Complete classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
Godey's Lady's Book, Vol. 48, June, 1854
Godey's Lady's Book, Vol. 48, June, 1854

Chapter VI

Chapter 6 of Godey's Lady's Book, Vol. 48, June, 1854 is here in full — 413 sentences across 83 reading sections, with audio for every sentence and word.

Cover illustration for Godey's Lady's Book, Vol. 48, June, 1854
Context Illustration Reading 1/82 · 5 lines
English subtitles · tap any word to listen 1 / 5
These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.
Indeed, several of the most celebrated painters of those days did not disdain to enrich MSS. for some high personage with specimens of their artistic skill.
This continued until the middle of the sixteenth century.
Subsequently, a progressive decline in the excellence and artistic beauty of illuminated painting becomes very evident.
It is true that, in the middle of the seventeenth century, it was florid, gorgeous, and, to a certain degree, admirable, but it was not the beauty of art; the rococo taste was beginning to dawn--that strange exuberance of fancy which heaped in one mass the most incongruous details, and was often more cumbrous and grotesque than graceful and harmonious.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Godey's Lady's Book, Vol. 48, June, 1854

Chapter VI

Chapter 6 of Godey's Lady's Book, Vol. 48, June, 1854 is here in full — 413 sentences across 83 reading sections, with audio for every sentence and word.

Reading 1/82 · 5 reading units · Lines 1–5

Line 1
These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.
Line 2
Indeed, several of the most celebrated painters of those days did not disdain to enrich MSS. for some high personage with specimens of their artistic skill.
Line 3
This continued until the middle of the sixteenth century.
/ðɪs kənˈtɪnjuːd ənˈtɪl ðə ˈmɪdəl ʌv ðə sɪkˈstiːnθ ˈsentʃəri/
Line 4
Subsequently, a progressive decline in the excellence and artistic beauty of illuminated painting becomes very evident.
/ˈsʌbsəkwəntli ə prəˈɡresɪv dɪˈklaɪn ɪn ðə ˈeksələns ənd ɑːrˈtɪstɪk ˈbjuːti ʌv ˌɪˈluːməneɪtəd ˈpeɪntɪŋ bɪˈkʌmz ˈveri ˈevədənt/
Line 5
It is true that, in the middle of the seventeenth century, it was florid, gorgeous, and, to a certain degree, admirable, but it was not the beauty of art; the rococo taste was beginning to dawn--that strange exuberance of fancy which heaped in one mass the most incongruous details, and was often more cumbrous and grotesque than graceful and harmonious.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

illustrative adjective US /ˌɪˈlʌstrətɪv/

clarifying by use of examples

From this reading “These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.”

improves verb US /ˌɪmˈpruːvz/

third-person singular of “improve” — to make better

From this reading “These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.”

inextricable adjective US /ˌɪˈnekstrɪkʌbəl/

not permitting extrication; incapable of being disentangled or untied

From this reading “These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.”

medallions noun US /məˈdæljənz/

plural of “medallion” — any of various large ancient Greek coins

From this reading “These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.”

patronized adjective US /ˈpeɪtrənaɪzd/

having patronage or clients

From this reading “These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.”

portfolios noun US /pɔːrtˈfoʊlioʊz/

plural of “portfolio” — a large, flat, thin case for carrying loose papers or drawings or maps; usually leather

From this reading “These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.”

rococo noun US /rəˈkoʊkoʊ/

fanciful but graceful asymmetric ornamentation in art and architecture that originated in France in the 18th century

From this reading “It is true that, in the middle of the seventeenth century, it was florid, gorgeous, and, to a certain degree, admirable, but it was not the beauty of art; the rococo taste was beginning to dawn--that strange exuberance of fancy which heaped in one mass the most incongruous details, and was often more cumbrous and grotesque than graceful and harmonious.”

scrolls noun US /skroʊlz/

plural of “scroll” — a round shape formed by a series of concentric circles (as formed by leaves or flower petals)

