Complete classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
German Fiction
German Fiction

Chapter I

Chapter 1 of German Fiction is here in full — 79 sentences across 16 reading sections, with audio for every sentence and word.

Cover illustration for German Fiction
Context Illustration Reading 1/15 · 5 lines
English subtitles · tap any word to listen 1 / 5
THE HARVARD CLASSICS SHELF OF FICTION SELECTED BY CHARLES W. ELIOT LLD.
MANUFACTURED IN U. S. A.
The fact that newspaper reporters commonly call their articles "stories" points to a certain analogy between the novel and the newspaper.
Even when prose fiction aims to be a fine art, it readily takes on a journalistic character; it is usually designed for immediate effect--at the concomitant risk of producing no other--and it easily passes from hand to hand or from country to country.
In our day prose fiction is almost an international phenomenon: novels of a high degree of popularity are immediately translated and promptly imitated in the most distant quarters of the globe.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

German Fiction

Chapter I

Chapter 1 of German Fiction is here in full — 79 sentences across 16 reading sections, with audio for every sentence and word.

Reading 1/15 · 5 reading units · Lines 1–5

Line 1
THE HARVARD CLASSICS SHELF OF FICTION SELECTED BY CHARLES W. ELIOT LLD.
Line 2
MANUFACTURED IN U. S. A.
/ˌmænjəˈfæktʃərd ɪn juː es ə/
Line 3
The fact that newspaper reporters commonly call their articles "stories" points to a certain analogy between the novel and the newspaper.
/ðə fækt ðæt ˈnuːzpeɪpər rɪˈpɔːrtərz ˈkɑːmənli kɔːl ðer ˈɑːrtəkəlz ˈstɔːriz pɔɪnts tuː ə ˈsɜːrtən əˈnælədʒi bɪˈtwiːn ðə ˈnɑːvəl ənd ðə ˈnuːzpeɪpər/
Line 4
Even when prose fiction aims to be a fine art, it readily takes on a journalistic character; it is usually designed for immediate effect--at the concomitant risk of producing no other--and it easily passes from hand to hand or from country to country.
Line 5
In our day prose fiction is almost an international phenomenon: novels of a high degree of popularity are immediately translated and promptly imitated in the most distant quarters of the globe.
/ɪn ˈaʊər deɪ proʊz ˈfɪkʃən ɪz ˈɔːlmoʊst æn ˌɪntərˈnæʃənəl fəˈnɑːmənɑːn ˈnɑːvəlz ʌv ə haɪ dɪˈɡriː ʌv ˌpɑːpjəˈlerəti ɑːr ˌɪˈmiːdiːətli trænzˈleɪtɪd ənd ˈprɑːmptli ˈɪməteɪtɪd ɪn ðə moʊst ˈdɪstənt ˈkwɔːrtərz ʌv ðə ɡloʊb/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

analogy noun US /əˈnælədʒi/

an inference that if things agree in some respects they probably agree in others

From this reading “The fact that newspaper reporters commonly call their articles "stories" points to a certain analogy between the novel and the newspaper.”

classics noun US /ˈklæsɪks/

study of the literary works of ancient Greece and Rome

From this reading “THE HARVARD CLASSICS SHELF OF FICTION SELECTED BY CHARLES W. ELIOT LLD.”

concomitant noun US /ˌkɑːnˈkɑːmətənt/

an event or situation that happens at the same time as or in connection with another

From this reading “Even when prose fiction aims to be a fine art, it readily takes on a journalistic character; it is usually designed for immediate effect--at the concomitant risk of producing no other--and it easily passes from hand to hand or from country to country.”

eliot noun US /ˈeliət/

British poet (born in the United States) who won the Nobel prize for literature; his plays are outstanding examples of modern verse drama (1888-1965)

From this reading “THE HARVARD CLASSICS SHELF OF FICTION SELECTED BY CHARLES W. ELIOT LLD.”

international adjective US /ˌɪntərˈnæʃənəl/

concerning or belonging to all or at least two or more nations

From this reading “In our day prose fiction is almost an international phenomenon: novels of a high degree of popularity are immediately translated and promptly imitated in the most distant quarters of the globe.”

journalistic adjective US /ˌdʒɜːrnəˈlɪstɪk/

of or relating to or having the characteristics of journalism

From this reading “Even when prose fiction aims to be a fine art, it readily takes on a journalistic character; it is usually designed for immediate effect--at the concomitant risk of producing no other--and it easily passes from hand to hand or from country to country.”

