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God and the King
God and the King

Chapter XXV

Chapter 25 of God and the King is here in full — 187 sentences across 38 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/37 · 5 lines
English subtitles · tap any word to listen 1 / 5
THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.
The coverlet was of crimson satin embroidered with great roses of England and fringed with bullion.
The Queen lay so still that the heavy folds were scarcely disturbed about her limbs.
The curtains round the head of the bed had been drawn forward, and the pillows and the face of the Queen were in shadow.
She wore a lace cap with long lappets fastened beneath her chin and a little jacket of blue silk over her muslin nightgown.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

God and the King

Chapter XXV

Chapter 25 of God and the King is here in full — 187 sentences across 38 reading sections, with audio for every sentence and word.

Reading 1/37 · 5 reading units · Lines 1–5

Line 1
THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.
Line 2
The coverlet was of crimson satin embroidered with great roses of England and fringed with bullion.
Line 3
The Queen lay so still that the heavy folds were scarcely disturbed about her limbs.
/ðə kwiːn leɪ soʊ stɪl ðæt ðə ˈhevi foʊldz wɜːr ˈskersli dɪˈstɜːrbd əˈbaʊt hɜːr lɪmz/
Line 4
The curtains round the head of the bed had been drawn forward, and the pillows and the face of the Queen were in shadow.
/ðə ˈkɜːrtənz raʊnd ðə hed ʌv ðə bed hæd bɪn drɔːn ˈfɔːrwərd ənd ðə ˈpɪloʊz ənd ðə feɪs ʌv ðə kwiːn wɜːr ɪn ˈʃæd.oʊ/
Line 5
She wore a lace cap with long lappets fastened beneath her chin and a little jacket of blue silk over her muslin nightgown.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

bullion noun US /ˈbʊljən/

a mass of precious metal

From this reading “The coverlet was of crimson satin embroidered with great roses of England and fringed with bullion.”

damask noun US /ˈdæməsk/

a table linen made from linen with a damask pattern

From this reading “THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.”

Hampton noun US /ˈhæmptən/

United States musician who was the first to use the vibraphone as a jazz instrument (1913-2002)

From this reading “THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.”

muslin noun US /ˈmʌzlən/

plain-woven cotton fabric

From this reading “She wore a lace cap with long lappets fastened beneath her chin and a little jacket of blue silk over her muslin nightgown.”

pillows noun US /ˈpɪloʊz/

plural of “pillow” — a cushion to support the head of a sleeping person

From this reading “The curtains round the head of the bed had been drawn forward, and the pillows and the face of the Queen were in shadow.”

Queen's noun US /kwiːnz/

possessive form of “queen” — the only fertile female in a colony of social insects such as bees and ants and termites; its function is to lay eggs

sewn adjective US /soʊn/

fastened with stitches

From this reading “THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.”

wreaths noun US /riːθs/

plural of “wreath” — flower arrangement consisting of a circular band of foliage or flowers for ornamental purposes

From this reading “THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

lace cap verb + noun

In this reading “She wore a lace cap with long lappets fastened beneath her chin and a little jacket of blue silk over her muslin nightgown.”

blue silk adjective + noun

In this reading “She wore a lace cap with long lappets fastened beneath her chin and a little jacket of blue silk over her muslin nightgown.”

heavy folds adjective + noun counted as “heavy fold”

In this reading “The Queen lay so still that the heavy folds were scarcely disturbed about her limbs.”

into the room preposition + article + noun counted as “into … room”

In this reading “THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.”

embroidered with verb + particle counted as “embroider with”

In this reading “The coverlet was of crimson satin embroidered with great roses of England and fringed with bullion.”

stood out verb + adjective

In this reading “THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.”

All words in this reading · 91

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading She wore a lace cap with long lappets fastened beneath her chin and a little jacket of blue silk over her muslin nightgown.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading The Queen lay so still that the heavy folds were scarcely disturbed about her limbs.

alleynounUS /ˈæli/

a narrow street with walls on both sides

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

atprepositionUS /æt/

in or near a particular place or position

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

bednounUS /bed/

a piece of furniture that provides a place to sleep

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading The curtains round the head of the bed had been drawn forward, and the pillows and the face of the Queen were in shadow.

beneathprepositionUS /bɪˈniːθ/

Directly under; in or to a lower position than.

