Complete classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
Godolphin, Volume 1.
Godolphin, Volume 1.

Chapter X · Chapter 10

Chapter 10 of Godolphin, Volume 1. is here in full — 67 sentences across 14 reading sections, with audio for every sentence and word.

Cover illustration for Godolphin, Volume 1.
Context Illustration Reading 1/13 · 5 lines
English subtitles · tap any word to listen 1 / 5
THE LEGACY.--A NEW DEFORMITY IN SAVILLE.--THE NATURE OF WORLDLY LIAISONS.--GODOLPHIN LEAVES ENGLAND.
But then, it is not always a sustainer of the stage delusion to be enamoured of an actress: it takes us too much behind the scenes.
Godolphin felt this so strongly that he liked those plays least in which Fanny performed.
Off the stage her character had so little romance, that he could not deceive himself into the romance of her character before the lamps.
Luckily, however, Fanny did not attempt Shakspeare.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Godolphin, Volume 1.

Chapter X · Chapter 10

Chapter 10 of Godolphin, Volume 1. is here in full — 67 sentences across 14 reading sections, with audio for every sentence and word.

Reading 1/13 · 5 reading units · Lines 1–5

Line 1
THE LEGACY.--A NEW DEFORMITY IN SAVILLE.--THE NATURE OF WORLDLY LIAISONS.--GODOLPHIN LEAVES ENGLAND.
Line 2
But then, it is not always a sustainer of the stage delusion to be enamoured of an actress: it takes us too much behind the scenes.
Line 3
Godolphin felt this so strongly that he liked those plays least in which Fanny performed.
Line 4
Off the stage her character had so little romance, that he could not deceive himself into the romance of her character before the lamps.
/ɔːf ðə steɪdʒ hɜːr ˈkerɪktər hæd soʊ ˈlɪtəl roʊˈmæns ðæt hiː kʊd nɑːt dɪˈsiːv hɪmˈself ˈɪntuː ðə roʊˈmæns ʌv hɜːr ˈkerɪktər bɪˈfɔːr ðə læmps/
Line 5
Luckily, however, Fanny did not attempt Shakspeare.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

actress noun US /ˈæktrəs/

a female actor

From this reading “But then, it is not always a sustainer of the stage delusion to be enamoured of an actress: it takes us too much behind the scenes.”

deformity noun US /dɪˈfɔːrməti/

an affliction in which some part of the body is misshapen or malformed

From this reading “THE LEGACY.--A NEW DEFORMITY IN SAVILLE.--THE NATURE OF WORLDLY LIAISONS.--GODOLPHIN LEAVES ENGLAND.”

delusion noun US /dɪˈluːʒən/

(psychology) an erroneous belief that is held in the face of evidence to the contrary

From this reading “But then, it is not always a sustainer of the stage delusion to be enamoured of an actress: it takes us too much behind the scenes.”

lamps noun US /læmps/

plural of “lamp” — an artificial source of visible illumination

From this reading “Off the stage her character had so little romance, that he could not deceive himself into the romance of her character before the lamps.”

legacy noun US /ˈleɡəsi/

(law) a gift of personal property by will

From this reading “THE LEGACY.--A NEW DEFORMITY IN SAVILLE.--THE NATURE OF WORLDLY LIAISONS.--GODOLPHIN LEAVES ENGLAND.”

liaisons noun US /liˈeɪsɑːnz/

plural of “liaison” — a usually secretive or illicit sexual relationship

From this reading “THE LEGACY.--A NEW DEFORMITY IN SAVILLE.--THE NATURE OF WORLDLY LIAISONS.--GODOLPHIN LEAVES ENGLAND.”

Luckily adverb US /ˈlʌkəli/

by good fortune

From this reading “Luckily, however, Fanny did not attempt Shakspeare.”

worldly adjective US /ˈwɜːrldli/

characteristic of or devoted to the temporal world as opposed to the spiritual world

From this reading “THE LEGACY.--A NEW DEFORMITY IN SAVILLE.--THE NATURE OF WORLDLY LIAISONS.--GODOLPHIN LEAVES ENGLAND.”

