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Free, and other stories
Free, and other stories

Chapter XV

Chapter 15 of Free, and other stories is here in full — 409 sentences across 82 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/81 · 5 lines
English subtitles · tap any word to listen 1 / 5
It was true she knew nothing of art, nothing of music--the great, new music--nothing of books in the eclectic sense, but she had real, sweet, deep, sad, stirring emotion, the most appealing thing he knew.
It might not be as great as that exhibited by some of the masters of the stage, or the great composers--he was not quite sure, so critical is life--but nevertheless it was effective, dramatic, powerful.
Where did she get it?
No really common soul could have it.
Here must be something of the loneliness of the prairies, the sad patience of the rocks and fields, the lonesomeness of the hush of the countryside at night, the aimless, monotonous, pathetic chirping of the crickets.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
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A keeper or guardian of historical records and memories.

Free, and other stories

Chapter XV

Chapter 15 of Free, and other stories is here in full — 409 sentences across 82 reading sections, with audio for every sentence and word.

Reading 1/81 · 5 reading units · Lines 1–5

Line 1
It was true she knew nothing of art, nothing of music--the great, new music--nothing of books in the eclectic sense, but she had real, sweet, deep, sad, stirring emotion, the most appealing thing he knew.
Line 2
It might not be as great as that exhibited by some of the masters of the stage, or the great composers--he was not quite sure, so critical is life--but nevertheless it was effective, dramatic, powerful.
Line 3
Where did she get it?
/wer dɪd ʃiː ɡet ɪt/
Line 4
No really common soul could have it.
/noʊ ˈrɪli ˈkɑːmən soʊl kʊd hæv ɪt/
Line 5
Here must be something of the loneliness of the prairies, the sad patience of the rocks and fields, the lonesomeness of the hush of the countryside at night, the aimless, monotonous, pathetic chirping of the crickets.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

aimless adjective US /ˈeɪmləs/

aimlessly drifting

From this reading “Here must be something of the loneliness of the prairies, the sad patience of the rocks and fields, the lonesomeness of the hush of the countryside at night, the aimless, monotonous, pathetic chirping of the crickets.”

appealing adjective US /əˈpiːlɪŋ/

able to attract interest or draw favorable attention

From this reading “It was true she knew nothing of art, nothing of music--the great, new music--nothing of books in the eclectic sense, but she had real, sweet, deep, sad, stirring emotion, the most appealing thing he knew.”

chirping verb US /ˈtʃɜːrpɪŋ/

-ing form of “chirp” — make high-pitched sounds

From this reading “Here must be something of the loneliness of the prairies, the sad patience of the rocks and fields, the lonesomeness of the hush of the countryside at night, the aimless, monotonous, pathetic chirping of the crickets.”

composers noun US /kəmˈpoʊzərz/

plural of “composer” — someone who composes music as a profession

From this reading “It might not be as great as that exhibited by some of the masters of the stage, or the great composers--he was not quite sure, so critical is life--but nevertheless it was effective, dramatic, powerful.”

countryside noun US /ˈkʌntrisaɪd/

rural regions

From this reading “Here must be something of the loneliness of the prairies, the sad patience of the rocks and fields, the lonesomeness of the hush of the countryside at night, the aimless, monotonous, pathetic chirping of the crickets.”

crickets noun US /ˈkrɪkəts/

plural of “cricket” — leaping insect; male makes chirping noises by rubbing the forewings together

From this reading “Here must be something of the loneliness of the prairies, the sad patience of the rocks and fields, the lonesomeness of the hush of the countryside at night, the aimless, monotonous, pathetic chirping of the crickets.”

eclectic adjective US /ɪˈklektɪk/

selecting what seems best of various styles or ideas

From this reading “It was true she knew nothing of art, nothing of music--the great, new music--nothing of books in the eclectic sense, but she had real, sweet, deep, sad, stirring emotion, the most appealing thing he knew.”

