Complete classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
Get out of our skies!
Get out of our skies!

Chapter II · Chapter 2

Chapter 2 of Get out of our skies! is here in full — 558 sentences across 112 reading sections, with audio for every sentence and word.

Cover illustration for Get out of our skies!
Context Illustration Reading 1/111 · 5 lines
English subtitles · tap any word to listen 1 / 5
* * * * * Tom didn't go to the Homelovers building the next morning.
He proceeded directly to the Lunt Theatre, where Homer Bradshaw was putting _Be It Ever So Humble_ into rehearsal.
He was in no mood for the theatre, but the appointment had been made too long before.
When he came through the doors of the theatre, Homer leaped halfway up the aisle to greet him, and pounded his back like a long-lost pal.
Actually, he had met the producer only twice before.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Get out of our skies!

Chapter II · Chapter 2

Chapter 2 of Get out of our skies! is here in full — 558 sentences across 112 reading sections, with audio for every sentence and word.

Reading 1/111 · 5 reading units · Lines 1–5

Line 1
* * * * * Tom didn't go to the Homelovers building the next morning.
Line 2
He proceeded directly to the Lunt Theatre, where Homer Bradshaw was putting _Be It Ever So Humble_ into rehearsal.
Line 3
He was in no mood for the theatre, but the appointment had been made too long before.
/hiː wɑːz ɪn noʊ muːd fɔːr ðə ˈθiːətər bʌt ðə əˈpɔɪntmənt hæd bɪn meɪd tuː lɔːŋ bɪˈfɔːr/
Line 4
When he came through the doors of the theatre, Homer leaped halfway up the aisle to greet him, and pounded his back like a long-lost pal.
Line 5
Actually, he had met the producer only twice before.
/ˈæktʃuːəli hiː hæd met ðə prəˈduːsər ˈoʊnli twaɪs bɪˈfɔːr/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

aisle noun US /aɪl/

a long narrow passage (as in a cave or woods)

From this reading “When he came through the doors of the theatre, Homer leaped halfway up the aisle to greet him, and pounded his back like a long-lost pal.”

halfway adjective US /ˈhæfˈweɪ/

equally distant from the extremes

From this reading “When he came through the doors of the theatre, Homer leaped halfway up the aisle to greet him, and pounded his back like a long-lost pal.”

Homer noun US /ˈhoʊmər/

a base hit on which the batter scores a run

From this reading “He proceeded directly to the Lunt Theatre, where Homer Bradshaw was putting _Be It Ever So Humble_ into rehearsal.”

Lunt noun US /lʌnt/

United States actor who performed with his wife Lynn Fontanne in many stage productions (1893-1977)

From this reading “He proceeded directly to the Lunt Theatre, where Homer Bradshaw was putting _Be It Ever So Humble_ into rehearsal.”

pal noun US /pæl/

a close friend who accompanies his buddies in their activities

From this reading “When he came through the doors of the theatre, Homer leaped halfway up the aisle to greet him, and pounded his back like a long-lost pal.”

pounded verb US /ˈpaʊndɪd/

past form of “pound” — hit hard with the hand, fist, or some heavy instrument

From this reading “When he came through the doors of the theatre, Homer leaped halfway up the aisle to greet him, and pounded his back like a long-lost pal.”

producer noun US /prəˈduːsər/

someone who manufactures something

From this reading “Actually, he had met the producer only twice before.”

rehearsal noun US /rɪˈhɜːrsəl/

a practice session in preparation for a public performance (as of a play or speech or concert)

From this reading “He proceeded directly to the Lunt Theatre, where Homer Bradshaw was putting _Be It Ever So Humble_ into rehearsal.”

All words in this reading · 62

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading When he came through the doors of the theatre, Homer leaped halfway up the aisle to greet him, and pounded his back like a long-lost pal.

ActuallyadverbUS /ˈæktʃuːəli/

in actual fact

From this reading Actually, he had met the producer only twice before.

aislenounUS /aɪl/

a long narrow passage (as in a cave or woods)

From this reading When he came through the doors of the theatre, Homer leaped halfway up the aisle to greet him, and pounded his back like a long-lost pal.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading When he came through the doors of the theatre, Homer leaped halfway up the aisle to greet him, and pounded his back like a long-lost pal.

appointmentnounUS /əˈpɔɪntmənt/

the act of putting a person into a non-elective position

From this reading He was in no mood for the theatre, but the appointment had been made too long before.

backadverbUS /bæk/

in or to or toward a former location

From this reading When he came through the doors of the theatre, Homer leaped halfway up the aisle to greet him, and pounded his back like a long-lost pal.

Beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading He proceeded directly to the Lunt Theatre, where Homer Bradshaw was putting _Be It Ever So Humble_ into rehearsal.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading He was in no mood for the theatre, but the appointment had been made too long before.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading He was in no mood for the theatre, but the appointment had been made too long before.

