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G. K. Chesterton, A Critical Study
G. K. Chesterton, A Critical Study

Chapter III

Chapter 3 of G. K. Chesterton, A Critical Study is here in full — 459 sentences across 92 reading sections, with audio for every sentence and word.

Cover illustration for G. K. Chesterton, A Critical Study
Context Illustration Reading 1/91 · 5 lines
English subtitles · tap any word to listen 1 / 5
It is conventional to shed tears of ink over the journalistic touch, on the ground that it must inevitably shorten the life of whatever book bears its marks.
If there is anything in this condemnation, then Chesterton is doomed to forgetfulness, and his critical works will be the first to slip into oblivion, such being the nature of critical works in general.
But if this condemnation holds true, it includes also Macaulay, R. L. Stevenson, Matthew Arnold, and how many others!
The journalistic touch, when it is good, means the preservation of a work.
And Chesterton has that most essential part of a critic's mental equipment--what we call in an inadequately descriptive manner, insight.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

G. K. Chesterton, A Critical Study

Chapter III

Chapter 3 of G. K. Chesterton, A Critical Study is here in full — 459 sentences across 92 reading sections, with audio for every sentence and word.

Reading 1/91 · 5 reading units · Lines 1–5

Line 1
It is conventional to shed tears of ink over the journalistic touch, on the ground that it must inevitably shorten the life of whatever book bears its marks.
/ɪt ɪz kənˈvenʃənəl tuː ʃed terz ʌv ɪŋk ˈoʊvər ðə ˌdʒɜːrnəˈlɪstɪk tʌtʃ ɑːn ðə ɡraʊnd ðæt ɪt mʌst ˌɪˈnevətəbli ˈʃɔːrtən ðə laɪf ʌv ˌwʌˈtevər bʊk berz ɪts mɑːrks/
Line 2
If there is anything in this condemnation, then Chesterton is doomed to forgetfulness, and his critical works will be the first to slip into oblivion, such being the nature of critical works in general.
Line 3
But if this condemnation holds true, it includes also Macaulay, R. L. Stevenson, Matthew Arnold, and how many others!
Line 4
The journalistic touch, when it is good, means the preservation of a work.
/ðə ˌdʒɜːrnəˈlɪstɪk tʌtʃ wen ɪt ɪz ɡʊd miːnz ðə ˌprezərˈveɪʃən ʌv ə wɜːrk/
Line 5
And Chesterton has that most essential part of a critic's mental equipment--what we call in an inadequately descriptive manner, insight.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Chesterton noun US /ˈtʃestərtən/

conservative English writer of the Roman Catholic persuasion; in addition to volumes of criticism and polemics he wrote detective novels featuring Father Brown (1874-1936)

From this reading “If there is anything in this condemnation, then Chesterton is doomed to forgetfulness, and his critical works will be the first to slip into oblivion, such being the nature of critical works in general.”

critic's noun US /ˈkrɪtɪks/

possessive form of “critic” — a person who is professionally engaged in the analysis and interpretation of works of art

From this reading “And Chesterton has that most essential part of a critic's mental equipment--what we call in an inadequately descriptive manner, insight.”

descriptive adjective US /dɪˈskrɪptɪv/

serving to describe or inform or characterized by description

From this reading “And Chesterton has that most essential part of a critic's mental equipment--what we call in an inadequately descriptive manner, insight.”

inadequately adverb US /ˌɪˈnædəkwətli/

in an inadequate manner or to an inadequate degree

From this reading “And Chesterton has that most essential part of a critic's mental equipment--what we call in an inadequately descriptive manner, insight.”

includes verb US /ˌɪnˈkluːdz/

third-person singular of “include” — have as a part, be made up out of

From this reading “But if this condemnation holds true, it includes also Macaulay, R. L. Stevenson, Matthew Arnold, and how many others!”

journalistic adjective US /ˌdʒɜːrnəˈlɪstɪk/

of or relating to or having the characteristics of journalism

From this reading “It is conventional to shed tears of ink over the journalistic touch, on the ground that it must inevitably shorten the life of whatever book bears its marks.”