manufactured adjective US /ˌmænjəˈfæktʃərd/

produced in a large-scale industrial operation

From this reading “MANUFACTURED IN U. S. A.”

reporters noun US /rɪˈpɔːrtərz/

plural of “reporter” — a person who investigates and reports or edits news stories

From this reading “The fact that newspaper reporters commonly call their articles "stories" points to a certain analogy between the novel and the newspaper.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

newspaper reporters noun + noun counted as “newspaper reporter”

In this reading “The fact that newspaper reporters commonly call their articles "stories" points to a certain analogy between the novel and the newspaper.”

high degree adjective + noun

In this reading “In our day prose fiction is almost an international phenomenon: novels of a high degree of popularity are immediately translated and promptly imitated in the most distant quarters of the globe.”

most distant adverb + adjective

In this reading “In our day prose fiction is almost an international phenomenon: novels of a high degree of popularity are immediately translated and promptly imitated in the most distant quarters of the globe.”

of the globe preposition + article + noun counted as “of … globe”

In this reading “In our day prose fiction is almost an international phenomenon: novels of a high degree of popularity are immediately translated and promptly imitated in the most distant quarters of the globe.”

passes from verb + particle counted as “pass from”

In this reading “Even when prose fiction aims to be a fine art, it readily takes on a journalistic character; it is usually designed for immediate effect--at the concomitant risk of producing no other--and it easily passes from hand to hand or from country to country.”

All words in this reading · 83

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading MANUFACTURED IN U. S. A.

aimsnounUS /eɪmz/

plural of “aim” — an anticipated outcome that is intended or that guides your planned actions

From this reading Even when prose fiction aims to be a fine art, it readily takes on a journalistic character; it is usually designed for immediate effect--at the concomitant risk of producing no other--and it easily passes from hand to hand or from country to country.

almostadverbUS /ˈɔːlmoʊst/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading In our day prose fiction is almost an international phenomenon: novels of a high degree of popularity are immediately translated and promptly imitated in the most distant quarters of the globe.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading In our day prose fiction is almost an international phenomenon: novels of a high degree of popularity are immediately translated and promptly imitated in the most distant quarters of the globe.

analogynounUS /əˈnælədʒi/

an inference that if things agree in some respects they probably agree in others

From this reading The fact that newspaper reporters commonly call their articles "stories" points to a certain analogy between the novel and the newspaper.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading The fact that newspaper reporters commonly call their articles "stories" points to a certain analogy between the novel and the newspaper.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading In our day prose fiction is almost an international phenomenon: novels of a high degree of popularity are immediately translated and promptly imitated in the most distant quarters of the globe.

artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading Even when prose fiction aims to be a fine art, it readily takes on a journalistic character; it is usually designed for immediate effect--at the concomitant risk of producing no other--and it easily passes from hand to hand or from country to country.

articlesnounUS /ˈɑːrtəkəlz/

plural of “article” — nonfictional prose forming an independent part of a publication

From this reading The fact that newspaper reporters commonly call their articles "stories" points to a certain analogy between the novel and the newspaper.

atprepositionUS /æt/

in or near a particular place or position

From this reading Even when prose fiction aims to be a fine art, it readily takes on a journalistic character; it is usually designed for immediate effect--at the concomitant risk of producing no other--and it easily passes from hand to hand or from country to country.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Even when prose fiction aims to be a fine art, it readily takes on a journalistic character; it is usually designed for immediate effect--at the concomitant risk of producing no other--and it easily passes from hand to hand or from country to country.

betweenprepositionUS /bɪˈtwiːn/

in the space, time, or range separating two things

From this reading The fact that newspaper reporters commonly call their articles "stories" points to a certain analogy between the novel and the newspaper.

BYprepositionUS /baɪ/

showing who or what does the action

From this reading THE HARVARD CLASSICS SHELF OF FICTION SELECTED BY CHARLES W. ELIOT LLD.

callverbUS /kɔːl/

assign a specified (usually proper) proper name to

From this reading The fact that newspaper reporters commonly call their articles "stories" points to a certain analogy between the novel and the newspaper.

certainadjectiveUS /ˈsɜːrtən/

definite but not specified or identified

From this reading The fact that newspaper reporters commonly call their articles "stories" points to a certain analogy between the novel and the newspaper.

characternounUS /ˈkerɪktər/

an imaginary person represented in a work of fiction (play or film or story)

From this reading Even when prose fiction aims to be a fine art, it readily takes on a journalistic character; it is usually designed for immediate effect--at the concomitant risk of producing no other--and it easily passes from hand to hand or from country to country.