Bradshaw

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He proceeded directly to the Lunt Theatre, where Homer Bradshaw was putting _Be It Ever So Humble_ into rehearsal.

buildingnounUS /ˈbɪldɪŋ/

a structure that has a roof and walls and stands more or less permanently in one place

From this reading * * * * * Tom didn't go to the Homelovers building the next morning.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading He was in no mood for the theatre, but the appointment had been made too long before.

cameverbUS /keɪm/

inflected form of “come” — move toward, travel toward something or somebody or approach something or somebody

From this reading When he came through the doors of the theatre, Homer leaped halfway up the aisle to greet him, and pounded his back like a long-lost pal.

didn't

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading * * * * * Tom didn't go to the Homelovers building the next morning.

directlyadverbUS /dərˈektli/

without deviation

From this reading He proceeded directly to the Lunt Theatre, where Homer Bradshaw was putting _Be It Ever So Humble_ into rehearsal.

doorsnounUS /dɔːrz/

plural of “door” — a swinging or sliding barrier that will close the entrance to a room or building or vehicle

From this reading When he came through the doors of the theatre, Homer leaped halfway up the aisle to greet him, and pounded his back like a long-lost pal.

EveradverbUS /ˈevər/

at any time

From this reading He proceeded directly to the Lunt Theatre, where Homer Bradshaw was putting _Be It Ever So Humble_ into rehearsal.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading He was in no mood for the theatre, but the appointment had been made too long before.

goverbUS /ɡoʊ/

change location; move, travel, or proceed, also metaphorically

From this reading * * * * * Tom didn't go to the Homelovers building the next morning.

greetverbUS /ɡriːt/

express greetings upon meeting someone

From this reading When he came through the doors of the theatre, Homer leaped halfway up the aisle to greet him, and pounded his back like a long-lost pal.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading He was in no mood for the theatre, but the appointment had been made too long before.

halfwayadjectiveUS /ˈhæfˈweɪ/

equally distant from the extremes

From this reading When he came through the doors of the theatre, Homer leaped halfway up the aisle to greet him, and pounded his back like a long-lost pal.

HepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading He proceeded directly to the Lunt Theatre, where Homer Bradshaw was putting _Be It Ever So Humble_ into rehearsal.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading When he came through the doors of the theatre, Homer leaped halfway up the aisle to greet him, and pounded his back like a long-lost pal.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading When he came through the doors of the theatre, Homer leaped halfway up the aisle to greet him, and pounded his back like a long-lost pal.

Homelovers

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading * * * * * Tom didn't go to the Homelovers building the next morning.

HomernounUS /ˈhoʊmər/

a base hit on which the batter scores a run

From this reading He proceeded directly to the Lunt Theatre, where Homer Bradshaw was putting _Be It Ever So Humble_ into rehearsal.

HumbleadjectiveUS /ˈhʌmbəl/

low or inferior in station or quality

From this reading He proceeded directly to the Lunt Theatre, where Homer Bradshaw was putting _Be It Ever So Humble_ into rehearsal.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading He was in no mood for the theatre, but the appointment had been made too long before.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading He proceeded directly to the Lunt Theatre, where Homer Bradshaw was putting _Be It Ever So Humble_ into rehearsal.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading He proceeded directly to the Lunt Theatre, where Homer Bradshaw was putting _Be It Ever So Humble_ into rehearsal.

leapedverbUS /lept/

past form of “leap” — move forward by leaps and bounds

From this reading When he came through the doors of the theatre, Homer leaped halfway up the aisle to greet him, and pounded his back like a long-lost pal.

likeverbUS /laɪk/

prefer or wish to do something

From this reading When he came through the doors of the theatre, Homer leaped halfway up the aisle to greet him, and pounded his back like a long-lost pal.

longadjectiveUS /lɔːŋ/

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading He was in no mood for the theatre, but the appointment had been made too long before.

long-lost

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading When he came through the doors of the theatre, Homer leaped halfway up the aisle to greet him, and pounded his back like a long-lost pal.

LuntnounUS /lʌnt/

United States actor who performed with his wife Lynn Fontanne in many stage productions (1893-1977)

From this reading He proceeded directly to the Lunt Theatre, where Homer Bradshaw was putting _Be It Ever So Humble_ into rehearsal.

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading He was in no mood for the theatre, but the appointment had been made too long before.

metverbUS /met/

inflected form of “meet” — come together

From this reading Actually, he had met the producer only twice before.

moodnounUS /muːd/

a characteristic (habitual or relatively temporary) state of feeling

From this reading He was in no mood for the theatre, but the appointment had been made too long before.

morningnounUS /ˈmɔːrnɪŋ/

the time period between dawn and noon

From this reading * * * * * Tom didn't go to the Homelovers building the next morning.

nextadjectiveUS /nekst/

immediately following in time or order

From this reading * * * * * Tom didn't go to the Homelovers building the next morning.

nodeterminerUS /noʊ/

not any; not one

From this reading He was in no mood for the theatre, but the appointment had been made too long before.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading When he came through the doors of the theatre, Homer leaped halfway up the aisle to greet him, and pounded his back like a long-lost pal.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading Actually, he had met the producer only twice before.