Macaulay noun US /məˈkɔːli/

English historian noted for his history of England (1800-1859)

From this reading “But if this condemnation holds true, it includes also Macaulay, R. L. Stevenson, Matthew Arnold, and how many others!”

shorten verb US /ˈʃɔːrtən/

make shorter than originally intended; reduce or retrench in length or duration

From this reading “It is conventional to shed tears of ink over the journalistic touch, on the ground that it must inevitably shorten the life of whatever book bears its marks.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

shed tears verb + noun

In this reading “It is conventional to shed tears of ink over the journalistic touch, on the ground that it must inevitably shorten the life of whatever book bears its marks.”

essential part adjective + noun

In this reading “And Chesterton has that most essential part of a critic's mental equipment--what we call in an inadequately descriptive manner, insight.”

into oblivion preposition + noun

In this reading “If there is anything in this condemnation, then Chesterton is doomed to forgetfulness, and his critical works will be the first to slip into oblivion, such being the nature of critical works in general.”

most essential adverb + adjective

In this reading “And Chesterton has that most essential part of a critic's mental equipment--what we call in an inadequately descriptive manner, insight.”

on the ground preposition + article + noun counted as “on … ground”

In this reading “It is conventional to shed tears of ink over the journalistic touch, on the ground that it must inevitably shorten the life of whatever book bears its marks.”

slip into verb + particle

In this reading “If there is anything in this condemnation, then Chesterton is doomed to forgetfulness, and his critical works will be the first to slip into oblivion, such being the nature of critical works in general.”

All words in this reading · 83

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading The journalistic touch, when it is good, means the preservation of a work.

alsoadverbUS /ˈɔːlsoʊ/

in addition

From this reading But if this condemnation holds true, it includes also Macaulay, R. L. Stevenson, Matthew Arnold, and how many others!

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading And Chesterton has that most essential part of a critic's mental equipment--what we call in an inadequately descriptive manner, insight.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading If there is anything in this condemnation, then Chesterton is doomed to forgetfulness, and his critical works will be the first to slip into oblivion, such being the nature of critical works in general.

anythingpronounUS /ˈeniθɪŋ/

any thing at all

From this reading If there is anything in this condemnation, then Chesterton is doomed to forgetfulness, and his critical works will be the first to slip into oblivion, such being the nature of critical works in general.

ArnoldnounUS /ˈɑːrnəld/

English poet and literary critic (1822-1888)

From this reading But if this condemnation holds true, it includes also Macaulay, R. L. Stevenson, Matthew Arnold, and how many others!

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading If there is anything in this condemnation, then Chesterton is doomed to forgetfulness, and his critical works will be the first to slip into oblivion, such being the nature of critical works in general.

bearsnounUS /berz/

plural of “bear” — massive plantigrade carnivorous or omnivorous mammals with long shaggy coats and strong claws

From this reading It is conventional to shed tears of ink over the journalistic touch, on the ground that it must inevitably shorten the life of whatever book bears its marks.

beingauxiliary verbUS /ˈbiːɪŋ/

the -ing form of “be”

From this reading If there is anything in this condemnation, then Chesterton is doomed to forgetfulness, and his critical works will be the first to slip into oblivion, such being the nature of critical works in general.

booknounUS /bʊk/

a written work or composition that has been published (printed on pages bound together)

From this reading It is conventional to shed tears of ink over the journalistic touch, on the ground that it must inevitably shorten the life of whatever book bears its marks.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading But if this condemnation holds true, it includes also Macaulay, R. L. Stevenson, Matthew Arnold, and how many others!

callverbUS /kɔːl/

assign a specified (usually proper) proper name to

From this reading And Chesterton has that most essential part of a critic's mental equipment--what we call in an inadequately descriptive manner, insight.

