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George Borrow: The Man and His Books
George Borrow: The Man and His Books

Chapter XXVII · Chapter 27

Chapter 27 of George Borrow: The Man and His Books is here in full — 87 sentences across 18 reading sections, with audio for every sentence and word.

Cover illustration for George Borrow: The Man and His Books
Context Illustration Reading 1/17 · 5 lines
English subtitles · tap any word to listen 1 / 5
The writing of the autobiography differs from that of "The Bible in Spain."
It is less flowing and more laboured.
It has less movement and buoyancy, but more delicacy and variety.
It is a finer and more intimate style, which over and over again distinguishes Borrow from the Victorian pure and simple.
The dialogue is finer; it is used less to disguise or vary narrative, and more to reveal character and make dramatic effect; and it is even lyrical at times.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

George Borrow: The Man and His Books

Chapter XXVII · Chapter 27

Chapter 27 of George Borrow: The Man and His Books is here in full — 87 sentences across 18 reading sections, with audio for every sentence and word.

Reading 1/17 · 5 reading units · Lines 1–5

Line 1
The writing of the autobiography differs from that of "The Bible in Spain."
/ðə ˈraɪtɪŋ ʌv ðə ˌɔːtəbaɪˈɑːɡrəfi ˈdɪfərz frʌm ðæt ʌv ðə ˈbaɪbəl ɪn speɪn/
Line 2
It is less flowing and more laboured.
Line 3
It has less movement and buoyancy, but more delicacy and variety.
/ɪt hæz les ˈmuːvmənt ənd ˈbɔɪənsi bʌt mɔːr ˈdeləkəsi ənd vərˈaɪəti/
Line 4
It is a finer and more intimate style, which over and over again distinguishes Borrow from the Victorian pure and simple.
/ɪt ɪz ə ˈfaɪnər ənd mɔːr ˈɪntəmət staɪl wɪtʃ ˈoʊvər ənd ˈoʊvər əˈɡen dɪˈstɪŋɡwɪʃɪz ˈbɑːroʊ frʌm ðə vɪkˈtɔːriən pjʊr ənd ˈsɪmpəl/
Line 5
The dialogue is finer; it is used less to disguise or vary narrative, and more to reveal character and make dramatic effect; and it is even lyrical at times.
/ðə ˈdaɪəlɔːɡ ɪz ˈfaɪnər ɪt ɪz juːzd les tuː dɪsˈɡaɪz ɔːr ˈveri ˈnærətɪv ənd mɔːr tuː rɪˈviːl ˈkerɪktər ənd meɪk drəˈmætɪk ɪˈfekt ənd ɪt ɪz ˈiːvɪn ˈlɪrɪkəl æt taɪmz/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

autobiography noun US /ˌɔːtəbaɪˈɑːɡrəfi/

a biography of yourself

From this reading “The writing of the autobiography differs from that of "The Bible in Spain."”

buoyancy noun US /ˈbɔɪənsi/

cheerfulness that bubbles to the surface

From this reading “It has less movement and buoyancy, but more delicacy and variety.”

dialogue noun US /ˈdaɪəlɔːɡ/

a conversation between two persons

From this reading “The dialogue is finer; it is used less to disguise or vary narrative, and more to reveal character and make dramatic effect; and it is even lyrical at times.”

differs verb US /ˈdɪfərz/

third-person singular of “differ” — be different

From this reading “The writing of the autobiography differs from that of "The Bible in Spain."”

distinguishes verb US /dɪˈstɪŋɡwɪʃɪz/

third-person singular of “distinguish” — mark as different

From this reading “It is a finer and more intimate style, which over and over again distinguishes Borrow from the Victorian pure and simple.”

lyrical adjective US /ˈlɪrɪkəl/

suitable for or suggestive of singing

From this reading “The dialogue is finer; it is used less to disguise or vary narrative, and more to reveal character and make dramatic effect; and it is even lyrical at times.”

vary verb US /ˈveri/

become different in some particular way, without permanently losing one's or its former characteristics or essence

From this reading “The dialogue is finer; it is used less to disguise or vary narrative, and more to reveal character and make dramatic effect; and it is even lyrical at times.”

Victorian adjective US /vɪkˈtɔːriən/

of or relating to Queen Victoria of Great Britain or to the age in which she ruled

From this reading “It is a finer and more intimate style, which over and over again distinguishes Borrow from the Victorian pure and simple.”

All words in this reading · 51

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading It is a finer and more intimate style, which over and over again distinguishes Borrow from the Victorian pure and simple.

againadverbUS /əˈɡen/

anew

From this reading It is a finer and more intimate style, which over and over again distinguishes Borrow from the Victorian pure and simple.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading It is less flowing and more laboured.

atprepositionUS /æt/

in or near a particular place or position

From this reading The dialogue is finer; it is used less to disguise or vary narrative, and more to reveal character and make dramatic effect; and it is even lyrical at times.

autobiographynounUS /ˌɔːtəbaɪˈɑːɡrəfi/

a biography of yourself

From this reading The writing of the autobiography differs from that of "The Bible in Spain."

