Complete classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
George Meredith: A Study
George Meredith: A Study

Chapter IV

Chapter 4 of George Meredith: A Study is here in full — 174 sentences across 35 reading sections, with audio for every sentence and word.

Cover illustration for George Meredith: A Study
Context Illustration Reading 1/34 · 5 lines
English subtitles · tap any word to listen 1 / 5
‘EVAN HARRINGTON,’ ‘THE ADVENTURES OF HARRY RICHMOND,’ ‘SANDRA BELLONI,’ AND ‘BEAUCHAMP’S CAREER.’
The atmosphere of ‘Evan Harrington’ is neither that of sombre passion nor poignant pain.
It has none of the lyrical outbursts that thrill us in ‘Richard Feverel,’ and we are spared in it any violent shaking of the soul.
We are allowed to view life more temperately, and follow the fortunes of the characters with an undisturbed exercise of philosophic calm and judgment.
A delicious humour colours it throughout, and we are back upon the old sea of metaphors that the writer had nearly drifted from in the simple, undecorated strength of ‘Rhoda Fleming.’
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

George Meredith: A Study

Chapter IV

Chapter 4 of George Meredith: A Study is here in full — 174 sentences across 35 reading sections, with audio for every sentence and word.

Reading 1/34 · 5 reading units · Lines 1–5

Line 1
‘EVAN HARRINGTON,’ ‘THE ADVENTURES OF HARRY RICHMOND,’ ‘SANDRA BELLONI,’ AND ‘BEAUCHAMP’S CAREER.’
Line 2
The atmosphere of ‘Evan Harrington’ is neither that of sombre passion nor poignant pain.
Line 3
It has none of the lyrical outbursts that thrill us in ‘Richard Feverel,’ and we are spared in it any violent shaking of the soul.
Line 4
We are allowed to view life more temperately, and follow the fortunes of the characters with an undisturbed exercise of philosophic calm and judgment.
Line 5
A delicious humour colours it throughout, and we are back upon the old sea of metaphors that the writer had nearly drifted from in the simple, undecorated strength of ‘Rhoda Fleming.’

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Fleming noun US /ˈflemɪŋ/

British writer famous for writing spy novels about secret agent James Bond (1908-1964)

From this reading “A delicious humour colours it throughout, and we are back upon the old sea of metaphors that the writer had nearly drifted from in the simple, undecorated strength of ‘Rhoda Fleming.’”

lyrical adjective US /ˈlɪrɪkəl/

suitable for or suggestive of singing

From this reading “It has none of the lyrical outbursts that thrill us in ‘Richard Feverel,’ and we are spared in it any violent shaking of the soul.”

metaphors noun US /ˈmetəfɔːrz/

plural of “metaphor” — a figure of speech in which an expression is used to refer to something that it does not literally denote in order to suggest a similarity

From this reading “A delicious humour colours it throughout, and we are back upon the old sea of metaphors that the writer had nearly drifted from in the simple, undecorated strength of ‘Rhoda Fleming.’”

outbursts noun US /ˈaʊtbɜːrsts/

plural of “outburst” — an unrestrained expression of emotion

From this reading “It has none of the lyrical outbursts that thrill us in ‘Richard Feverel,’ and we are spared in it any violent shaking of the soul.”

philosophic adjective US /ˌfɪləˈsɑːfɪk/

of or relating to philosophy or philosophers

From this reading “We are allowed to view life more temperately, and follow the fortunes of the characters with an undisturbed exercise of philosophic calm and judgment.”

poignant adjective US /ˈpɔɪnjənt/

arousing affect

From this reading “The atmosphere of ‘Evan Harrington’ is neither that of sombre passion nor poignant pain.”

richmond noun US /ˈrɪtʃmənd/

capital of the state of Virginia located in the east central part of the state; was capital of the Confederacy during the American Civil War

From this reading “‘EVAN HARRINGTON,’ ‘THE ADVENTURES OF HARRY RICHMOND,’ ‘SANDRA BELLONI,’ AND ‘BEAUCHAMP’S CAREER.’”

undisturbed adjective US /ˌʌndɪˈstɜːrbd/

untroubled by interference or disturbance

From this reading “We are allowed to view life more temperately, and follow the fortunes of the characters with an undisturbed exercise of philosophic calm and judgment.”