From this reading “These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

seventeenth century adjective + noun

In this reading “It is true that, in the middle of the seventeenth century, it was florid, gorgeous, and, to a certain degree, admirable, but it was not the beauty of art; the rococo taste was beginning to dawn--that strange exuberance of fancy which heaped in one mass the most incongruous details, and was often more cumbrous and grotesque than graceful and harmonious.”

sixteenth century adjective + noun

In this reading “This continued until the middle of the sixteenth century.”

shine forth verb + particle

In this reading “These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.”

certain degree adjective + noun

In this reading “It is true that, in the middle of the seventeenth century, it was florid, gorgeous, and, to a certain degree, admirable, but it was not the beauty of art; the rococo taste was beginning to dawn--that strange exuberance of fancy which heaped in one mass the most incongruous details, and was often more cumbrous and grotesque than graceful and harmonious.”

most celebrated adverb + adjective

In this reading “Indeed, several of the most celebrated painters of those days did not disdain to enrich MSS. for some high personage with specimens of their artistic skill.”

consist simply verb + particle

In this reading “These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.”

in the middle preposition + article + noun counted as “in … middle”

In this reading “It is true that, in the middle of the seventeenth century, it was florid, gorgeous, and, to a certain degree, admirable, but it was not the beauty of art; the rococo taste was beginning to dawn--that strange exuberance of fancy which heaped in one mass the most incongruous details, and was often more cumbrous and grotesque than graceful and harmonious.”

becomes very verb + adjective counted as “become very”

In this reading “Subsequently, a progressive decline in the excellence and artistic beauty of illuminated painting becomes very evident.”

All words in this reading · 114

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

admirableadjectiveUS /ˈædmərəbəl/

deserving of the highest esteem or admiration

From this reading It is true that, in the middle of the seventeenth century, it was florid, gorgeous, and, to a certain degree, admirable, but it was not the beauty of art; the rococo taste was beginning to dawn--that strange exuberance of fancy which heaped in one mass the most incongruous details, and was often more cumbrous and grotesque than graceful and harmonious.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

arabesques

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

artisticadjectiveUS /ɑːrˈtɪstɪk/

relating to or characteristic of art or artists

From this reading Indeed, several of the most celebrated painters of those days did not disdain to enrich MSS. for some high personage with specimens of their artistic skill.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

atprepositionUS /æt/

in or near a particular place or position

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

beautynounUS /ˈbjuːti/

the qualities that give pleasure to the senses

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

becomesverbUS /bɪˈkʌmz/

third-person singular of “become” — enter or assume a certain state or condition

From this reading Subsequently, a progressive decline in the excellence and artistic beauty of illuminated painting becomes very evident.

beginningnounUS /bɪˈɡɪnɪŋ/

the event consisting of the start of something

From this reading It is true that, in the middle of the seventeenth century, it was florid, gorgeous, and, to a certain degree, admirable, but it was not the beauty of art; the rococo taste was beginning to dawn--that strange exuberance of fancy which heaped in one mass the most incongruous details, and was often more cumbrous and grotesque than graceful and harmonious.

bordersnounUS /ˈbɔːrdərz/

plural of “border” — a line that indicates a boundary

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

brilliantadjectiveUS /ˈbrɪljənt/

of surpassing excellence

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

celebratedadjectiveUS /ˈseləbreɪtɪd/

widely known and esteemed

From this reading Indeed, several of the most celebrated painters of those days did not disdain to enrich MSS. for some high personage with specimens of their artistic skill.

centurynounUS /ˈsentʃəri/

a period of 100 years

From this reading This continued until the middle of the sixteenth century.

certainadjectiveUS /ˈsɜːrtən/

definite but not specified or identified

From this reading It is true that, in the middle of the seventeenth century, it was florid, gorgeous, and, to a certain degree, admirable, but it was not the beauty of art; the rococo taste was beginning to dawn--that strange exuberance of fancy which heaped in one mass the most incongruous details, and was often more cumbrous and grotesque than graceful and harmonious.

consistverbUS /kənˈsɪst/

originate

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

continuedadjectiveUS /kənˈtɪnjuːd/

without stop or interruption

From this reading This continued until the middle of the sixteenth century.

