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Hard Cash
Hard Cash

Chapter XXXVI · Chapter 36

Chapter 36 of Hard Cash is here in full — 417 sentences across 84 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/83 · 5 lines
English subtitles · tap any word to listen 1 / 5
No life was ever yet a play: I mean, an unbroken sequence of dramatic incidents.
Calms will come; unfortunately for the readers, happily for the read.
And I remember seeing it objected to novelists, by a young gentleman just putting his foot for the first time into Criticism,” that the writers aforesaid suppress the small intermediate matters which in real life come by the score between each brilliant event: and so present the ordinary and the extraordinary parts of life in false proportions.
Now, if this remark had been offered by way of contrast between events themselves and all mortal attempts to reproduce them upon paper or the stage, it would have been philosophical; but it was a strange error to denounce the practice as distinctive of fiction: for it happens to be the one trait the novelist and dramatist have in common with the evangelist.
The Gospels skip fifteen years of the most interesting life Creation has witnessed; they relate Christ's birth in full, but hurry from His boyhood to the more stirring events of His thirtieth and subsequent years.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Hard Cash

Chapter XXXVI · Chapter 36

Chapter 36 of Hard Cash is here in full — 417 sentences across 84 reading sections, with audio for every sentence and word.

Reading 1/83 · 5 reading units · Lines 1–5

Line 1
No life was ever yet a play: I mean, an unbroken sequence of dramatic incidents.
/noʊ laɪf wɑːz ˈevər jet ə pleɪ aɪ miːn æn ənˈbroʊkən ˈsiːkwəns ʌv drəˈmætɪk ˈɪnsədənts/
Line 2
Calms will come; unfortunately for the readers, happily for the read.
/kɑːmz wɪl kʌm ənˈfɔːrtʃənətli fɔːr ðə ˈriːdərz ˈhæpəli fɔːr ðə red/
Line 3
And I remember seeing it objected to novelists, by a young gentleman just putting his foot for the first time intoCriticism,” that the writers aforesaid suppress the small intermediate matters which in real life come by the score between each brilliant event: and so present the ordinary and the extraordinary parts of life in false proportions.
/ənd aɪ rɪˈmɛm.bər ˈsiːɪŋ ɪt əbˈdʒektəd tuː ˈnɑːvələsts baɪ ə jʌŋ ˈdʒentəlmən dʒʌst ˈpʌtɪŋ hɪz fʊt fɔːr ðə fɜːrst taɪm ˈɪntuː ˈkrɪtɪsɪzəm ðæt ðə ˈraɪtərz əˈfɔːrsed səˈpres ðə smɔːl ˌɪntərˈmiːdiɪt ˈmætərz wɪtʃ ɪn riːl laɪf kʌm baɪ ðə skɔːr bɪˈtwiːn iːtʃ ˈbrɪljənt ɪˈvent ənd soʊ ˈprezənt ðə ˈɔːrdəneri ənd ðə ˌekstrəˈɔːrdəneri pɑːrts ʌv laɪf ɪn fɔːls prəˈpɔːrʃənz/
Line 4
Now, if this remark had been offered by way of contrast between events themselves and all mortal attempts to reproduce them upon paper or the stage, it would have been philosophical; but it was a strange error to denounce the practice as distinctive of fiction: for it happens to be the one trait the novelist and dramatist have in common with the evangelist.
/naʊ ɪf ðɪs rɪˈmɑːrk hæd bɪn ˈɔːfərd baɪ weɪ ʌv ˈkɑːntræst bɪˈtwiːn ɪˈvents ðemˈselvz ənd ɔːl ˈmɔːrtəl əˈtempts tuː ˌriːprəˈduːs ðem əˈpɑːn ˈpeɪpər ɔːr ðə steɪdʒ ɪt wʊd hæv bɪn ˌfɪləˈsɑːfɪkəl bʌt ɪt wɑːz ə streɪndʒ ˈerər tuː dɪˈnaʊns ðə ˈpræktəs æz dɪˈstɪŋktɪv ʌv ˈfɪkʃən fɔːr ɪt ˈhæpənz tuː biː ðə wʌn treɪt ðə ˈnɑːvələst ənd ˈdrɑːmətɪst hæv ɪn ˈkɑːmən wɪð ðə ɪˈvændʒəlɪst/
Line 5
The Gospels skip fifteen years of the most interesting life Creation has witnessed; they relate Christ's birth in full, but hurry from His boyhood to the more stirring events of His thirtieth and subsequent years.
/ðə ˈɡɑːspəlz skɪp fɪfˈtiːn jɪrz ʌv ðə moʊst ˈɪntrəstɪŋ laɪf kriˈeɪʃən hæz ˈwɪtnəst ðeɪ rɪˈleɪt kraɪsts bɜːrθ ɪn fʊl bʌt ˈhɜːri frʌm hɪz ˈbɔɪhʊd tuː ðə mɔːr ˈstɜːrɪŋ ɪˈvents ʌv hɪz ˈθɜːrtiəθ ənd ˈsʌbsəkwənt jɪrz/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Calms noun US /kɑːmz/