prairies noun US /ˈpreɪriz/

plural of “prairie” — a treeless grassy plain

From this reading “Here must be something of the loneliness of the prairies, the sad patience of the rocks and fields, the lonesomeness of the hush of the countryside at night, the aimless, monotonous, pathetic chirping of the crickets.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

quite sure adverb + adjective

In this reading “It might not be as great as that exhibited by some of the masters of the stage, or the great composers--he was not quite sure, so critical is life--but nevertheless it was effective, dramatic, powerful.”

at night preposition + noun

In this reading “Here must be something of the loneliness of the prairies, the sad patience of the rocks and fields, the lonesomeness of the hush of the countryside at night, the aimless, monotonous, pathetic chirping of the crickets.”

All words in this reading · 78

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

aimlessadjectiveUS /ˈeɪmləs/

aimlessly drifting

From this reading Here must be something of the loneliness of the prairies, the sad patience of the rocks and fields, the lonesomeness of the hush of the countryside at night, the aimless, monotonous, pathetic chirping of the crickets.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Here must be something of the loneliness of the prairies, the sad patience of the rocks and fields, the lonesomeness of the hush of the countryside at night, the aimless, monotonous, pathetic chirping of the crickets.

appealingadjectiveUS /əˈpiːlɪŋ/

able to attract interest or draw favorable attention

From this reading It was true she knew nothing of art, nothing of music--the great, new music--nothing of books in the eclectic sense, but she had real, sweet, deep, sad, stirring emotion, the most appealing thing he knew.

artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading It was true she knew nothing of art, nothing of music--the great, new music--nothing of books in the eclectic sense, but she had real, sweet, deep, sad, stirring emotion, the most appealing thing he knew.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading It might not be as great as that exhibited by some of the masters of the stage, or the great composers--he was not quite sure, so critical is life--but nevertheless it was effective, dramatic, powerful.

atprepositionUS /æt/

in or near a particular place or position

From this reading Here must be something of the loneliness of the prairies, the sad patience of the rocks and fields, the lonesomeness of the hush of the countryside at night, the aimless, monotonous, pathetic chirping of the crickets.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading It might not be as great as that exhibited by some of the masters of the stage, or the great composers--he was not quite sure, so critical is life--but nevertheless it was effective, dramatic, powerful.

booksnounUS /bʊks/

Bound written or printed works.

From this reading It was true she knew nothing of art, nothing of music--the great, new music--nothing of books in the eclectic sense, but she had real, sweet, deep, sad, stirring emotion, the most appealing thing he knew.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading It was true she knew nothing of art, nothing of music--the great, new music--nothing of books in the eclectic sense, but she had real, sweet, deep, sad, stirring emotion, the most appealing thing he knew.

byprepositionUS /baɪ/

showing who or what does the action

From this reading It might not be as great as that exhibited by some of the masters of the stage, or the great composers--he was not quite sure, so critical is life--but nevertheless it was effective, dramatic, powerful.

chirpingverbUS /ˈtʃɜːrpɪŋ/

-ing form of “chirp” — make high-pitched sounds

From this reading Here must be something of the loneliness of the prairies, the sad patience of the rocks and fields, the lonesomeness of the hush of the countryside at night, the aimless, monotonous, pathetic chirping of the crickets.

commonadjectiveUS /ˈkɑːmən/

belonging to or participated in by a community as a whole; public

From this reading No really common soul could have it.

composersnounUS /kəmˈpoʊzərz/

plural of “composer” — someone who composes music as a profession

From this reading It might not be as great as that exhibited by some of the masters of the stage, or the great composers--he was not quite sure, so critical is life--but nevertheless it was effective, dramatic, powerful.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading No really common soul could have it.

countrysidenounUS /ˈkʌntrisaɪd/

rural regions

From this reading Here must be something of the loneliness of the prairies, the sad patience of the rocks and fields, the lonesomeness of the hush of the countryside at night, the aimless, monotonous, pathetic chirping of the crickets.

cricketsnounUS /ˈkrɪkəts/

plural of “cricket” — leaping insect; male makes chirping noises by rubbing the forewings together