ChestertonnounUS /ˈtʃestərtən/

conservative English writer of the Roman Catholic persuasion; in addition to volumes of criticism and polemics he wrote detective novels featuring Father Brown (1874-1936)

From this reading If there is anything in this condemnation, then Chesterton is doomed to forgetfulness, and his critical works will be the first to slip into oblivion, such being the nature of critical works in general.

condemnationnounUS /ˌkɑːndəmˈneɪʃən/

an expression of strong disapproval; pronouncing as wrong or morally culpable

From this reading If there is anything in this condemnation, then Chesterton is doomed to forgetfulness, and his critical works will be the first to slip into oblivion, such being the nature of critical works in general.

conventionaladjectiveUS /kənˈvenʃənəl/

following accepted customs and proprieties

From this reading It is conventional to shed tears of ink over the journalistic touch, on the ground that it must inevitably shorten the life of whatever book bears its marks.

critic'snounUS /ˈkrɪtɪks/

possessive form of “critic” — a person who is professionally engaged in the analysis and interpretation of works of art

From this reading And Chesterton has that most essential part of a critic's mental equipment--what we call in an inadequately descriptive manner, insight.

criticaladjectiveUS /ˈkrɪtɪkəl/

marked by a tendency to find and call attention to errors and flaws

From this reading If there is anything in this condemnation, then Chesterton is doomed to forgetfulness, and his critical works will be the first to slip into oblivion, such being the nature of critical works in general.

descriptiveadjectiveUS /dɪˈskrɪptɪv/

serving to describe or inform or characterized by description

From this reading And Chesterton has that most essential part of a critic's mental equipment--what we call in an inadequately descriptive manner, insight.

doomedadjectiveUS /duːmd/

marked for certain death

From this reading If there is anything in this condemnation, then Chesterton is doomed to forgetfulness, and his critical works will be the first to slip into oblivion, such being the nature of critical works in general.

equipmentnounUS /ɪˈkwɪpmənt/

an instrumentality needed for an undertaking or to perform a service

From this reading And Chesterton has that most essential part of a critic's mental equipment--what we call in an inadequately descriptive manner, insight.

essentialadjectiveUS /eˈsenʃəl/

absolutely necessary; vitally necessary

From this reading And Chesterton has that most essential part of a critic's mental equipment--what we call in an inadequately descriptive manner, insight.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading If there is anything in this condemnation, then Chesterton is doomed to forgetfulness, and his critical works will be the first to slip into oblivion, such being the nature of critical works in general.

forgetfulnessnoun

tendency to forget

From this reading If there is anything in this condemnation, then Chesterton is doomed to forgetfulness, and his critical works will be the first to slip into oblivion, such being the nature of critical works in general.

generaladjectiveUS /ˈdʒenərəl/

applying to all or most members of a category or group

From this reading If there is anything in this condemnation, then Chesterton is doomed to forgetfulness, and his critical works will be the first to slip into oblivion, such being the nature of critical works in general.

goodadjectiveUS /ɡʊd/

having desirable or positive qualities especially those suitable for a thing specified

From this reading The journalistic touch, when it is good, means the preservation of a work.

groundnounUS /ɡraʊnd/

the solid part of the earth's surface

From this reading It is conventional to shed tears of ink over the journalistic touch, on the ground that it must inevitably shorten the life of whatever book bears its marks.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading And Chesterton has that most essential part of a critic's mental equipment--what we call in an inadequately descriptive manner, insight.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading If there is anything in this condemnation, then Chesterton is doomed to forgetfulness, and his critical works will be the first to slip into oblivion, such being the nature of critical works in general.

holdsnounUS /hoʊldz/

plural of “hold” — the act of grasping

From this reading But if this condemnation holds true, it includes also Macaulay, R. L. Stevenson, Matthew Arnold, and how many others!

how

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But if this condemnation holds true, it includes also Macaulay, R. L. Stevenson, Matthew Arnold, and how many others!

