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Godolphin, Volume 2.
Godolphin, Volume 2.

Chapter III · Chapter 3

Chapter 3 of Godolphin, Volume 2. is here in full — 254 sentences across 51 reading sections, with audio for every sentence and word.

Cover illustration for Godolphin, Volume 2.
Context Illustration Reading 1/50 · 5 lines
English subtitles · tap any word to listen 1 / 5
CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.
It was the evening of the ball to be given in honour of Lord Erpingham's arrival.
Constance, dressed for conquest, sat alone in her dressing-room.
Her woman had just left her.
The lights still burned in profusion about the antique chamber (antique, for it was situated in the oldest part of the castle); those lights streamed full upon the broad brow and exquisite features of Miss Vernon.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Godolphin, Volume 2.

Chapter III · Chapter 3

Chapter 3 of Godolphin, Volume 2. is here in full — 254 sentences across 51 reading sections, with audio for every sentence and word.

Reading 1/50 · 5 reading units · Lines 1–5

Line 1
CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.
Line 2
It was the evening of the ball to be given in honour of Lord Erpingham's arrival.
Line 3
Constance, dressed for conquest, sat alone in her dressing-room.
Line 4
Her woman had just left her.
/hɜːr ˈwʊmən hæd dʒʌst left hɜːr/
Line 5
The lights still burned in profusion about the antique chamber (antique, for it was situated in the oldest part of the castle); those lights streamed full upon the broad brow and exquisite features of Miss Vernon.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

amusements noun US /əˈmjuːzmənts/

plural of “amusement” — a feeling of delight at being entertained

From this reading “CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.”

antique adjective US /ænˈtiːk/

made in or typical of earlier times and valued for its age

From this reading “The lights still burned in profusion about the antique chamber (antique, for it was situated in the oldest part of the castle); those lights streamed full upon the broad brow and exquisite features of Miss Vernon.”

induction noun US /ˌɪnˈdʌkʃən/

a formal entry into an organization or position or office

From this reading “CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.”

listeners noun US /ˈlɪsənərz/

plural of “listener” — someone who listens attentively

From this reading “CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.”

profusion noun US /prəˈfjuːʒən/

the property of being extremely abundant

From this reading “The lights still burned in profusion about the antique chamber (antique, for it was situated in the oldest part of the castle); those lights streamed full upon the broad brow and exquisite features of Miss Vernon.”

rivalries noun US /ˈraɪvəlriz/

plural of “rivalry” — the act of competing as for profit or a prize

From this reading “CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.”

streamed verb US /striːmd/

past form of “stream” — to extend, wave or float outward, as if in the wind

From this reading “The lights still burned in profusion about the antique chamber (antique, for it was situated in the oldest part of the castle); those lights streamed full upon the broad brow and exquisite features of Miss Vernon.”

toilet noun US /ˈtɔɪlət/

a room or building equipped with one or more toilets

From this reading “CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.”

All words in this reading · 90

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading The lights still burned in profusion about the antique chamber (antique, for it was situated in the oldest part of the castle); those lights streamed full upon the broad brow and exquisite features of Miss Vernon.

aloneadjectiveUS /əˈloʊn/

Having no one else present.

From this reading Constance, dressed for conquest, sat alone in her dressing-room.

AMUSEMENTSnounUS /əˈmjuːzmənts/

plural of “amusement” — a feeling of delight at being entertained

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

ANdeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

ANDconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

antiqueadjectiveUS /ænˈtiːk/

made in or typical of earlier times and valued for its age

From this reading The lights still burned in profusion about the antique chamber (antique, for it was situated in the oldest part of the castle); those lights streamed full upon the broad brow and exquisite features of Miss Vernon.

arrivalnounUS /ərˈaɪvəl/

accomplishment of an objective

From this reading It was the evening of the ball to be given in honour of Lord Erpingham's arrival.

ASSEMBLYnounUS /əˈsembli/

a group of machine parts that fit together to form a self-contained unit

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

ATprepositionUS /æt/

in or near a particular place or position

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

BALLnounUS /bɔːl/

round object that is hit or thrown or kicked in games

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading It was the evening of the ball to be given in honour of Lord Erpingham's arrival.

