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From the Easy Chair, Volume 3
From the Easy Chair, Volume 3

Chapter I

Chapter 1 of From the Easy Chair, Volume 3 is here in full — 443 sentences across 89 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/88 · 5 lines
English subtitles · tap any word to listen 1 / 5
In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."
This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality."
Probably a genuine Brook-Farmer doubts whether Hawthorne remembered the place and his life there very affectionately, in the usual sense of that word, and although in sending the book to one of them, at least, he said that it was not to be considered a picture of actual life or character.
"Do not read it as if it had anything to do with Brook Farm [which essentially it has not], but merely for its own story and characters," yet it is plain that it is a very faithful picture of the kind of impression that the enterprise made upon him.
Strangely enough, Hawthorne is likely to be the chief future authority upon "the romantic episode" of Brook Farm.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

From the Easy Chair, Volume 3

Chapter I

Chapter 1 of From the Easy Chair, Volume 3 is here in full — 443 sentences across 89 reading sections, with audio for every sentence and word.

Reading 1/88 · 5 reading units · Lines 1–5

Line 1
In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."
Line 2
This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality."
Line 3
Probably a genuine Brook-Farmer doubts whether Hawthorne remembered the place and his life there very affectionately, in the usual sense of that word, and although in sending the book to one of them, at least, he said that it was not to be considered a picture of actual life or character.
Line 4
"Do not read it as if it had anything to do with Brook Farm [which essentially it has not], but merely for its own story and characters," yet it is plain that it is a very faithful picture of the kind of impression that the enterprise made upon him.
/duː nɑːt red ɪt æz ɪf ɪt hæd ˈeniθɪŋ tuː duː wɪð brʊk fɑːrm wɪtʃ eˈsenʃəli ɪt hæz nɑːt bʌt ˈmɪrli fɔːr ɪts oʊn ˈstɔːri ənd ˈkærəktərz jet ɪt ɪz pleɪn ðæt ɪt ɪz ə ˈveri ˈfeɪθfəl ˈpɪktʃər ʌv ðə kaɪnd ʌv ˌɪmˈpreʃən ðæt ðə ˈentərpraɪz meɪd əˈpɑːn hɪm/
Line 5
Strangely enough, Hawthorne is likely to be the chief future authority upon "the romantic episode" of Brook Farm.
/ˈstreɪndʒli ɪˈnʌf ˈhɔːθɔːrn ɪz ˈlaɪkli tuː biː ðə tʃiːf ˈfjuːtʃər əˈθɔːrəti əˈpɑːn ðə roʊˈmæntɪk ˈepəsoʊd ʌv brʊk fɑːrm/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

adds noun US /ædz/

plural of “add” — a condition (mostly in boys) characterized by behavioral and learning disorders

From this reading “This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality."”

enchantment noun US /enˈtʃæntmənt/

a feeling of great liking for something wonderful and unusual

From this reading “In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."”

essentially adverb US /eˈsenʃəli/

in essence; at bottom or by one's (or its) very nature

From this reading “This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality."”

foothold noun US /ˈfʊthoʊld/

an area in hostile territory that has been captured and is held awaiting further troops and supplies

From this reading “This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality."”

Hawthorne noun US /ˈhɔːθɔːrn/

United States writer of novels and short stories mostly on moral themes (1804-1864)

From this reading “In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."”

obviate verb US /ˈɑːbvieɪt/

do away with

From this reading “This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality."”

preface noun US /ˈprefəs/

a short introductory essay preceding the text of a book

From this reading “In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."”

remoteness noun US /riˈmoʊtnəs/

the property of being remote

From this reading “In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

most romantic adverb + adjective

In this reading “This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality."”

actual life adjective + noun

In this reading “Probably a genuine Brook-Farmer doubts whether Hawthorne remembered the place and his life there very affectionately, in the usual sense of that word, and although in sending the book to one of them, at least, he said that it was not to be considered a picture of actual life or character.”

own life verb + noun

In this reading “This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality."”

own story verb + noun

In this reading “"Do not read it as if it had anything to do with Brook Farm [which essentially it has not], but merely for its own story and characters," yet it is plain that it is a very faithful picture of the kind of impression that the enterprise made upon him.”

