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Happy England
Happy England

Chapter XVII

Chapter 17 of Happy England is here in full — 174 sentences across 35 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/34 · 5 lines
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MRS.
ALLINGHAM AND HER CONTEMPORARIES That a true artist is always individual, and that his work is always affected by some one or other of his predecessors or contemporaries, would appear to be a paradox: nevertheless it is a proposition that few will dispute.
Art has been practised for too long a period, and by too many talented professors, for entirely novel views or treatments of Nature to be possible, and whilst an artist may be entirely unaware that he has imbibed anything from others, it is certain that if he has had eyes to see he must have done so.
I have already stated that Mrs. Allingham's work, whether in subject or execution, is, so far as she is aware, entirely her own, and it would, perhaps, be quite sufficient were I to leave the matter after having placed that assertion on record.
To go farther may perhaps lay oneself open to the charge, _qui s'excuse s'accuse_.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Happy England

Chapter XVII

Chapter 17 of Happy England is here in full — 174 sentences across 35 reading sections, with audio for every sentence and word.

Reading 1/34 · 5 reading units · Lines 1–5

Line 1
MRS.
/ˈmɪsɪz/
Line 2
ALLINGHAM AND HER CONTEMPORARIES That a true artist is always individual, and that his work is always affected by some one or other of his predecessors or contemporaries, would appear to be a paradox: nevertheless it is a proposition that few will dispute.
Line 3
Art has been practised for too long a period, and by too many talented professors, for entirely novel views or treatments of Nature to be possible, and whilst an artist may be entirely unaware that he has imbibed anything from others, it is certain that if he has had eyes to see he must have done so.
Line 4
I have already stated that Mrs. Allingham's work, whether in subject or execution, is, so far as she is aware, entirely her own, and it would, perhaps, be quite sufficient were I to leave the matter after having placed that assertion on record.
Line 5
To go farther may perhaps lay oneself open to the charge, _qui s'excuse s'accuse_.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

contemporaries noun US /kənˈtempəreriz/

all the people living at the same time or of approximately the same age

From this reading “ALLINGHAM AND HER CONTEMPORARIES That a true artist is always individual, and that his work is always affected by some one or other of his predecessors or contemporaries, would appear to be a paradox: nevertheless it is a proposition that few will dispute.”

imbibed verb US /ɪmˈbaɪbd/

past form of “imbibe” — take in, also metaphorically

From this reading “Art has been practised for too long a period, and by too many talented professors, for entirely novel views or treatments of Nature to be possible, and whilst an artist may be entirely unaware that he has imbibed anything from others, it is certain that if he has had eyes to see he must have done so.”

paradox noun US /ˈperədɑːks/

(logic) a statement that contradicts itself

From this reading “ALLINGHAM AND HER CONTEMPORARIES That a true artist is always individual, and that his work is always affected by some one or other of his predecessors or contemporaries, would appear to be a paradox: nevertheless it is a proposition that few will dispute.”

predecessors noun US /ˈpredəsesərz/

plural of “predecessor” — one who precedes you in time (as in holding a position or office)

From this reading “ALLINGHAM AND HER CONTEMPORARIES That a true artist is always individual, and that his work is always affected by some one or other of his predecessors or contemporaries, would appear to be a paradox: nevertheless it is a proposition that few will dispute.”

professors noun US /prəˈfesərz/

plural of “professor” — someone who is a member of the faculty at a college or university

From this reading “Art has been practised for too long a period, and by too many talented professors, for entirely novel views or treatments of Nature to be possible, and whilst an artist may be entirely unaware that he has imbibed anything from others, it is certain that if he has had eyes to see he must have done so.”

talented adjective US /ˈtæləntɪd/

endowed with talent or talents

From this reading “Art has been practised for too long a period, and by too many talented professors, for entirely novel views or treatments of Nature to be possible, and whilst an artist may be entirely unaware that he has imbibed anything from others, it is certain that if he has had eyes to see he must have done so.”

treatments noun US /ˈtriːtmənts/

plural of “treatment” — care provided to improve a situation (especially medical procedures or applications that are intended to relieve illness or injury)

From this reading “Art has been practised for too long a period, and by too many talented professors, for entirely novel views or treatments of Nature to be possible, and whilst an artist may be entirely unaware that he has imbibed anything from others, it is certain that if he has had eyes to see he must have done so.”