IfconjunctionUS /ɪf/

on condition that; in the event that

From this reading If there is anything in this condemnation, then Chesterton is doomed to forgetfulness, and his critical works will be the first to slip into oblivion, such being the nature of critical works in general.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading If there is anything in this condemnation, then Chesterton is doomed to forgetfulness, and his critical works will be the first to slip into oblivion, such being the nature of critical works in general.

inadequatelyadverbUS /ˌɪˈnædəkwətli/

in an inadequate manner or to an inadequate degree

From this reading And Chesterton has that most essential part of a critic's mental equipment--what we call in an inadequately descriptive manner, insight.

includesverbUS /ˌɪnˈkluːdz/

third-person singular of “include” — have as a part, be made up out of

From this reading But if this condemnation holds true, it includes also Macaulay, R. L. Stevenson, Matthew Arnold, and how many others!

inevitablyadverbUS /ˌɪˈnevətəbli/

in such a manner as could not be otherwise

From this reading It is conventional to shed tears of ink over the journalistic touch, on the ground that it must inevitably shorten the life of whatever book bears its marks.

inknounUS /ɪŋk/

a liquid used for printing or writing or drawing

From this reading It is conventional to shed tears of ink over the journalistic touch, on the ground that it must inevitably shorten the life of whatever book bears its marks.

insightnounUS /ˈɪnsaɪt/

clear or deep perception of a situation

From this reading And Chesterton has that most essential part of a critic's mental equipment--what we call in an inadequately descriptive manner, insight.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading If there is anything in this condemnation, then Chesterton is doomed to forgetfulness, and his critical works will be the first to slip into oblivion, such being the nature of critical works in general.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading It is conventional to shed tears of ink over the journalistic touch, on the ground that it must inevitably shorten the life of whatever book bears its marks.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It is conventional to shed tears of ink over the journalistic touch, on the ground that it must inevitably shorten the life of whatever book bears its marks.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading It is conventional to shed tears of ink over the journalistic touch, on the ground that it must inevitably shorten the life of whatever book bears its marks.

journalisticadjectiveUS /ˌdʒɜːrnəˈlɪstɪk/

of or relating to or having the characteristics of journalism

From this reading It is conventional to shed tears of ink over the journalistic touch, on the ground that it must inevitably shorten the life of whatever book bears its marks.

LnounUS /el/

a metric unit of capacity, formerly defined as the volume of one kilogram of pure water under standard conditions; now equal to 1,000 cubic centimeters (or approximately 1.75 pints)

From this reading But if this condemnation holds true, it includes also Macaulay, R. L. Stevenson, Matthew Arnold, and how many others!

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading It is conventional to shed tears of ink over the journalistic touch, on the ground that it must inevitably shorten the life of whatever book bears its marks.

MacaulaynounUS /məˈkɔːli/

English historian noted for his history of England (1800-1859)

From this reading But if this condemnation holds true, it includes also Macaulay, R. L. Stevenson, Matthew Arnold, and how many others!

mannernounUS /ˈmænər/

how something is done or how it happens

From this reading And Chesterton has that most essential part of a critic's mental equipment--what we call in an inadequately descriptive manner, insight.

manyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading But if this condemnation holds true, it includes also Macaulay, R. L. Stevenson, Matthew Arnold, and how many others!

marksnounUS /mɑːrks/

English businessman who created a retail chain (1888-1964)

From this reading It is conventional to shed tears of ink over the journalistic touch, on the ground that it must inevitably shorten the life of whatever book bears its marks.

MatthewnounUS /ˈmæθjuː/

(New Testament) disciple of Jesus; traditionally considered to be the author of the first Gospel

From this reading But if this condemnation holds true, it includes also Macaulay, R. L. Stevenson, Matthew Arnold, and how many others!

meansnounUS /miːnz/

thing or person that acts to produce a particular effect or achieve an end

From this reading The journalistic touch, when it is good, means the preservation of a work.

mentaladjectiveUS /ˈmentəl/

involving the mind or an intellectual process

From this reading And Chesterton has that most essential part of a critic's mental equipment--what we call in an inadequately descriptive manner, insight.