plural of “calm” — steadiness of mind under stress

From this reading “Calms will come; unfortunately for the readers, happily for the read.”

Christ's noun US /kraɪsts/

possessive form of “christ” — a teacher and prophet born in Bethlehem and active in Nazareth; his life and sermons form the basis for Christianity (circa 4 BC - AD 29)

From this reading “The Gospels skip fifteen years of the most interesting life Creation has witnessed; they relate Christ's birth in full, but hurry from His boyhood to the more stirring events of His thirtieth and subsequent years.”

distinctive adjective US /dɪˈstɪŋktɪv/

of a feature that helps to distinguish a person or thing

From this reading “Now, if this remark had been offered by way of contrast between events themselves and all mortal attempts to reproduce them upon paper or the stage, it would have been philosophical; but it was a strange error to denounce the practice as distinctive of fiction: for it happens to be the one trait the novelist and dramatist have in common with the evangelist.”

dramatist noun US /ˈdrɑːmətɪst/

someone who writes plays

From this reading “Now, if this remark had been offered by way of contrast between events themselves and all mortal attempts to reproduce them upon paper or the stage, it would have been philosophical; but it was a strange error to denounce the practice as distinctive of fiction: for it happens to be the one trait the novelist and dramatist have in common with the evangelist.”

evangelist noun US /ɪˈvændʒəlɪst/

a preacher of the Christian gospel

From this reading “Now, if this remark had been offered by way of contrast between events themselves and all mortal attempts to reproduce them upon paper or the stage, it would have been philosophical; but it was a strange error to denounce the practice as distinctive of fiction: for it happens to be the one trait the novelist and dramatist have in common with the evangelist.”

Gospels noun US /ˈɡɑːspəlz/

the four books in the New Testament (Matthew, Mark, Luke, and John) that tell the story of Christ's life and teachings

From this reading “The Gospels skip fifteen years of the most interesting life Creation has witnessed; they relate Christ's birth in full, but hurry from His boyhood to the more stirring events of His thirtieth and subsequent years.”

novelists noun US /ˈnɑːvələsts/

plural of “novelist” — one who writes novels

From this reading “And I remember seeing it objected to novelists, by a young gentleman just putting his foot for the first time into “Criticism,” that the writers aforesaid suppress the small intermediate matters which in real life come by the score between each brilliant event: and so present the ordinary and the extraordinary parts of life in false proportions.”

thirtieth adjective US /ˈθɜːrtiəθ/

coming next after the twenty-ninth in position

From this reading “The Gospels skip fifteen years of the most interesting life Creation has witnessed; they relate Christ's birth in full, but hurry from His boyhood to the more stirring events of His thirtieth and subsequent years.”

All words in this reading · 125

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading No life was ever yet a play: I mean, an unbroken sequence of dramatic incidents.

aforesaidadjectiveUS /əˈfɔːrsed/

being the one previously mentioned or spoken of

From this reading And I remember seeing it objected to novelists, by a young gentleman just putting his foot for the first time into “Criticism,” that the writers aforesaid suppress the small intermediate matters which in real life come by the score between each brilliant event: and so present the ordinary and the extraordinary parts of life in false proportions.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading Now, if this remark had been offered by way of contrast between events themselves and all mortal attempts to reproduce them upon paper or the stage, it would have been philosophical; but it was a strange error to denounce the practice as distinctive of fiction: for it happens to be the one trait the novelist and dramatist have in common with the evangelist.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading No life was ever yet a play: I mean, an unbroken sequence of dramatic incidents.

AndconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading And I remember seeing it objected to novelists, by a young gentleman just putting his foot for the first time into “Criticism,” that the writers aforesaid suppress the small intermediate matters which in real life come by the score between each brilliant event: and so present the ordinary and the extraordinary parts of life in false proportions.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Now, if this remark had been offered by way of contrast between events themselves and all mortal attempts to reproduce them upon paper or the stage, it would have been philosophical; but it was a strange error to denounce the practice as distinctive of fiction: for it happens to be the one trait the novelist and dramatist have in common with the evangelist.

attemptsnounUS /əˈtempts/

plural of “attempt” — earnest and conscientious activity intended to do or accomplish something

From this reading Now, if this remark had been offered by way of contrast between events themselves and all mortal attempts to reproduce them upon paper or the stage, it would have been philosophical; but it was a strange error to denounce the practice as distinctive of fiction: for it happens to be the one trait the novelist and dramatist have in common with the evangelist.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Now, if this remark had been offered by way of contrast between events themselves and all mortal attempts to reproduce them upon paper or the stage, it would have been philosophical; but it was a strange error to denounce the practice as distinctive of fiction: for it happens to be the one trait the novelist and dramatist have in common with the evangelist.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading Now, if this remark had been offered by way of contrast between events themselves and all mortal attempts to reproduce them upon paper or the stage, it would have been philosophical; but it was a strange error to denounce the practice as distinctive of fiction: for it happens to be the one trait the novelist and dramatist have in common with the evangelist.

betweenprepositionUS /bɪˈtwiːn/

in the space, time, or range separating two things

From this reading And I remember seeing it objected to novelists, by a young gentleman just putting his foot for the first time into “Criticism,” that the writers aforesaid suppress the small intermediate matters which in real life come by the score between each brilliant event: and so present the ordinary and the extraordinary parts of life in false proportions.

birthnounUS /bɜːrθ/

the time when something begins (especially life)

From this reading The Gospels skip fifteen years of the most interesting life Creation has witnessed; they relate Christ's birth in full, but hurry from His boyhood to the more stirring events of His thirtieth and subsequent years.

boyhoodnounUS /ˈbɔɪhʊd/

the childhood of a boy

From this reading The Gospels skip fifteen years of the most interesting life Creation has witnessed; they relate Christ's birth in full, but hurry from His boyhood to the more stirring events of His thirtieth and subsequent years.

brilliantadjectiveUS /ˈbrɪljənt/

of surpassing excellence

From this reading And I remember seeing it objected to novelists, by a young gentleman just putting his foot for the first time into “Criticism,” that the writers aforesaid suppress the small intermediate matters which in real life come by the score between each brilliant event: and so present the ordinary and the extraordinary parts of life in false proportions.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Now, if this remark had been offered by way of contrast between events themselves and all mortal attempts to reproduce them upon paper or the stage, it would have been philosophical; but it was a strange error to denounce the practice as distinctive of fiction: for it happens to be the one trait the novelist and dramatist have in common with the evangelist.

byprepositionUS /baɪ/

showing who or what does the action

From this reading And I remember seeing it objected to novelists, by a young gentleman just putting his foot for the first time into “Criticism,” that the writers aforesaid suppress the small intermediate matters which in real life come by the score between each brilliant event: and so present the ordinary and the extraordinary parts of life in false proportions.

CalmsnounUS /kɑːmz/

plural of “calm” — steadiness of mind under stress

From this reading Calms will come; unfortunately for the readers, happily for the read.