unaware adjective US /ˌʌnəˈwer/

(often followed by “of”) not aware

From this reading “Art has been practised for too long a period, and by too many talented professors, for entirely novel views or treatments of Nature to be possible, and whilst an artist may be entirely unaware that he has imbibed anything from others, it is certain that if he has had eyes to see he must have done so.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

already stated adverb + adjective

In this reading “I have already stated that Mrs. Allingham's work, whether in subject or execution, is, so far as she is aware, entirely her own, and it would, perhaps, be quite sufficient were I to leave the matter after having placed that assertion on record.”

quite sufficient adverb + adjective

In this reading “I have already stated that Mrs. Allingham's work, whether in subject or execution, is, so far as she is aware, entirely her own, and it would, perhaps, be quite sufficient were I to leave the matter after having placed that assertion on record.”

true artist adjective + noun

In this reading “ALLINGHAM AND HER CONTEMPORARIES That a true artist is always individual, and that his work is always affected by some one or other of his predecessors or contemporaries, would appear to be a paradox: nevertheless it is a proposition that few will dispute.”

too many adverb + adjective

In this reading “Art has been practised for too long a period, and by too many talented professors, for entirely novel views or treatments of Nature to be possible, and whilst an artist may be entirely unaware that he has imbibed anything from others, it is certain that if he has had eyes to see he must have done so.”

go farther verb + adjective

In this reading “To go farther may perhaps lay oneself open to the charge, _qui s'excuse s'accuse_.”

too long adverb + adjective

In this reading “Art has been practised for too long a period, and by too many talented professors, for entirely novel views or treatments of Nature to be possible, and whilst an artist may be entirely unaware that he has imbibed anything from others, it is certain that if he has had eyes to see he must have done so.”

on record preposition + noun

In this reading “I have already stated that Mrs. Allingham's work, whether in subject or execution, is, so far as she is aware, entirely her own, and it would, perhaps, be quite sufficient were I to leave the matter after having placed that assertion on record.”

always affected adverb + adjective

In this reading “ALLINGHAM AND HER CONTEMPORARIES That a true artist is always individual, and that his work is always affected by some one or other of his predecessors or contemporaries, would appear to be a paradox: nevertheless it is a proposition that few will dispute.”

All words in this reading · 103

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading ALLINGHAM AND HER CONTEMPORARIES That a true artist is always individual, and that his work is always affected by some one or other of his predecessors or contemporaries, would appear to be a paradox: nevertheless it is a proposition that few will dispute.

affectedadjectiveUS /əˈfektɪd/

acted upon; influenced

From this reading ALLINGHAM AND HER CONTEMPORARIES That a true artist is always individual, and that his work is always affected by some one or other of his predecessors or contemporaries, would appear to be a paradox: nevertheless it is a proposition that few will dispute.

afterprepositionUS /ˈæftər/

later than; following

From this reading I have already stated that Mrs. Allingham's work, whether in subject or execution, is, so far as she is aware, entirely her own, and it would, perhaps, be quite sufficient were I to leave the matter after having placed that assertion on record.

ALLINGHAM

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ALLINGHAM AND HER CONTEMPORARIES That a true artist is always individual, and that his work is always affected by some one or other of his predecessors or contemporaries, would appear to be a paradox: nevertheless it is a proposition that few will dispute.

Allingham's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I have already stated that Mrs. Allingham's work, whether in subject or execution, is, so far as she is aware, entirely her own, and it would, perhaps, be quite sufficient were I to leave the matter after having placed that assertion on record.

alreadyadverbUS /ɔːlˈredi/

prior to a specified or implied time

From this reading I have already stated that Mrs. Allingham's work, whether in subject or execution, is, so far as she is aware, entirely her own, and it would, perhaps, be quite sufficient were I to leave the matter after having placed that assertion on record.

alwaysadverbUS /ˈɔːlweɪz/

at all times; all the time and on every occasion

From this reading ALLINGHAM AND HER CONTEMPORARIES That a true artist is always individual, and that his work is always affected by some one or other of his predecessors or contemporaries, would appear to be a paradox: nevertheless it is a proposition that few will dispute.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading Art has been practised for too long a period, and by too many talented professors, for entirely novel views or treatments of Nature to be possible, and whilst an artist may be entirely unaware that he has imbibed anything from others, it is certain that if he has had eyes to see he must have done so.

ANDconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading ALLINGHAM AND HER CONTEMPORARIES That a true artist is always individual, and that his work is always affected by some one or other of his predecessors or contemporaries, would appear to be a paradox: nevertheless it is a proposition that few will dispute.

anythingpronounUS /ˈeniθɪŋ/

any thing at all

From this reading Art has been practised for too long a period, and by too many talented professors, for entirely novel views or treatments of Nature to be possible, and whilst an artist may be entirely unaware that he has imbibed anything from others, it is certain that if he has had eyes to see he must have done so.

appearverbUS /əˈpɪr/

give a certain impression or have a certain outward aspect

From this reading ALLINGHAM AND HER CONTEMPORARIES That a true artist is always individual, and that his work is always affected by some one or other of his predecessors or contemporaries, would appear to be a paradox: nevertheless it is a proposition that few will dispute.

Artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading Art has been practised for too long a period, and by too many talented professors, for entirely novel views or treatments of Nature to be possible, and whilst an artist may be entirely unaware that he has imbibed anything from others, it is certain that if he has had eyes to see he must have done so.

artistnounUS /ˈɑːrtəst/

a person whose creative work shows sensitivity and imagination

From this reading ALLINGHAM AND HER CONTEMPORARIES That a true artist is always individual, and that his work is always affected by some one or other of his predecessors or contemporaries, would appear to be a paradox: nevertheless it is a proposition that few will dispute.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading I have already stated that Mrs. Allingham's work, whether in subject or execution, is, so far as she is aware, entirely her own, and it would, perhaps, be quite sufficient were I to leave the matter after having placed that assertion on record.

assertionnounUS /əˈsɜːrʃən/

a declaration that is made emphatically (as if no supporting evidence were necessary)

From this reading I have already stated that Mrs. Allingham's work, whether in subject or execution, is, so far as she is aware, entirely her own, and it would, perhaps, be quite sufficient were I to leave the matter after having placed that assertion on record.

awareadjectiveUS /əˈwer/

(sometimes followed by “of”) having or showing knowledge or understanding or realization or perception

From this reading I have already stated that Mrs. Allingham's work, whether in subject or execution, is, so far as she is aware, entirely her own, and it would, perhaps, be quite sufficient were I to leave the matter after having placed that assertion on record.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading ALLINGHAM AND HER CONTEMPORARIES That a true artist is always individual, and that his work is always affected by some one or other of his predecessors or contemporaries, would appear to be a paradox: nevertheless it is a proposition that few will dispute.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading Art has been practised for too long a period, and by too many talented professors, for entirely novel views or treatments of Nature to be possible, and whilst an artist may be entirely unaware that he has imbibed anything from others, it is certain that if he has had eyes to see he must have done so.

byprepositionUS /baɪ/

showing who or what does the action

From this reading ALLINGHAM AND HER CONTEMPORARIES That a true artist is always individual, and that his work is always affected by some one or other of his predecessors or contemporaries, would appear to be a paradox: nevertheless it is a proposition that few will dispute.

certainadjectiveUS /ˈsɜːrtən/

definite but not specified or identified

From this reading Art has been practised for too long a period, and by too many talented professors, for entirely novel views or treatments of Nature to be possible, and whilst an artist may be entirely unaware that he has imbibed anything from others, it is certain that if he has had eyes to see he must have done so.

chargeverbUS /tʃɑːrdʒ/

to make a rush at or sudden attack upon, as in battle

From this reading To go farther may perhaps lay oneself open to the charge, _qui s'excuse s'accuse_.

CONTEMPORARIESnounUS /kənˈtempəreriz/

all the people living at the same time or of approximately the same age

From this reading ALLINGHAM AND HER CONTEMPORARIES That a true artist is always individual, and that his work is always affected by some one or other of his predecessors or contemporaries, would appear to be a paradox: nevertheless it is a proposition that few will dispute.

disputeverbUS /dɪsˈpjuːt/

take exception to

From this reading ALLINGHAM AND HER CONTEMPORARIES That a true artist is always individual, and that his work is always affected by some one or other of his predecessors or contemporaries, would appear to be a paradox: nevertheless it is a proposition that few will dispute.

doneadjectiveUS /dʌn/

having finished or arrived at completion

From this reading Art has been practised for too long a period, and by too many talented professors, for entirely novel views or treatments of Nature to be possible, and whilst an artist may be entirely unaware that he has imbibed anything from others, it is certain that if he has had eyes to see he must have done so.

