Complete classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
Greville Fane
Greville Fane

Chapter I · Chapter 1

Chapter 1 of Greville Fane is here in full — 158 sentences across 32 reading sections, with audio for every sentence and word.

Cover illustration for Greville Fane
Context Illustration Reading 18/31 · 5 lines
English subtitles · tap any word to listen 1 / 5
She scorned me when I spoke of difficultyit was the only thing that made her angry.
If I hinted that a work of art required a tremendous licking into shape she thought it a pretension and a _pose_.
She never recognised the torment of form”; the furthest she went was to introduce into one of her books (in satire her hand was heavy) a young poet who was always talking about it.
I couldn’t quite understand her irritation on this score, for she had nothing at stake in the matter.
She had a shrewd perception that form, in prose at least, never recommended any one to the public we were condemned to address, and therefore she lost nothing (putting her private humiliation aside) by not having any.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Greville Fane

Chapter I · Chapter 1

Chapter 1 of Greville Fane is here in full — 158 sentences across 32 reading sections, with audio for every sentence and word.

Reading 18/31 · 5 reading units · Lines 86–90

Line 1
She scorned me when I spoke of difficultyit was the only thing that made her angry.
Line 2
If I hinted that a work of art required a tremendous licking into shape she thought it a pretension and a _pose_.
/ɪf aɪ ˈhɪntəd ðæt ə wɜːrk ʌv ɑːrt riˈkwaɪərd ə trəˈmendəs ˈlɪkɪŋ ˈɪntuː ʃeɪp ʃiː θɔːt ɪt ə priˈtenʃən ənd ə poʊz/
Line 3
She never recognised thetorment of form”; the furthest she went was to introduce into one of her books (in satire her hand was heavy) a young poet who was always talking about it.
/ʃiː ˈnevər ˈrekəɡnaɪzd ðə ˈtɔːrment ʌv fɔːrm ðə ˈfɜːrθəst ʃiː went wɑːz tuː ˌɪntrəˈduːs ˈɪntuː wʌn ʌv hɜːr bʊks ɪn ˈsætaɪər hɜːr hænd wɑːz ˈhevi ə jʌŋ ˈpoʊət huː wɑːz ˈɔːlweɪz ˈtɔːkɪŋ əˈbaʊt ɪt/
Line 4
I couldn’t quite understand her irritation on this score, for she had nothing at stake in the matter.
Line 5
She had a shrewd perception that form, in prose at least, never recommended any one to the public we were condemned to address, and therefore she lost nothing (putting her private humiliation aside) by not having any.
/ʃiː hæd ə ʃruːd pərˈsepʃən ðæt fɔːrm ɪn proʊz æt liːst ˈnevər ˌrekəˈmendɪd ˈeni wʌn tuː ðə ˈpʌblɪk wiː wɜːr kənˈdemd tuː ˈædres ənd ˈðerfɔːr ʃiː lɔːst ˈnʌθɪŋ ˈpʌtɪŋ hɜːr ˈpraɪvət hjuːˌmɪliˈeɪʃən əˈsaɪd baɪ nɑːt ˈhævɪŋ ˈeni/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

furthest adverb US /ˈfɜːrθəst/

to the greatest degree or extent or most advanced stage (“furthest” is used more often than “farthest” in this abstract sense)

From this reading “She never recognised the “torment of form”; the furthest she went was to introduce into one of her books (in satire her hand was heavy) a young poet who was always talking about it.”

irritation noun US /ˌɪrɪˈteɪʃən/

the psychological state of being irritated or annoyed

From this reading “I couldn’t quite understand her irritation on this score, for she had nothing at stake in the matter.”

licking noun US /ˈlɪkɪŋ/

an unsuccessful ending to a struggle or contest

From this reading “If I hinted that a work of art required a tremendous licking into shape she thought it a pretension and a _pose_.”

perception noun US /pərˈsepʃən/

the representation of what is perceived; basic component in the formation of a concept

From this reading “She had a shrewd perception that form, in prose at least, never recommended any one to the public we were condemned to address, and therefore she lost nothing (putting her private humiliation aside) by not having any.”

pose verb US /poʊz/

introduce

pretension noun US /priˈtenʃən/

a false or unsupportable quality

From this reading “If I hinted that a work of art required a tremendous licking into shape she thought it a pretension and a _pose_.”

satire noun US /ˈsætaɪər/

witty language used to convey insults or scorn

From this reading “She never recognised the “torment of form”; the furthest she went was to introduce into one of her books (in satire her hand was heavy) a young poet who was always talking about it.”

scorned adjective US /skɔːrnd/

treated with dislike or contempt

From this reading “She scorned me when I spoke of difficulty—it was the only thing that made her angry.”