All words in this reading · 74

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading A delicious humour colours it throughout, and we are back upon the old sea of metaphors that the writer had nearly drifted from in the simple, undecorated strength of ‘Rhoda Fleming.’

ADVENTURESnounUS /ædˈventʃərz/

plural of “adventure” — a wild and exciting undertaking (not necessarily lawful)

From this reading ‘EVAN HARRINGTON,’ ‘THE ADVENTURES OF HARRY RICHMOND,’ ‘SANDRA BELLONI,’ AND ‘BEAUCHAMP’S CAREER.’

allowedverbUS /əˈlaʊd/

past form of “allow” — make it possible through a specific action or lack of action for something to happen

From this reading We are allowed to view life more temperately, and follow the fortunes of the characters with an undisturbed exercise of philosophic calm and judgment.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading We are allowed to view life more temperately, and follow the fortunes of the characters with an undisturbed exercise of philosophic calm and judgment.

ANDconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading ‘EVAN HARRINGTON,’ ‘THE ADVENTURES OF HARRY RICHMOND,’ ‘SANDRA BELLONI,’ AND ‘BEAUCHAMP’S CAREER.’

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading It has none of the lyrical outbursts that thrill us in ‘Richard Feverel,’ and we are spared in it any violent shaking of the soul.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading It has none of the lyrical outbursts that thrill us in ‘Richard Feverel,’ and we are spared in it any violent shaking of the soul.

atmospherenounUS /ˈætməsfɪr/

a particular environment or surrounding influence

From this reading The atmosphere of ‘Evan Harrington’ is neither that of sombre passion nor poignant pain.

backadverbUS /bæk/

in or to or toward a former location

From this reading A delicious humour colours it throughout, and we are back upon the old sea of metaphors that the writer had nearly drifted from in the simple, undecorated strength of ‘Rhoda Fleming.’

BEAUCHAMP'S

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ‘EVAN HARRINGTON,’ ‘THE ADVENTURES OF HARRY RICHMOND,’ ‘SANDRA BELLONI,’ AND ‘BEAUCHAMP’S CAREER.’

BELLONI

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ‘EVAN HARRINGTON,’ ‘THE ADVENTURES OF HARRY RICHMOND,’ ‘SANDRA BELLONI,’ AND ‘BEAUCHAMP’S CAREER.’

calmverbUS /kɑːm/

make calm or still

From this reading We are allowed to view life more temperately, and follow the fortunes of the characters with an undisturbed exercise of philosophic calm and judgment.

CAREERnounUS /kərˈɪr/

the particular occupation for which you are trained

From this reading ‘EVAN HARRINGTON,’ ‘THE ADVENTURES OF HARRY RICHMOND,’ ‘SANDRA BELLONI,’ AND ‘BEAUCHAMP’S CAREER.’

charactersnounUS /ˈkærəktərz/

plural of “character” — an imaginary person represented in a work of fiction (play or film or story)

From this reading We are allowed to view life more temperately, and follow the fortunes of the characters with an undisturbed exercise of philosophic calm and judgment.

coloursnounUS /ˈkʌlərz/

a distinguishing emblem

From this reading A delicious humour colours it throughout, and we are back upon the old sea of metaphors that the writer had nearly drifted from in the simple, undecorated strength of ‘Rhoda Fleming.’

deliciousadjectiveUS /dɪˈlɪʃəs/

greatly pleasing or entertaining

From this reading A delicious humour colours it throughout, and we are back upon the old sea of metaphors that the writer had nearly drifted from in the simple, undecorated strength of ‘Rhoda Fleming.’

driftedverbUS /ˈdrɪftəd/

past form of “drift” — be in motion due to some air or water current

From this reading A delicious humour colours it throughout, and we are back upon the old sea of metaphors that the writer had nearly drifted from in the simple, undecorated strength of ‘Rhoda Fleming.’

EVAN

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ‘EVAN HARRINGTON,’ ‘THE ADVENTURES OF HARRY RICHMOND,’ ‘SANDRA BELLONI,’ AND ‘BEAUCHAMP’S CAREER.’

exercisenounUS /ˈeksərsaɪz/

the activity of exerting your muscles in various ways to keep fit

From this reading We are allowed to view life more temperately, and follow the fortunes of the characters with an undisturbed exercise of philosophic calm and judgment.