mostadverbUS /moʊst/

used to form the superlative

From this reading And Chesterton has that most essential part of a critic's mental equipment--what we call in an inadequately descriptive manner, insight.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading It is conventional to shed tears of ink over the journalistic touch, on the ground that it must inevitably shorten the life of whatever book bears its marks.

naturenounUS /ˈneɪtʃər/

the essential qualities or characteristics by which something is recognized

From this reading If there is anything in this condemnation, then Chesterton is doomed to forgetfulness, and his critical works will be the first to slip into oblivion, such being the nature of critical works in general.

oblivionnounUS /əˈblɪviən/

the state of being disregarded or forgotten

From this reading If there is anything in this condemnation, then Chesterton is doomed to forgetfulness, and his critical works will be the first to slip into oblivion, such being the nature of critical works in general.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading It is conventional to shed tears of ink over the journalistic touch, on the ground that it must inevitably shorten the life of whatever book bears its marks.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading It is conventional to shed tears of ink over the journalistic touch, on the ground that it must inevitably shorten the life of whatever book bears its marks.

others

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But if this condemnation holds true, it includes also Macaulay, R. L. Stevenson, Matthew Arnold, and how many others!

overprepositionUS /ˈoʊvər/

above and across; more than

From this reading It is conventional to shed tears of ink over the journalistic touch, on the ground that it must inevitably shorten the life of whatever book bears its marks.

partnounUS /pɑːrt/

something determined in relation to something that includes it

From this reading And Chesterton has that most essential part of a critic's mental equipment--what we call in an inadequately descriptive manner, insight.

preservationnounUS /ˌprezərˈveɪʃən/

the activity of protecting something from loss or danger

From this reading The journalistic touch, when it is good, means the preservation of a work.

RnounUS /ɑːr/

a unit of radiation exposure; the dose of ionizing radiation that will produce 1 electrostatic unit of electricity in 1 cc of dry air

From this reading But if this condemnation holds true, it includes also Macaulay, R. L. Stevenson, Matthew Arnold, and how many others!

shedverbUS /ʃed/

get rid of

From this reading It is conventional to shed tears of ink over the journalistic touch, on the ground that it must inevitably shorten the life of whatever book bears its marks.

shortenverbUS /ˈʃɔːrtən/

make shorter than originally intended; reduce or retrench in length or duration

From this reading It is conventional to shed tears of ink over the journalistic touch, on the ground that it must inevitably shorten the life of whatever book bears its marks.

slipverbUS /slɪp/

move stealthily

From this reading If there is anything in this condemnation, then Chesterton is doomed to forgetfulness, and his critical works will be the first to slip into oblivion, such being the nature of critical works in general.

StevensonnounUS /ˈstiːvənsən/

Scottish author (1850-1894)

From this reading But if this condemnation holds true, it includes also Macaulay, R. L. Stevenson, Matthew Arnold, and how many others!

suchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading If there is anything in this condemnation, then Chesterton is doomed to forgetfulness, and his critical works will be the first to slip into oblivion, such being the nature of critical works in general.

tearsnounUS /terz/

the process of shedding tears (usually accompanied by sobs or other inarticulate sounds)

From this reading It is conventional to shed tears of ink over the journalistic touch, on the ground that it must inevitably shorten the life of whatever book bears its marks.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading It is conventional to shed tears of ink over the journalistic touch, on the ground that it must inevitably shorten the life of whatever book bears its marks.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading It is conventional to shed tears of ink over the journalistic touch, on the ground that it must inevitably shorten the life of whatever book bears its marks.

thenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading If there is anything in this condemnation, then Chesterton is doomed to forgetfulness, and his critical works will be the first to slip into oblivion, such being the nature of critical works in general.