All words in this reading · 84

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading If I hinted that a work of art required a tremendous licking into shape she thought it a pretension and a _pose_.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading She never recognised the “torment of form”; the furthest she went was to introduce into one of her books (in satire her hand was heavy) a young poet who was always talking about it.

addressverbUS /ˈædres/

speak to

From this reading She had a shrewd perception that form, in prose at least, never recommended any one to the public we were condemned to address, and therefore she lost nothing (putting her private humiliation aside) by not having any.

alwaysadverbUS /ˈɔːlweɪz/

at all times; all the time and on every occasion

From this reading She never recognised the “torment of form”; the furthest she went was to introduce into one of her books (in satire her hand was heavy) a young poet who was always talking about it.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading If I hinted that a work of art required a tremendous licking into shape she thought it a pretension and a _pose_.

angryadjectiveUS /ˈæŋɡri/

feeling or showing anger

From this reading She scorned me when I spoke of difficulty—it was the only thing that made her angry.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading She had a shrewd perception that form, in prose at least, never recommended any one to the public we were condemned to address, and therefore she lost nothing (putting her private humiliation aside) by not having any.

artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading If I hinted that a work of art required a tremendous licking into shape she thought it a pretension and a _pose_.

asideadverbUS /əˈsaɪd/

on or to one side

From this reading She had a shrewd perception that form, in prose at least, never recommended any one to the public we were condemned to address, and therefore she lost nothing (putting her private humiliation aside) by not having any.

atprepositionUS /æt/

in or near a particular place or position

From this reading I couldn’t quite understand her irritation on this score, for she had nothing at stake in the matter.

booksnounUS /bʊks/

Bound written or printed works.

From this reading She never recognised the “torment of form”; the furthest she went was to introduce into one of her books (in satire her hand was heavy) a young poet who was always talking about it.

byprepositionUS /baɪ/

showing who or what does the action

From this reading She had a shrewd perception that form, in prose at least, never recommended any one to the public we were condemned to address, and therefore she lost nothing (putting her private humiliation aside) by not having any.

condemnedverbUS /kənˈdemd/

past form of “condemn” — express strong disapproval of

From this reading She had a shrewd perception that form, in prose at least, never recommended any one to the public we were condemned to address, and therefore she lost nothing (putting her private humiliation aside) by not having any.

couldn't

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I couldn’t quite understand her irritation on this score, for she had nothing at stake in the matter.

difficultynounUS /ˈdɪfəkəlti/

an effort that is inconvenient

From this reading She scorned me when I spoke of difficulty—it was the only thing that made her angry.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading I couldn’t quite understand her irritation on this score, for she had nothing at stake in the matter.

formnounUS /fɔːrm/

the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading She never recognised the “torment of form”; the furthest she went was to introduce into one of her books (in satire her hand was heavy) a young poet who was always talking about it.

furthestadverbUS /ˈfɜːrθəst/

to the greatest degree or extent or most advanced stage (“furthest” is used more often than “farthest” in this abstract sense)

From this reading She never recognised the “torment of form”; the furthest she went was to introduce into one of her books (in satire her hand was heavy) a young poet who was always talking about it.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading I couldn’t quite understand her irritation on this score, for she had nothing at stake in the matter.

handnounUS /hænd/

the (prehensile) extremity of the superior limb

From this reading She never recognised the “torment of form”; the furthest she went was to introduce into one of her books (in satire her hand was heavy) a young poet who was always talking about it.

havingauxiliary verbUS /ˈhævɪŋ/

the -ing form of “have”

From this reading She had a shrewd perception that form, in prose at least, never recommended any one to the public we were condemned to address, and therefore she lost nothing (putting her private humiliation aside) by not having any.