All words in this reading · 64

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading THE LEGACY.--A NEW DEFORMITY IN SAVILLE.--THE NATURE OF WORLDLY LIAISONS.--GODOLPHIN LEAVES ENGLAND.

actressnounUS /ˈæktrəs/

a female actor

From this reading But then, it is not always a sustainer of the stage delusion to be enamoured of an actress: it takes us too much behind the scenes.

alwaysadverbUS /ˈɔːlweɪz/

at all times; all the time and on every occasion

From this reading But then, it is not always a sustainer of the stage delusion to be enamoured of an actress: it takes us too much behind the scenes.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading But then, it is not always a sustainer of the stage delusion to be enamoured of an actress: it takes us too much behind the scenes.

attemptnounUS /əˈtempt/

earnest and conscientious activity intended to do or accomplish something

From this reading Luckily, however, Fanny did not attempt Shakspeare.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading But then, it is not always a sustainer of the stage delusion to be enamoured of an actress: it takes us too much behind the scenes.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading Off the stage her character had so little romance, that he could not deceive himself into the romance of her character before the lamps.

behindprepositionUS /bɪˈhaɪnd/

at or toward the back of something

From this reading But then, it is not always a sustainer of the stage delusion to be enamoured of an actress: it takes us too much behind the scenes.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading But then, it is not always a sustainer of the stage delusion to be enamoured of an actress: it takes us too much behind the scenes.

characternounUS /ˈkerɪktər/

an imaginary person represented in a work of fiction (play or film or story)

From this reading Off the stage her character had so little romance, that he could not deceive himself into the romance of her character before the lamps.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading Off the stage her character had so little romance, that he could not deceive himself into the romance of her character before the lamps.

deceiveverbUS /dɪˈsiːv/

be false to; be dishonest with

From this reading Off the stage her character had so little romance, that he could not deceive himself into the romance of her character before the lamps.

DEFORMITYnounUS /dɪˈfɔːrməti/

an affliction in which some part of the body is misshapen or malformed

From this reading THE LEGACY.--A NEW DEFORMITY IN SAVILLE.--THE NATURE OF WORLDLY LIAISONS.--GODOLPHIN LEAVES ENGLAND.

delusionnounUS /dɪˈluːʒən/

(psychology) an erroneous belief that is held in the face of evidence to the contrary

From this reading But then, it is not always a sustainer of the stage delusion to be enamoured of an actress: it takes us too much behind the scenes.

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading Luckily, however, Fanny did not attempt Shakspeare.

enamoured

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But then, it is not always a sustainer of the stage delusion to be enamoured of an actress: it takes us too much behind the scenes.

ENGLANDnounUS /ˈɪŋɡlənd/

a division of the United Kingdom

From this reading THE LEGACY.--A NEW DEFORMITY IN SAVILLE.--THE NATURE OF WORLDLY LIAISONS.--GODOLPHIN LEAVES ENGLAND.

FannynounUS /ˈfæni/

the fleshy part of the human body that you sit on

From this reading Godolphin felt this so strongly that he liked those plays least in which Fanny performed.

feltverbUS /felt/

mat together and make felt-like

From this reading Godolphin felt this so strongly that he liked those plays least in which Fanny performed.

GODOLPHIN

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE LEGACY.--A NEW DEFORMITY IN SAVILLE.--THE NATURE OF WORLDLY LIAISONS.--GODOLPHIN LEAVES ENGLAND.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading Off the stage her character had so little romance, that he could not deceive himself into the romance of her character before the lamps.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading Godolphin felt this so strongly that he liked those plays least in which Fanny performed.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading Off the stage her character had so little romance, that he could not deceive himself into the romance of her character before the lamps.

himselfpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading Off the stage her character had so little romance, that he could not deceive himself into the romance of her character before the lamps.

howeveradverbUS /ˌhaʊˈevər/

used to add a contrasting statement

From this reading Luckily, however, Fanny did not attempt Shakspeare.

INprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading THE LEGACY.--A NEW DEFORMITY IN SAVILLE.--THE NATURE OF WORLDLY LIAISONS.--GODOLPHIN LEAVES ENGLAND.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading Off the stage her character had so little romance, that he could not deceive himself into the romance of her character before the lamps.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading But then, it is not always a sustainer of the stage delusion to be enamoured of an actress: it takes us too much behind the scenes.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading But then, it is not always a sustainer of the stage delusion to be enamoured of an actress: it takes us too much behind the scenes.

lampsnounUS /læmps/

plural of “lamp” — an artificial source of visible illumination

From this reading Off the stage her character had so little romance, that he could not deceive himself into the romance of her character before the lamps.

leastadjectiveUS /liːst/

the superlative of “little” that can be used with mass nouns and is usually preceded by “the”; a quantifier meaning smallest in amount or extent or degree

From this reading Godolphin felt this so strongly that he liked those plays least in which Fanny performed.

LEAVESnounUS /liːvz/

plural of “leaf” — the main organ of photosynthesis and transpiration in higher plants

From this reading THE LEGACY.--A NEW DEFORMITY IN SAVILLE.--THE NATURE OF WORLDLY LIAISONS.--GODOLPHIN LEAVES ENGLAND.

LEGACYnounUS /ˈleɡəsi/

(law) a gift of personal property by will

From this reading THE LEGACY.--A NEW DEFORMITY IN SAVILLE.--THE NATURE OF WORLDLY LIAISONS.--GODOLPHIN LEAVES ENGLAND.

LIAISONSnounUS /liˈeɪsɑːnz/

plural of “liaison” — a usually secretive or illicit sexual relationship

From this reading THE LEGACY.--A NEW DEFORMITY IN SAVILLE.--THE NATURE OF WORLDLY LIAISONS.--GODOLPHIN LEAVES ENGLAND.

likedadjectiveUS /laɪkt/

found pleasant or attractive; often used as a combining form

From this reading Godolphin felt this so strongly that he liked those plays least in which Fanny performed.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading Off the stage her character had so little romance, that he could not deceive himself into the romance of her character before the lamps.

LuckilyadverbUS /ˈlʌkəli/

by good fortune

From this reading Luckily, however, Fanny did not attempt Shakspeare.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading But then, it is not always a sustainer of the stage delusion to be enamoured of an actress: it takes us too much behind the scenes.

NATUREnounUS /ˈneɪtʃər/

the essential qualities or characteristics by which something is recognized

From this reading THE LEGACY.--A NEW DEFORMITY IN SAVILLE.--THE NATURE OF WORLDLY LIAISONS.--GODOLPHIN LEAVES ENGLAND.

NEWadjectiveUS /nuː/

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading THE LEGACY.--A NEW DEFORMITY IN SAVILLE.--THE NATURE OF WORLDLY LIAISONS.--GODOLPHIN LEAVES ENGLAND.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading But then, it is not always a sustainer of the stage delusion to be enamoured of an actress: it takes us too much behind the scenes.

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading THE LEGACY.--A NEW DEFORMITY IN SAVILLE.--THE NATURE OF WORLDLY LIAISONS.--GODOLPHIN LEAVES ENGLAND.

OffadverbUS /ɔːf/

from a particular thing or place or position (“forth” is obsolete)

From this reading Off the stage her character had so little romance, that he could not deceive himself into the romance of her character before the lamps.

performedverbUS /pərˈfɔːrmd/

past form of “perform” — carry out or perform an action

From this reading Godolphin felt this so strongly that he liked those plays least in which Fanny performed.

playsnounUS /pleɪz/

plural of “play” — a dramatic work intended for performance by actors on a stage

From this reading Godolphin felt this so strongly that he liked those plays least in which Fanny performed.

romancenounUS /roʊˈmæns/

a relationship between two lovers

From this reading Off the stage her character had so little romance, that he could not deceive himself into the romance of her character before the lamps.

SAVILLE

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE LEGACY.--A NEW DEFORMITY IN SAVILLE.--THE NATURE OF WORLDLY LIAISONS.--GODOLPHIN LEAVES ENGLAND.

scenesnounUS /siːnz/

plural of “scene” — the place where some action occurs

From this reading But then, it is not always a sustainer of the stage delusion to be enamoured of an actress: it takes us too much behind the scenes.