BiblenounUS /ˈbaɪbəl/

the sacred writings of the Christian religions

From this reading The writing of the autobiography differs from that of "The Bible in Spain."

BorrowverbUS /ˈbɑːroʊ/

get temporarily

From this reading It is a finer and more intimate style, which over and over again distinguishes Borrow from the Victorian pure and simple.

buoyancynounUS /ˈbɔɪənsi/

cheerfulness that bubbles to the surface

From this reading It has less movement and buoyancy, but more delicacy and variety.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading It has less movement and buoyancy, but more delicacy and variety.

characternounUS /ˈkerɪktər/

an imaginary person represented in a work of fiction (play or film or story)

From this reading The dialogue is finer; it is used less to disguise or vary narrative, and more to reveal character and make dramatic effect; and it is even lyrical at times.

delicacynounUS /ˈdeləkəsi/

the quality of being beautiful and delicate in appearance

From this reading It has less movement and buoyancy, but more delicacy and variety.

dialoguenounUS /ˈdaɪəlɔːɡ/

a conversation between two persons

From this reading The dialogue is finer; it is used less to disguise or vary narrative, and more to reveal character and make dramatic effect; and it is even lyrical at times.

differsverbUS /ˈdɪfərz/

third-person singular of “differ” — be different

From this reading The writing of the autobiography differs from that of "The Bible in Spain."

disguisenounUS /dɪsˈɡaɪz/

A means of altering one's appearance to conceal one's identity.

From this reading The dialogue is finer; it is used less to disguise or vary narrative, and more to reveal character and make dramatic effect; and it is even lyrical at times.

distinguishesverbUS /dɪˈstɪŋɡwɪʃɪz/

third-person singular of “distinguish” — mark as different

From this reading It is a finer and more intimate style, which over and over again distinguishes Borrow from the Victorian pure and simple.

dramaticadjectiveUS /drəˈmætɪk/

suitable to or characteristic of drama

From this reading The dialogue is finer; it is used less to disguise or vary narrative, and more to reveal character and make dramatic effect; and it is even lyrical at times.

effectnounUS /ɪˈfekt/

a phenomenon that follows and is caused by some previous phenomenon

From this reading The dialogue is finer; it is used less to disguise or vary narrative, and more to reveal character and make dramatic effect; and it is even lyrical at times.

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading The dialogue is finer; it is used less to disguise or vary narrative, and more to reveal character and make dramatic effect; and it is even lyrical at times.

fineradjectiveUS /ˈfaɪnər/

(comparative of “fine”) greater in quality or excellence

From this reading It is a finer and more intimate style, which over and over again distinguishes Borrow from the Victorian pure and simple.

flowingnounUS /ˈfloʊɪŋ/

the motion characteristic of fluids (liquids or gases)

From this reading It is less flowing and more laboured.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading The writing of the autobiography differs from that of "The Bible in Spain."

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading It has less movement and buoyancy, but more delicacy and variety.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading The writing of the autobiography differs from that of "The Bible in Spain."

intimateadjectiveUS /ˈɪntəmət/

marked by close acquaintance, association, or familiarity

From this reading It is a finer and more intimate style, which over and over again distinguishes Borrow from the Victorian pure and simple.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading It is less flowing and more laboured.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It is less flowing and more laboured.

labouredadjective

lacking natural ease

From this reading It is less flowing and more laboured.

lessadverbUS /les/

used to form the comparative of some adjectives and adverbs

From this reading It is less flowing and more laboured.

lyricaladjectiveUS /ˈlɪrɪkəl/

suitable for or suggestive of singing

From this reading The dialogue is finer; it is used less to disguise or vary narrative, and more to reveal character and make dramatic effect; and it is even lyrical at times.

makeverbUS /meɪk/

engage in

From this reading The dialogue is finer; it is used less to disguise or vary narrative, and more to reveal character and make dramatic effect; and it is even lyrical at times.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading It is less flowing and more laboured.

movementnounUS /ˈmuːvmənt/

a change of position that does not entail a change of location

From this reading It has less movement and buoyancy, but more delicacy and variety.

narrativenounUS /ˈnærətɪv/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading The dialogue is finer; it is used less to disguise or vary narrative, and more to reveal character and make dramatic effect; and it is even lyrical at times.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading The writing of the autobiography differs from that of "The Bible in Spain."