heavyadjectiveUS /ˈhevi/

of comparatively great physical weight or density

From this reading She never recognised the “torment of form”; the furthest she went was to introduce into one of her books (in satire her hand was heavy) a young poet who was always talking about it.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading She scorned me when I spoke of difficulty—it was the only thing that made her angry.

hintedverbUS /ˈhɪntəd/

past form of “hint” — drop a hint; intimate by a hint

From this reading If I hinted that a work of art required a tremendous licking into shape she thought it a pretension and a _pose_.

humiliationnounUS /hjuːˌmɪliˈeɪʃən/

state of disgrace or loss of self-respect

From this reading She had a shrewd perception that form, in prose at least, never recommended any one to the public we were condemned to address, and therefore she lost nothing (putting her private humiliation aside) by not having any.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading She scorned me when I spoke of difficulty—it was the only thing that made her angry.

IfconjunctionUS /ɪf/

on condition that; in the event that

From this reading If I hinted that a work of art required a tremendous licking into shape she thought it a pretension and a _pose_.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading She never recognised the “torment of form”; the furthest she went was to introduce into one of her books (in satire her hand was heavy) a young poet who was always talking about it.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading If I hinted that a work of art required a tremendous licking into shape she thought it a pretension and a _pose_.

introduceverbUS /ˌɪntrəˈduːs/

cause to come to know personally

From this reading She never recognised the “torment of form”; the furthest she went was to introduce into one of her books (in satire her hand was heavy) a young poet who was always talking about it.

irritationnounUS /ˌɪrɪˈteɪʃən/

the psychological state of being irritated or annoyed

From this reading I couldn’t quite understand her irritation on this score, for she had nothing at stake in the matter.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading She scorned me when I spoke of difficulty—it was the only thing that made her angry.

leastadjectiveUS /liːst/

the superlative of “little” that can be used with mass nouns and is usually preceded by “the”; a quantifier meaning smallest in amount or extent or degree

From this reading She had a shrewd perception that form, in prose at least, never recommended any one to the public we were condemned to address, and therefore she lost nothing (putting her private humiliation aside) by not having any.

lickingnounUS /ˈlɪkɪŋ/

an unsuccessful ending to a struggle or contest

From this reading If I hinted that a work of art required a tremendous licking into shape she thought it a pretension and a _pose_.

lostadjectiveUS /lɔːst/

no longer in your possession or control; unable to be found or recovered

From this reading She had a shrewd perception that form, in prose at least, never recommended any one to the public we were condemned to address, and therefore she lost nothing (putting her private humiliation aside) by not having any.

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading She scorned me when I spoke of difficulty—it was the only thing that made her angry.

matternounUS /ˈmætər/

a vaguely specified concern

From this reading I couldn’t quite understand her irritation on this score, for she had nothing at stake in the matter.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading She scorned me when I spoke of difficulty—it was the only thing that made her angry.

neveradverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading She never recognised the “torment of form”; the furthest she went was to introduce into one of her books (in satire her hand was heavy) a young poet who was always talking about it.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading She had a shrewd perception that form, in prose at least, never recommended any one to the public we were condemned to address, and therefore she lost nothing (putting her private humiliation aside) by not having any.

nothingpronounUS /ˈnʌθɪŋ/

not one thing; not anything

From this reading I couldn’t quite understand her irritation on this score, for she had nothing at stake in the matter.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading She scorned me when I spoke of difficulty—it was the only thing that made her angry.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading I couldn’t quite understand her irritation on this score, for she had nothing at stake in the matter.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading She never recognised the “torment of form”; the furthest she went was to introduce into one of her books (in satire her hand was heavy) a young poet who was always talking about it.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading She scorned me when I spoke of difficulty—it was the only thing that made her angry.

perceptionnounUS /pərˈsepʃən/

the representation of what is perceived; basic component in the formation of a concept

From this reading She had a shrewd perception that form, in prose at least, never recommended any one to the public we were condemned to address, and therefore she lost nothing (putting her private humiliation aside) by not having any.

poetnounUS /ˈpoʊət/

a writer of poems (the term is usually reserved for writers of good poetry)