Christ'snounUS /kraɪsts/

possessive form of “christ” — a teacher and prophet born in Bethlehem and active in Nazareth; his life and sermons form the basis for Christianity (circa 4 BC - AD 29)

From this reading The Gospels skip fifteen years of the most interesting life Creation has witnessed; they relate Christ's birth in full, but hurry from His boyhood to the more stirring events of His thirtieth and subsequent years.

comeverbUS /kʌm/

move toward, travel toward something or somebody or approach something or somebody

From this reading Calms will come; unfortunately for the readers, happily for the read.

commonadjectiveUS /ˈkɑːmən/

belonging to or participated in by a community as a whole; public

From this reading Now, if this remark had been offered by way of contrast between events themselves and all mortal attempts to reproduce them upon paper or the stage, it would have been philosophical; but it was a strange error to denounce the practice as distinctive of fiction: for it happens to be the one trait the novelist and dramatist have in common with the evangelist.

contrastnounUS /ˈkɑːntræst/

the opposition or dissimilarity of things that are compared

From this reading Now, if this remark had been offered by way of contrast between events themselves and all mortal attempts to reproduce them upon paper or the stage, it would have been philosophical; but it was a strange error to denounce the practice as distinctive of fiction: for it happens to be the one trait the novelist and dramatist have in common with the evangelist.

CreationnounUS /kriˈeɪʃən/

the human act of creating

From this reading The Gospels skip fifteen years of the most interesting life Creation has witnessed; they relate Christ's birth in full, but hurry from His boyhood to the more stirring events of His thirtieth and subsequent years.

CriticismnounUS /ˈkrɪtɪsɪzəm/

disapproval expressed by pointing out faults or shortcomings

From this reading And I remember seeing it objected to novelists, by a young gentleman just putting his foot for the first time into “Criticism,” that the writers aforesaid suppress the small intermediate matters which in real life come by the score between each brilliant event: and so present the ordinary and the extraordinary parts of life in false proportions.

denounceverbUS /dɪˈnaʊns/

speak out against

From this reading Now, if this remark had been offered by way of contrast between events themselves and all mortal attempts to reproduce them upon paper or the stage, it would have been philosophical; but it was a strange error to denounce the practice as distinctive of fiction: for it happens to be the one trait the novelist and dramatist have in common with the evangelist.

distinctiveadjectiveUS /dɪˈstɪŋktɪv/

of a feature that helps to distinguish a person or thing

From this reading Now, if this remark had been offered by way of contrast between events themselves and all mortal attempts to reproduce them upon paper or the stage, it would have been philosophical; but it was a strange error to denounce the practice as distinctive of fiction: for it happens to be the one trait the novelist and dramatist have in common with the evangelist.

dramaticadjectiveUS /drəˈmætɪk/

suitable to or characteristic of drama

From this reading No life was ever yet a play: I mean, an unbroken sequence of dramatic incidents.

dramatistnounUS /ˈdrɑːmətɪst/

someone who writes plays

From this reading Now, if this remark had been offered by way of contrast between events themselves and all mortal attempts to reproduce them upon paper or the stage, it would have been philosophical; but it was a strange error to denounce the practice as distinctive of fiction: for it happens to be the one trait the novelist and dramatist have in common with the evangelist.

eachdeterminerUS /iːtʃ/

every one of two or more people or things, taken separately

From this reading And I remember seeing it objected to novelists, by a young gentleman just putting his foot for the first time into “Criticism,” that the writers aforesaid suppress the small intermediate matters which in real life come by the score between each brilliant event: and so present the ordinary and the extraordinary parts of life in false proportions.

errornounUS /ˈerər/

a wrong action attributable to bad judgment or ignorance or inattention

From this reading Now, if this remark had been offered by way of contrast between events themselves and all mortal attempts to reproduce them upon paper or the stage, it would have been philosophical; but it was a strange error to denounce the practice as distinctive of fiction: for it happens to be the one trait the novelist and dramatist have in common with the evangelist.

evangelistnounUS /ɪˈvændʒəlɪst/

a preacher of the Christian gospel

From this reading Now, if this remark had been offered by way of contrast between events themselves and all mortal attempts to reproduce them upon paper or the stage, it would have been philosophical; but it was a strange error to denounce the practice as distinctive of fiction: for it happens to be the one trait the novelist and dramatist have in common with the evangelist.

eventnounUS /ɪˈvent/

something that happens at a given place and time

From this reading And I remember seeing it objected to novelists, by a young gentleman just putting his foot for the first time into “Criticism,” that the writers aforesaid suppress the small intermediate matters which in real life come by the score between each brilliant event: and so present the ordinary and the extraordinary parts of life in false proportions.