CHARLESnounUS /tʃɑːrlz/

King of France from 1560 to 1574 whose reign was dominated by his mother Catherine de Medicis (1550-1574)

From this reading THE HARVARD CLASSICS SHELF OF FICTION SELECTED BY CHARLES W. ELIOT LLD.

CLASSICSnounUS /ˈklæsɪks/

study of the literary works of ancient Greece and Rome

From this reading THE HARVARD CLASSICS SHELF OF FICTION SELECTED BY CHARLES W. ELIOT LLD.

commonlyadverbUS /ˈkɑːmənli/

under normal conditions

From this reading The fact that newspaper reporters commonly call their articles "stories" points to a certain analogy between the novel and the newspaper.

concomitantnounUS /ˌkɑːnˈkɑːmətənt/

an event or situation that happens at the same time as or in connection with another

From this reading Even when prose fiction aims to be a fine art, it readily takes on a journalistic character; it is usually designed for immediate effect--at the concomitant risk of producing no other--and it easily passes from hand to hand or from country to country.

countrynounUS /ˈkʌntri/

a politically organized body of people under a single government

From this reading Even when prose fiction aims to be a fine art, it readily takes on a journalistic character; it is usually designed for immediate effect--at the concomitant risk of producing no other--and it easily passes from hand to hand or from country to country.

daynounUS /deɪ/

time for Earth to make a complete rotation on its axis

From this reading In our day prose fiction is almost an international phenomenon: novels of a high degree of popularity are immediately translated and promptly imitated in the most distant quarters of the globe.

degreenounUS /dɪˈɡriː/

a position on a scale of intensity or amount or quality

From this reading In our day prose fiction is almost an international phenomenon: novels of a high degree of popularity are immediately translated and promptly imitated in the most distant quarters of the globe.

designedadjectiveUS /dɪˈzaɪnd/

done or made or performed with purpose and intent

From this reading Even when prose fiction aims to be a fine art, it readily takes on a journalistic character; it is usually designed for immediate effect--at the concomitant risk of producing no other--and it easily passes from hand to hand or from country to country.

distantadjectiveUS /ˈdɪstənt/

separated in space or coming from or going to a distance

From this reading In our day prose fiction is almost an international phenomenon: novels of a high degree of popularity are immediately translated and promptly imitated in the most distant quarters of the globe.

easilyadverbUS /ˈiːzəli/

with ease (“easy” is sometimes used informally for “easily”)

From this reading Even when prose fiction aims to be a fine art, it readily takes on a journalistic character; it is usually designed for immediate effect--at the concomitant risk of producing no other--and it easily passes from hand to hand or from country to country.

effectnounUS /ɪˈfekt/

a phenomenon that follows and is caused by some previous phenomenon

From this reading Even when prose fiction aims to be a fine art, it readily takes on a journalistic character; it is usually designed for immediate effect--at the concomitant risk of producing no other--and it easily passes from hand to hand or from country to country.

ELIOTnounUS /ˈeliət/

British poet (born in the United States) who won the Nobel prize for literature; his plays are outstanding examples of modern verse drama (1888-1965)

From this reading THE HARVARD CLASSICS SHELF OF FICTION SELECTED BY CHARLES W. ELIOT LLD.

EvenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading Even when prose fiction aims to be a fine art, it readily takes on a journalistic character; it is usually designed for immediate effect--at the concomitant risk of producing no other--and it easily passes from hand to hand or from country to country.

factnounUS /fækt/

a piece of information about circumstances that exist or events that have occurred

From this reading The fact that newspaper reporters commonly call their articles "stories" points to a certain analogy between the novel and the newspaper.