entirelyadverbUS /ɪnˈtaɪərli/

to a complete degree or to the full or entire extent (“whole” is often used informally for “wholly”)

From this reading Art has been practised for too long a period, and by too many talented professors, for entirely novel views or treatments of Nature to be possible, and whilst an artist may be entirely unaware that he has imbibed anything from others, it is certain that if he has had eyes to see he must have done so.

executionnounUS /ˌeksəˈkjuːʃən/

putting a condemned person to death

From this reading I have already stated that Mrs. Allingham's work, whether in subject or execution, is, so far as she is aware, entirely her own, and it would, perhaps, be quite sufficient were I to leave the matter after having placed that assertion on record.

eyesnounUS /aɪz/

opinion or judgment

From this reading Art has been practised for too long a period, and by too many talented professors, for entirely novel views or treatments of Nature to be possible, and whilst an artist may be entirely unaware that he has imbibed anything from others, it is certain that if he has had eyes to see he must have done so.

faradverbUS /fɑːr/

to a considerable degree; very much

From this reading I have already stated that Mrs. Allingham's work, whether in subject or execution, is, so far as she is aware, entirely her own, and it would, perhaps, be quite sufficient were I to leave the matter after having placed that assertion on record.

fartheradjectiveUS /ˈfɑːrðər/

more distant in especially space or time

From this reading To go farther may perhaps lay oneself open to the charge, _qui s'excuse s'accuse_.

fewadjectiveUS /fjuː/

a quantifier that can be used with count nouns and is often preceded by “a”; a small but indefinite number

From this reading ALLINGHAM AND HER CONTEMPORARIES That a true artist is always individual, and that his work is always affected by some one or other of his predecessors or contemporaries, would appear to be a paradox: nevertheless it is a proposition that few will dispute.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Art has been practised for too long a period, and by too many talented professors, for entirely novel views or treatments of Nature to be possible, and whilst an artist may be entirely unaware that he has imbibed anything from others, it is certain that if he has had eyes to see he must have done so.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Art has been practised for too long a period, and by too many talented professors, for entirely novel views or treatments of Nature to be possible, and whilst an artist may be entirely unaware that he has imbibed anything from others, it is certain that if he has had eyes to see he must have done so.

goverbUS /ɡoʊ/

change location; move, travel, or proceed, also metaphorically

From this reading To go farther may perhaps lay oneself open to the charge, _qui s'excuse s'accuse_.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading Art has been practised for too long a period, and by too many talented professors, for entirely novel views or treatments of Nature to be possible, and whilst an artist may be entirely unaware that he has imbibed anything from others, it is certain that if he has had eyes to see he must have done so.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading Art has been practised for too long a period, and by too many talented professors, for entirely novel views or treatments of Nature to be possible, and whilst an artist may be entirely unaware that he has imbibed anything from others, it is certain that if he has had eyes to see he must have done so.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading Art has been practised for too long a period, and by too many talented professors, for entirely novel views or treatments of Nature to be possible, and whilst an artist may be entirely unaware that he has imbibed anything from others, it is certain that if he has had eyes to see he must have done so.

havingauxiliary verbUS /ˈhævɪŋ/

the -ing form of “have”

From this reading I have already stated that Mrs. Allingham's work, whether in subject or execution, is, so far as she is aware, entirely her own, and it would, perhaps, be quite sufficient were I to leave the matter after having placed that assertion on record.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading Art has been practised for too long a period, and by too many talented professors, for entirely novel views or treatments of Nature to be possible, and whilst an artist may be entirely unaware that he has imbibed anything from others, it is certain that if he has had eyes to see he must have done so.

HERdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading ALLINGHAM AND HER CONTEMPORARIES That a true artist is always individual, and that his work is always affected by some one or other of his predecessors or contemporaries, would appear to be a paradox: nevertheless it is a proposition that few will dispute.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading ALLINGHAM AND HER CONTEMPORARIES That a true artist is always individual, and that his work is always affected by some one or other of his predecessors or contemporaries, would appear to be a paradox: nevertheless it is a proposition that few will dispute.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading I have already stated that Mrs. Allingham's work, whether in subject or execution, is, so far as she is aware, entirely her own, and it would, perhaps, be quite sufficient were I to leave the matter after having placed that assertion on record.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading Art has been practised for too long a period, and by too many talented professors, for entirely novel views or treatments of Nature to be possible, and whilst an artist may be entirely unaware that he has imbibed anything from others, it is certain that if he has had eyes to see he must have done so.