From this reading She wore a lace cap with long lappets fastened beneath her chin and a little jacket of blue silk over her muslin nightgown.

BITTERadjectiveUS /ˈbɪtər/

marked by strong resentment or cynicism

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

blueadjectiveUS /bluː/

of the color intermediate between green and violet; having a color similar to that of a clear unclouded sky

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

bullionnounUS /ˈbʊljən/

a mass of precious metal

From this reading The coverlet was of crimson satin embroidered with great roses of England and fringed with bullion.

capnounUS /kæp/

a tight-fitting headdress

From this reading She wore a lace cap with long lappets fastened beneath her chin and a little jacket of blue silk over her muslin nightgown.

chinnounUS /tʃɪn/

the protruding part of the lower jaw

From this reading She wore a lace cap with long lappets fastened beneath her chin and a little jacket of blue silk over her muslin nightgown.

CourtnounUS /kɔːrt/

an assembly (including one or more judges) to conduct judicial business

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

coverletnoun

a decorative bedspread (usually quilted)

From this reading The coverlet was of crimson satin embroidered with great roses of England and fringed with bullion.

crimsonadjectiveUS /ˈkrɪmzən/

of a color at the end of the color spectrum (next to orange); resembling the color of blood or cherries or tomatoes or rubies

From this reading The coverlet was of crimson satin embroidered with great roses of England and fringed with bullion.

curtainsnounUS /ˈkɜːrtənz/

plural of “curtain” — hanging cloth used as a blind (especially for a window)

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

damasknounUS /ˈdæməsk/

a table linen made from linen with a damask pattern

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

disturbedadjectiveUS /dɪˈstɜːrbd/

having the place or position changed

From this reading The Queen lay so still that the heavy folds were scarcely disturbed about her limbs.

drawnadjectiveUS /drɔːn/

showing the wearing effects of overwork or care or suffering

From this reading The curtains round the head of the bed had been drawn forward, and the pillows and the face of the Queen were in shadow.

embroideredverbUS /emˈbrɔɪdərd/

past form of “embroider” — decorate with needlework

From this reading The coverlet was of crimson satin embroidered with great roses of England and fringed with bullion.

EnglandnounUS /ˈɪŋɡlənd/

a division of the United Kingdom

From this reading The coverlet was of crimson satin embroidered with great roses of England and fringed with bullion.

facenounUS /feɪs/

the front of the human head from the forehead to the chin and ear to ear

From this reading The curtains round the head of the bed had been drawn forward, and the pillows and the face of the Queen were in shadow.

facingnounUS /ˈfeɪsɪŋ/

a lining applied to the edge of a garment for ornamentation or strengthening

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

fastenedadjectiveUS /ˈfæsənd/

firmly closed or secured

From this reading She wore a lace cap with long lappets fastened beneath her chin and a little jacket of blue silk over her muslin nightgown.

flowersnounUS /ˈflaʊərz/

plural of “flower” — a plant cultivated for its blooms or blossoms

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

foldsnounUS /foʊldz/

plural of “fold” — an angular or rounded shape made by folding

From this reading The Queen lay so still that the heavy folds were scarcely disturbed about her limbs.

forwardadverbUS /ˈfɔːrwərd/

at or to or toward the front

From this reading The curtains round the head of the bed had been drawn forward, and the pillows and the face of the Queen were in shadow.

fournounUS /fɔːr/

the cardinal number that is the sum of three and one

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

fringedadjective

surrounded as with a border or fringe; sometimes used in combination

From this reading The coverlet was of crimson satin embroidered with great roses of England and fringed with bullion.

goldnounUS /ɡoʊld/

coins made of gold

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading The coverlet was of crimson satin embroidered with great roses of England and fringed with bullion.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