FICTIONnounUS /ˈfɪkʃən/

a literary work based on the imagination and not necessarily on fact

From this reading THE HARVARD CLASSICS SHELF OF FICTION SELECTED BY CHARLES W. ELIOT LLD.

fineadjectiveUS /faɪn/

being satisfactory or in satisfactory condition

From this reading Even when prose fiction aims to be a fine art, it readily takes on a journalistic character; it is usually designed for immediate effect--at the concomitant risk of producing no other--and it easily passes from hand to hand or from country to country.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Even when prose fiction aims to be a fine art, it readily takes on a journalistic character; it is usually designed for immediate effect--at the concomitant risk of producing no other--and it easily passes from hand to hand or from country to country.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Even when prose fiction aims to be a fine art, it readily takes on a journalistic character; it is usually designed for immediate effect--at the concomitant risk of producing no other--and it easily passes from hand to hand or from country to country.

globenounUS /ɡloʊb/

the 3rd planet from the sun; the planet we live on

From this reading In our day prose fiction is almost an international phenomenon: novels of a high degree of popularity are immediately translated and promptly imitated in the most distant quarters of the globe.

handnounUS /hænd/

the (prehensile) extremity of the superior limb

From this reading Even when prose fiction aims to be a fine art, it readily takes on a journalistic character; it is usually designed for immediate effect--at the concomitant risk of producing no other--and it easily passes from hand to hand or from country to country.

HARVARDnounUS /ˈhɑːrvərd/

a university in Massachusetts

From this reading THE HARVARD CLASSICS SHELF OF FICTION SELECTED BY CHARLES W. ELIOT LLD.

highadjectiveUS /haɪ/

greater than normal in degree or intensity or amount

From this reading In our day prose fiction is almost an international phenomenon: novels of a high degree of popularity are immediately translated and promptly imitated in the most distant quarters of the globe.

imitatedverbUS /ˈɪməteɪtɪd/

past form of “imitate” — reproduce someone's behavior or looks

From this reading In our day prose fiction is almost an international phenomenon: novels of a high degree of popularity are immediately translated and promptly imitated in the most distant quarters of the globe.

immediateadjectiveUS /ˌɪˈmiːdiːət/

of the present time and place

From this reading Even when prose fiction aims to be a fine art, it readily takes on a journalistic character; it is usually designed for immediate effect--at the concomitant risk of producing no other--and it easily passes from hand to hand or from country to country.

immediatelyadverbUS /ˌɪˈmiːdiːətli/

without delay or hesitation; with no time intervening

From this reading In our day prose fiction is almost an international phenomenon: novels of a high degree of popularity are immediately translated and promptly imitated in the most distant quarters of the globe.

INprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading MANUFACTURED IN U. S. A.

internationaladjectiveUS /ˌɪntərˈnæʃənəl/

concerning or belonging to all or at least two or more nations

From this reading In our day prose fiction is almost an international phenomenon: novels of a high degree of popularity are immediately translated and promptly imitated in the most distant quarters of the globe.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Even when prose fiction aims to be a fine art, it readily takes on a journalistic character; it is usually designed for immediate effect--at the concomitant risk of producing no other--and it easily passes from hand to hand or from country to country.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Even when prose fiction aims to be a fine art, it readily takes on a journalistic character; it is usually designed for immediate effect--at the concomitant risk of producing no other--and it easily passes from hand to hand or from country to country.

journalisticadjectiveUS /ˌdʒɜːrnəˈlɪstɪk/

of or relating to or having the characteristics of journalism

From this reading Even when prose fiction aims to be a fine art, it readily takes on a journalistic character; it is usually designed for immediate effect--at the concomitant risk of producing no other--and it easily passes from hand to hand or from country to country.

LLDnoun

an honorary law degree

From this reading THE HARVARD CLASSICS SHELF OF FICTION SELECTED BY CHARLES W. ELIOT LLD.

MANUFACTUREDadjectiveUS /ˌmænjəˈfæktʃərd/

produced in a large-scale industrial operation

From this reading MANUFACTURED IN U. S. A.

mostadverbUS /moʊst/

used to form the superlative

From this reading In our day prose fiction is almost an international phenomenon: novels of a high degree of popularity are immediately translated and promptly imitated in the most distant quarters of the globe.

newspapernounUS /ˈnuːzpeɪpər/

a daily or weekly publication on folded sheets; contains news and articles and advertisements

From this reading The fact that newspaper reporters commonly call their articles "stories" points to a certain analogy between the novel and the newspaper.

nodeterminerUS /noʊ/

not any; not one

From this reading Even when prose fiction aims to be a fine art, it readily takes on a journalistic character; it is usually designed for immediate effect--at the concomitant risk of producing no other--and it easily passes from hand to hand or from country to country.

novelnounUS /ˈnɑːvəl/

an extended fictional work in prose; usually in the form of a story

From this reading The fact that newspaper reporters commonly call their articles "stories" points to a certain analogy between the novel and the newspaper.

novelsnounUS /ˈnɑːvəlz/

plural of “novel” — an extended fictional work in prose; usually in the form of a story

From this reading In our day prose fiction is almost an international phenomenon: novels of a high degree of popularity are immediately translated and promptly imitated in the most distant quarters of the globe.