imbibedverbUS /ɪmˈbaɪbd/

past form of “imbibe” — take in, also metaphorically

From this reading Art has been practised for too long a period, and by too many talented professors, for entirely novel views or treatments of Nature to be possible, and whilst an artist may be entirely unaware that he has imbibed anything from others, it is certain that if he has had eyes to see he must have done so.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading I have already stated that Mrs. Allingham's work, whether in subject or execution, is, so far as she is aware, entirely her own, and it would, perhaps, be quite sufficient were I to leave the matter after having placed that assertion on record.

individualadjectiveUS /ˌɪndəˈvɪdʒəwəl/

being or characteristic of a single thing or person

From this reading ALLINGHAM AND HER CONTEMPORARIES That a true artist is always individual, and that his work is always affected by some one or other of his predecessors or contemporaries, would appear to be a paradox: nevertheless it is a proposition that few will dispute.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading ALLINGHAM AND HER CONTEMPORARIES That a true artist is always individual, and that his work is always affected by some one or other of his predecessors or contemporaries, would appear to be a paradox: nevertheless it is a proposition that few will dispute.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading ALLINGHAM AND HER CONTEMPORARIES That a true artist is always individual, and that his work is always affected by some one or other of his predecessors or contemporaries, would appear to be a paradox: nevertheless it is a proposition that few will dispute.

layverbUS /leɪ/

put into a certain place or abstract location

From this reading To go farther may perhaps lay oneself open to the charge, _qui s'excuse s'accuse_.

leaveverbUS /liːv/

go away from a place

From this reading I have already stated that Mrs. Allingham's work, whether in subject or execution, is, so far as she is aware, entirely her own, and it would, perhaps, be quite sufficient were I to leave the matter after having placed that assertion on record.

longadjectiveUS /lɔːŋ/

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading Art has been practised for too long a period, and by too many talented professors, for entirely novel views or treatments of Nature to be possible, and whilst an artist may be entirely unaware that he has imbibed anything from others, it is certain that if he has had eyes to see he must have done so.

manyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading Art has been practised for too long a period, and by too many talented professors, for entirely novel views or treatments of Nature to be possible, and whilst an artist may be entirely unaware that he has imbibed anything from others, it is certain that if he has had eyes to see he must have done so.

matternounUS /ˈmætər/

a vaguely specified concern

From this reading I have already stated that Mrs. Allingham's work, whether in subject or execution, is, so far as she is aware, entirely her own, and it would, perhaps, be quite sufficient were I to leave the matter after having placed that assertion on record.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading Art has been practised for too long a period, and by too many talented professors, for entirely novel views or treatments of Nature to be possible, and whilst an artist may be entirely unaware that he has imbibed anything from others, it is certain that if he has had eyes to see he must have done so.

MRSnounUS /ˈmɪsɪz/

a form of address for a married woman

From this reading MRS.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading Art has been practised for too long a period, and by too many talented professors, for entirely novel views or treatments of Nature to be possible, and whilst an artist may be entirely unaware that he has imbibed anything from others, it is certain that if he has had eyes to see he must have done so.

NaturenounUS /ˈneɪtʃər/

the essential qualities or characteristics by which something is recognized

From this reading Art has been practised for too long a period, and by too many talented professors, for entirely novel views or treatments of Nature to be possible, and whilst an artist may be entirely unaware that he has imbibed anything from others, it is certain that if he has had eyes to see he must have done so.

neverthelessadverbUS /ˌnevərðəˈles/

in spite of what has just been said

From this reading ALLINGHAM AND HER CONTEMPORARIES That a true artist is always individual, and that his work is always affected by some one or other of his predecessors or contemporaries, would appear to be a paradox: nevertheless it is a proposition that few will dispute.

novelnounUS /ˈnɑːvəl/

an extended fictional work in prose; usually in the form of a story

From this reading Art has been practised for too long a period, and by too many talented professors, for entirely novel views or treatments of Nature to be possible, and whilst an artist may be entirely unaware that he has imbibed anything from others, it is certain that if he has had eyes to see he must have done so.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading ALLINGHAM AND HER CONTEMPORARIES That a true artist is always individual, and that his work is always affected by some one or other of his predecessors or contemporaries, would appear to be a paradox: nevertheless it is a proposition that few will dispute.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading I have already stated that Mrs. Allingham's work, whether in subject or execution, is, so far as she is aware, entirely her own, and it would, perhaps, be quite sufficient were I to leave the matter after having placed that assertion on record.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading ALLINGHAM AND HER CONTEMPORARIES That a true artist is always individual, and that his work is always affected by some one or other of his predecessors or contemporaries, would appear to be a paradox: nevertheless it is a proposition that few will dispute.

oneself

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading To go farther may perhaps lay oneself open to the charge, _qui s'excuse s'accuse_.

openverbUS /ˈoʊ.pən/

To move from a closed position.

