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Hania
Hania

Chapter XXVIII

Chapter 28 of Hania is here in full — 346 sentences across 70 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/69 · 5 lines
English subtitles · tap any word to listen 1 / 5
The rent for that studio in which Antek Svyatetski and I lived and painted, was unpaid, first, because we had about five rubles joint capital, and, second, because we felt a sincere repugnance to paying house-rent.
People call us artists squanderers; as for me, I would rather drink away my money than waste it in paying a house-owner.
Our house-owner was not a bad fellow though, and, moreover, we found means of defence against him.
When he came to dun us, which was usually in the morning, Antek, who slept on a straw bed on the floor, and covered himself with a Turkish curtain used by us as a background for portraits, would rise to a sitting posture, and say in sepulchral tones,--
"It is well that I see you, for I dreamed that you were dead."
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Hania

Chapter XXVIII

Chapter 28 of Hania is here in full — 346 sentences across 70 reading sections, with audio for every sentence and word.

Reading 1/69 · 5 reading units · Lines 1–5

Line 1
The rent for that studio in which Antek Svyatetski and I lived and painted, was unpaid, first, because we had about five rubles joint capital, and, second, because we felt a sincere repugnance to paying house-rent.
Line 2
People call us artists squanderers; as for me, I would rather drink away my money than waste it in paying a house-owner.
Line 3
Our house-owner was not a bad fellow though, and, moreover, we found means of defence against him.
Line 4
When he came to dun us, which was usually in the morning, Antek, who slept on a straw bed on the floor, and covered himself with a Turkish curtain used by us as a background for portraits, would rise to a sitting posture, and say in sepulchral tones,--
Line 5
"It is well that I see you, for I dreamed that you were dead."
/ɪt ɪz wel ðæt aɪ siː juː fɔːr aɪ driːmd ðæt juː wɜːr ded/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

artists noun US /ˈɑːrtɪsts/

plural of “artist” — a person whose creative work shows sensitivity and imagination

From this reading “People call us artists squanderers; as for me, I would rather drink away my money than waste it in paying a house-owner.”

dun noun US /dʌn/

horse of a dull brownish grey color

From this reading “When he came to dun us, which was usually in the morning, Antek, who slept on a straw bed on the floor, and covered himself with a Turkish curtain used by us as a background for portraits, would rise to a sitting posture, and say in sepulchral tones,--”

joint noun US /dʒɔɪnt/

(anatomy) the point of connection between two bones or elements of a skeleton (especially if it allows motion)

From this reading “The rent for that studio in which Antek Svyatetski and I lived and painted, was unpaid, first, because we had about five rubles joint capital, and, second, because we felt a sincere repugnance to paying house-rent.”

portraits noun US /ˈpɔːrtrəts/

plural of “portrait” — a word picture of a person's appearance and character

From this reading “When he came to dun us, which was usually in the morning, Antek, who slept on a straw bed on the floor, and covered himself with a Turkish curtain used by us as a background for portraits, would rise to a sitting posture, and say in sepulchral tones,--”

posture noun US /ˈpɑːstʃər/

the arrangement of the body and its limbs

From this reading “When he came to dun us, which was usually in the morning, Antek, who slept on a straw bed on the floor, and covered himself with a Turkish curtain used by us as a background for portraits, would rise to a sitting posture, and say in sepulchral tones,--”

rubles noun US /ˈruːbəlz/

plural of “ruble” — the basic unit of money in Tajikistan

From this reading “The rent for that studio in which Antek Svyatetski and I lived and painted, was unpaid, first, because we had about five rubles joint capital, and, second, because we felt a sincere repugnance to paying house-rent.”