Feverel

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It has none of the lyrical outbursts that thrill us in ‘Richard Feverel,’ and we are spared in it any violent shaking of the soul.

FlemingnounUS /ˈflemɪŋ/

British writer famous for writing spy novels about secret agent James Bond (1908-1964)

From this reading A delicious humour colours it throughout, and we are back upon the old sea of metaphors that the writer had nearly drifted from in the simple, undecorated strength of ‘Rhoda Fleming.’

followverbUS /ˈfɑːloʊ/

to travel behind, go after, come after

From this reading We are allowed to view life more temperately, and follow the fortunes of the characters with an undisturbed exercise of philosophic calm and judgment.

fortunesnounUS /ˈfɔːrtʃənz/

plural of “fortune” — an unknown and unpredictable phenomenon that causes an event to result one way rather than another

From this reading We are allowed to view life more temperately, and follow the fortunes of the characters with an undisturbed exercise of philosophic calm and judgment.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading A delicious humour colours it throughout, and we are back upon the old sea of metaphors that the writer had nearly drifted from in the simple, undecorated strength of ‘Rhoda Fleming.’

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading A delicious humour colours it throughout, and we are back upon the old sea of metaphors that the writer had nearly drifted from in the simple, undecorated strength of ‘Rhoda Fleming.’

HARRINGTON

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ‘EVAN HARRINGTON,’ ‘THE ADVENTURES OF HARRY RICHMOND,’ ‘SANDRA BELLONI,’ AND ‘BEAUCHAMP’S CAREER.’

HARRYverbUS /ˈheri/

annoy continually or chronically

From this reading ‘EVAN HARRINGTON,’ ‘THE ADVENTURES OF HARRY RICHMOND,’ ‘SANDRA BELLONI,’ AND ‘BEAUCHAMP’S CAREER.’

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading It has none of the lyrical outbursts that thrill us in ‘Richard Feverel,’ and we are spared in it any violent shaking of the soul.

humournounUS /ˈhjuːmər/

a characteristic (habitual or relatively temporary) state of feeling

From this reading A delicious humour colours it throughout, and we are back upon the old sea of metaphors that the writer had nearly drifted from in the simple, undecorated strength of ‘Rhoda Fleming.’

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading It has none of the lyrical outbursts that thrill us in ‘Richard Feverel,’ and we are spared in it any violent shaking of the soul.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading The atmosphere of ‘Evan Harrington’ is neither that of sombre passion nor poignant pain.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It has none of the lyrical outbursts that thrill us in ‘Richard Feverel,’ and we are spared in it any violent shaking of the soul.

judgmentnounUS /ˈdʒʌdʒmənt/

an opinion formed by judging something

From this reading We are allowed to view life more temperately, and follow the fortunes of the characters with an undisturbed exercise of philosophic calm and judgment.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading We are allowed to view life more temperately, and follow the fortunes of the characters with an undisturbed exercise of philosophic calm and judgment.

lyricaladjectiveUS /ˈlɪrɪkəl/

suitable for or suggestive of singing

From this reading It has none of the lyrical outbursts that thrill us in ‘Richard Feverel,’ and we are spared in it any violent shaking of the soul.

metaphorsnounUS /ˈmetəfɔːrz/

plural of “metaphor” — a figure of speech in which an expression is used to refer to something that it does not literally denote in order to suggest a similarity

From this reading A delicious humour colours it throughout, and we are back upon the old sea of metaphors that the writer had nearly drifted from in the simple, undecorated strength of ‘Rhoda Fleming.’

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading We are allowed to view life more temperately, and follow the fortunes of the characters with an undisturbed exercise of philosophic calm and judgment.

nearlyadverbUS /ˈnɪrli/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading A delicious humour colours it throughout, and we are back upon the old sea of metaphors that the writer had nearly drifted from in the simple, undecorated strength of ‘Rhoda Fleming.’

neitherdeterminerUS /ˈniːðər/

not one and not the other of two

From this reading The atmosphere of ‘Evan Harrington’ is neither that of sombre passion nor poignant pain.

nonepronounUS /nʌn/

not one, and not any

From this reading It has none of the lyrical outbursts that thrill us in ‘Richard Feverel,’ and we are spared in it any violent shaking of the soul.

norconjunctionUS /nɔːr/

and not; used after a negative to add a second negative

From this reading The atmosphere of ‘Evan Harrington’ is neither that of sombre passion nor poignant pain.