From this reading Here must be something of the loneliness of the prairies, the sad patience of the rocks and fields, the lonesomeness of the hush of the countryside at night, the aimless, monotonous, pathetic chirping of the crickets.

criticaladjectiveUS /ˈkrɪtɪkəl/

marked by a tendency to find and call attention to errors and flaws

From this reading It might not be as great as that exhibited by some of the masters of the stage, or the great composers--he was not quite sure, so critical is life--but nevertheless it was effective, dramatic, powerful.

deepadjectiveUS /diːp/

relatively deep or strong; affecting one deeply

From this reading It was true she knew nothing of art, nothing of music--the great, new music--nothing of books in the eclectic sense, but she had real, sweet, deep, sad, stirring emotion, the most appealing thing he knew.

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading Where did she get it?

dramaticadjectiveUS /drəˈmætɪk/

suitable to or characteristic of drama

From this reading It might not be as great as that exhibited by some of the masters of the stage, or the great composers--he was not quite sure, so critical is life--but nevertheless it was effective, dramatic, powerful.

eclecticadjectiveUS /ɪˈklektɪk/

selecting what seems best of various styles or ideas

From this reading It was true she knew nothing of art, nothing of music--the great, new music--nothing of books in the eclectic sense, but she had real, sweet, deep, sad, stirring emotion, the most appealing thing he knew.

effectiveadjectiveUS /ɪˈfektɪv/

producing or capable of producing an intended result or having a striking effect

From this reading It might not be as great as that exhibited by some of the masters of the stage, or the great composers--he was not quite sure, so critical is life--but nevertheless it was effective, dramatic, powerful.

emotionnounUS /ɪˈmoʊʃən/

any strong feeling

From this reading It was true she knew nothing of art, nothing of music--the great, new music--nothing of books in the eclectic sense, but she had real, sweet, deep, sad, stirring emotion, the most appealing thing he knew.

exhibitedverbUS /ɪɡˈzɪbətəd/

past form of “exhibit” — show an attribute, property, knowledge, or skill

From this reading It might not be as great as that exhibited by some of the masters of the stage, or the great composers--he was not quite sure, so critical is life--but nevertheless it was effective, dramatic, powerful.

fieldsnounUS /fiːldz/

United States comedian and film actor (1880-1946)

From this reading Here must be something of the loneliness of the prairies, the sad patience of the rocks and fields, the lonesomeness of the hush of the countryside at night, the aimless, monotonous, pathetic chirping of the crickets.

getverbUS /ɡet/

come into the possession of something concrete or abstract

From this reading Where did she get it?

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading It was true she knew nothing of art, nothing of music--the great, new music--nothing of books in the eclectic sense, but she had real, sweet, deep, sad, stirring emotion, the most appealing thing he knew.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading It was true she knew nothing of art, nothing of music--the great, new music--nothing of books in the eclectic sense, but she had real, sweet, deep, sad, stirring emotion, the most appealing thing he knew.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading No really common soul could have it.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading It was true she knew nothing of art, nothing of music--the great, new music--nothing of books in the eclectic sense, but she had real, sweet, deep, sad, stirring emotion, the most appealing thing he knew.

HereadverbUS /hiːr/

in or at this place; where the speaker or writer is

From this reading Here must be something of the loneliness of the prairies, the sad patience of the rocks and fields, the lonesomeness of the hush of the countryside at night, the aimless, monotonous, pathetic chirping of the crickets.

hushverbUS /hʌʃ/

become quiet or still; fall silent

From this reading Here must be something of the loneliness of the prairies, the sad patience of the rocks and fields, the lonesomeness of the hush of the countryside at night, the aimless, monotonous, pathetic chirping of the crickets.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading It was true she knew nothing of art, nothing of music--the great, new music--nothing of books in the eclectic sense, but she had real, sweet, deep, sad, stirring emotion, the most appealing thing he knew.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading It might not be as great as that exhibited by some of the masters of the stage, or the great composers--he was not quite sure, so critical is life--but nevertheless it was effective, dramatic, powerful.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It was true she knew nothing of art, nothing of music--the great, new music--nothing of books in the eclectic sense, but she had real, sweet, deep, sad, stirring emotion, the most appealing thing he knew.