From this reading She never recognised the “torment of form”; the furthest she went was to introduce into one of her books (in satire her hand was heavy) a young poet who was always talking about it.

poseverbUS /poʊz/

introduce

From this reading If I hinted that a work of art required a tremendous licking into shape she thought it a pretension and a _pose_.

pretensionnounUS /priˈtenʃən/

a false or unsupportable quality

From this reading If I hinted that a work of art required a tremendous licking into shape she thought it a pretension and a _pose_.

privateadjectiveUS /ˈpraɪvət/

confined to particular persons or groups or providing privacy

From this reading She had a shrewd perception that form, in prose at least, never recommended any one to the public we were condemned to address, and therefore she lost nothing (putting her private humiliation aside) by not having any.

prosenounUS /proʊz/

ordinary writing as distinguished from verse

From this reading She had a shrewd perception that form, in prose at least, never recommended any one to the public we were condemned to address, and therefore she lost nothing (putting her private humiliation aside) by not having any.

publicnounUS /ˈpʌblɪk/

people in general considered as a whole

From this reading She had a shrewd perception that form, in prose at least, never recommended any one to the public we were condemned to address, and therefore she lost nothing (putting her private humiliation aside) by not having any.

puttingnounUS /ˈpʌtɪŋ/

hitting a golf ball that is on the green using a putter

From this reading She had a shrewd perception that form, in prose at least, never recommended any one to the public we were condemned to address, and therefore she lost nothing (putting her private humiliation aside) by not having any.

quiteadverbUS /kwaɪt/

to a degree (not used with a negative)

From this reading I couldn’t quite understand her irritation on this score, for she had nothing at stake in the matter.

recognisedadjectiveUS /ˈrekəɡnaɪzd/

provided with a secure reputation

From this reading She never recognised the “torment of form”; the furthest she went was to introduce into one of her books (in satire her hand was heavy) a young poet who was always talking about it.

recommendedverbUS /ˌrekəˈmendɪd/

past form of “recommend” — push for something

From this reading She had a shrewd perception that form, in prose at least, never recommended any one to the public we were condemned to address, and therefore she lost nothing (putting her private humiliation aside) by not having any.

requiredadjectiveUS /riˈkwaɪərd/

necessary for relief or supply

From this reading If I hinted that a work of art required a tremendous licking into shape she thought it a pretension and a _pose_.

satirenounUS /ˈsætaɪər/

witty language used to convey insults or scorn

From this reading She never recognised the “torment of form”; the furthest she went was to introduce into one of her books (in satire her hand was heavy) a young poet who was always talking about it.

scorenounUS /skɔːr/

a number or letter indicating quality (especially of a student's performance)

From this reading I couldn’t quite understand her irritation on this score, for she had nothing at stake in the matter.

scornedadjectiveUS /skɔːrnd/

treated with dislike or contempt

From this reading She scorned me when I spoke of difficulty—it was the only thing that made her angry.

shapenounUS /ʃeɪp/

any spatial attributes (especially as defined by outline)

From this reading If I hinted that a work of art required a tremendous licking into shape she thought it a pretension and a _pose_.

ShepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading She scorned me when I spoke of difficulty—it was the only thing that made her angry.

shrewdadjectiveUS /ʃruːd/

marked by practical hardheaded intelligence

From this reading She had a shrewd perception that form, in prose at least, never recommended any one to the public we were condemned to address, and therefore she lost nothing (putting her private humiliation aside) by not having any.

spokenounUS /spoʊk/

support consisting of a radial member of a wheel joining the hub to the rim

From this reading She scorned me when I spoke of difficulty—it was the only thing that made her angry.

stakenounUS /steɪk/

(law) a right or legal share of something; a financial involvement with something

From this reading I couldn’t quite understand her irritation on this score, for she had nothing at stake in the matter.

talkingnounUS /ˈtɔːkɪŋ/

an exchange of ideas via conversation

From this reading She never recognised the “torment of form”; the furthest she went was to introduce into one of her books (in satire her hand was heavy) a young poet who was always talking about it.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading She scorned me when I spoke of difficulty—it was the only thing that made her angry.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading She scorned me when I spoke of difficulty—it was the only thing that made her angry.

