Chapter XI
Chapter 11 of Gloria is here in full — 329 sentences across 66 reading sections, with audio for every sentence and word.
TERROR “No more! I’ll hear no more! Begone and leave me!” “Not hear me? By my sufferings but you shall!”
Chapter 11 of Gloria is here in full — 329 sentences across 66 reading sections, with audio for every sentence and word.
Chapter XI
Chapter 11 of Gloria is here in full — 329 sentences across 66 reading sections, with audio for every sentence and word.
TERROR “No more! I’ll hear no more! Begone and leave me!” “Not hear me? By my sufferings but you shall!”
Chapter 11 of Gloria is here in full — 329 sentences across 66 reading sections, with audio for every sentence and word.
Reading 1/65 · 5 reading units · Lines 1–5
These definitions explain words found in the current reading and keep every example grounded in its original sentence.
Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.
perceive (sound) via the auditory sense
From this reading “I’ll hear no more!”
go away from a place
From this reading “Begone and leave me!””
used with I and we for the future, or to offer and suggest
From this reading “By my sufferings but you shall!””
plural of “suffering” — a state of acute pain
From this reading “By my sufferings but you shall!””
an overwhelming feeling of fear and anxiety
From this reading “TERROR “No more!”
English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.
Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.
Every word in these five lines is listed here, and every one of them can be played on its own.
Dictionary details are shown only when verified; these are not licensed Oxford entries.
used to join words or parts of a sentence that go together
From this reading Begone and leave me!”
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading Begone and leave me!”
used to introduce something that contrasts with what came before
From this reading By my sufferings but you shall!”
showing who or what does the action
From this reading By my sufferings but you shall!”
perceive (sound) via the auditory sense
From this reading I’ll hear no more!
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading I’ll hear no more!
go away from a place
From this reading Begone and leave me!”
the person speaking, as the object of a verb or preposition
From this reading Begone and leave me!”
(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree
From this reading TERROR “No more!
belonging to the person speaking
From this reading By my sufferings but you shall!”
not any; not one
From this reading TERROR “No more!
used to make a word, phrase, or sentence negative
From this reading “Not hear me?
used with I and we for the future, or to offer and suggest
From this reading By my sufferings but you shall!”
plural of “suffering” — a state of acute pain
From this reading By my sufferings but you shall!”
an overwhelming feeling of fear and anxiety
From this reading TERROR “No more!
the person or people being spoken to
From this reading By my sufferings but you shall!”
Chapter 11 of Gloria by Emma Dorothy Eliza Nevitte Southworth holds 329 sentences, grouped into 66 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.
Chapter 11 holds 329 sentences of Gloria, unabridged, divided into 66 reading sections.
This page carries chapter 11 of Gloria by Emma Dorothy Eliza Nevitte Southworth exactly as it stands in the source edition, without abridgement. It runs to 329 sentences, grouped into 66 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.
Work through the 66 sections in order, replaying any sentence and tapping unfamiliar words for their entries.
Each of the 66 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.
Yes — every sentence and every individual word in chapter 11 can be played aloud in United States English.
Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.
Common questions about reading Gloria by Emma Dorothy Eliza Nevitte Southworth on this page, its source edition and its audio.
Yes. All 0 sentences of Project Gutenberg eBook #? are kept, with a record of which sentences cover which part.
Project Gutenberg eBook #?, unabridged. The Project Gutenberg header, footer and licence are removed.
About 5 minutes of reading across 0 sections of 5 sentences each, at an unhurried pace.
How to work through Gloria section by section, using the audio and the tap-to-define vocabulary.
Choose one of the 0 chapters of Gloria to begin.
Each section holds 5 sentences; read it once through.
Play the section aloud, then tap any unfamiliar word for its entry.
Words and structures a reader meets early in Gloria, each tappable for pronunciation and meaning.