eventsnounUS /ɪˈvents/

plural of “event” — something that happens at a given place and time

From this reading Now, if this remark had been offered by way of contrast between events themselves and all mortal attempts to reproduce them upon paper or the stage, it would have been philosophical; but it was a strange error to denounce the practice as distinctive of fiction: for it happens to be the one trait the novelist and dramatist have in common with the evangelist.

everadverbUS /ˈevər/

at any time

From this reading No life was ever yet a play: I mean, an unbroken sequence of dramatic incidents.

extraordinaryadjectiveUS /ˌekstrəˈɔːrdəneri/

beyond what is ordinary or usual; highly unusual or exceptional or remarkable

From this reading And I remember seeing it objected to novelists, by a young gentleman just putting his foot for the first time into “Criticism,” that the writers aforesaid suppress the small intermediate matters which in real life come by the score between each brilliant event: and so present the ordinary and the extraordinary parts of life in false proportions.

falseadjectiveUS /fɔːls/

not in accordance with the fact or reality or actuality

From this reading And I remember seeing it objected to novelists, by a young gentleman just putting his foot for the first time into “Criticism,” that the writers aforesaid suppress the small intermediate matters which in real life come by the score between each brilliant event: and so present the ordinary and the extraordinary parts of life in false proportions.

fictionnounUS /ˈfɪkʃən/

a literary work based on the imagination and not necessarily on fact

From this reading Now, if this remark had been offered by way of contrast between events themselves and all mortal attempts to reproduce them upon paper or the stage, it would have been philosophical; but it was a strange error to denounce the practice as distinctive of fiction: for it happens to be the one trait the novelist and dramatist have in common with the evangelist.

fifteennounUS /fɪfˈtiːn/

the cardinal number that is the sum of fourteen and one

From this reading The Gospels skip fifteen years of the most interesting life Creation has witnessed; they relate Christ's birth in full, but hurry from His boyhood to the more stirring events of His thirtieth and subsequent years.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading And I remember seeing it objected to novelists, by a young gentleman just putting his foot for the first time into “Criticism,” that the writers aforesaid suppress the small intermediate matters which in real life come by the score between each brilliant event: and so present the ordinary and the extraordinary parts of life in false proportions.

footnounUS /fʊt/

the part of the leg of a human being below the ankle joint

From this reading And I remember seeing it objected to novelists, by a young gentleman just putting his foot for the first time into “Criticism,” that the writers aforesaid suppress the small intermediate matters which in real life come by the score between each brilliant event: and so present the ordinary and the extraordinary parts of life in false proportions.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Calms will come; unfortunately for the readers, happily for the read.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading The Gospels skip fifteen years of the most interesting life Creation has witnessed; they relate Christ's birth in full, but hurry from His boyhood to the more stirring events of His thirtieth and subsequent years.

fulladjectiveUS /fʊl/

containing as much or as many as is possible or normal

From this reading The Gospels skip fifteen years of the most interesting life Creation has witnessed; they relate Christ's birth in full, but hurry from His boyhood to the more stirring events of His thirtieth and subsequent years.

gentlemannounUS /ˈdʒentəlmən/

a man of refinement

From this reading And I remember seeing it objected to novelists, by a young gentleman just putting his foot for the first time into “Criticism,” that the writers aforesaid suppress the small intermediate matters which in real life come by the score between each brilliant event: and so present the ordinary and the extraordinary parts of life in false proportions.

GospelsnounUS /ˈɡɑːspəlz/

the four books in the New Testament (Matthew, Mark, Luke, and John) that tell the story of Christ's life and teachings

From this reading The Gospels skip fifteen years of the most interesting life Creation has witnessed; they relate Christ's birth in full, but hurry from His boyhood to the more stirring events of His thirtieth and subsequent years.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading Now, if this remark had been offered by way of contrast between events themselves and all mortal attempts to reproduce them upon paper or the stage, it would have been philosophical; but it was a strange error to denounce the practice as distinctive of fiction: for it happens to be the one trait the novelist and dramatist have in common with the evangelist.