Turkish adjective US /ˈtɜːrkɪʃ/

of or relating to or characteristic of Turkey or its people or language

From this reading “When he came to dun us, which was usually in the morning, Antek, who slept on a straw bed on the floor, and covered himself with a Turkish curtain used by us as a background for portraits, would rise to a sitting posture, and say in sepulchral tones,--”

unpaid adjective US /ənˈpeɪd/

not paid

From this reading “The rent for that studio in which Antek Svyatetski and I lived and painted, was unpaid, first, because we had about five rubles joint capital, and, second, because we felt a sincere repugnance to paying house-rent.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

sitting posture noun + noun

In this reading “When he came to dun us, which was usually in the morning, Antek, who slept on a straw bed on the floor, and covered himself with a Turkish curtain used by us as a background for portraits, would rise to a sitting posture, and say in sepulchral tones,--”

sepulchral tones adjective + noun counted as “sepulchral tone”

In this reading “When he came to dun us, which was usually in the morning, Antek, who slept on a straw bed on the floor, and covered himself with a Turkish curtain used by us as a background for portraits, would rise to a sitting posture, and say in sepulchral tones,--”

on the floor preposition + article + noun counted as “on … floor”

In this reading “When he came to dun us, which was usually in the morning, Antek, who slept on a straw bed on the floor, and covered himself with a Turkish curtain used by us as a background for portraits, would rise to a sitting posture, and say in sepulchral tones,--”

straw bed noun + noun

In this reading “When he came to dun us, which was usually in the morning, Antek, who slept on a straw bed on the floor, and covered himself with a Turkish curtain used by us as a background for portraits, would rise to a sitting posture, and say in sepulchral tones,--”

about five preposition + noun

In this reading “The rent for that studio in which Antek Svyatetski and I lived and painted, was unpaid, first, because we had about five rubles joint capital, and, second, because we felt a sincere repugnance to paying house-rent.”

bad fellow adjective + noun

In this reading “Our house-owner was not a bad fellow though, and, moreover, we found means of defence against him.”

in the morning preposition + article + noun counted as “in … morning”

In this reading “When he came to dun us, which was usually in the morning, Antek, who slept on a straw bed on the floor, and covered himself with a Turkish curtain used by us as a background for portraits, would rise to a sitting posture, and say in sepulchral tones,--”

found means verb + noun

In this reading “Our house-owner was not a bad fellow though, and, moreover, we found means of defence against him.”

All words in this reading · 95

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading The rent for that studio in which Antek Svyatetski and I lived and painted, was unpaid, first, because we had about five rubles joint capital, and, second, because we felt a sincere repugnance to paying house-rent.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading The rent for that studio in which Antek Svyatetski and I lived and painted, was unpaid, first, because we had about five rubles joint capital, and, second, because we felt a sincere repugnance to paying house-rent.

againstprepositionUS /əˈɡenst/

touching and pressing; in opposition to

From this reading Our house-owner was not a bad fellow though, and, moreover, we found means of defence against him.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading The rent for that studio in which Antek Svyatetski and I lived and painted, was unpaid, first, because we had about five rubles joint capital, and, second, because we felt a sincere repugnance to paying house-rent.

Antek

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The rent for that studio in which Antek Svyatetski and I lived and painted, was unpaid, first, because we had about five rubles joint capital, and, second, because we felt a sincere repugnance to paying house-rent.

artistsnounUS /ˈɑːrtɪsts/

plural of “artist” — a person whose creative work shows sensitivity and imagination

From this reading People call us artists squanderers; as for me, I would rather drink away my money than waste it in paying a house-owner.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading People call us artists squanderers; as for me, I would rather drink away my money than waste it in paying a house-owner.

awayadverbUS /əˈweɪ/

from a particular thing or place or position (“forth” is obsolete)

From this reading People call us artists squanderers; as for me, I would rather drink away my money than waste it in paying a house-owner.

backgroundnounUS /ˈbækɡraʊnd/

a person's social heritage: previous experience or training

From this reading When he came to dun us, which was usually in the morning, Antek, who slept on a straw bed on the floor, and covered himself with a Turkish curtain used by us as a background for portraits, would rise to a sitting posture, and say in sepulchral tones,--

badadjectiveUS /bæd/

having undesirable or negative qualities

From this reading Our house-owner was not a bad fellow though, and, moreover, we found means of defence against him.