HamptonnounUS /ˈhæmptən/

United States musician who was the first to use the vibraphone as a jazz instrument (1913-2002)

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

headnounUS /hed/

the upper part of the human body or the front part of the body in animals; contains the face and brains

From this reading The curtains round the head of the bed had been drawn forward, and the pillows and the face of the Queen were in shadow.

heavyadjectiveUS /ˈhevi/

of comparatively great physical weight or density

From this reading The Queen lay so still that the heavy folds were scarcely disturbed about her limbs.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

hungverbUS /hʌŋ/

inflected form of “hang” — be suspended or hanging

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading The curtains round the head of the bed had been drawn forward, and the pillows and the face of the Queen were in shadow.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

jacketnounUS /ˈdʒækət/

a short coat

From this reading She wore a lace cap with long lappets fastened beneath her chin and a little jacket of blue silk over her muslin nightgown.

laceverbUS /leɪs/

spin, wind, or twist together

From this reading She wore a lace cap with long lappets fastened beneath her chin and a little jacket of blue silk over her muslin nightgown.

lappets

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading She wore a lace cap with long lappets fastened beneath her chin and a little jacket of blue silk over her muslin nightgown.

layverbUS /leɪ/

put into a certain place or abstract location

From this reading The Queen lay so still that the heavy folds were scarcely disturbed about her limbs.

limbsnounUS /lɪmz/

plural of “limb” — one of the jointed appendages of an animal used for locomotion or grasping: arm; leg; wing; flipper

From this reading The Queen lay so still that the heavy folds were scarcely disturbed about her limbs.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading She wore a lace cap with long lappets fastened beneath her chin and a little jacket of blue silk over her muslin nightgown.

longadjectiveUS /lɔːŋ/

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

lookedverbUS /lʊkt/

past form of “look” — perceive with attention; direct one's gaze towards

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

maidsnounUS /meɪdz/

plural of “maid” — a female domestic

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

many-coloured

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

MarynounUS /ˈmeri/

the mother of Jesus; Christians refer to her as the Virgin Mary; she is especially honored by Roman Catholics

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

muslinnounUS /ˈmʌzlən/

plain-woven cotton fabric

From this reading She wore a lace cap with long lappets fastened beneath her chin and a little jacket of blue silk over her muslin nightgown.

nightgownnoun

lingerie consisting of a loose dress designed to be worn in bed by women

From this reading She wore a lace cap with long lappets fastened beneath her chin and a little jacket of blue silk over her muslin nightgown.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

overprepositionUS /ˈoʊvər/

above and across; more than

From this reading She wore a lace cap with long lappets fastened beneath her chin and a little jacket of blue silk over her muslin nightgown.

PARTINGnounUS /ˈpɑːrtɪŋ/

the act of departing politely

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

pillowsnounUS /ˈpɪloʊz/

plural of “pillow” — a cushion to support the head of a sleeping person

From this reading The curtains round the head of the bed had been drawn forward, and the pillows and the face of the Queen were in shadow.

QueennounUS /kwiːn/

the only fertile female in a colony of social insects such as bees and ants and termites; its function is to lay eggs

From this reading The Queen lay so still that the heavy folds were scarcely disturbed about her limbs.

Queen'snounUS /kwiːnz/

possessive form of “queen” — the only fertile female in a colony of social insects such as bees and ants and termites; its function is to lay eggs

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

roomnounUS /ruːm/

an area within a building enclosed by walls and floor and ceiling

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

rosesnounUS /ˈroʊzɪz/

plural of “rose” — any of many shrubs of the genus Rosa that bear roses

From this reading The coverlet was of crimson satin embroidered with great roses of England and fringed with bullion.

roundnounUS /raʊnd/

a charge of ammunition for a single shot

From this reading The curtains round the head of the bed had been drawn forward, and the pillows and the face of the Queen were in shadow.

satinnounUS /ˈsætən/

a smooth fabric of silk or rayon; has a glossy face and a dull back

From this reading The coverlet was of crimson satin embroidered with great roses of England and fringed with bullion.

scarcelyadverbUS /ˈskersli/

only a very short time before

From this reading The Queen lay so still that the heavy folds were scarcely disturbed about her limbs.

seatedadjectiveUS /ˈsiːtɪd/

(of persons) having the torso erect and legs bent with the body supported on the buttocks

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

sewnadjectiveUS /soʊn/

fastened with stitches

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

shadownounUS /ˈʃæd.oʊ/

A dark area or shape produced by a body coming between rays of light and a surface.

