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Ghetto Comedies
Ghetto Comedies

Chapter V · Chapter 5

Chapter 5 of Ghetto Comedies is here in full — 416 sentences across 84 reading sections, with audio for every sentence and word.

Cover illustration for Ghetto Comedies
Context Illustration Reading 1/83 · 5 lines
English subtitles · tap any word to listen 1 / 5
Mabel had feared to commit their fates to a letter, whether from herself or her lover.
A plump negative would be so difficult to fight against.
A personal interview permitted one to sound the ground, to break the thing delicately, to reason, to explain, to charm away objections.
It was clearly the man's duty to face the music.
Not that Barstein expected anything but the music of the Wedding March.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Ghetto Comedies

Chapter V · Chapter 5

Chapter 5 of Ghetto Comedies is here in full — 416 sentences across 84 reading sections, with audio for every sentence and word.

Reading 1/83 · 5 reading units · Lines 1–5

Line 1
Mabel had feared to commit their fates to a letter, whether from herself or her lover.
Line 2
A plump negative would be so difficult to fight against.
/ə plʌmp ˈneɡətɪv wʊd biː soʊ ˈdɪfəkəlt tuː faɪt əˈɡenst/
Line 3
A personal interview permitted one to sound the ground, to break the thing delicately, to reason, to explain, to charm away objections.
/ə ˈpɜːrsɪnəl ˈɪntərvjuː pərˈmɪtɪd wʌn tuː saʊnd ðə ɡraʊnd tuː breɪk ðə θɪŋ ˈdeləkətli tuː ˈriːzən tuː ɪkˈspleɪn tuː tʃɑːrm əˈweɪ əbˈdʒekʃənz/
Line 4
It was clearly the man's duty to face the music.
/ɪt wɑːz ˈklɪrli ðə mænz ˈduːti tuː feɪs ðə ˈmjuːzɪk/
Line 5
Not that Barstein expected anything but the music of the Wedding March.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

charm noun US /tʃɑːrm/

attractiveness that interests or pleases or stimulates

From this reading “A personal interview permitted one to sound the ground, to break the thing delicately, to reason, to explain, to charm away objections.”

commit verb US /kəˈmɪt/

perform an act, usually with a negative connotation

From this reading “Mabel had feared to commit their fates to a letter, whether from herself or her lover.”

delicately adverb US /ˈdeləkətli/

in a delicate manner

From this reading “A personal interview permitted one to sound the ground, to break the thing delicately, to reason, to explain, to charm away objections.”

fates noun US /feɪts/

plural of “fate” — an event (or a course of events) that will inevitably happen in the future

From this reading “Mabel had feared to commit their fates to a letter, whether from herself or her lover.”

negative adjective US /ˈneɡətɪv/

characterized by or displaying negation or denial or opposition or resistance; having no positive features

From this reading “A plump negative would be so difficult to fight against.”

objections noun US /əbˈdʒekʃənz/

plural of “objection” — the act of expressing earnest opposition or protest

From this reading “A personal interview permitted one to sound the ground, to break the thing delicately, to reason, to explain, to charm away objections.”

plump adjective US /plʌmp/

sufficiently fat so as to have a pleasing fullness of figure

From this reading “A plump negative would be so difficult to fight against.”

Wedding noun US /ˈwedɪŋ/

the social event at which the ceremony of marriage is performed

From this reading “Not that Barstein expected anything but the music of the Wedding March.”

All words in this reading · 54

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Mabel had feared to commit their fates to a letter, whether from herself or her lover.

againstprepositionUS /əˈɡenst/

touching and pressing; in opposition to

From this reading A plump negative would be so difficult to fight against.

anythingpronounUS /ˈeniθɪŋ/

any thing at all

From this reading Not that Barstein expected anything but the music of the Wedding March.

awayadverbUS /əˈweɪ/

from a particular thing or place or position (“forth” is obsolete)

From this reading A personal interview permitted one to sound the ground, to break the thing delicately, to reason, to explain, to charm away objections.