cumbrousadjective

difficult to handle or use especially because of size or weight

From this reading It is true that, in the middle of the seventeenth century, it was florid, gorgeous, and, to a certain degree, admirable, but it was not the beauty of art; the rococo taste was beginning to dawn--that strange exuberance of fancy which heaped in one mass the most incongruous details, and was often more cumbrous and grotesque than graceful and harmonious.

dawnnounUS /dɔːn/

the first light of day

From this reading It is true that, in the middle of the seventeenth century, it was florid, gorgeous, and, to a certain degree, admirable, but it was not the beauty of art; the rococo taste was beginning to dawn--that strange exuberance of fancy which heaped in one mass the most incongruous details, and was often more cumbrous and grotesque than graceful and harmonious.

daysnounUS /deɪz/

the time during which someone's life continues

From this reading Indeed, several of the most celebrated painters of those days did not disdain to enrich MSS. for some high personage with specimens of their artistic skill.

declineverbUS /dɪˈklaɪn/

grow worse

From this reading Subsequently, a progressive decline in the excellence and artistic beauty of illuminated painting becomes very evident.

degreenounUS /dɪˈɡriː/

a position on a scale of intensity or amount or quality

From this reading It is true that, in the middle of the seventeenth century, it was florid, gorgeous, and, to a certain degree, admirable, but it was not the beauty of art; the rococo taste was beginning to dawn--that strange exuberance of fancy which heaped in one mass the most incongruous details, and was often more cumbrous and grotesque than graceful and harmonious.

detailsnounUS /dɪˈteɪlz/

true confidential information

From this reading It is true that, in the middle of the seventeenth century, it was florid, gorgeous, and, to a certain degree, admirable, but it was not the beauty of art; the rococo taste was beginning to dawn--that strange exuberance of fancy which heaped in one mass the most incongruous details, and was often more cumbrous and grotesque than graceful and harmonious.

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading Indeed, several of the most celebrated painters of those days did not disdain to enrich MSS. for some high personage with specimens of their artistic skill.

disdainverbUS /dɪsˈdeɪn/

look down on with disdain

From this reading Indeed, several of the most celebrated painters of those days did not disdain to enrich MSS. for some high personage with specimens of their artistic skill.

doubtlessadverbUS /ˈdaʊtləs/

without doubt; certainly

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

enrichverbUS /enˈrɪtʃ/

make better or improve in quality

From this reading Indeed, several of the most celebrated painters of those days did not disdain to enrich MSS. for some high personage with specimens of their artistic skill.

evidentadjectiveUS /ˈevədənt/

clearly revealed to the mind or the senses or judgment

From this reading Subsequently, a progressive decline in the excellence and artistic beauty of illuminated painting becomes very evident.

excellencenounUS /ˈeksələns/

the quality of excelling; possessing good qualities in high degree

From this reading Subsequently, a progressive decline in the excellence and artistic beauty of illuminated painting becomes very evident.

exuberancenounUS /ɪɡˈzuːbərəns/

joyful enthusiasm

From this reading It is true that, in the middle of the seventeenth century, it was florid, gorgeous, and, to a certain degree, admirable, but it was not the beauty of art; the rococo taste was beginning to dawn--that strange exuberance of fancy which heaped in one mass the most incongruous details, and was often more cumbrous and grotesque than graceful and harmonious.

fancynounUS /ˈfænsi/

something many people believe that is false

From this reading It is true that, in the middle of the seventeenth century, it was florid, gorgeous, and, to a certain degree, admirable, but it was not the beauty of art; the rococo taste was beginning to dawn--that strange exuberance of fancy which heaped in one mass the most incongruous details, and was often more cumbrous and grotesque than graceful and harmonious.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

floridadjectiveUS /ˈflɔːrəd/

elaborately or excessively ornamented

From this reading It is true that, in the middle of the seventeenth century, it was florid, gorgeous, and, to a certain degree, admirable, but it was not the beauty of art; the rococo taste was beginning to dawn--that strange exuberance of fancy which heaped in one mass the most incongruous details, and was often more cumbrous and grotesque than graceful and harmonious.