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading THE HARVARD CLASSICS SHELF OF FICTION SELECTED BY CHARLES W. ELIOT LLD.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading Even when prose fiction aims to be a fine art, it readily takes on a journalistic character; it is usually designed for immediate effect--at the concomitant risk of producing no other--and it easily passes from hand to hand or from country to country.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Even when prose fiction aims to be a fine art, it readily takes on a journalistic character; it is usually designed for immediate effect--at the concomitant risk of producing no other--and it easily passes from hand to hand or from country to country.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading Even when prose fiction aims to be a fine art, it readily takes on a journalistic character; it is usually designed for immediate effect--at the concomitant risk of producing no other--and it easily passes from hand to hand or from country to country.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading In our day prose fiction is almost an international phenomenon: novels of a high degree of popularity are immediately translated and promptly imitated in the most distant quarters of the globe.

passesnounUS /ˈpæsəz/

plural of “pass” — (baseball) an advance to first base by a batter who receives four balls

From this reading Even when prose fiction aims to be a fine art, it readily takes on a journalistic character; it is usually designed for immediate effect--at the concomitant risk of producing no other--and it easily passes from hand to hand or from country to country.

phenomenonnounUS /fəˈnɑːmənɑːn/

any state or process known through the senses rather than by intuition or reasoning

From this reading In our day prose fiction is almost an international phenomenon: novels of a high degree of popularity are immediately translated and promptly imitated in the most distant quarters of the globe.

pointsnounUS /pɔɪnts/

plural of “point” — a geometric element that has position but no extension

From this reading The fact that newspaper reporters commonly call their articles "stories" points to a certain analogy between the novel and the newspaper.

popularitynounUS /ˌpɑːpjəˈlerəti/

the quality of being widely admired or accepted or sought after

From this reading In our day prose fiction is almost an international phenomenon: novels of a high degree of popularity are immediately translated and promptly imitated in the most distant quarters of the globe.

producingverbUS /prəˈduːsɪŋ/

-ing form of “produce” — bring forth or yield

From this reading Even when prose fiction aims to be a fine art, it readily takes on a journalistic character; it is usually designed for immediate effect--at the concomitant risk of producing no other--and it easily passes from hand to hand or from country to country.

promptlyadverbUS /ˈprɑːmptli/

with little or no delay

From this reading In our day prose fiction is almost an international phenomenon: novels of a high degree of popularity are immediately translated and promptly imitated in the most distant quarters of the globe.

prosenounUS /proʊz/

ordinary writing as distinguished from verse

From this reading Even when prose fiction aims to be a fine art, it readily takes on a journalistic character; it is usually designed for immediate effect--at the concomitant risk of producing no other--and it easily passes from hand to hand or from country to country.

quartersnounUS /ˈkwɔːrtərz/

housing available for people to live in

From this reading In our day prose fiction is almost an international phenomenon: novels of a high degree of popularity are immediately translated and promptly imitated in the most distant quarters of the globe.

readilyadverbUS /ˈredəli/

without much difficulty

From this reading Even when prose fiction aims to be a fine art, it readily takes on a journalistic character; it is usually designed for immediate effect--at the concomitant risk of producing no other--and it easily passes from hand to hand or from country to country.

reportersnounUS /rɪˈpɔːrtərz/

plural of “reporter” — a person who investigates and reports or edits news stories

From this reading The fact that newspaper reporters commonly call their articles "stories" points to a certain analogy between the novel and the newspaper.

risknounUS /rɪsk/

a source of danger; a possibility of incurring loss or misfortune

From this reading Even when prose fiction aims to be a fine art, it readily takes on a journalistic character; it is usually designed for immediate effect--at the concomitant risk of producing no other--and it easily passes from hand to hand or from country to country.