Barstein

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Not that Barstein expected anything but the music of the Wedding March.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading A plump negative would be so difficult to fight against.

breakverbUS /breɪk/

terminate

From this reading A personal interview permitted one to sound the ground, to break the thing delicately, to reason, to explain, to charm away objections.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Not that Barstein expected anything but the music of the Wedding March.

charmnounUS /tʃɑːrm/

attractiveness that interests or pleases or stimulates

From this reading A personal interview permitted one to sound the ground, to break the thing delicately, to reason, to explain, to charm away objections.

clearlyadverbUS /ˈklɪrli/

without doubt or question

From this reading It was clearly the man's duty to face the music.

commitverbUS /kəˈmɪt/

perform an act, usually with a negative connotation

From this reading Mabel had feared to commit their fates to a letter, whether from herself or her lover.

delicatelyadverbUS /ˈdeləkətli/

in a delicate manner

From this reading A personal interview permitted one to sound the ground, to break the thing delicately, to reason, to explain, to charm away objections.

difficultadjectiveUS /ˈdɪfəkəlt/

not easy; requiring great physical or mental effort to accomplish or comprehend or endure

From this reading A plump negative would be so difficult to fight against.

dutynounUS /ˈduːti/

the social force that binds you to the courses of action demanded by that force

From this reading It was clearly the man's duty to face the music.

expectedadjectiveUS /ɪkˈspektəd/

considered likely or probable to happen or arrive

From this reading Not that Barstein expected anything but the music of the Wedding March.

explainverbUS /ɪkˈspleɪn/

make plain and comprehensible

From this reading A personal interview permitted one to sound the ground, to break the thing delicately, to reason, to explain, to charm away objections.

facenounUS /feɪs/

the front of the human head from the forehead to the chin and ear to ear

From this reading It was clearly the man's duty to face the music.

fatesnounUS /feɪts/

plural of “fate” — an event (or a course of events) that will inevitably happen in the future

From this reading Mabel had feared to commit their fates to a letter, whether from herself or her lover.

fearedverbUS /fɪrd/

past form of “fear” — be afraid or feel anxious or apprehensive about a possible or probable situation or event

From this reading Mabel had feared to commit their fates to a letter, whether from herself or her lover.

fightverbUS /faɪt/

be engaged in a fight; carry on a fight

From this reading A plump negative would be so difficult to fight against.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Mabel had feared to commit their fates to a letter, whether from herself or her lover.

groundnounUS /ɡraʊnd/

the solid part of the earth's surface

From this reading A personal interview permitted one to sound the ground, to break the thing delicately, to reason, to explain, to charm away objections.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading Mabel had feared to commit their fates to a letter, whether from herself or her lover.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading Mabel had feared to commit their fates to a letter, whether from herself or her lover.

herselfpronounUS /hərˈself/

used when the woman or girl doing the action is also its object

From this reading Mabel had feared to commit their fates to a letter, whether from herself or her lover.

interviewverbUS /ˈɪntərvjuː/

conduct an interview in television, newspaper, and radio reporting

From this reading A personal interview permitted one to sound the ground, to break the thing delicately, to reason, to explain, to charm away objections.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It was clearly the man's duty to face the music.

letternounUS /ˈletər/

a written message addressed to a person or organization

From this reading Mabel had feared to commit their fates to a letter, whether from herself or her lover.

lovernounUS /ˈlʌvər/

a person who loves someone or is loved by someone

From this reading Mabel had feared to commit their fates to a letter, whether from herself or her lover.

Mabel

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Mabel had feared to commit their fates to a letter, whether from herself or her lover.

man'snounUS /mænz/

possessive form of “man” — an adult person who is male (as opposed to a woman)

From this reading It was clearly the man's duty to face the music.

MarchverbUS /mɑːrtʃ/

march in a procession

From this reading Not that Barstein expected anything but the music of the Wedding March.

musicnounUS /ˈmjuːzɪk/

an artistic form of auditory communication incorporating instrumental or vocal tones in a structured and continuous manner

From this reading It was clearly the man's duty to face the music.

negativeadjectiveUS /ˈneɡətɪv/

characterized by or displaying negation or denial or opposition or resistance; having no positive features

From this reading A plump negative would be so difficult to fight against.

NotadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Not that Barstein expected anything but the music of the Wedding March.

objectionsnounUS /əbˈdʒekʃənz/

plural of “objection” — the act of expressing earnest opposition or protest

From this reading A personal interview permitted one to sound the ground, to break the thing delicately, to reason, to explain, to charm away objections.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Not that Barstein expected anything but the music of the Wedding March.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading A personal interview permitted one to sound the ground, to break the thing delicately, to reason, to explain, to charm away objections.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Mabel had feared to commit their fates to a letter, whether from herself or her lover.

permittedverbUS /pərˈmɪtɪd/

inflected form of “permit” — consent to, give permission

From this reading A personal interview permitted one to sound the ground, to break the thing delicately, to reason, to explain, to charm away objections.

personaladjectiveUS /ˈpɜːrsɪnəl/

concerning or affecting a particular person or his or her private life and personality

From this reading A personal interview permitted one to sound the ground, to break the thing delicately, to reason, to explain, to charm away objections.

plumpadjectiveUS /plʌmp/

sufficiently fat so as to have a pleasing fullness of figure

From this reading A plump negative would be so difficult to fight against.

reasonnounUS /ˈriːzən/

a rational motive for a belief or action

From this reading A personal interview permitted one to sound the ground, to break the thing delicately, to reason, to explain, to charm away objections.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading A plump negative would be so difficult to fight against.

soundnounUS /saʊnd/

the particular auditory effect produced by a given cause

From this reading A personal interview permitted one to sound the ground, to break the thing delicately, to reason, to explain, to charm away objections.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Not that Barstein expected anything but the music of the Wedding March.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading A personal interview permitted one to sound the ground, to break the thing delicately, to reason, to explain, to charm away objections.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading Mabel had feared to commit their fates to a letter, whether from herself or her lover.

thingnounUS /θɪŋ/

a special situation

From this reading A personal interview permitted one to sound the ground, to break the thing delicately, to reason, to explain, to charm away objections.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Mabel had feared to commit their fates to a letter, whether from herself or her lover.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading It was clearly the man's duty to face the music.

WeddingnounUS /ˈwedɪŋ/

the social event at which the ceremony of marriage is performed

From this reading Not that Barstein expected anything but the music of the Wedding March.

whetherconjunctionUS /ˈweðər/

used to introduce two or more possibilities

From this reading Mabel had feared to commit their fates to a letter, whether from herself or her lover.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading A plump negative would be so difficult to fight against.

Chapter 5 of Ghetto Comedies by Israel Zangwill holds 416 sentences, grouped into 84 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 5 of Ghetto Comedies contain?

Chapter 5 holds 416 sentences of Ghetto Comedies, unabridged, divided into 84 reading sections.

This page carries chapter 5 of Ghetto Comedies by Israel Zangwill exactly as it stands in the source edition, without abridgement. It runs to 416 sentences, grouped into 84 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 5 of Ghetto Comedies?

Work through the 84 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 84 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 5 be read aloud to me?

Yes — every sentence and every individual word in chapter 5 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Ghetto Comedies

Common questions about reading Ghetto Comedies by Israel Zangwill on this page, its source edition and its audio.

Is this the complete text of Ghetto Comedies?

Yes. All 7036 sentences of Project Gutenberg eBook #28982 are kept, with a record of which sentences cover which part.

Which edition of Ghetto Comedies is used?

Project Gutenberg eBook #28982, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Ghetto Comedies take to read?

About 586 minutes of reading across 1408 sections of 5 sentences each, at an unhurried pace.

How to read Ghetto Comedies section by section

How to work through Ghetto Comedies section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 17 chapters of Ghetto Comedies to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Ghetto Comedies

Words and structures a reader meets early in Ghetto Comedies, each tappable for pronunciation and meaning.

Images
A word that appears in the opening chapter of Ghetto Comedies; the reader can tap it to hear it and see its dictionary entry.
Original
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Pages
A word that appears in the opening chapter of Ghetto Comedies; the reader can tap it to hear it and see its dictionary entry.
Available
A word that appears in the opening chapter of Ghetto Comedies; the reader can tap it to hear it and see its dictionary entry.