foliagenounUS /ˈfoʊlɪdʒ/

the main organ of photosynthesis and transpiration in higher plants

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Indeed, several of the most celebrated painters of those days did not disdain to enrich MSS. for some high personage with specimens of their artistic skill.

formsnounUS /fɔːrmz/

plural of “form” — the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

forthadverbUS /fɔːrθ/

from a particular thing or place or position (“forth” is obsolete)

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

fosteredverbUS /ˈfɑːstərd/

past form of “foster” — promote the growth of

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

gemmedadjective

covered with beads or jewels or sequins

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

gorgeousadjectiveUS /ˈɡɔːrdʒəs/

dazzlingly beautiful

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

gracenounUS /ɡreɪs/

(Christian theology) a state of sanctification by God; the state of one who is under such divine influence

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

gracefuladjectiveUS /ˈɡreɪsfəl/

characterized by beauty of movement, style, form, or execution

From this reading It is true that, in the middle of the seventeenth century, it was florid, gorgeous, and, to a certain degree, admirable, but it was not the beauty of art; the rococo taste was beginning to dawn--that strange exuberance of fancy which heaped in one mass the most incongruous details, and was often more cumbrous and grotesque than graceful and harmonious.

grotesqueadjectiveUS /ɡroʊˈtesk/

distorted and unnatural in shape or size; abnormal and hideous

From this reading It is true that, in the middle of the seventeenth century, it was florid, gorgeous, and, to a certain degree, admirable, but it was not the beauty of art; the rococo taste was beginning to dawn--that strange exuberance of fancy which heaped in one mass the most incongruous details, and was often more cumbrous and grotesque than graceful and harmonious.

harmoniousadjectiveUS /hɑːrˈmoʊniəs/

musically pleasing

From this reading It is true that, in the middle of the seventeenth century, it was florid, gorgeous, and, to a certain degree, admirable, but it was not the beauty of art; the rococo taste was beginning to dawn--that strange exuberance of fancy which heaped in one mass the most incongruous details, and was often more cumbrous and grotesque than graceful and harmonious.

heapedverbUS /hiːpt/

past form of “heap” — bestow in large quantities

From this reading It is true that, in the middle of the seventeenth century, it was florid, gorgeous, and, to a certain degree, admirable, but it was not the beauty of art; the rococo taste was beginning to dawn--that strange exuberance of fancy which heaped in one mass the most incongruous details, and was often more cumbrous and grotesque than graceful and harmonious.

highadjectiveUS /haɪ/

greater than normal in degree or intensity or amount

From this reading Indeed, several of the most celebrated painters of those days did not disdain to enrich MSS. for some high personage with specimens of their artistic skill.

huesnounUS /hjuːz/

plural of “hue” — the quality of a color as determined by its dominant wavelength

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

illuminatedadjectiveUS /ˌɪˈluːməneɪtəd/

provided with artificial light

From this reading Subsequently, a progressive decline in the excellence and artistic beauty of illuminated painting becomes very evident.

illustrativeadjectiveUS /ˌɪˈlʌstrətɪv/

clarifying by use of examples

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

improvesverbUS /ˌɪmˈpruːvz/

third-person singular of “improve” — to make better

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

incongruousadjectiveUS /ˌɪŋˈkɔːŋruːəs/

lacking in harmony or compatibility or appropriateness

From this reading It is true that, in the middle of the seventeenth century, it was florid, gorgeous, and, to a certain degree, admirable, but it was not the beauty of art; the rococo taste was beginning to dawn--that strange exuberance of fancy which heaped in one mass the most incongruous details, and was often more cumbrous and grotesque than graceful and harmonious.