happensverbUS /ˈhæpənz/

third-person singular of “happen” — come to pass

From this reading Now, if this remark had been offered by way of contrast between events themselves and all mortal attempts to reproduce them upon paper or the stage, it would have been philosophical; but it was a strange error to denounce the practice as distinctive of fiction: for it happens to be the one trait the novelist and dramatist have in common with the evangelist.

happilyadverbUS /ˈhæpəli/

in a joyous manner

From this reading Calms will come; unfortunately for the readers, happily for the read.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading The Gospels skip fifteen years of the most interesting life Creation has witnessed; they relate Christ's birth in full, but hurry from His boyhood to the more stirring events of His thirtieth and subsequent years.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading Now, if this remark had been offered by way of contrast between events themselves and all mortal attempts to reproduce them upon paper or the stage, it would have been philosophical; but it was a strange error to denounce the practice as distinctive of fiction: for it happens to be the one trait the novelist and dramatist have in common with the evangelist.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading And I remember seeing it objected to novelists, by a young gentleman just putting his foot for the first time into “Criticism,” that the writers aforesaid suppress the small intermediate matters which in real life come by the score between each brilliant event: and so present the ordinary and the extraordinary parts of life in false proportions.

hurrynounUS /ˈhɜːri/

a condition of urgency making it necessary to hurry

From this reading The Gospels skip fifteen years of the most interesting life Creation has witnessed; they relate Christ's birth in full, but hurry from His boyhood to the more stirring events of His thirtieth and subsequent years.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading No life was ever yet a play: I mean, an unbroken sequence of dramatic incidents.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading Now, if this remark had been offered by way of contrast between events themselves and all mortal attempts to reproduce them upon paper or the stage, it would have been philosophical; but it was a strange error to denounce the practice as distinctive of fiction: for it happens to be the one trait the novelist and dramatist have in common with the evangelist.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading And I remember seeing it objected to novelists, by a young gentleman just putting his foot for the first time into “Criticism,” that the writers aforesaid suppress the small intermediate matters which in real life come by the score between each brilliant event: and so present the ordinary and the extraordinary parts of life in false proportions.

incidentsnounUS /ˈɪnsədənts/

plural of “incident” — a single distinct event

From this reading No life was ever yet a play: I mean, an unbroken sequence of dramatic incidents.

interestingadjectiveUS /ˈɪntrəstɪŋ/

arousing or holding the attention

From this reading The Gospels skip fifteen years of the most interesting life Creation has witnessed; they relate Christ's birth in full, but hurry from His boyhood to the more stirring events of His thirtieth and subsequent years.

intermediateadjectiveUS /ˌɪntərˈmiːdiɪt/

lying between two extremes in time or space or state

From this reading And I remember seeing it objected to novelists, by a young gentleman just putting his foot for the first time into “Criticism,” that the writers aforesaid suppress the small intermediate matters which in real life come by the score between each brilliant event: and so present the ordinary and the extraordinary parts of life in false proportions.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading And I remember seeing it objected to novelists, by a young gentleman just putting his foot for the first time into “Criticism,” that the writers aforesaid suppress the small intermediate matters which in real life come by the score between each brilliant event: and so present the ordinary and the extraordinary parts of life in false proportions.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading And I remember seeing it objected to novelists, by a young gentleman just putting his foot for the first time into “Criticism,” that the writers aforesaid suppress the small intermediate matters which in real life come by the score between each brilliant event: and so present the ordinary and the extraordinary parts of life in false proportions.

justadverbUS /dʒʌst/

and nothing more

From this reading And I remember seeing it objected to novelists, by a young gentleman just putting his foot for the first time into “Criticism,” that the writers aforesaid suppress the small intermediate matters which in real life come by the score between each brilliant event: and so present the ordinary and the extraordinary parts of life in false proportions.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading No life was ever yet a play: I mean, an unbroken sequence of dramatic incidents.

mattersnounUS /ˈmætərz/

plural of “matter” — a vaguely specified concern

From this reading And I remember seeing it objected to novelists, by a young gentleman just putting his foot for the first time into “Criticism,” that the writers aforesaid suppress the small intermediate matters which in real life come by the score between each brilliant event: and so present the ordinary and the extraordinary parts of life in false proportions.