knewverbUS /nuː/

inflected form of “know” — be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about

From this reading It was true she knew nothing of art, nothing of music--the great, new music--nothing of books in the eclectic sense, but she had real, sweet, deep, sad, stirring emotion, the most appealing thing he knew.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading It might not be as great as that exhibited by some of the masters of the stage, or the great composers--he was not quite sure, so critical is life--but nevertheless it was effective, dramatic, powerful.

lonelinessnounUS /ˈloʊnlinəs/

the state of being alone in solitary isolation

From this reading Here must be something of the loneliness of the prairies, the sad patience of the rocks and fields, the lonesomeness of the hush of the countryside at night, the aimless, monotonous, pathetic chirping of the crickets.

lonesomenessnoun

a disposition toward being alone

From this reading Here must be something of the loneliness of the prairies, the sad patience of the rocks and fields, the lonesomeness of the hush of the countryside at night, the aimless, monotonous, pathetic chirping of the crickets.

mastersnounUS /ˈmæstərz/

United States poet (1869-1950)

From this reading It might not be as great as that exhibited by some of the masters of the stage, or the great composers--he was not quite sure, so critical is life--but nevertheless it was effective, dramatic, powerful.

mightmodal verbUS /maɪt/

used to say something is possible but not certain

From this reading It might not be as great as that exhibited by some of the masters of the stage, or the great composers--he was not quite sure, so critical is life--but nevertheless it was effective, dramatic, powerful.

monotonousadjectiveUS /məˈnɑːtənəs/

tediously repetitious or lacking in variety

From this reading Here must be something of the loneliness of the prairies, the sad patience of the rocks and fields, the lonesomeness of the hush of the countryside at night, the aimless, monotonous, pathetic chirping of the crickets.

mostadverbUS /moʊst/

used to form the superlative

From this reading It was true she knew nothing of art, nothing of music--the great, new music--nothing of books in the eclectic sense, but she had real, sweet, deep, sad, stirring emotion, the most appealing thing he knew.

musicnounUS /ˈmjuːzɪk/

an artistic form of auditory communication incorporating instrumental or vocal tones in a structured and continuous manner

From this reading It was true she knew nothing of art, nothing of music--the great, new music--nothing of books in the eclectic sense, but she had real, sweet, deep, sad, stirring emotion, the most appealing thing he knew.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading Here must be something of the loneliness of the prairies, the sad patience of the rocks and fields, the lonesomeness of the hush of the countryside at night, the aimless, monotonous, pathetic chirping of the crickets.

neverthelessadverbUS /ˌnevərðəˈles/

in spite of what has just been said

From this reading It might not be as great as that exhibited by some of the masters of the stage, or the great composers--he was not quite sure, so critical is life--but nevertheless it was effective, dramatic, powerful.

newadjectiveUS /nuː/

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading It was true she knew nothing of art, nothing of music--the great, new music--nothing of books in the eclectic sense, but she had real, sweet, deep, sad, stirring emotion, the most appealing thing he knew.

nightnounUS /naɪt/

the time after sunset and before sunrise while it is dark outside

From this reading Here must be something of the loneliness of the prairies, the sad patience of the rocks and fields, the lonesomeness of the hush of the countryside at night, the aimless, monotonous, pathetic chirping of the crickets.