IndeedadverbUS /ˌɪnˈdiːd/

in truth (often tends to intensify)

From this reading Indeed, several of the most celebrated painters of those days did not disdain to enrich MSS. for some high personage with specimens of their artistic skill.

inextricableadjectiveUS /ˌɪˈnekstrɪkʌbəl/

not permitting extrication; incapable of being disentangled or untied

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

introducedverbUS /ˌɪntrəˈduːst/

past form of “introduce” — cause to come to know personally

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It is true that, in the middle of the seventeenth century, it was florid, gorgeous, and, to a certain degree, admirable, but it was not the beauty of art; the rococo taste was beginning to dawn--that strange exuberance of fancy which heaped in one mass the most incongruous details, and was often more cumbrous and grotesque than graceful and harmonious.

lateradverbUS /ˈleɪtər/

happening at a time subsequent to a reference time

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

linkedadjectiveUS /lɪŋkt/

connected by a link, as railway cars or trailer trucks

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

marvellousadjectiveUS /ˈmɑːrvələs/

extraordinarily good or great; used especially as intensifiers

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

massnounUS /mæs/

the property of a body that causes it to have weight in a gravitational field

From this reading It is true that, in the middle of the seventeenth century, it was florid, gorgeous, and, to a certain degree, admirable, but it was not the beauty of art; the rococo taste was beginning to dawn--that strange exuberance of fancy which heaped in one mass the most incongruous details, and was often more cumbrous and grotesque than graceful and harmonious.

medallionsnounUS /məˈdæljənz/

plural of “medallion” — any of various large ancient Greek coins

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

middlenounUS /ˈmɪdəl/

an area that is approximately central within some larger region

From this reading This continued until the middle of the sixteenth century.

miniaturenounUS /ˈmɪniətʃʊr/

painting or drawing included in a book (especially in illuminated medieval manuscripts)

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

mostadverbUS /moʊst/

used to form the superlative

From this reading Indeed, several of the most celebrated painters of those days did not disdain to enrich MSS. for some high personage with specimens of their artistic skill.

MSS

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Indeed, several of the most celebrated painters of those days did not disdain to enrich MSS. for some high personage with specimens of their artistic skill.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Indeed, several of the most celebrated painters of those days did not disdain to enrich MSS. for some high personage with specimens of their artistic skill.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

oftenadverbUS /ˈɔːfən/

many times at short intervals

From this reading It is true that, in the middle of the seventeenth century, it was florid, gorgeous, and, to a certain degree, admirable, but it was not the beauty of art; the rococo taste was beginning to dawn--that strange exuberance of fancy which heaped in one mass the most incongruous details, and was often more cumbrous and grotesque than graceful and harmonious.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading It is true that, in the middle of the seventeenth century, it was florid, gorgeous, and, to a certain degree, admirable, but it was not the beauty of art; the rococo taste was beginning to dawn--that strange exuberance of fancy which heaped in one mass the most incongruous details, and was often more cumbrous and grotesque than graceful and harmonious.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

paintersnounUS /ˈpeɪntərz/

plural of “painter” — an artist who paints

From this reading Indeed, several of the most celebrated painters of those days did not disdain to enrich MSS. for some high personage with specimens of their artistic skill.

paintingnounUS /ˈpeɪntɪŋ/

graphic art consisting of an artistic composition made by applying paints to a surface

From this reading Subsequently, a progressive decline in the excellence and artistic beauty of illuminated painting becomes very evident.

paintingsnounUS /ˈpeɪntɪŋz/

plural of “painting” — graphic art consisting of an artistic composition made by applying paints to a surface

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

patronizedadjectiveUS /ˈpeɪtrənaɪzd/

having patronage or clients

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

periodnounUS /ˈpɪriəd/

an amount of time

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

personagenoun

another word for person; a person not meriting identification

From this reading Indeed, several of the most celebrated painters of those days did not disdain to enrich MSS. for some high personage with specimens of their artistic skill.

portfoliosnounUS /pɔːrtˈfoʊlioʊz/

plural of “portfolio” — a large, flat, thin case for carrying loose papers or drawings or maps; usually leather

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

progressiveadjectiveUS /prəˈɡresɪv/

favoring or promoting progress

From this reading Subsequently, a progressive decline in the excellence and artistic beauty of illuminated painting becomes very evident.