becauseconjunctionUS /bɪˈkɔːz/

for the reason that

From this reading The rent for that studio in which Antek Svyatetski and I lived and painted, was unpaid, first, because we had about five rubles joint capital, and, second, because we felt a sincere repugnance to paying house-rent.

bednounUS /bed/

a piece of furniture that provides a place to sleep

From this reading When he came to dun us, which was usually in the morning, Antek, who slept on a straw bed on the floor, and covered himself with a Turkish curtain used by us as a background for portraits, would rise to a sitting posture, and say in sepulchral tones,--

byprepositionUS /baɪ/

showing who or what does the action

From this reading When he came to dun us, which was usually in the morning, Antek, who slept on a straw bed on the floor, and covered himself with a Turkish curtain used by us as a background for portraits, would rise to a sitting posture, and say in sepulchral tones,--

callverbUS /kɔːl/

assign a specified (usually proper) proper name to

From this reading People call us artists squanderers; as for me, I would rather drink away my money than waste it in paying a house-owner.

cameverbUS /keɪm/

inflected form of “come” — move toward, travel toward something or somebody or approach something or somebody

From this reading When he came to dun us, which was usually in the morning, Antek, who slept on a straw bed on the floor, and covered himself with a Turkish curtain used by us as a background for portraits, would rise to a sitting posture, and say in sepulchral tones,--

capitalnounUS /ˈkæpətəl/

assets available for use in the production of further assets

From this reading The rent for that studio in which Antek Svyatetski and I lived and painted, was unpaid, first, because we had about five rubles joint capital, and, second, because we felt a sincere repugnance to paying house-rent.

coveredadjectiveUS /ˈkʌvərd/

overlaid or spread or topped with or enclosed within something; sometimes used as a combining form

From this reading When he came to dun us, which was usually in the morning, Antek, who slept on a straw bed on the floor, and covered himself with a Turkish curtain used by us as a background for portraits, would rise to a sitting posture, and say in sepulchral tones,--

curtainnounUS /ˈkɜːrtən/

hanging cloth used as a blind (especially for a window)

From this reading When he came to dun us, which was usually in the morning, Antek, who slept on a straw bed on the floor, and covered himself with a Turkish curtain used by us as a background for portraits, would rise to a sitting posture, and say in sepulchral tones,--

deadadjectiveUS /ded/

no longer having or seeming to have or expecting to have life

From this reading "It is well that I see you, for I dreamed that you were dead."

defencenounUS /dɪˈfens/

(psychiatry) an unconscious process that tries to reduce the anxiety associated with instinctive desires

From this reading Our house-owner was not a bad fellow though, and, moreover, we found means of defence against him.

dreamedadjectiveUS /driːmd/

conceived of or imagined or hoped for

From this reading "It is well that I see you, for I dreamed that you were dead."

drinkverbUS /drɪŋk/

take in liquids

From this reading People call us artists squanderers; as for me, I would rather drink away my money than waste it in paying a house-owner.

dunnounUS /dʌn/

horse of a dull brownish grey color

From this reading When he came to dun us, which was usually in the morning, Antek, who slept on a straw bed on the floor, and covered himself with a Turkish curtain used by us as a background for portraits, would rise to a sitting posture, and say in sepulchral tones,--

fellownounUS /ˈfeloʊ/

a boy or man

From this reading Our house-owner was not a bad fellow though, and, moreover, we found means of defence against him.

feltverbUS /felt/

mat together and make felt-like

From this reading The rent for that studio in which Antek Svyatetski and I lived and painted, was unpaid, first, because we had about five rubles joint capital, and, second, because we felt a sincere repugnance to paying house-rent.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading The rent for that studio in which Antek Svyatetski and I lived and painted, was unpaid, first, because we had about five rubles joint capital, and, second, because we felt a sincere repugnance to paying house-rent.