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading ‘EVAN HARRINGTON,’ ‘THE ADVENTURES OF HARRY RICHMOND,’ ‘SANDRA BELLONI,’ AND ‘BEAUCHAMP’S CAREER.’

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading A delicious humour colours it throughout, and we are back upon the old sea of metaphors that the writer had nearly drifted from in the simple, undecorated strength of ‘Rhoda Fleming.’

outburstsnounUS /ˈaʊtbɜːrsts/

plural of “outburst” — an unrestrained expression of emotion

From this reading It has none of the lyrical outbursts that thrill us in ‘Richard Feverel,’ and we are spared in it any violent shaking of the soul.

painnounUS /peɪn/

a symptom of some physical hurt or disorder

From this reading The atmosphere of ‘Evan Harrington’ is neither that of sombre passion nor poignant pain.

passionnounUS /ˈpæʃən/

a strong feeling or emotion

From this reading The atmosphere of ‘Evan Harrington’ is neither that of sombre passion nor poignant pain.

philosophicadjectiveUS /ˌfɪləˈsɑːfɪk/

of or relating to philosophy or philosophers

From this reading We are allowed to view life more temperately, and follow the fortunes of the characters with an undisturbed exercise of philosophic calm and judgment.

poignantadjectiveUS /ˈpɔɪnjənt/

arousing affect

From this reading The atmosphere of ‘Evan Harrington’ is neither that of sombre passion nor poignant pain.

Rhoda

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading A delicious humour colours it throughout, and we are back upon the old sea of metaphors that the writer had nearly drifted from in the simple, undecorated strength of ‘Rhoda Fleming.’

Richard

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It has none of the lyrical outbursts that thrill us in ‘Richard Feverel,’ and we are spared in it any violent shaking of the soul.

RICHMONDnounUS /ˈrɪtʃmənd/

capital of the state of Virginia located in the east central part of the state; was capital of the Confederacy during the American Civil War

From this reading ‘EVAN HARRINGTON,’ ‘THE ADVENTURES OF HARRY RICHMOND,’ ‘SANDRA BELLONI,’ AND ‘BEAUCHAMP’S CAREER.’

SANDRA

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ‘EVAN HARRINGTON,’ ‘THE ADVENTURES OF HARRY RICHMOND,’ ‘SANDRA BELLONI,’ AND ‘BEAUCHAMP’S CAREER.’

seanounUS /siː/

a division of an ocean or a large body of salt water partially enclosed by land

From this reading A delicious humour colours it throughout, and we are back upon the old sea of metaphors that the writer had nearly drifted from in the simple, undecorated strength of ‘Rhoda Fleming.’

shakingnounUS /ˈʃeɪkɪŋ/

the act of causing something to move up and down (or back and forth) with quick movements

From this reading It has none of the lyrical outbursts that thrill us in ‘Richard Feverel,’ and we are spared in it any violent shaking of the soul.

simpleadjectiveUS /ˈsɪmpəl/

having few parts; not complex or complicated or involved

From this reading A delicious humour colours it throughout, and we are back upon the old sea of metaphors that the writer had nearly drifted from in the simple, undecorated strength of ‘Rhoda Fleming.’

sombreadjective

lacking brightness or color; dull

From this reading The atmosphere of ‘Evan Harrington’ is neither that of sombre passion nor poignant pain.

soulnounUS /soʊl/

the immaterial part of a person; the actuating cause of an individual life

From this reading It has none of the lyrical outbursts that thrill us in ‘Richard Feverel,’ and we are spared in it any violent shaking of the soul.

sparedverbUS /sperd/

past form of “spare” — refrain from harming

From this reading It has none of the lyrical outbursts that thrill us in ‘Richard Feverel,’ and we are spared in it any violent shaking of the soul.

strengthnounUS /streŋkθ/

the property of being physically or mentally strong

From this reading A delicious humour colours it throughout, and we are back upon the old sea of metaphors that the writer had nearly drifted from in the simple, undecorated strength of ‘Rhoda Fleming.’