NodeterminerUS /noʊ/

not any; not one

From this reading No really common soul could have it.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading It might not be as great as that exhibited by some of the masters of the stage, or the great composers--he was not quite sure, so critical is life--but nevertheless it was effective, dramatic, powerful.

nothingpronounUS /ˈnʌθɪŋ/

not one thing; not anything

From this reading It was true she knew nothing of art, nothing of music--the great, new music--nothing of books in the eclectic sense, but she had real, sweet, deep, sad, stirring emotion, the most appealing thing he knew.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading It was true she knew nothing of art, nothing of music--the great, new music--nothing of books in the eclectic sense, but she had real, sweet, deep, sad, stirring emotion, the most appealing thing he knew.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading It might not be as great as that exhibited by some of the masters of the stage, or the great composers--he was not quite sure, so critical is life--but nevertheless it was effective, dramatic, powerful.

patheticadjectiveUS /pəˈθetɪk/

deserving or inciting pity

From this reading Here must be something of the loneliness of the prairies, the sad patience of the rocks and fields, the lonesomeness of the hush of the countryside at night, the aimless, monotonous, pathetic chirping of the crickets.

patiencenounUS /ˈpeɪʃəns/

good-natured tolerance of delay or incompetence

From this reading Here must be something of the loneliness of the prairies, the sad patience of the rocks and fields, the lonesomeness of the hush of the countryside at night, the aimless, monotonous, pathetic chirping of the crickets.

powerfuladjectiveUS /ˈpaʊərfəl/

having great power or force or potency or effect

From this reading It might not be as great as that exhibited by some of the masters of the stage, or the great composers--he was not quite sure, so critical is life--but nevertheless it was effective, dramatic, powerful.

prairiesnounUS /ˈpreɪriz/

plural of “prairie” — a treeless grassy plain

From this reading Here must be something of the loneliness of the prairies, the sad patience of the rocks and fields, the lonesomeness of the hush of the countryside at night, the aimless, monotonous, pathetic chirping of the crickets.

quiteadverbUS /kwaɪt/

to a degree (not used with a negative)

From this reading It might not be as great as that exhibited by some of the masters of the stage, or the great composers--he was not quite sure, so critical is life--but nevertheless it was effective, dramatic, powerful.

realadjectiveUS /riːl/

being or occurring in fact or actuality; having verified existence; not illusory

From this reading It was true she knew nothing of art, nothing of music--the great, new music--nothing of books in the eclectic sense, but she had real, sweet, deep, sad, stirring emotion, the most appealing thing he knew.

reallyadverbUS /ˈrɪli/

in accordance with truth or fact or reality

From this reading No really common soul could have it.

rocksnounUS /rɑːks/

plural of “rock” — a lump or mass of hard consolidated mineral matter

From this reading Here must be something of the loneliness of the prairies, the sad patience of the rocks and fields, the lonesomeness of the hush of the countryside at night, the aimless, monotonous, pathetic chirping of the crickets.

sadadjectiveUS /sæd/

experiencing or showing sorrow or unhappiness

From this reading It was true she knew nothing of art, nothing of music--the great, new music--nothing of books in the eclectic sense, but she had real, sweet, deep, sad, stirring emotion, the most appealing thing he knew.

sensenounUS /sens/

a general conscious awareness

From this reading It was true she knew nothing of art, nothing of music--the great, new music--nothing of books in the eclectic sense, but she had real, sweet, deep, sad, stirring emotion, the most appealing thing he knew.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading It was true she knew nothing of art, nothing of music--the great, new music--nothing of books in the eclectic sense, but she had real, sweet, deep, sad, stirring emotion, the most appealing thing he knew.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading It might not be as great as that exhibited by some of the masters of the stage, or the great composers--he was not quite sure, so critical is life--but nevertheless it was effective, dramatic, powerful.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading It might not be as great as that exhibited by some of the masters of the stage, or the great composers--he was not quite sure, so critical is life--but nevertheless it was effective, dramatic, powerful.

somethingpronounUS /ˈsʌmθɪŋ/

a thing, without saying which

From this reading Here must be something of the loneliness of the prairies, the sad patience of the rocks and fields, the lonesomeness of the hush of the countryside at night, the aimless, monotonous, pathetic chirping of the crickets.

soulnounUS /soʊl/

the immaterial part of a person; the actuating cause of an individual life

From this reading No really common soul could have it.