fivenounUS /faɪv/

the cardinal number that is the sum of four and one

From this reading The rent for that studio in which Antek Svyatetski and I lived and painted, was unpaid, first, because we had about five rubles joint capital, and, second, because we felt a sincere repugnance to paying house-rent.

floornounUS /flɔːr/

the inside lower horizontal surface (as of a room, hallway, tent, or other structure)

From this reading When he came to dun us, which was usually in the morning, Antek, who slept on a straw bed on the floor, and covered himself with a Turkish curtain used by us as a background for portraits, would rise to a sitting posture, and say in sepulchral tones,--

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading The rent for that studio in which Antek Svyatetski and I lived and painted, was unpaid, first, because we had about five rubles joint capital, and, second, because we felt a sincere repugnance to paying house-rent.

foundverbUS /faʊnd/

set up or found

From this reading Our house-owner was not a bad fellow though, and, moreover, we found means of defence against him.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading The rent for that studio in which Antek Svyatetski and I lived and painted, was unpaid, first, because we had about five rubles joint capital, and, second, because we felt a sincere repugnance to paying house-rent.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading When he came to dun us, which was usually in the morning, Antek, who slept on a straw bed on the floor, and covered himself with a Turkish curtain used by us as a background for portraits, would rise to a sitting posture, and say in sepulchral tones,--

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading Our house-owner was not a bad fellow though, and, moreover, we found means of defence against him.

himselfpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading When he came to dun us, which was usually in the morning, Antek, who slept on a straw bed on the floor, and covered himself with a Turkish curtain used by us as a background for portraits, would rise to a sitting posture, and say in sepulchral tones,--

house-owner

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading People call us artists squanderers; as for me, I would rather drink away my money than waste it in paying a house-owner.

house-rent

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The rent for that studio in which Antek Svyatetski and I lived and painted, was unpaid, first, because we had about five rubles joint capital, and, second, because we felt a sincere repugnance to paying house-rent.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading The rent for that studio in which Antek Svyatetski and I lived and painted, was unpaid, first, because we had about five rubles joint capital, and, second, because we felt a sincere repugnance to paying house-rent.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading The rent for that studio in which Antek Svyatetski and I lived and painted, was unpaid, first, because we had about five rubles joint capital, and, second, because we felt a sincere repugnance to paying house-rent.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading "It is well that I see you, for I dreamed that you were dead."

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading People call us artists squanderers; as for me, I would rather drink away my money than waste it in paying a house-owner.

jointnounUS /dʒɔɪnt/

(anatomy) the point of connection between two bones or elements of a skeleton (especially if it allows motion)

From this reading The rent for that studio in which Antek Svyatetski and I lived and painted, was unpaid, first, because we had about five rubles joint capital, and, second, because we felt a sincere repugnance to paying house-rent.

livedverbUS /lɪvd/

past form of “live” — be an inhabitant of or reside in

From this reading The rent for that studio in which Antek Svyatetski and I lived and painted, was unpaid, first, because we had about five rubles joint capital, and, second, because we felt a sincere repugnance to paying house-rent.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading People call us artists squanderers; as for me, I would rather drink away my money than waste it in paying a house-owner.

meansnounUS /miːnz/

thing or person that acts to produce a particular effect or achieve an end

From this reading Our house-owner was not a bad fellow though, and, moreover, we found means of defence against him.

moneynounUS /ˈmʌni/

the most common medium of exchange; functions as legal tender

From this reading People call us artists squanderers; as for me, I would rather drink away my money than waste it in paying a house-owner.

moreoveradverbUS /mɔːˈroʊvər/

in addition to what has just been said

From this reading Our house-owner was not a bad fellow though, and, moreover, we found means of defence against him.

morningnounUS /ˈmɔːrnɪŋ/

the time period between dawn and noon

From this reading When he came to dun us, which was usually in the morning, Antek, who slept on a straw bed on the floor, and covered himself with a Turkish curtain used by us as a background for portraits, would rise to a sitting posture, and say in sepulchral tones,--