BEAUTYnounUS /ˈbjuːti/

the qualities that give pleasure to the senses

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

BETWEENprepositionUS /bɪˈtwiːn/

in the space, time, or range separating two things

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

broadadjectiveUS /brɔːd/

having great (or a certain) extent from one side to the other

From this reading The lights still burned in profusion about the antique chamber (antique, for it was situated in the oldest part of the castle); those lights streamed full upon the broad brow and exquisite features of Miss Vernon.

brownounUS /braʊ/

the part of the face above the eyes

From this reading The lights still burned in profusion about the antique chamber (antique, for it was situated in the oldest part of the castle); those lights streamed full upon the broad brow and exquisite features of Miss Vernon.

burnedadjectiveUS /bɜːrnd/

treated by heating to a high temperature but below the melting or fusing point

From this reading The lights still burned in profusion about the antique chamber (antique, for it was situated in the oldest part of the castle); those lights streamed full upon the broad brow and exquisite features of Miss Vernon.

castlenounUS /ˈkæsəl/

a large and stately mansion

From this reading The lights still burned in profusion about the antique chamber (antique, for it was situated in the oldest part of the castle); those lights streamed full upon the broad brow and exquisite features of Miss Vernon.

chambernounUS /ˈtʃeɪmbər/

a natural or artificial enclosed space

From this reading The lights still burned in profusion about the antique chamber (antique, for it was situated in the oldest part of the castle); those lights streamed full upon the broad brow and exquisite features of Miss Vernon.

CHARACTERnounUS /ˈkerɪktər/

an imaginary person represented in a work of fiction (play or film or story)

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

conquestnounUS /ˈkɑːŋkwest/

the act of conquering

From this reading Constance, dressed for conquest, sat alone in her dressing-room.

CONSTANCEnounUS /ˈkɑːnstəns/

a lake in southeastern Germany on the northern side of the Swiss Alps; forms part of the Rhine River

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

DAUGHTERnounUS /ˈdɔːtər/

a female human offspring

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

DESCRIBEDadjectiveUS /dɪˈskraɪbd/

represented in words especially with sharpness and detail

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

dressedadjectiveUS /drest/

dressed or clothed especially in fine attire; often used in combination

From this reading Constance, dressed for conquest, sat alone in her dressing-room.

dressing-room

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Constance, dressed for conquest, sat alone in her dressing-room.

DUCHESSnounUS /ˈdʌtʃəs/

the wife of a duke or a woman holding ducal title in her own right

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

Erpingham's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It was the evening of the ball to be given in honour of Lord Erpingham's arrival.

eveningnounUS /ˈiːvnɪŋ/

the latter part of the day (the period of decreasing daylight from late afternoon until nightfall)

From this reading It was the evening of the ball to be given in honour of Lord Erpingham's arrival.

exquisiteadjectiveUS /ˈekskwəzət/

intense or sharp

From this reading The lights still burned in profusion about the antique chamber (antique, for it was situated in the oldest part of the castle); those lights streamed full upon the broad brow and exquisite features of Miss Vernon.

FALSENESSnoun

the state of being false or untrue

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

featuresnounUS /ˈfiːtʃərz/

plural of “feature” — a prominent attribute or aspect of something

From this reading The lights still burned in profusion about the antique chamber (antique, for it was situated in the oldest part of the castle); those lights streamed full upon the broad brow and exquisite features of Miss Vernon.

FEELINGSnounUS /ˈfiːlɪŋz/

emotional or moral sensitivity (especially in relation to personal principles or dignity)

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

FEMALEadjectiveUS /ˈfiːmeɪl/

being the sex (of plant or animal) that produces fertilizable gametes (ova) from which offspring develop

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Constance, dressed for conquest, sat alone in her dressing-room.

FROMprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

fulladjectiveUS /fʊl/

containing as much or as many as is possible or normal

From this reading The lights still burned in profusion about the antique chamber (antique, for it was situated in the oldest part of the castle); those lights streamed full upon the broad brow and exquisite features of Miss Vernon.

GAIETYnoun

a gay feeling

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

givenadjectiveUS /ˈɡɪvən/

acknowledged as a supposition

From this reading It was the evening of the ball to be given in honour of Lord Erpingham's arrival.

