

Project Gutenberg eBook #34214, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Francis Beaumont take to read?

About 302 minutes of reading across 726 sections of 5 sentences each, at an unhurried pace.

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Vocabulary met early in Francis Beaumont

Words and structures a reader meets early in Francis Beaumont, each tappable for pronunciation and meaning.

Italics
A word that appears in the opening chapter of Francis Beaumont; the reader can tap it to hear it and see its dictionary entry.
Surrounded
A word that appears in the opening chapter of Francis Beaumont; the reader can tap it to hear it and see its dictionary entry.
Underscores
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Large
A word that appears in the opening chapter of Francis Beaumont; the reader can tap it to hear it and see its dictionary entry.