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading People call us artists squanderers; as for me, I would rather drink away my money than waste it in paying a house-owner.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Our house-owner was not a bad fellow though, and, moreover, we found means of defence against him.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Our house-owner was not a bad fellow though, and, moreover, we found means of defence against him.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading When he came to dun us, which was usually in the morning, Antek, who slept on a straw bed on the floor, and covered himself with a Turkish curtain used by us as a background for portraits, would rise to a sitting posture, and say in sepulchral tones,--

OurdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading Our house-owner was not a bad fellow though, and, moreover, we found means of defence against him.

paintedadjectiveUS /ˈpeɪntɪd/

coated with paint

From this reading The rent for that studio in which Antek Svyatetski and I lived and painted, was unpaid, first, because we had about five rubles joint capital, and, second, because we felt a sincere repugnance to paying house-rent.

payingadjectiveUS /ˈpeɪɪŋ/

yielding a fair profit

From this reading The rent for that studio in which Antek Svyatetski and I lived and painted, was unpaid, first, because we had about five rubles joint capital, and, second, because we felt a sincere repugnance to paying house-rent.

PeoplenounUS /ˈpiːpəl/

(plural) any group of human beings (men or women or children) collectively

From this reading People call us artists squanderers; as for me, I would rather drink away my money than waste it in paying a house-owner.

portraitsnounUS /ˈpɔːrtrəts/

plural of “portrait” — a word picture of a person's appearance and character

From this reading When he came to dun us, which was usually in the morning, Antek, who slept on a straw bed on the floor, and covered himself with a Turkish curtain used by us as a background for portraits, would rise to a sitting posture, and say in sepulchral tones,--

posturenounUS /ˈpɑːstʃər/

the arrangement of the body and its limbs

From this reading When he came to dun us, which was usually in the morning, Antek, who slept on a straw bed on the floor, and covered himself with a Turkish curtain used by us as a background for portraits, would rise to a sitting posture, and say in sepulchral tones,--

ratheradverbUS /ˈræðər/

on the contrary

From this reading People call us artists squanderers; as for me, I would rather drink away my money than waste it in paying a house-owner.

rentverbUS /rent/

let for money

From this reading The rent for that studio in which Antek Svyatetski and I lived and painted, was unpaid, first, because we had about five rubles joint capital, and, second, because we felt a sincere repugnance to paying house-rent.

repugnancenoun

intense aversion

From this reading The rent for that studio in which Antek Svyatetski and I lived and painted, was unpaid, first, because we had about five rubles joint capital, and, second, because we felt a sincere repugnance to paying house-rent.

riseverbUS /raɪz/

move upward

From this reading When he came to dun us, which was usually in the morning, Antek, who slept on a straw bed on the floor, and covered himself with a Turkish curtain used by us as a background for portraits, would rise to a sitting posture, and say in sepulchral tones,--

rublesnounUS /ˈruːbəlz/

plural of “ruble” — the basic unit of money in Tajikistan

From this reading The rent for that studio in which Antek Svyatetski and I lived and painted, was unpaid, first, because we had about five rubles joint capital, and, second, because we felt a sincere repugnance to paying house-rent.

sayverbUS /seɪ/

express in words

From this reading When he came to dun us, which was usually in the morning, Antek, who slept on a straw bed on the floor, and covered himself with a Turkish curtain used by us as a background for portraits, would rise to a sitting posture, and say in sepulchral tones,--

secondnounUS /ˈsekənd/

1/60 of a minute; the basic unit of time adopted under the Systeme International d'Unites

From this reading The rent for that studio in which Antek Svyatetski and I lived and painted, was unpaid, first, because we had about five rubles joint capital, and, second, because we felt a sincere repugnance to paying house-rent.

seeverbUS /siː/

perceive by sight or have the power to perceive by sight

From this reading "It is well that I see you, for I dreamed that you were dead."