rococonounUS /rəˈkoʊkoʊ/

fanciful but graceful asymmetric ornamentation in art and architecture that originated in France in the 18th century

From this reading It is true that, in the middle of the seventeenth century, it was florid, gorgeous, and, to a certain degree, admirable, but it was not the beauty of art; the rococo taste was beginning to dawn--that strange exuberance of fancy which heaped in one mass the most incongruous details, and was often more cumbrous and grotesque than graceful and harmonious.

scrollsnounUS /skroʊlz/

plural of “scroll” — a round shape formed by a series of concentric circles (as formed by leaves or flower petals)

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

seventeenthadjectiveUS /ˈsevənˈtiːnθ/

coming next after the sixteenth in position

From this reading It is true that, in the middle of the seventeenth century, it was florid, gorgeous, and, to a certain degree, admirable, but it was not the beauty of art; the rococo taste was beginning to dawn--that strange exuberance of fancy which heaped in one mass the most incongruous details, and was often more cumbrous and grotesque than graceful and harmonious.

severaladjectiveUS /ˈsevrəl/

(used with count nouns) of an indefinite number more than 2 or 3 but not many

From this reading Indeed, several of the most celebrated painters of those days did not disdain to enrich MSS. for some high personage with specimens of their artistic skill.

shineverbUS /ʃaɪn/

be bright by reflecting or casting light

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

simplyadverbUS /ˈsɪmpli/

and nothing more

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

sixteenthadjectiveUS /sɪkˈstiːnθ/

coming next after the fifteenth in position

From this reading This continued until the middle of the sixteenth century.

skillnounUS /skɪl/

an ability that has been acquired by training

From this reading Indeed, several of the most celebrated painters of those days did not disdain to enrich MSS. for some high personage with specimens of their artistic skill.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading Indeed, several of the most celebrated painters of those days did not disdain to enrich MSS. for some high personage with specimens of their artistic skill.

specimensnounUS /ˈspesəmənz/

plural of “specimen” — an example regarded as typical of its class

From this reading Indeed, several of the most celebrated painters of those days did not disdain to enrich MSS. for some high personage with specimens of their artistic skill.

strangeadjectiveUS /streɪndʒ/

being definitely out of the ordinary and unexpected; slightly odd or even a bit weird

From this reading It is true that, in the middle of the seventeenth century, it was florid, gorgeous, and, to a certain degree, admirable, but it was not the beauty of art; the rococo taste was beginning to dawn--that strange exuberance of fancy which heaped in one mass the most incongruous details, and was often more cumbrous and grotesque than graceful and harmonious.

SubsequentlyadverbUS /ˈsʌbsəkwəntli/

happening at a time subsequent to a reference time

From this reading Subsequently, a progressive decline in the excellence and artistic beauty of illuminated painting becomes very evident.

sunsetnounUS /ˈsʌnset/

the time in the evening at which the sun begins to fall below the horizon

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

tasteverbUS /teɪst/

To perceive flavor through the mouth.

From this reading It is true that, in the middle of the seventeenth century, it was florid, gorgeous, and, to a certain degree, admirable, but it was not the beauty of art; the rococo taste was beginning to dawn--that strange exuberance of fancy which heaped in one mass the most incongruous details, and was often more cumbrous and grotesque than graceful and harmonious.

textnounUS /tekst/

the words of something written

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading It is true that, in the middle of the seventeenth century, it was florid, gorgeous, and, to a certain degree, admirable, but it was not the beauty of art; the rococo taste was beginning to dawn--that strange exuberance of fancy which heaped in one mass the most incongruous details, and was often more cumbrous and grotesque than graceful and harmonious.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading It is true that, in the middle of the seventeenth century, it was florid, gorgeous, and, to a certain degree, admirable, but it was not the beauty of art; the rococo taste was beginning to dawn--that strange exuberance of fancy which heaped in one mass the most incongruous details, and was often more cumbrous and grotesque than graceful and harmonious.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading Indeed, several of the most celebrated painters of those days did not disdain to enrich MSS. for some high personage with specimens of their artistic skill.

ThesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

ThisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading This continued until the middle of the sixteenth century.

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading Indeed, several of the most celebrated painters of those days did not disdain to enrich MSS. for some high personage with specimens of their artistic skill.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Indeed, several of the most celebrated painters of those days did not disdain to enrich MSS. for some high personage with specimens of their artistic skill.

trueadjectiveUS /truː/

consistent with fact or reality; not false

From this reading It is true that, in the middle of the seventeenth century, it was florid, gorgeous, and, to a certain degree, admirable, but it was not the beauty of art; the rococo taste was beginning to dawn--that strange exuberance of fancy which heaped in one mass the most incongruous details, and was often more cumbrous and grotesque than graceful and harmonious.

twinings

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

untilprepositionUS /ənˈtɪl/

up to a particular time

From this reading This continued until the middle of the sixteenth century.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading Subsequently, a progressive decline in the excellence and artistic beauty of illuminated painting becomes very evident.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading It is true that, in the middle of the seventeenth century, it was florid, gorgeous, and, to a certain degree, admirable, but it was not the beauty of art; the rococo taste was beginning to dawn--that strange exuberance of fancy which heaped in one mass the most incongruous details, and was often more cumbrous and grotesque than graceful and harmonious.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

withprepositionUS /wɪð/

in the company of; together with

From this reading These borders at first consist simply of foliage or scrolls; but, as the art improves, and doubtless is more fostered and patronized, arabesques are introduced, in which forms of marvellous grace and beauty, linked in inextricable twinings, shine forth in all the gorgeous hues of a brilliant sunset; and these are, at a later period, gemmed with medallions or miniature paintings, illustrative of portfolios of the text.

Chapter 6 of Godey's Lady's Book, Vol. 48, June, 1854 by Various holds 413 sentences, grouped into 83 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 6 of Godey's Lady's Book, Vol. 48, June, 1854 contain?

Chapter 6 holds 413 sentences of Godey's Lady's Book, Vol. 48, June, 1854, unabridged, divided into 83 reading sections.

This page carries chapter 6 of Godey's Lady's Book, Vol. 48, June, 1854 by Various exactly as it stands in the source edition, without abridgement. It runs to 413 sentences, grouped into 83 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 6 of Godey's Lady's Book, Vol. 48, June, 1854?

Work through the 83 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 83 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 6 be read aloud to me?

Yes — every sentence and every individual word in chapter 6 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Godey's Lady's Book, Vol. 48, June, 1854

Common questions about reading Godey's Lady's Book, Vol. 48, June, 1854 by Various on this page, its source edition and its audio.

Is this the complete text of Godey's Lady's Book, Vol. 48, June, 1854?

Yes. All 0 sentences of Project Gutenberg eBook #? are kept, with a record of which sentences cover which part.

Which edition of Godey's Lady's Book, Vol. 48, June, 1854 is used?

Project Gutenberg eBook #?, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Godey's Lady's Book, Vol. 48, June, 1854 take to read?

About 5 minutes of reading across 0 sections of 5 sentences each, at an unhurried pace.

How to read Godey's Lady's Book, Vol. 48, June, 1854 section by section

How to work through Godey's Lady's Book, Vol. 48, June, 1854 section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 0 chapters of Godey's Lady's Book, Vol. 48, June, 1854 to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Godey's Lady's Book, Vol. 48, June, 1854

Words and structures a reader meets early in Godey's Lady's Book, Vol. 48, June, 1854, each tappable for pronunciation and meaning.

Chapter 1
One of the 0 chapters of Godey's Lady's Book, Vol. 48, June, 1854, divided into 5-sentence reading sections.
Chapter 2
One of the 0 chapters of Godey's Lady's Book, Vol. 48, June, 1854, divided into 5-sentence reading sections.
Chapter 3
One of the 0 chapters of Godey's Lady's Book, Vol. 48, June, 1854, divided into 5-sentence reading sections.