All words in this reading · 138

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

actualadjectiveUS /ˈæktʃəwəl/

presently existing in fact and not merely potential or possible

From this reading Probably a genuine Brook-Farmer doubts whether Hawthorne remembered the place and his life there very affectionately, in the usual sense of that word, and although in sending the book to one of them, at least, he said that it was not to be considered a picture of actual life or character.

addsnounUS /ædz/

plural of “add” — a condition (mostly in boys) characterized by behavioral and learning disorders

From this reading This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality."

affectionatelyadverbUS /əˈfekʃənətli/

with affection

From this reading This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality."

althoughconjunctionUS /ˌɔːlˈðoʊ/

in spite of the fact that

From this reading Probably a genuine Brook-Farmer doubts whether Hawthorne remembered the place and his life there very affectionately, in the usual sense of that word, and although in sending the book to one of them, at least, he said that it was not to be considered a picture of actual life or character.

AmericannounUS /əˈmerəkən/

a native or inhabitant of the United States

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality."

anythingpronounUS /ˈeniθɪŋ/

any thing at all

From this reading "Do not read it as if it had anything to do with Brook Farm [which essentially it has not], but merely for its own story and characters," yet it is plain that it is a very faithful picture of the kind of impression that the enterprise made upon him.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

atprepositionUS /æt/

in or near a particular place or position

From this reading This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality."

atmospherenounUS /ˈætməsfɪr/

a particular environment or surrounding influence

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

authornounUS /ˈɔːθər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality."

authoritynounUS /əˈθɔːrəti/

the power or right to give orders or make decisions

From this reading Strangely enough, Hawthorne is likely to be the chief future authority upon "the romantic episode" of Brook Farm.

availableadjectiveUS /əˈveɪləbəl/

obtainable or accessible and ready for use or service

From this reading This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality."

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Probably a genuine Brook-Farmer doubts whether Hawthorne remembered the place and his life there very affectionately, in the usual sense of that word, and although in sending the book to one of them, at least, he said that it was not to be considered a picture of actual life or character.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

beheldverbUS /biˈheld/

inflected form of “behold” — see with attention

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

beingauxiliary verbUS /ˈbiːɪŋ/

the -ing form of “be”

From this reading This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality."

betweenprepositionUS /bɪˈtwiːn/

in the space, time, or range separating two things

From this reading This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality."

Blithedale

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

booknounUS /bʊk/

a written work or composition that has been published (printed on pages bound together)

From this reading Probably a genuine Brook-Farmer doubts whether Hawthorne remembered the place and his life there very affectionately, in the usual sense of that word, and although in sending the book to one of them, at least, he said that it was not to be considered a picture of actual life or character.

BrooknounUS /brʊk/

a natural stream of water smaller than a river (and often a tributary of a river)

From this reading This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality."

Brook-Farmer

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Probably a genuine Brook-Farmer doubts whether Hawthorne remembered the place and his life there very affectionately, in the usual sense of that word, and although in sending the book to one of them, at least, he said that it was not to be considered a picture of actual life or character.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

cannot

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

certainlyadverbUS /ˈsɜːrtənli/

definitely or positively (“sure” is sometimes used informally for “surely”)

From this reading This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality."

characternounUS /ˈkerɪktər/

an imaginary person represented in a work of fiction (play or film or story)

From this reading Probably a genuine Brook-Farmer doubts whether Hawthorne remembered the place and his life there very affectionately, in the usual sense of that word, and although in sending the book to one of them, at least, he said that it was not to be considered a picture of actual life or character.

charactersnounUS /ˈkærəktərz/

plural of “character” — an imaginary person represented in a work of fiction (play or film or story)

From this reading "Do not read it as if it had anything to do with Brook Farm [which essentially it has not], but merely for its own story and characters," yet it is plain that it is a very faithful picture of the kind of impression that the enterprise made upon him.