sepulchraladjective

of or relating to a sepulchre

From this reading When he came to dun us, which was usually in the morning, Antek, who slept on a straw bed on the floor, and covered himself with a Turkish curtain used by us as a background for portraits, would rise to a sitting posture, and say in sepulchral tones,--

sincereadjectiveUS /sɪnˈsɪr/

open and genuine; not deceitful

From this reading The rent for that studio in which Antek Svyatetski and I lived and painted, was unpaid, first, because we had about five rubles joint capital, and, second, because we felt a sincere repugnance to paying house-rent.

sittingnounUS /ˈsɪtɪŋ/

(photography) the act of assuming a certain position (as for a photograph or portrait)

From this reading When he came to dun us, which was usually in the morning, Antek, who slept on a straw bed on the floor, and covered himself with a Turkish curtain used by us as a background for portraits, would rise to a sitting posture, and say in sepulchral tones,--

sleptverbUS /slept/

inflected form of “sleep” — be asleep

From this reading When he came to dun us, which was usually in the morning, Antek, who slept on a straw bed on the floor, and covered himself with a Turkish curtain used by us as a background for portraits, would rise to a sitting posture, and say in sepulchral tones,--

squanderers

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading People call us artists squanderers; as for me, I would rather drink away my money than waste it in paying a house-owner.

strawnounUS /strɔː/

plant fiber used e.g. for making baskets and hats or as fodder

From this reading When he came to dun us, which was usually in the morning, Antek, who slept on a straw bed on the floor, and covered himself with a Turkish curtain used by us as a background for portraits, would rise to a sitting posture, and say in sepulchral tones,--

studionounUS /ˈstuːdioʊ/

workplace for the teaching or practice of an art

From this reading The rent for that studio in which Antek Svyatetski and I lived and painted, was unpaid, first, because we had about five rubles joint capital, and, second, because we felt a sincere repugnance to paying house-rent.

Svyatetski

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The rent for that studio in which Antek Svyatetski and I lived and painted, was unpaid, first, because we had about five rubles joint capital, and, second, because we felt a sincere repugnance to paying house-rent.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading People call us artists squanderers; as for me, I would rather drink away my money than waste it in paying a house-owner.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading The rent for that studio in which Antek Svyatetski and I lived and painted, was unpaid, first, because we had about five rubles joint capital, and, second, because we felt a sincere repugnance to paying house-rent.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading The rent for that studio in which Antek Svyatetski and I lived and painted, was unpaid, first, because we had about five rubles joint capital, and, second, because we felt a sincere repugnance to paying house-rent.

thoughconjunctionUS /ðoʊ/

in spite of the fact that

From this reading Our house-owner was not a bad fellow though, and, moreover, we found means of defence against him.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading The rent for that studio in which Antek Svyatetski and I lived and painted, was unpaid, first, because we had about five rubles joint capital, and, second, because we felt a sincere repugnance to paying house-rent.

tonesnounUS /toʊnz/

plural of “tone” — the quality of a person's voice

From this reading When he came to dun us, which was usually in the morning, Antek, who slept on a straw bed on the floor, and covered himself with a Turkish curtain used by us as a background for portraits, would rise to a sitting posture, and say in sepulchral tones,--

TurkishadjectiveUS /ˈtɜːrkɪʃ/

of or relating to or characteristic of Turkey or its people or language

From this reading When he came to dun us, which was usually in the morning, Antek, who slept on a straw bed on the floor, and covered himself with a Turkish curtain used by us as a background for portraits, would rise to a sitting posture, and say in sepulchral tones,--

unpaidadjectiveUS /ənˈpeɪd/

not paid

From this reading The rent for that studio in which Antek Svyatetski and I lived and painted, was unpaid, first, because we had about five rubles joint capital, and, second, because we felt a sincere repugnance to paying house-rent.