From this reading To go farther may perhaps lay oneself open to the charge, _qui s'excuse s'accuse_.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading ALLINGHAM AND HER CONTEMPORARIES That a true artist is always individual, and that his work is always affected by some one or other of his predecessors or contemporaries, would appear to be a paradox: nevertheless it is a proposition that few will dispute.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading ALLINGHAM AND HER CONTEMPORARIES That a true artist is always individual, and that his work is always affected by some one or other of his predecessors or contemporaries, would appear to be a paradox: nevertheless it is a proposition that few will dispute.

others

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Art has been practised for too long a period, and by too many talented professors, for entirely novel views or treatments of Nature to be possible, and whilst an artist may be entirely unaware that he has imbibed anything from others, it is certain that if he has had eyes to see he must have done so.

ownverbUS /oʊn/

have ownership or possession of

From this reading I have already stated that Mrs. Allingham's work, whether in subject or execution, is, so far as she is aware, entirely her own, and it would, perhaps, be quite sufficient were I to leave the matter after having placed that assertion on record.

paradoxnounUS /ˈperədɑːks/

(logic) a statement that contradicts itself

From this reading ALLINGHAM AND HER CONTEMPORARIES That a true artist is always individual, and that his work is always affected by some one or other of his predecessors or contemporaries, would appear to be a paradox: nevertheless it is a proposition that few will dispute.

perhapsadverbUS /pərˈhæps/

by chance

From this reading I have already stated that Mrs. Allingham's work, whether in subject or execution, is, so far as she is aware, entirely her own, and it would, perhaps, be quite sufficient were I to leave the matter after having placed that assertion on record.

periodnounUS /ˈpɪriəd/

an amount of time

From this reading Art has been practised for too long a period, and by too many talented professors, for entirely novel views or treatments of Nature to be possible, and whilst an artist may be entirely unaware that he has imbibed anything from others, it is certain that if he has had eyes to see he must have done so.

placedadjectiveUS /pleɪst/

situated in a particular spot or position

From this reading I have already stated that Mrs. Allingham's work, whether in subject or execution, is, so far as she is aware, entirely her own, and it would, perhaps, be quite sufficient were I to leave the matter after having placed that assertion on record.

possibleadjectiveUS /ˈpɑːsəbəl/

capable of happening or existing

From this reading Art has been practised for too long a period, and by too many talented professors, for entirely novel views or treatments of Nature to be possible, and whilst an artist may be entirely unaware that he has imbibed anything from others, it is certain that if he has had eyes to see he must have done so.

practisedadjectiveUS /ˈpræktɪst/

skillful after much practice

From this reading Art has been practised for too long a period, and by too many talented professors, for entirely novel views or treatments of Nature to be possible, and whilst an artist may be entirely unaware that he has imbibed anything from others, it is certain that if he has had eyes to see he must have done so.

predecessorsnounUS /ˈpredəsesərz/

plural of “predecessor” — one who precedes you in time (as in holding a position or office)

From this reading ALLINGHAM AND HER CONTEMPORARIES That a true artist is always individual, and that his work is always affected by some one or other of his predecessors or contemporaries, would appear to be a paradox: nevertheless it is a proposition that few will dispute.

professorsnounUS /prəˈfesərz/

plural of “professor” — someone who is a member of the faculty at a college or university

From this reading Art has been practised for too long a period, and by too many talented professors, for entirely novel views or treatments of Nature to be possible, and whilst an artist may be entirely unaware that he has imbibed anything from others, it is certain that if he has had eyes to see he must have done so.

propositionnounUS /ˌprɑːpəˈzɪʃən/

(logic) a statement that affirms or denies something and is either true or false

From this reading ALLINGHAM AND HER CONTEMPORARIES That a true artist is always individual, and that his work is always affected by some one or other of his predecessors or contemporaries, would appear to be a paradox: nevertheless it is a proposition that few will dispute.