GODOLPHIN

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

GOODadjectiveUS /ɡʊd/

having desirable or positive qualities especially those suitable for a thing specified

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading Her woman had just left her.

HEARverbUS /hiːr/

perceive (sound) via the auditory sense

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

HERdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

honournounUS /ˈɑːnər/

the state of being honored

From this reading It was the evening of the ball to be given in honour of Lord Erpingham's arrival.

IMPERTINENCEnoun

an impudent statement

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

INprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

INDUCTIONnounUS /ˌɪnˈdʌkʃən/

a formal entry into an organization or position or office

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It was the evening of the ball to be given in honour of Lord Erpingham's arrival.

JEALOUSYnounUS /ˈdʒeləsi/

a feeling of jealous envy (especially of a rival)

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

justadverbUS /dʒʌst/

and nothing more

From this reading Her woman had just left her.

leftnounUS /left/

location near or direction toward the left side; i.e. the side to the north when a person or object faces east

From this reading Her woman had just left her.

lightsnounUS /laɪts/

plural of “light” — (physics) electromagnetic radiation that can produce a visual sensation

From this reading The lights still burned in profusion about the antique chamber (antique, for it was situated in the oldest part of the castle); those lights streamed full upon the broad brow and exquisite features of Miss Vernon.

LISTENERSnounUS /ˈlɪsənərz/

plural of “listener” — someone who listens attentively

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

LordnounUS /lɔːrd/

terms referring to the Judeo-Christian God

From this reading It was the evening of the ball to be given in honour of Lord Erpingham's arrival.

LOVERnounUS /ˈlʌvər/

a person who loves someone or is loved by someone

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

MissverbUS /mɪs/

fail to perceive or to catch with the senses or the mind

From this reading The lights still burned in profusion about the antique chamber (antique, for it was situated in the oldest part of the castle); those lights streamed full upon the broad brow and exquisite features of Miss Vernon.

NATUREnounUS /ˈneɪtʃər/

the essential qualities or characteristics by which something is recognized

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

NEVERadverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

NEWadjectiveUS /nuː/

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

oldestadjectiveUS /ˈoʊldəst/

superlative of “old” — (used especially of persons) having lived for a relatively long time or attained a specific age

From this reading The lights still burned in profusion about the antique chamber (antique, for it was situated in the oldest part of the castle); those lights streamed full upon the broad brow and exquisite features of Miss Vernon.

ONprepositionUS /ɑːn/

touching and supported by a surface

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

partnounUS /pɑːrt/

something determined in relation to something that includes it

From this reading The lights still burned in profusion about the antique chamber (antique, for it was situated in the oldest part of the castle); those lights streamed full upon the broad brow and exquisite features of Miss Vernon.

PASSESnounUS /ˈpæsəz/

plural of “pass” — (baseball) an advance to first base by a batter who receives four balls

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

profusionnounUS /prəˈfjuːʒən/

the property of being extremely abundant

From this reading The lights still burned in profusion about the antique chamber (antique, for it was situated in the oldest part of the castle); those lights streamed full upon the broad brow and exquisite features of Miss Vernon.

PUBLICnounUS /ˈpʌblɪk/

people in general considered as a whole

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

REFLECTIONSnounUS /rɪˈflekʃənz/

plural of “reflection” — a calm, lengthy, intent consideration

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

REMARKSnounUS /rɪˈmɑːrks/

plural of “remark” — a statement that expresses a personal opinion or belief or adds information

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

RETORTEDverbUS /riˈtɔːrtɪd/

past form of “retort” — answer back

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

RIVALRIESnounUS /ˈraɪvəlriz/

plural of “rivalry” — the act of competing as for profit or a prize

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

satnounUS /sæt/

the seventh and last day of the week; observed as the Sabbath by Jews and some Christians

From this reading Constance, dressed for conquest, sat alone in her dressing-room.