stagenounUS /steɪdʒ/

any distinct time period in a sequence of events

From this reading It might not be as great as that exhibited by some of the masters of the stage, or the great composers--he was not quite sure, so critical is life--but nevertheless it was effective, dramatic, powerful.

stirringnounUS /ˈstɜːrɪŋ/

agitating a liquid with an implement

From this reading It was true she knew nothing of art, nothing of music--the great, new music--nothing of books in the eclectic sense, but she had real, sweet, deep, sad, stirring emotion, the most appealing thing he knew.

sureadjectiveUS /ʃʊr/

having or feeling no doubt or uncertainty; confident and assured

From this reading It might not be as great as that exhibited by some of the masters of the stage, or the great composers--he was not quite sure, so critical is life--but nevertheless it was effective, dramatic, powerful.

sweetadjectiveUS /swiːt/

having or denoting the characteristic taste of sugar

From this reading It was true she knew nothing of art, nothing of music--the great, new music--nothing of books in the eclectic sense, but she had real, sweet, deep, sad, stirring emotion, the most appealing thing he knew.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading It might not be as great as that exhibited by some of the masters of the stage, or the great composers--he was not quite sure, so critical is life--but nevertheless it was effective, dramatic, powerful.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading It was true she knew nothing of art, nothing of music--the great, new music--nothing of books in the eclectic sense, but she had real, sweet, deep, sad, stirring emotion, the most appealing thing he knew.

thingnounUS /θɪŋ/

a special situation

From this reading It was true she knew nothing of art, nothing of music--the great, new music--nothing of books in the eclectic sense, but she had real, sweet, deep, sad, stirring emotion, the most appealing thing he knew.

trueadjectiveUS /truː/

consistent with fact or reality; not false

From this reading It was true she knew nothing of art, nothing of music--the great, new music--nothing of books in the eclectic sense, but she had real, sweet, deep, sad, stirring emotion, the most appealing thing he knew.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading It was true she knew nothing of art, nothing of music--the great, new music--nothing of books in the eclectic sense, but she had real, sweet, deep, sad, stirring emotion, the most appealing thing he knew.

WhereconjunctionUS /wer/

in or at the place that

From this reading Where did she get it?

Chapter 15 of Free, and other stories by Theodore Dreiser holds 409 sentences, grouped into 82 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 15 of Free, and other stories contain?

Chapter 15 holds 409 sentences of Free, and other stories, unabridged, divided into 82 reading sections.

This page carries chapter 15 of Free, and other stories by Theodore Dreiser exactly as it stands in the source edition, without abridgement. It runs to 409 sentences, grouped into 82 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 15 of Free, and other stories?

Work through the 82 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 82 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 15 be read aloud to me?

Yes — every sentence and every individual word in chapter 15 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Free, and other stories

Common questions about reading Free, and other stories by Theodore Dreiser on this page, its source edition and its audio.

Is this the complete text of Free, and other stories?

Yes. All 6241 sentences of Project Gutenberg eBook #68542 are kept, with a record of which sentences cover which part.

Which edition of Free, and other stories is used?

Project Gutenberg eBook #68542, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Free, and other stories take to read?

About 520 minutes of reading across 1249 sections of 5 sentences each, at an unhurried pace.

How to read Free, and other stories section by section

How to work through Free, and other stories section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 15 chapters of Free, and other stories to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Free, and other stories

Words and structures a reader meets early in Free, and other stories, each tappable for pronunciation and meaning.

Author
A word that appears in the opening chapter of Free, and other stories; the reader can tap it to hear it and see its dictionary entry.
Sister
A word that appears in the opening chapter of Free, and other stories; the reader can tap it to hear it and see its dictionary entry.
Carrie
A word that appears in the opening chapter of Free, and other stories; the reader can tap it to hear it and see its dictionary entry.
Potter
A word that appears in the opening chapter of Free, and other stories; the reader can tap it to hear it and see its dictionary entry.