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading People call us artists squanderers; as for me, I would rather drink away my money than waste it in paying a house-owner.

usedadjectiveUS /juːzd/

employed in accomplishing something

From this reading When he came to dun us, which was usually in the morning, Antek, who slept on a straw bed on the floor, and covered himself with a Turkish curtain used by us as a background for portraits, would rise to a sitting posture, and say in sepulchral tones,--

usuallyadverbUS /ˈjuːʒəwəli/

under normal conditions

From this reading When he came to dun us, which was usually in the morning, Antek, who slept on a straw bed on the floor, and covered himself with a Turkish curtain used by us as a background for portraits, would rise to a sitting posture, and say in sepulchral tones,--

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading The rent for that studio in which Antek Svyatetski and I lived and painted, was unpaid, first, because we had about five rubles joint capital, and, second, because we felt a sincere repugnance to paying house-rent.

wastenounUS /weɪst/

any materials unused and rejected as worthless or unwanted

From this reading People call us artists squanderers; as for me, I would rather drink away my money than waste it in paying a house-owner.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading The rent for that studio in which Antek Svyatetski and I lived and painted, was unpaid, first, because we had about five rubles joint capital, and, second, because we felt a sincere repugnance to paying house-rent.

welladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading "It is well that I see you, for I dreamed that you were dead."

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading "It is well that I see you, for I dreamed that you were dead."

WhenconjunctionUS /wen/

at the time that

From this reading When he came to dun us, which was usually in the morning, Antek, who slept on a straw bed on the floor, and covered himself with a Turkish curtain used by us as a background for portraits, would rise to a sitting posture, and say in sepulchral tones,--

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading The rent for that studio in which Antek Svyatetski and I lived and painted, was unpaid, first, because we had about five rubles joint capital, and, second, because we felt a sincere repugnance to paying house-rent.

whopronounUS /huː/

which person or people

From this reading When he came to dun us, which was usually in the morning, Antek, who slept on a straw bed on the floor, and covered himself with a Turkish curtain used by us as a background for portraits, would rise to a sitting posture, and say in sepulchral tones,--

withprepositionUS /wɪð/

in the company of; together with

From this reading When he came to dun us, which was usually in the morning, Antek, who slept on a straw bed on the floor, and covered himself with a Turkish curtain used by us as a background for portraits, would rise to a sitting posture, and say in sepulchral tones,--

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading People call us artists squanderers; as for me, I would rather drink away my money than waste it in paying a house-owner.

youpronounUS /juː/

the person or people being spoken to

From this reading "It is well that I see you, for I dreamed that you were dead."

Chapter 28 of Hania by Henryk Sienkiewicz holds 346 sentences, grouped into 70 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 28 of Hania contain?

Chapter 28 holds 346 sentences of Hania, unabridged, divided into 70 reading sections.

This page carries chapter 28 of Hania by Henryk Sienkiewicz exactly as it stands in the source edition, without abridgement. It runs to 346 sentences, grouped into 70 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 28 of Hania?

Work through the 70 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 70 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 28 be read aloud to me?

Yes — every sentence and every individual word in chapter 28 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Hania

Common questions about reading Hania by Henryk Sienkiewicz on this page, its source edition and its audio.

Is this the complete text of Hania?

Yes. All 8870 sentences of Project Gutenberg eBook #36583 are kept, with a record of which sentences cover which part.

Which edition of Hania is used?

Project Gutenberg eBook #36583, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Hania take to read?

About 600 minutes of reading across 1774 sections of 5 sentences each, at an unhurried pace.

How to read Hania section by section

How to work through Hania section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 40 chapters of Hania to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Hania

Words and structures a reader meets early in Hania, each tappable for pronunciation and meaning.

Hania
A word that appears in the opening chapter of Hania; the reader can tap it to hear it and see its dictionary entry.
Author
A word that appears in the opening chapter of Hania; the reader can tap it to hear it and see its dictionary entry.
Vadis
A word that appears in the opening chapter of Hania; the reader can tap it to hear it and see its dictionary entry.
Sword
A word that appears in the opening chapter of Hania; the reader can tap it to hear it and see its dictionary entry.