qui

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading To go farther may perhaps lay oneself open to the charge, _qui s'excuse s'accuse_.

quiteadverbUS /kwaɪt/

to a degree (not used with a negative)

From this reading I have already stated that Mrs. Allingham's work, whether in subject or execution, is, so far as she is aware, entirely her own, and it would, perhaps, be quite sufficient were I to leave the matter after having placed that assertion on record.

recordnounUS /rəˈkɔːrd/

anything (such as a document or a phonograph record or a photograph) providing permanent evidence of or information about past events

From this reading I have already stated that Mrs. Allingham's work, whether in subject or execution, is, so far as she is aware, entirely her own, and it would, perhaps, be quite sufficient were I to leave the matter after having placed that assertion on record.

s'accuse

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading To go farther may perhaps lay oneself open to the charge, _qui s'excuse s'accuse_.

s'excuse

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading To go farther may perhaps lay oneself open to the charge, _qui s'excuse s'accuse_.

seeverbUS /siː/

perceive by sight or have the power to perceive by sight

From this reading Art has been practised for too long a period, and by too many talented professors, for entirely novel views or treatments of Nature to be possible, and whilst an artist may be entirely unaware that he has imbibed anything from others, it is certain that if he has had eyes to see he must have done so.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading I have already stated that Mrs. Allingham's work, whether in subject or execution, is, so far as she is aware, entirely her own, and it would, perhaps, be quite sufficient were I to leave the matter after having placed that assertion on record.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading Art has been practised for too long a period, and by too many talented professors, for entirely novel views or treatments of Nature to be possible, and whilst an artist may be entirely unaware that he has imbibed anything from others, it is certain that if he has had eyes to see he must have done so.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading ALLINGHAM AND HER CONTEMPORARIES That a true artist is always individual, and that his work is always affected by some one or other of his predecessors or contemporaries, would appear to be a paradox: nevertheless it is a proposition that few will dispute.

statedadjectiveUS /ˈsteɪtɪd/

declared as fact; explicitly stated

From this reading I have already stated that Mrs. Allingham's work, whether in subject or execution, is, so far as she is aware, entirely her own, and it would, perhaps, be quite sufficient were I to leave the matter after having placed that assertion on record.

subjectnounUS /səbˈdʒekt/

the subject matter of a conversation or discussion

From this reading I have already stated that Mrs. Allingham's work, whether in subject or execution, is, so far as she is aware, entirely her own, and it would, perhaps, be quite sufficient were I to leave the matter after having placed that assertion on record.

sufficientadjectiveUS /səˈfɪʃənt/

of a quantity that can fulfill a need or requirement but without being abundant

From this reading I have already stated that Mrs. Allingham's work, whether in subject or execution, is, so far as she is aware, entirely her own, and it would, perhaps, be quite sufficient were I to leave the matter after having placed that assertion on record.

talentedadjectiveUS /ˈtæləntɪd/

endowed with talent or talents

From this reading Art has been practised for too long a period, and by too many talented professors, for entirely novel views or treatments of Nature to be possible, and whilst an artist may be entirely unaware that he has imbibed anything from others, it is certain that if he has had eyes to see he must have done so.

ThatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading ALLINGHAM AND HER CONTEMPORARIES That a true artist is always individual, and that his work is always affected by some one or other of his predecessors or contemporaries, would appear to be a paradox: nevertheless it is a proposition that few will dispute.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading I have already stated that Mrs. Allingham's work, whether in subject or execution, is, so far as she is aware, entirely her own, and it would, perhaps, be quite sufficient were I to leave the matter after having placed that assertion on record.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading ALLINGHAM AND HER CONTEMPORARIES That a true artist is always individual, and that his work is always affected by some one or other of his predecessors or contemporaries, would appear to be a paradox: nevertheless it is a proposition that few will dispute.

tooadverbUS /tuː/

to a degree exceeding normal or proper limits

From this reading Art has been practised for too long a period, and by too many talented professors, for entirely novel views or treatments of Nature to be possible, and whilst an artist may be entirely unaware that he has imbibed anything from others, it is certain that if he has had eyes to see he must have done so.

treatmentsnounUS /ˈtriːtmənts/

plural of “treatment” — care provided to improve a situation (especially medical procedures or applications that are intended to relieve illness or injury)