Shakspeare

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Luckily, however, Fanny did not attempt Shakspeare.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading Godolphin felt this so strongly that he liked those plays least in which Fanny performed.

stagenounUS /steɪdʒ/

any distinct time period in a sequence of events

From this reading But then, it is not always a sustainer of the stage delusion to be enamoured of an actress: it takes us too much behind the scenes.

stronglyadverbUS /ˈstrɔːŋli/

with strength or in a strong manner

From this reading Godolphin felt this so strongly that he liked those plays least in which Fanny performed.

sustainernoun

someone who upholds or maintains

From this reading But then, it is not always a sustainer of the stage delusion to be enamoured of an actress: it takes us too much behind the scenes.

takesnounUS /teɪks/

plural of “take” — the income or profit arising from such transactions as the sale of land or other property

From this reading But then, it is not always a sustainer of the stage delusion to be enamoured of an actress: it takes us too much behind the scenes.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Godolphin felt this so strongly that he liked those plays least in which Fanny performed.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE LEGACY.--A NEW DEFORMITY IN SAVILLE.--THE NATURE OF WORLDLY LIAISONS.--GODOLPHIN LEAVES ENGLAND.

thenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading But then, it is not always a sustainer of the stage delusion to be enamoured of an actress: it takes us too much behind the scenes.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading Godolphin felt this so strongly that he liked those plays least in which Fanny performed.

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading Godolphin felt this so strongly that he liked those plays least in which Fanny performed.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading But then, it is not always a sustainer of the stage delusion to be enamoured of an actress: it takes us too much behind the scenes.

tooadverbUS /tuː/

to a degree exceeding normal or proper limits

From this reading But then, it is not always a sustainer of the stage delusion to be enamoured of an actress: it takes us too much behind the scenes.

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading But then, it is not always a sustainer of the stage delusion to be enamoured of an actress: it takes us too much behind the scenes.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Godolphin felt this so strongly that he liked those plays least in which Fanny performed.

WORLDLYadjectiveUS /ˈwɜːrldli/

characteristic of or devoted to the temporal world as opposed to the spiritual world

From this reading THE LEGACY.--A NEW DEFORMITY IN SAVILLE.--THE NATURE OF WORLDLY LIAISONS.--GODOLPHIN LEAVES ENGLAND.

Chapter 10 of Godolphin, Volume 1. by Edward Bulwer Lytton, Baron Lytton holds 67 sentences, grouped into 14 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 10 of Godolphin, Volume 1. contain?

Chapter 10 holds 67 sentences of Godolphin, Volume 1., unabridged, divided into 14 reading sections.

This page carries chapter 10 of Godolphin, Volume 1. by Edward Bulwer Lytton, Baron Lytton exactly as it stands in the source edition, without abridgement. It runs to 67 sentences, grouped into 14 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 10 of Godolphin, Volume 1.?

Work through the 14 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 14 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 10 be read aloud to me?

Yes — every sentence and every individual word in chapter 10 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Godolphin, Volume 1.

Common questions about reading Godolphin, Volume 1. by Edward Bulwer Lytton, Baron Lytton on this page, its source edition and its audio.

Is this the complete text of Godolphin, Volume 1.?

Yes. All 0 sentences of Project Gutenberg eBook #? are kept, with a record of which sentences cover which part.

Which edition of Godolphin, Volume 1. is used?

Project Gutenberg eBook #?, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Godolphin, Volume 1. take to read?

About 5 minutes of reading across 0 sections of 5 sentences each, at an unhurried pace.

How to read Godolphin, Volume 1. section by section

How to work through Godolphin, Volume 1. section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 0 chapters of Godolphin, Volume 1. to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Godolphin, Volume 1.

Words and structures a reader meets early in Godolphin, Volume 1., each tappable for pronunciation and meaning.

Chapter 1
One of the 0 chapters of Godolphin, Volume 1., divided into 5-sentence reading sections.
Chapter 2
One of the 0 chapters of Godolphin, Volume 1., divided into 5-sentence reading sections.
Chapter 3
One of the 0 chapters of Godolphin, Volume 1., divided into 5-sentence reading sections.