palnounUS /pæl/

a close friend who accompanies his buddies in their activities

From this reading When he came through the doors of the theatre, Homer leaped halfway up the aisle to greet him, and pounded his back like a long-lost pal.

poundedverbUS /ˈpaʊndɪd/

past form of “pound” — hit hard with the hand, fist, or some heavy instrument

From this reading When he came through the doors of the theatre, Homer leaped halfway up the aisle to greet him, and pounded his back like a long-lost pal.

proceededverbUS /prəˈsiːdɪd/

past form of “proceed” — continue talking

From this reading He proceeded directly to the Lunt Theatre, where Homer Bradshaw was putting _Be It Ever So Humble_ into rehearsal.

producernounUS /prəˈduːsər/

someone who manufactures something

From this reading Actually, he had met the producer only twice before.

puttingnounUS /ˈpʌtɪŋ/

hitting a golf ball that is on the green using a putter

From this reading He proceeded directly to the Lunt Theatre, where Homer Bradshaw was putting _Be It Ever So Humble_ into rehearsal.

rehearsalnounUS /rɪˈhɜːrsəl/

a practice session in preparation for a public performance (as of a play or speech or concert)

From this reading He proceeded directly to the Lunt Theatre, where Homer Bradshaw was putting _Be It Ever So Humble_ into rehearsal.

SoconjunctionUS /soʊ/

for that reason; with the result that

From this reading He proceeded directly to the Lunt Theatre, where Homer Bradshaw was putting _Be It Ever So Humble_ into rehearsal.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading * * * * * Tom didn't go to the Homelovers building the next morning.

TheatrenounUS /ˈθiːətər/

a building where theatrical performances or motion-picture shows can be presented

From this reading He proceeded directly to the Lunt Theatre, where Homer Bradshaw was putting _Be It Ever So Humble_ into rehearsal.

throughprepositionUS /θruː/

from one end or side of something to the other

From this reading When he came through the doors of the theatre, Homer leaped halfway up the aisle to greet him, and pounded his back like a long-lost pal.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading * * * * * Tom didn't go to the Homelovers building the next morning.

TomnounUS /tɑːm/

male cat

From this reading * * * * * Tom didn't go to the Homelovers building the next morning.

tooadverbUS /tuː/

to a degree exceeding normal or proper limits

From this reading He was in no mood for the theatre, but the appointment had been made too long before.

twiceadverbUS /twaɪs/

two times

From this reading Actually, he had met the producer only twice before.

upadjectiveUS /ʌp/

being or moving higher in position or greater in some value; being above a former position or level

From this reading When he came through the doors of the theatre, Homer leaped halfway up the aisle to greet him, and pounded his back like a long-lost pal.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading He proceeded directly to the Lunt Theatre, where Homer Bradshaw was putting _Be It Ever So Humble_ into rehearsal.

WhenconjunctionUS /wen/

at the time that

From this reading When he came through the doors of the theatre, Homer leaped halfway up the aisle to greet him, and pounded his back like a long-lost pal.

whereconjunctionUS /wer/

in or at the place that

From this reading He proceeded directly to the Lunt Theatre, where Homer Bradshaw was putting _Be It Ever So Humble_ into rehearsal.

Chapter 2 of Get out of our skies! by Henry Slesar holds 558 sentences, grouped into 112 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 2 of Get out of our skies! contain?

Chapter 2 holds 558 sentences of Get out of our skies!, unabridged, divided into 112 reading sections.

This page carries chapter 2 of Get out of our skies! by Henry Slesar exactly as it stands in the source edition, without abridgement. It runs to 558 sentences, grouped into 112 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 2 of Get out of our skies!?

Work through the 112 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 112 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 2 be read aloud to me?

Yes — every sentence and every individual word in chapter 2 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Get out of our skies!

Common questions about reading Get out of our skies! by Henry Slesar on this page, its source edition and its audio.

Is this the complete text of Get out of our skies!?

Yes. All 1125 sentences of Project Gutenberg eBook #26795 are kept, with a record of which sentences cover which part.

Which edition of Get out of our skies! is used?

Project Gutenberg eBook #26795, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Get out of our skies! take to read?

About 93 minutes of reading across 225 sections of 5 sentences each, at an unhurried pace.

How to read Get out of our skies! section by section

How to work through Get out of our skies! section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 2 chapters of Get out of our skies! to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Get out of our skies!

Words and structures a reader meets early in Get out of our skies!, each tappable for pronunciation and meaning.

Long-suffering
A word that appears in the opening chapter of Get out of our skies!; the reader can tap it to hear it and see its dictionary entry.
Public
A word that appears in the opening chapter of Get out of our skies!; the reader can tap it to hear it and see its dictionary entry.
Along
A word that appears in the opening chapter of Get out of our skies!; the reader can tap it to hear it and see its dictionary entry.
Billboards
A word that appears in the opening chapter of Get out of our skies!; the reader can tap it to hear it and see its dictionary entry.