SEEMINGadjectiveUS /ˈsiːmɪŋ/

appearing as such but not necessarily so

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

situatedadjectiveUS /ˈsɪtʃuːeɪtɪd/

situated in a particular spot or position

From this reading The lights still burned in profusion about the antique chamber (antique, for it was situated in the oldest part of the castle); those lights streamed full upon the broad brow and exquisite features of Miss Vernon.

stilladjectiveUS /stɪl/

not in physical motion

From this reading The lights still burned in profusion about the antique chamber (antique, for it was situated in the oldest part of the castle); those lights streamed full upon the broad brow and exquisite features of Miss Vernon.

streamedverbUS /striːmd/

past form of “stream” — to extend, wave or float outward, as if in the wind

From this reading The lights still burned in profusion about the antique chamber (antique, for it was situated in the oldest part of the castle); those lights streamed full upon the broad brow and exquisite features of Miss Vernon.

SUPPERnounUS /ˈsʌpər/

a light evening meal; served in early evening if dinner is at midday or served late in the evening at bedtime

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

THEMSELVESpronounUS /ðemˈselvz/

used when the people doing the action are also its object

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading The lights still burned in profusion about the antique chamber (antique, for it was situated in the oldest part of the castle); those lights streamed full upon the broad brow and exquisite features of Miss Vernon.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading It was the evening of the ball to be given in honour of Lord Erpingham's arrival.

TOILETnounUS /ˈtɔɪlət/

a room or building equipped with one or more toilets

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

TRUEadjectiveUS /truː/

consistent with fact or reality; not false

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading The lights still burned in profusion about the antique chamber (antique, for it was situated in the oldest part of the castle); those lights streamed full upon the broad brow and exquisite features of Miss Vernon.

VARIOUSadjectiveUS /ˈveriəs/

of many different kinds purposefully arranged but lacking any uniformity

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

Vernon

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The lights still burned in profusion about the antique chamber (antique, for it was situated in the oldest part of the castle); those lights streamed full upon the broad brow and exquisite features of Miss Vernon.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading It was the evening of the ball to be given in honour of Lord Erpingham's arrival.

WHATpronounUS /wʌt/

used to ask for information about something

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

WINSTOUN

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

womannounUS /ˈwʊmən/

an adult female person (as opposed to a man)

From this reading Her woman had just left her.

Chapter 3 of Godolphin, Volume 2. by Edward Bulwer Lytton, Baron Lytton holds 254 sentences, grouped into 51 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 3 of Godolphin, Volume 2. contain?

Chapter 3 holds 254 sentences of Godolphin, Volume 2., unabridged, divided into 51 reading sections.

This page carries chapter 3 of Godolphin, Volume 2. by Edward Bulwer Lytton, Baron Lytton exactly as it stands in the source edition, without abridgement. It runs to 254 sentences, grouped into 51 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 3 of Godolphin, Volume 2.?

Work through the 51 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 51 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 3 be read aloud to me?

Yes — every sentence and every individual word in chapter 3 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Godolphin, Volume 2.

Common questions about reading Godolphin, Volume 2. by Edward Bulwer Lytton, Baron Lytton on this page, its source edition and its audio.

Is this the complete text of Godolphin, Volume 2.?

Yes. All 863 sentences of Project Gutenberg eBook #7751 are kept, with a record of which sentences cover which part.

Which edition of Godolphin, Volume 2. is used?

Project Gutenberg eBook #7751, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Godolphin, Volume 2. take to read?

About 71 minutes of reading across 173 sections of 5 sentences each, at an unhurried pace.

How to read Godolphin, Volume 2. section by section

How to work through Godolphin, Volume 2. section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 7 chapters of Godolphin, Volume 2. to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Godolphin, Volume 2.

Words and structures a reader meets early in Godolphin, Volume 2., each tappable for pronunciation and meaning.

Feelings
A word that appears in the opening chapter of Godolphin, Volume 2.; the reader can tap it to hear it and see its dictionary entry.
Constance
A word that appears in the opening chapter of Godolphin, Volume 2.; the reader can tap it to hear it and see its dictionary entry.
Godolphin
A word that appears in the opening chapter of Godolphin, Volume 2.; the reader can tap it to hear it and see its dictionary entry.
Towards
A word that appears in the opening chapter of Godolphin, Volume 2.; the reader can tap it to hear it and see its dictionary entry.