SnounUS /es/

1/60 of a minute; the basic unit of time adopted under the Systeme International d'Unites

From this reading MANUFACTURED IN U. S. A.

SELECTEDadjectiveUS /səˈlektɪd/

chosen in preference to another

From this reading THE HARVARD CLASSICS SHELF OF FICTION SELECTED BY CHARLES W. ELIOT LLD.

SHELFnounUS /ʃelf/

A flat horizontal plane used to hold books or scrolls in a library.

From this reading THE HARVARD CLASSICS SHELF OF FICTION SELECTED BY CHARLES W. ELIOT LLD.

storiesnounUS /ˈstɔːriz/

plural of “story” — a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading The fact that newspaper reporters commonly call their articles "stories" points to a certain analogy between the novel and the newspaper.

takesnounUS /teɪks/

plural of “take” — the income or profit arising from such transactions as the sale of land or other property

From this reading Even when prose fiction aims to be a fine art, it readily takes on a journalistic character; it is usually designed for immediate effect--at the concomitant risk of producing no other--and it easily passes from hand to hand or from country to country.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading The fact that newspaper reporters commonly call their articles "stories" points to a certain analogy between the novel and the newspaper.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE HARVARD CLASSICS SHELF OF FICTION SELECTED BY CHARLES W. ELIOT LLD.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading The fact that newspaper reporters commonly call their articles "stories" points to a certain analogy between the novel and the newspaper.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading The fact that newspaper reporters commonly call their articles "stories" points to a certain analogy between the novel and the newspaper.

translatedverbUS /trænzˈleɪtɪd/

past form of “translate” — restate (words) from one language into another language

From this reading In our day prose fiction is almost an international phenomenon: novels of a high degree of popularity are immediately translated and promptly imitated in the most distant quarters of the globe.

UnounUS /juː/

a base containing nitrogen that is found in RNA (but not in DNA) and derived from pyrimidine; pairs with adenine

From this reading MANUFACTURED IN U. S. A.

usuallyadverbUS /ˈjuːʒəwəli/

under normal conditions

From this reading Even when prose fiction aims to be a fine art, it readily takes on a journalistic character; it is usually designed for immediate effect--at the concomitant risk of producing no other--and it easily passes from hand to hand or from country to country.

WnounUS /ˈdʌbəljuː/

a heavy grey-white metallic element; the pure form is used mainly in electrical applications; it is found in several ores including wolframite and scheelite

From this reading THE HARVARD CLASSICS SHELF OF FICTION SELECTED BY CHARLES W. ELIOT LLD.

whenconjunctionUS /wen/

at the time that

From this reading Even when prose fiction aims to be a fine art, it readily takes on a journalistic character; it is usually designed for immediate effect--at the concomitant risk of producing no other--and it easily passes from hand to hand or from country to country.

Chapter 1 of German Fiction by William Allan [Editor] Neilson holds 79 sentences, grouped into 16 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of German Fiction contain?

Chapter 1 holds 79 sentences of German Fiction, unabridged, divided into 16 reading sections.

This page carries chapter 1 of German Fiction by William Allan [Editor] Neilson exactly as it stands in the source edition, without abridgement. It runs to 79 sentences, grouped into 16 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of German Fiction?

Work through the 16 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 16 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading German Fiction

Common questions about reading German Fiction by William Allan [Editor] Neilson on this page, its source edition and its audio.

Is this the complete text of German Fiction?

Yes. All 9080 sentences of Project Gutenberg eBook #34506 are kept, with a record of which sentences cover which part.

Which edition of German Fiction is used?

Project Gutenberg eBook #34506, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does German Fiction take to read?

About 600 minutes of reading across 1816 sections of 5 sentences each, at an unhurried pace.

How to read German Fiction section by section

How to work through German Fiction section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 29 chapters of German Fiction to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in German Fiction

Words and structures a reader meets early in German Fiction, each tappable for pronunciation and meaning.

Harvard
A word that appears in the opening chapter of German Fiction; the reader can tap it to hear it and see its dictionary entry.
Classics
A word that appears in the opening chapter of German Fiction; the reader can tap it to hear it and see its dictionary entry.
Shelf
A word that appears in the opening chapter of German Fiction; the reader can tap it to hear it and see its dictionary entry.
Fiction
A word that appears in the opening chapter of German Fiction; the reader can tap it to hear it and see its dictionary entry.