thereadverbUS /ðer/

in or at that place or location

From this reading If there is anything in this condemnation, then Chesterton is doomed to forgetfulness, and his critical works will be the first to slip into oblivion, such being the nature of critical works in general.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading If there is anything in this condemnation, then Chesterton is doomed to forgetfulness, and his critical works will be the first to slip into oblivion, such being the nature of critical works in general.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading It is conventional to shed tears of ink over the journalistic touch, on the ground that it must inevitably shorten the life of whatever book bears its marks.

touchverbUS /tʌtʃ/

make physical contact with, come in contact with

From this reading It is conventional to shed tears of ink over the journalistic touch, on the ground that it must inevitably shorten the life of whatever book bears its marks.

trueadjectiveUS /truː/

consistent with fact or reality; not false

From this reading But if this condemnation holds true, it includes also Macaulay, R. L. Stevenson, Matthew Arnold, and how many others!

wepronounUS /wiː/

the speaker together with one or more other people

From this reading And Chesterton has that most essential part of a critic's mental equipment--what we call in an inadequately descriptive manner, insight.

whatpronounUS /wʌt/

used to ask for information about something

From this reading And Chesterton has that most essential part of a critic's mental equipment--what we call in an inadequately descriptive manner, insight.

whateverdeterminerUS /ˌwʌˈtevər/

any or all of a kind, it does not matter which

From this reading It is conventional to shed tears of ink over the journalistic touch, on the ground that it must inevitably shorten the life of whatever book bears its marks.

whenconjunctionUS /wen/

at the time that

From this reading The journalistic touch, when it is good, means the preservation of a work.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading If there is anything in this condemnation, then Chesterton is doomed to forgetfulness, and his critical works will be the first to slip into oblivion, such being the nature of critical works in general.

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading The journalistic touch, when it is good, means the preservation of a work.

worksnounUS /wɜːrks/

buildings for carrying on industrial labor

From this reading If there is anything in this condemnation, then Chesterton is doomed to forgetfulness, and his critical works will be the first to slip into oblivion, such being the nature of critical works in general.

Chapter 3 of G. K. Chesterton, A Critical Study by Julius West holds 459 sentences, grouped into 92 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 3 of G. K. Chesterton, A Critical Study contain?

Chapter 3 holds 459 sentences of G. K. Chesterton, A Critical Study, unabridged, divided into 92 reading sections.

This page carries chapter 3 of G. K. Chesterton, A Critical Study by Julius West exactly as it stands in the source edition, without abridgement. It runs to 459 sentences, grouped into 92 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 3 of G. K. Chesterton, A Critical Study?

Work through the 92 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 92 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 3 be read aloud to me?

Yes — every sentence and every individual word in chapter 3 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading G. K. Chesterton, A Critical Study

Common questions about reading G. K. Chesterton, A Critical Study by Julius West on this page, its source edition and its audio.

Is this the complete text of G. K. Chesterton, A Critical Study?

Yes. All 2310 sentences of Project Gutenberg eBook #27080 are kept, with a record of which sentences cover which part.

Which edition of G. K. Chesterton, A Critical Study is used?

Project Gutenberg eBook #27080, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does G. K. Chesterton, A Critical Study take to read?

About 192 minutes of reading across 462 sections of 5 sentences each, at an unhurried pace.

How to read G. K. Chesterton, A Critical Study section by section

How to work through G. K. Chesterton, A Critical Study section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 5 chapters of G. K. Chesterton, A Critical Study to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in G. K. Chesterton, A Critical Study

Words and structures a reader meets early in G. K. Chesterton, A Critical Study, each tappable for pronunciation and meaning.

Express
A word that appears in the opening chapter of G. K. Chesterton, A Critical Study; the reader can tap it to hear it and see its dictionary entry.
Gratitude
A word that appears in the opening chapter of G. K. Chesterton, A Critical Study; the reader can tap it to hear it and see its dictionary entry.
Messrs
A word that appears in the opening chapter of G. K. Chesterton, A Critical Study; the reader can tap it to hear it and see its dictionary entry.
Burns
A word that appears in the opening chapter of G. K. Chesterton, A Critical Study; the reader can tap it to hear it and see its dictionary entry.