chiefnounUS /tʃiːf/

a person who is in charge

From this reading Strangely enough, Hawthorne is likely to be the chief future authority upon "the romantic episode" of Brook Farm.

complainedverbUS /kəmˈpleɪnd/

past form of “complain” — express complaints, discontent, displeasure, or unhappiness

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

consideredadjectiveUS /kənˈsɪdərd/

carefully weighed

From this reading Probably a genuine Brook-Farmer doubts whether Hawthorne remembered the place and his life there very affectionately, in the usual sense of that word, and although in sending the book to one of them, at least, he said that it was not to be considered a picture of actual life or character.

day-dream

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality."

differencenounUS /ˈdɪfərəns/

the quality of being unlike or dissimilar

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

difficultynounUS /ˈdɪfəkəlti/

an effort that is inconvenient

From this reading This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality."

Doauxiliary verbUS /duː/

used to form questions and negatives, and to give emphasis

From this reading "Do not read it as if it had anything to do with Brook Farm [which essentially it has not], but merely for its own story and characters," yet it is plain that it is a very faithful picture of the kind of impression that the enterprise made upon him.

doubtsnounUS /daʊts/

plural of “doubt” — the state of being unsure of something

From this reading Probably a genuine Brook-Farmer doubts whether Hawthorne remembered the place and his life there very affectionately, in the usual sense of that word, and although in sending the book to one of them, at least, he said that it was not to be considered a picture of actual life or character.

elementnounUS /ˈeləmənt/

an abstract part of something

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

enchantmentnounUS /enˈtʃæntmənt/

a feeling of great liking for something wonderful and unusual

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

enoughnounUS /ɪˈnʌf/

an adequate quantity; a quantity that is large enough to achieve a purpose

From this reading Strangely enough, Hawthorne is likely to be the chief future authority upon "the romantic episode" of Brook Farm.

enterprisenounUS /ˈentərpraɪz/

a purposeful or industrious undertaking (especially one that requires effort or boldness)

From this reading "Do not read it as if it had anything to do with Brook Farm [which essentially it has not], but merely for its own story and characters," yet it is plain that it is a very faithful picture of the kind of impression that the enterprise made upon him.

episodenounUS /ˈepəsoʊd/

a happening that is distinctive in a series of related events

From this reading This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality."

essentiallyadverbUS /eˈsenʃəli/

in essence; at bottom or by one's (or its) very nature

From this reading This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality."

expressedadjectiveUS /ɪkˈsprest/

communicated in words

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

factnounUS /fækt/

a piece of information about circumstances that exist or events that have occurred

From this reading This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality."

Faery-land

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

faithfuladjectiveUS /ˈfeɪθfəl/

steadfast in affection or allegiance

From this reading "Do not read it as if it had anything to do with Brook Farm [which essentially it has not], but merely for its own story and characters," yet it is plain that it is a very faithful picture of the kind of impression that the enterprise made upon him.

FarmverbUS /fɑːrm/

be a farmer; work as a farmer

From this reading This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality."

Faunnoun

ancient Italian deity in human shape, with horns, pointed ears and a goat's tail; equivalent to Greek satyr

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

fictionnounUS /ˈfɪkʃən/

a literary work based on the imagination and not necessarily on fact

From this reading This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality."

figuresnounUS /ˈfɪɡjərz/

plural of “figure” — a diagram or picture illustrating textual material

From this reading This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality."

footholdnounUS /ˈfʊthoʊld/

an area in hostile territory that has been captured and is held awaiting further troops and supplies

From this reading This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality."

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality."

freeverbUS /friː/

grant freedom to; free from confinement

From this reading This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality."

futureadjectiveUS /ˈfjuːtʃər/

yet to be or coming

From this reading Strangely enough, Hawthorne is likely to be the chief future authority upon "the romantic episode" of Brook Farm.

genuineadjectiveUS /ˈdʒenjəwən/

not fake or counterfeit

From this reading Probably a genuine Brook-Farmer doubts whether Hawthorne remembered the place and his life there very affectionately, in the usual sense of that word, and although in sending the book to one of them, at least, he said that it was not to be considered a picture of actual life or character.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading "Do not read it as if it had anything to do with Brook Farm [which essentially it has not], but merely for its own story and characters," yet it is plain that it is a very faithful picture of the kind of impression that the enterprise made upon him.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality."