From this reading The curtains round the head of the bed had been drawn forward, and the pillows and the face of the Queen were in shadow.

ShepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading She wore a lace cap with long lappets fastened beneath her chin and a little jacket of blue silk over her muslin nightgown.

silknounUS /sɪlk/

a fabric made from the fine threads produced by certain insect larvae

From this reading She wore a lace cap with long lappets fastened beneath her chin and a little jacket of blue silk over her muslin nightgown.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading The Queen lay so still that the heavy folds were scarcely disturbed about her limbs.

stilladjectiveUS /stɪl/

not in physical motion

From this reading The Queen lay so still that the heavy folds were scarcely disturbed about her limbs.

stoodverbUS /stʊd/

Maintained an upright posture.

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

twilightnounUS /ˈtwaɪlaɪt/

the time of day immediately following sunset

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

underprepositionUS /ˈʌndər/

below or beneath something; less than

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading The Queen lay so still that the heavy folds were scarcely disturbed about her limbs.

whenconjunctionUS /wen/

at the time that

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

windowsnounUS /ˈwɪndoʊz/

(trademark) an operating system with a graphical user interface

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

winternounUS /ˈwɪntər/

the coldest season of the year; in the northern hemisphere it extends from the winter solstice to the vernal equinox

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

withprepositionUS /wɪð/

in the company of; together with

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

woreverbUS /wɔːr/

inflected form of “wear” — be dressed in

From this reading She wore a lace cap with long lappets fastened beneath her chin and a little jacket of blue silk over her muslin nightgown.

workedverbUS /wɜːrkt/

past form of “work” — exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

wreathsnounUS /riːθs/

plural of “wreath” — flower arrangement consisting of a circular band of foliage or flowers for ornamental purposes

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

wych-elm

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE BITTER PARTING The Queen’s bed stood out into the room, facing the long windows which looked on to the winter twilight; it was hung with four curtains of gold and blue damask sewn with many-coloured wreaths of flowers that Mary and her maids had worked when seated under the alley of wych-elm at Hampton Court.

Chapter 25 of God and the King by Marjorie Bowen holds 187 sentences, grouped into 38 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 25 of God and the King contain?

Chapter 25 holds 187 sentences of God and the King, unabridged, divided into 38 reading sections.

This page carries chapter 25 of God and the King by Marjorie Bowen exactly as it stands in the source edition, without abridgement. It runs to 187 sentences, grouped into 38 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 25 of God and the King?

Work through the 38 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 38 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 25 be read aloud to me?

Yes — every sentence and every individual word in chapter 25 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading God and the King

Common questions about reading God and the King by Marjorie Bowen on this page, its source edition and its audio.

Is this the complete text of God and the King?

Yes. All 5839 sentences of Project Gutenberg eBook #42521 are kept, with a record of which sentences cover which part.

Which edition of God and the King is used?

Project Gutenberg eBook #42521, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does God and the King take to read?

About 486 minutes of reading across 1168 sections of 5 sentences each, at an unhurried pace.

How to read God and the King section by section

How to work through God and the King section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 38 chapters of God and the King to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in God and the King

Words and structures a reader meets early in God and the King, each tappable for pronunciation and meaning.

Managing
A word that appears in the opening chapter of God and the King; the reader can tap it to hear it and see its dictionary entry.
Unreasonable
A word that appears in the opening chapter of God and the King; the reader can tap it to hear it and see its dictionary entry.
People
A word that appears in the opening chapter of God and the King; the reader can tap it to hear it and see its dictionary entry.
Heaven
A word that appears in the opening chapter of God and the King; the reader can tap it to hear it and see its dictionary entry.