From this reading Art has been practised for too long a period, and by too many talented professors, for entirely novel views or treatments of Nature to be possible, and whilst an artist may be entirely unaware that he has imbibed anything from others, it is certain that if he has had eyes to see he must have done so.

trueadjectiveUS /truː/

consistent with fact or reality; not false

From this reading ALLINGHAM AND HER CONTEMPORARIES That a true artist is always individual, and that his work is always affected by some one or other of his predecessors or contemporaries, would appear to be a paradox: nevertheless it is a proposition that few will dispute.

unawareadjectiveUS /ˌʌnəˈwer/

(often followed by “of”) not aware

From this reading Art has been practised for too long a period, and by too many talented professors, for entirely novel views or treatments of Nature to be possible, and whilst an artist may be entirely unaware that he has imbibed anything from others, it is certain that if he has had eyes to see he must have done so.

viewsnounUS /vjuːz/

plural of “view” — a way of regarding situations or topics etc.

From this reading Art has been practised for too long a period, and by too many talented professors, for entirely novel views or treatments of Nature to be possible, and whilst an artist may be entirely unaware that he has imbibed anything from others, it is certain that if he has had eyes to see he must have done so.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading I have already stated that Mrs. Allingham's work, whether in subject or execution, is, so far as she is aware, entirely her own, and it would, perhaps, be quite sufficient were I to leave the matter after having placed that assertion on record.

whetherconjunctionUS /ˈweðər/

used to introduce two or more possibilities

From this reading I have already stated that Mrs. Allingham's work, whether in subject or execution, is, so far as she is aware, entirely her own, and it would, perhaps, be quite sufficient were I to leave the matter after having placed that assertion on record.

whilstconjunctionUS /waɪlst/

an old and formal word for “while”

From this reading Art has been practised for too long a period, and by too many talented professors, for entirely novel views or treatments of Nature to be possible, and whilst an artist may be entirely unaware that he has imbibed anything from others, it is certain that if he has had eyes to see he must have done so.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading ALLINGHAM AND HER CONTEMPORARIES That a true artist is always individual, and that his work is always affected by some one or other of his predecessors or contemporaries, would appear to be a paradox: nevertheless it is a proposition that few will dispute.

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading ALLINGHAM AND HER CONTEMPORARIES That a true artist is always individual, and that his work is always affected by some one or other of his predecessors or contemporaries, would appear to be a paradox: nevertheless it is a proposition that few will dispute.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading ALLINGHAM AND HER CONTEMPORARIES That a true artist is always individual, and that his work is always affected by some one or other of his predecessors or contemporaries, would appear to be a paradox: nevertheless it is a proposition that few will dispute.

Chapter 17 of Happy England by Marcus B. (Marcus Bourne) Huish holds 174 sentences, grouped into 35 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 17 of Happy England contain?

Chapter 17 holds 174 sentences of Happy England, unabridged, divided into 35 reading sections.

This page carries chapter 17 of Happy England by Marcus B. (Marcus Bourne) Huish exactly as it stands in the source edition, without abridgement. It runs to 174 sentences, grouped into 35 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 17 of Happy England?

Work through the 35 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 35 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 17 be read aloud to me?

Yes — every sentence and every individual word in chapter 17 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Happy England

Common questions about reading Happy England by Marcus B. (Marcus Bourne) Huish on this page, its source edition and its audio.

Is this the complete text of Happy England?

Yes. All 1204 sentences of Project Gutenberg eBook #54696 are kept, with a record of which sentences cover which part.

Which edition of Happy England is used?

Project Gutenberg eBook #54696, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Happy England take to read?

About 100 minutes of reading across 241 sections of 5 sentences each, at an unhurried pace.

How to read Happy England section by section

How to work through Happy England section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 17 chapters of Happy England to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Happy England

Words and structures a reader meets early in Happy England, each tappable for pronunciation and meaning.

Witley
A word that appears in the opening chapter of Happy England; the reader can tap it to hear it and see its dictionary entry.
Birks
A word that appears in the opening chapter of Happy England; the reader can tap it to hear it and see its dictionary entry.
Hindhead
A word that appears in the opening chapter of Happy England; the reader can tap it to hear it and see its dictionary entry.
Common
A word that appears in the opening chapter of Happy England; the reader can tap it to hear it and see its dictionary entry.