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

HawthornenounUS /ˈhɔːθɔːrn/

United States writer of novels and short stories mostly on moral themes (1804-1864)

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading "Do not read it as if it had anything to do with Brook Farm [which essentially it has not], but merely for its own story and characters," yet it is plain that it is a very faithful picture of the kind of impression that the enterprise made upon him.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

homenounUS /hoʊm/

where you live at a particular time

From this reading This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality."

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading "Do not read it as if it had anything to do with Brook Farm [which essentially it has not], but merely for its own story and characters," yet it is plain that it is a very faithful picture of the kind of impression that the enterprise made upon him.

impressionnounUS /ˌɪmˈpreʃən/

a vague idea in which some confidence is placed

From this reading "Do not read it as if it had anything to do with Brook Farm [which essentially it has not], but merely for its own story and characters," yet it is plain that it is a very faithful picture of the kind of impression that the enterprise made upon him.

InprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

inhabitantsnounUS /ɪnˈhæbətənts/

plural of “inhabitant” — a person who inhabits a particular place

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading "Do not read it as if it had anything to do with Brook Farm [which essentially it has not], but merely for its own story and characters," yet it is plain that it is a very faithful picture of the kind of impression that the enterprise made upon him.

kindadjectiveUS /kaɪnd/

having or showing a tender and considerate and helpful nature; used especially of persons and their behavior

From this reading "Do not read it as if it had anything to do with Brook Farm [which essentially it has not], but merely for its own story and characters," yet it is plain that it is a very faithful picture of the kind of impression that the enterprise made upon him.

leastadjectiveUS /liːst/

the superlative of “little” that can be used with mass nouns and is usually preceded by “the”; a quantifier meaning smallest in amount or extent or degree

From this reading Probably a genuine Brook-Farmer doubts whether Hawthorne remembered the place and his life there very affectionately, in the usual sense of that word, and although in sending the book to one of them, at least, he said that it was not to be considered a picture of actual life or character.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

likeverbUS /laɪk/

prefer or wish to do something

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

likelyadjectiveUS /ˈlaɪkli/

has a good chance of being the case or of coming about

From this reading Strangely enough, Hawthorne is likely to be the chief future authority upon "the romantic episode" of Brook Farm.

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading "Do not read it as if it had anything to do with Brook Farm [which essentially it has not], but merely for its own story and characters," yet it is plain that it is a very faithful picture of the kind of impression that the enterprise made upon him.

makeverbUS /meɪk/

engage in

From this reading This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality."

MarblenounUS /ˈmɑːrbəl/

a hard crystalline metamorphic rock that takes a high polish; used for sculpture and as building material

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

merelyadverbUS /ˈmɪrli/

and nothing more

From this reading "Do not read it as if it had anything to do with Brook Farm [which essentially it has not], but merely for its own story and characters," yet it is plain that it is a very faithful picture of the kind of impression that the enterprise made upon him.

mostadverbUS /moʊst/

used to form the superlative

From this reading This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality."

nodeterminerUS /noʊ/

not any; not one

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Probably a genuine Brook-Farmer doubts whether Hawthorne remembered the place and his life there very affectionately, in the usual sense of that word, and although in sending the book to one of them, at least, he said that it was not to be considered a picture of actual life or character.

obviateverbUS /ˈɑːbvieɪt/

do away with

From this reading This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality."

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

offeringnounUS /ˈɔːfərɪŋ/

something offered (as a proposal or bid)

From this reading This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality."

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality."