thereforeadverbUS /ˈðerfɔːr/

for that reason; as a result

From this reading She had a shrewd perception that form, in prose at least, never recommended any one to the public we were condemned to address, and therefore she lost nothing (putting her private humiliation aside) by not having any.

thingnounUS /θɪŋ/

a special situation

From this reading She scorned me when I spoke of difficulty—it was the only thing that made her angry.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading I couldn’t quite understand her irritation on this score, for she had nothing at stake in the matter.

thoughtnounUS /θɔːt/

the content of cognition; the main thing you are thinking about

From this reading If I hinted that a work of art required a tremendous licking into shape she thought it a pretension and a _pose_.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading She never recognised the “torment of form”; the furthest she went was to introduce into one of her books (in satire her hand was heavy) a young poet who was always talking about it.

tormentnounUS /ˈtɔːrment/

unbearable physical pain

From this reading She never recognised the “torment of form”; the furthest she went was to introduce into one of her books (in satire her hand was heavy) a young poet who was always talking about it.

tremendousadjectiveUS /trəˈmendəs/

extraordinarily large in size or extent or amount or power or degree

From this reading If I hinted that a work of art required a tremendous licking into shape she thought it a pretension and a _pose_.

understandverbUS /ˌʌndərˈstænd/

know and comprehend the nature or meaning of

From this reading I couldn’t quite understand her irritation on this score, for she had nothing at stake in the matter.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading She scorned me when I spoke of difficulty—it was the only thing that made her angry.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading She had a shrewd perception that form, in prose at least, never recommended any one to the public we were condemned to address, and therefore she lost nothing (putting her private humiliation aside) by not having any.

wentverbUS /went/

inflected form of “go” — change location; move, travel, or proceed, also metaphorically

From this reading She never recognised the “torment of form”; the furthest she went was to introduce into one of her books (in satire her hand was heavy) a young poet who was always talking about it.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading She had a shrewd perception that form, in prose at least, never recommended any one to the public we were condemned to address, and therefore she lost nothing (putting her private humiliation aside) by not having any.

whenconjunctionUS /wen/

at the time that

From this reading She scorned me when I spoke of difficulty—it was the only thing that made her angry.

whopronounUS /huː/

which person or people

From this reading She never recognised the “torment of form”; the furthest she went was to introduce into one of her books (in satire her hand was heavy) a young poet who was always talking about it.

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading If I hinted that a work of art required a tremendous licking into shape she thought it a pretension and a _pose_.

youngadjectiveUS /jʌŋ/

(used of living things especially persons) in an early period of life or development or growth

From this reading She never recognised the “torment of form”; the furthest she went was to introduce into one of her books (in satire her hand was heavy) a young poet who was always talking about it.

Chapter 1 of Greville Fane by Henry James holds 158 sentences, grouped into 32 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of Greville Fane contain?

Chapter 1 holds 158 sentences of Greville Fane, unabridged, divided into 32 reading sections.

This page carries chapter 1 of Greville Fane by Henry James exactly as it stands in the source edition, without abridgement. It runs to 158 sentences, grouped into 32 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of Greville Fane?

Work through the 32 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 32 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Greville Fane

Common questions about reading Greville Fane by Henry James on this page, its source edition and its audio.

Is this the complete text of Greville Fane?

Yes. All 302 sentences of Project Gutenberg eBook #2719 are kept, with a record of which sentences cover which part.

Which edition of Greville Fane is used?

Project Gutenberg eBook #2719, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Greville Fane take to read?

About 25 minutes of reading across 61 sections of 5 sentences each, at an unhurried pace.

How to read Greville Fane section by section

How to work through Greville Fane section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 2 chapters of Greville Fane to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Greville Fane

Words and structures a reader meets early in Greville Fane, each tappable for pronunciation and meaning.

Greville
A word that appears in the opening chapter of Greville Fane; the reader can tap it to hear it and see its dictionary entry.
Coming
A word that appears in the opening chapter of Greville Fane; the reader can tap it to hear it and see its dictionary entry.
Dress
A word that appears in the opening chapter of Greville Fane; the reader can tap it to hear it and see its dictionary entry.
Dinner
A word that appears in the opening chapter of Greville Fane; the reader can tap it to hear it and see its dictionary entry.