temperatelyadverb

with restraint

From this reading We are allowed to view life more temperately, and follow the fortunes of the characters with an undisturbed exercise of philosophic calm and judgment.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading The atmosphere of ‘Evan Harrington’ is neither that of sombre passion nor poignant pain.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading ‘EVAN HARRINGTON,’ ‘THE ADVENTURES OF HARRY RICHMOND,’ ‘SANDRA BELLONI,’ AND ‘BEAUCHAMP’S CAREER.’

thrillnounUS /θrɪl/

the swift release of a store of affective force

From this reading It has none of the lyrical outbursts that thrill us in ‘Richard Feverel,’ and we are spared in it any violent shaking of the soul.

throughoutprepositionUS /θruːˈaʊt/

in every part of a place, or for the whole of a period

From this reading A delicious humour colours it throughout, and we are back upon the old sea of metaphors that the writer had nearly drifted from in the simple, undecorated strength of ‘Rhoda Fleming.’

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading We are allowed to view life more temperately, and follow the fortunes of the characters with an undisturbed exercise of philosophic calm and judgment.

undecoratedadjective

not decorated with something to increase its beauty or distinction

From this reading A delicious humour colours it throughout, and we are back upon the old sea of metaphors that the writer had nearly drifted from in the simple, undecorated strength of ‘Rhoda Fleming.’

undisturbedadjectiveUS /ˌʌndɪˈstɜːrbd/

untroubled by interference or disturbance

From this reading We are allowed to view life more temperately, and follow the fortunes of the characters with an undisturbed exercise of philosophic calm and judgment.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading A delicious humour colours it throughout, and we are back upon the old sea of metaphors that the writer had nearly drifted from in the simple, undecorated strength of ‘Rhoda Fleming.’

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading It has none of the lyrical outbursts that thrill us in ‘Richard Feverel,’ and we are spared in it any violent shaking of the soul.

viewnounUS /vjuː/

a way of regarding situations or topics etc.

From this reading We are allowed to view life more temperately, and follow the fortunes of the characters with an undisturbed exercise of philosophic calm and judgment.

violentadjectiveUS /ˈvaɪələnt/

acting with or marked by or resulting from great force or energy or emotional intensity

From this reading It has none of the lyrical outbursts that thrill us in ‘Richard Feverel,’ and we are spared in it any violent shaking of the soul.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading It has none of the lyrical outbursts that thrill us in ‘Richard Feverel,’ and we are spared in it any violent shaking of the soul.

withprepositionUS /wɪð/

in the company of; together with

From this reading We are allowed to view life more temperately, and follow the fortunes of the characters with an undisturbed exercise of philosophic calm and judgment.

writernounUS /ˈraɪtər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading A delicious humour colours it throughout, and we are back upon the old sea of metaphors that the writer had nearly drifted from in the simple, undecorated strength of ‘Rhoda Fleming.’

Chapter 4 of George Meredith: A Study by Hannah Lynch holds 174 sentences, grouped into 35 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 4 of George Meredith: A Study contain?

Chapter 4 holds 174 sentences of George Meredith: A Study, unabridged, divided into 35 reading sections.

This page carries chapter 4 of George Meredith: A Study by Hannah Lynch exactly as it stands in the source edition, without abridgement. It runs to 174 sentences, grouped into 35 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 4 of George Meredith: A Study?

Work through the 35 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 35 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 4 be read aloud to me?

Yes — every sentence and every individual word in chapter 4 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading George Meredith: A Study

Common questions about reading George Meredith: A Study by Hannah Lynch on this page, its source edition and its audio.

Is this the complete text of George Meredith: A Study?

Yes. All 0 sentences of Project Gutenberg eBook #? are kept, with a record of which sentences cover which part.

Which edition of George Meredith: A Study is used?

Project Gutenberg eBook #?, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does George Meredith: A Study take to read?

About 5 minutes of reading across 0 sections of 5 sentences each, at an unhurried pace.

How to read George Meredith: A Study section by section

How to work through George Meredith: A Study section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 0 chapters of George Meredith: A Study to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in George Meredith: A Study

Words and structures a reader meets early in George Meredith: A Study, each tappable for pronunciation and meaning.

Chapter 1
One of the 0 chapters of George Meredith: A Study, divided into 5-sentence reading sections.
Chapter 2
One of the 0 chapters of George Meredith: A Study, divided into 5-sentence reading sections.
Chapter 3
One of the 0 chapters of George Meredith: A Study, divided into 5-sentence reading sections.