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

ownverbUS /oʊn/

have ownership or possession of

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

picturenounUS /ˈpɪktʃər/

a visual representation (of an object or scene or person or abstraction) produced on a surface

From this reading Probably a genuine Brook-Farmer doubts whether Hawthorne remembered the place and his life there very affectionately, in the usual sense of that word, and although in sending the book to one of them, at least, he said that it was not to be considered a picture of actual life or character.

placenounUS /pleɪs/

a point located with respect to surface features of some region

From this reading Probably a genuine Brook-Farmer doubts whether Hawthorne remembered the place and his life there very affectionately, in the usual sense of that word, and although in sending the book to one of them, at least, he said that it was not to be considered a picture of actual life or character.

plainadjectiveUS /pleɪn/

clearly revealed to the mind or the senses or judgment

From this reading "Do not read it as if it had anything to do with Brook Farm [which essentially it has not], but merely for its own story and characters," yet it is plain that it is a very faithful picture of the kind of impression that the enterprise made upon him.

prefacenounUS /ˈprefəs/

a short introductory essay preceding the text of a book

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

ProbablyadverbUS /ˈprɑːbəbliː/

with considerable certainty; without much doubt

From this reading Probably a genuine Brook-Farmer doubts whether Hawthorne remembered the place and his life there very affectionately, in the usual sense of that word, and although in sending the book to one of them, at least, he said that it was not to be considered a picture of actual life or character.

properadjectiveUS /ˈprɑːpər/

marked by suitability or rightness or appropriateness

From this reading This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality."

proprietynounUS /prəˈpraɪəti/

correct or appropriate behavior

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

readverbUS /red/

interpret something that is written or printed

From this reading "Do not read it as if it had anything to do with Brook Farm [which essentially it has not], but merely for its own story and characters," yet it is plain that it is a very faithful picture of the kind of impression that the enterprise made upon him.

realadjectiveUS /riːl/

being or occurring in fact or actuality; having verified existence; not illusory

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

realitynounUS /ˌriːˈælətiː/

all of your experiences that determine how things appear to you

From this reading This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality."

rememberedverbUS /rɪˈmembərd/

past form of “remember” — recall knowledge from memory; have a recollection

From this reading This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality."

remotenessnounUS /riˈmoʊtnəs/

the property of being remote

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

RomancenounUS /roʊˈmæns/

a relationship between two lovers

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

romanticadjectiveUS /roʊˈmæntɪk/

belonging to or characteristic of Romanticism or the Romantic Movement in the arts

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading Probably a genuine Brook-Farmer doubts whether Hawthorne remembered the place and his life there very affectionately, in the usual sense of that word, and although in sending the book to one of them, at least, he said that it was not to be considered a picture of actual life or character.

saysnounUS /sez/

plural of “say” — the chance to speak

From this reading This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality."

scenenounUS /siːn/

the place where some action occurs

From this reading This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality."

sendingnounUS /ˈsendɪŋ/

the act of causing something to go (especially messages)

From this reading Probably a genuine Brook-Farmer doubts whether Hawthorne remembered the place and his life there very affectionately, in the usual sense of that word, and although in sending the book to one of them, at least, he said that it was not to be considered a picture of actual life or character.

sensenounUS /sens/

a general conscious awareness

From this reading Probably a genuine Brook-Farmer doubts whether Hawthorne remembered the place and his life there very affectionately, in the usual sense of that word, and although in sending the book to one of them, at least, he said that it was not to be considered a picture of actual life or character.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading "Do not read it as if it had anything to do with Brook Farm [which essentially it has not], but merely for its own story and characters," yet it is plain that it is a very faithful picture of the kind of impression that the enterprise made upon him.

strangeadjectiveUS /streɪndʒ/

being definitely out of the ordinary and unexpected; slightly odd or even a bit weird

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

StrangelyadverbUS /ˈstreɪndʒli/

in a strange manner

From this reading Strangely enough, Hawthorne is likely to be the chief future authority upon "the romantic episode" of Brook Farm.

suchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

suitableadjectiveUS /ˈsuːtəbəl/

meant or adapted for an occasion or use

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

supplyverbUS /səˈplaɪ/

give something useful or necessary to

From this reading This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality."

tellverbUS /tel/

express in words

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading Probably a genuine Brook-Farmer doubts whether Hawthorne remembered the place and his life there very affectionately, in the usual sense of that word, and although in sending the book to one of them, at least, he said that it was not to be considered a picture of actual life or character.

thenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality."

thereadverbUS /ðer/

in or at that place or location

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

ThisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality."

throughprepositionUS /θruː/

from one end or side of something to the other

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

thusadverbUS /ðʌs/

(used to introduce a logical conclusion) from that fact or reason or as a result

From this reading This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality."