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading The dialogue is finer; it is used less to disguise or vary narrative, and more to reveal character and make dramatic effect; and it is even lyrical at times.

overprepositionUS /ˈoʊvər/

above and across; more than

From this reading It is a finer and more intimate style, which over and over again distinguishes Borrow from the Victorian pure and simple.

pureadjectiveUS /pjʊr/

free of extraneous elements of any kind

From this reading It is a finer and more intimate style, which over and over again distinguishes Borrow from the Victorian pure and simple.

revealverbUS /rɪˈviːl/

make visible

From this reading The dialogue is finer; it is used less to disguise or vary narrative, and more to reveal character and make dramatic effect; and it is even lyrical at times.

simpleadjectiveUS /ˈsɪmpəl/

having few parts; not complex or complicated or involved

From this reading It is a finer and more intimate style, which over and over again distinguishes Borrow from the Victorian pure and simple.

SpainnounUS /speɪn/

a parliamentary monarchy in southwestern Europe on the Iberian Peninsula; a former colonial power

From this reading The writing of the autobiography differs from that of "The Bible in Spain."

stylenounUS /staɪl/

how something is done or how it happens

From this reading It is a finer and more intimate style, which over and over again distinguishes Borrow from the Victorian pure and simple.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading The writing of the autobiography differs from that of "The Bible in Spain."

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading The writing of the autobiography differs from that of "The Bible in Spain."

timesnounUS /taɪmz/

a more or less definite period of time now or previously present

From this reading The dialogue is finer; it is used less to disguise or vary narrative, and more to reveal character and make dramatic effect; and it is even lyrical at times.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading The dialogue is finer; it is used less to disguise or vary narrative, and more to reveal character and make dramatic effect; and it is even lyrical at times.

usedadjectiveUS /juːzd/

employed in accomplishing something

From this reading The dialogue is finer; it is used less to disguise or vary narrative, and more to reveal character and make dramatic effect; and it is even lyrical at times.

varietynounUS /vərˈaɪəti/

a collection containing a variety of sorts of things

From this reading It has less movement and buoyancy, but more delicacy and variety.

varyverbUS /ˈveri/

become different in some particular way, without permanently losing one's or its former characteristics or essence

From this reading The dialogue is finer; it is used less to disguise or vary narrative, and more to reveal character and make dramatic effect; and it is even lyrical at times.

VictorianadjectiveUS /vɪkˈtɔːriən/

of or relating to Queen Victoria of Great Britain or to the age in which she ruled

From this reading It is a finer and more intimate style, which over and over again distinguishes Borrow from the Victorian pure and simple.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading It is a finer and more intimate style, which over and over again distinguishes Borrow from the Victorian pure and simple.

writingnounUS /ˈraɪtɪŋ/

the act of creating written works

From this reading The writing of the autobiography differs from that of "The Bible in Spain."

Chapter 27 of George Borrow: The Man and His Books by Edward Thomas holds 87 sentences, grouped into 18 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 27 of George Borrow: The Man and His Books contain?

Chapter 27 holds 87 sentences of George Borrow: The Man and His Books, unabridged, divided into 18 reading sections.

This page carries chapter 27 of George Borrow: The Man and His Books by Edward Thomas exactly as it stands in the source edition, without abridgement. It runs to 87 sentences, grouped into 18 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 27 of George Borrow: The Man and His Books?

Work through the 18 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 18 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 27 be read aloud to me?

Yes — every sentence and every individual word in chapter 27 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading George Borrow: The Man and His Books

Common questions about reading George Borrow: The Man and His Books by Edward Thomas on this page, its source edition and its audio.

Is this the complete text of George Borrow: The Man and His Books?

Yes. All 3843 sentences of Project Gutenberg eBook #18588 are kept, with a record of which sentences cover which part.

Which edition of George Borrow: The Man and His Books is used?

Project Gutenberg eBook #18588, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does George Borrow: The Man and His Books take to read?

About 320 minutes of reading across 769 sections of 5 sentences each, at an unhurried pace.

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How to work through George Borrow: The Man and His Books section by section, using the audio and the tap-to-define vocabulary.

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  3. Listen and tap

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Vocabulary met early in George Borrow: The Man and His Books

Words and structures a reader meets early in George Borrow: The Man and His Books, each tappable for pronunciation and meaning.

Richard
A word that appears in the opening chapter of George Borrow: The Man and His Books; the reader can tap it to hear it and see its dictionary entry.
Jefferies
A word that appears in the opening chapter of George Borrow: The Man and His Books; the reader can tap it to hear it and see its dictionary entry.
Light
A word that appears in the opening chapter of George Borrow: The Man and His Books; the reader can tap it to hear it and see its dictionary entry.
Twilight
A word that appears in the opening chapter of George Borrow: The Man and His Books; the reader can tap it to hear it and see its dictionary entry.