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading "Do not read it as if it had anything to do with Brook Farm [which essentially it has not], but merely for its own story and characters," yet it is plain that it is a very faithful picture of the kind of impression that the enterprise made upon him.

usualadjectiveUS /ˈjuːʒəwəl/

occurring or encountered or experienced or observed frequently or in accordance with regular practice or procedure

From this reading Probably a genuine Brook-Farmer doubts whether Hawthorne remembered the place and his life there very affectionately, in the usual sense of that word, and although in sending the book to one of them, at least, he said that it was not to be considered a picture of actual life or character.

venturedverbUS /ˈventʃərd/

past form of “venture” — proceed somewhere despite the risk of possible dangers

From this reading This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality."

veryadjectiveUS /ˈveri/

precisely as stated

From this reading Probably a genuine Brook-Farmer doubts whether Hawthorne remembered the place and his life there very affectionately, in the usual sense of that word, and although in sending the book to one of them, at least, he said that it was not to be considered a picture of actual life or character.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

whetherconjunctionUS /ˈweðər/

used to introduce two or more possibilities

From this reading Probably a genuine Brook-Farmer doubts whether Hawthorne remembered the place and his life there very affectionately, in the usual sense of that word, and although in sending the book to one of them, at least, he said that it was not to be considered a picture of actual life or character.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

withprepositionUS /wɪð/

in the company of; together with

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

wordnounUS /wɜːrd/

a unit of language that native speakers can identify

From this reading Probably a genuine Brook-Farmer doubts whether Hawthorne remembered the place and his life there very affectionately, in the usual sense of that word, and although in sending the book to one of them, at least, he said that it was not to be considered a picture of actual life or character.

worldnounUS /wɜːrld/

everything that exists anywhere

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

yetconjunctionUS /jet/

but in spite of that

From this reading In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own."

Chapter 1 of From the Easy Chair, Volume 3 by George William Curtis holds 443 sentences, grouped into 89 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of From the Easy Chair, Volume 3 contain?

Chapter 1 holds 443 sentences of From the Easy Chair, Volume 3, unabridged, divided into 89 reading sections.

This page carries chapter 1 of From the Easy Chair, Volume 3 by George William Curtis exactly as it stands in the source edition, without abridgement. It runs to 443 sentences, grouped into 89 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of From the Easy Chair, Volume 3?

Work through the 89 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 89 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

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Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading From the Easy Chair, Volume 3

Common questions about reading From the Easy Chair, Volume 3 by George William Curtis on this page, its source edition and its audio.

Is this the complete text of From the Easy Chair, Volume 3?

Yes. All 1729 sentences of Project Gutenberg eBook #36090 are kept, with a record of which sentences cover which part.

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Project Gutenberg eBook #36090, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does From the Easy Chair, Volume 3 take to read?

About 144 minutes of reading across 346 sections of 5 sentences each, at an unhurried pace.

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How to work through From the Easy Chair, Volume 3 section by section, using the audio and the tap-to-define vocabulary.

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Vocabulary met early in From the Easy Chair, Volume 3

Words and structures a reader meets early in From the Easy Chair, Volume 3, each tappable for pronunciation and meaning.

Preface
A word that appears in the opening chapter of From the Easy Chair, Volume 3; the reader can tap it to hear it and see its dictionary entry.
Marble
A word that appears in the opening chapter of From the Easy Chair, Volume 3; the reader can tap it to hear it and see its dictionary entry.
Blithedale
A word that appears in the opening chapter of From the Easy Chair, Volume 3; the reader can tap it to hear it and see its dictionary entry.
Romance
A word that appears in the opening chapter of From the Easy Chair, Volume 3; the reader can tap it to hear it and see its dictionary entry.