meanverbUS /miːn/

mean or intend to express or convey

From this reading No life was ever yet a play: I mean, an unbroken sequence of dramatic incidents.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading The Gospels skip fifteen years of the most interesting life Creation has witnessed; they relate Christ's birth in full, but hurry from His boyhood to the more stirring events of His thirtieth and subsequent years.

mortaladjectiveUS /ˈmɔːrtəl/

subject to death

From this reading Now, if this remark had been offered by way of contrast between events themselves and all mortal attempts to reproduce them upon paper or the stage, it would have been philosophical; but it was a strange error to denounce the practice as distinctive of fiction: for it happens to be the one trait the novelist and dramatist have in common with the evangelist.

mostadverbUS /moʊst/

used to form the superlative

From this reading The Gospels skip fifteen years of the most interesting life Creation has witnessed; they relate Christ's birth in full, but hurry from His boyhood to the more stirring events of His thirtieth and subsequent years.

NodeterminerUS /noʊ/

not any; not one

From this reading No life was ever yet a play: I mean, an unbroken sequence of dramatic incidents.

novelistnounUS /ˈnɑːvələst/

one who writes novels

From this reading Now, if this remark had been offered by way of contrast between events themselves and all mortal attempts to reproduce them upon paper or the stage, it would have been philosophical; but it was a strange error to denounce the practice as distinctive of fiction: for it happens to be the one trait the novelist and dramatist have in common with the evangelist.

novelistsnounUS /ˈnɑːvələsts/

plural of “novelist” — one who writes novels

From this reading And I remember seeing it objected to novelists, by a young gentleman just putting his foot for the first time into “Criticism,” that the writers aforesaid suppress the small intermediate matters which in real life come by the score between each brilliant event: and so present the ordinary and the extraordinary parts of life in false proportions.

NowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading Now, if this remark had been offered by way of contrast between events themselves and all mortal attempts to reproduce them upon paper or the stage, it would have been philosophical; but it was a strange error to denounce the practice as distinctive of fiction: for it happens to be the one trait the novelist and dramatist have in common with the evangelist.

objectedverbUS /əbˈdʒektəd/

past form of “object” — express or raise an objection or protest or criticism or express dissent

From this reading And I remember seeing it objected to novelists, by a young gentleman just putting his foot for the first time into “Criticism,” that the writers aforesaid suppress the small intermediate matters which in real life come by the score between each brilliant event: and so present the ordinary and the extraordinary parts of life in false proportions.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading No life was ever yet a play: I mean, an unbroken sequence of dramatic incidents.

offeredverbUS /ˈɔːfərd/

past form of “offer” — make available or accessible, provide or furnish

From this reading Now, if this remark had been offered by way of contrast between events themselves and all mortal attempts to reproduce them upon paper or the stage, it would have been philosophical; but it was a strange error to denounce the practice as distinctive of fiction: for it happens to be the one trait the novelist and dramatist have in common with the evangelist.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading Now, if this remark had been offered by way of contrast between events themselves and all mortal attempts to reproduce them upon paper or the stage, it would have been philosophical; but it was a strange error to denounce the practice as distinctive of fiction: for it happens to be the one trait the novelist and dramatist have in common with the evangelist.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Now, if this remark had been offered by way of contrast between events themselves and all mortal attempts to reproduce them upon paper or the stage, it would have been philosophical; but it was a strange error to denounce the practice as distinctive of fiction: for it happens to be the one trait the novelist and dramatist have in common with the evangelist.

ordinarynounUS /ˈɔːrdəneri/

a judge of a probate court

From this reading And I remember seeing it objected to novelists, by a young gentleman just putting his foot for the first time into “Criticism,” that the writers aforesaid suppress the small intermediate matters which in real life come by the score between each brilliant event: and so present the ordinary and the extraordinary parts of life in false proportions.

papernounUS /ˈpeɪpər/

a material made of cellulose pulp derived mainly from wood or rags or certain grasses

From this reading Now, if this remark had been offered by way of contrast between events themselves and all mortal attempts to reproduce them upon paper or the stage, it would have been philosophical; but it was a strange error to denounce the practice as distinctive of fiction: for it happens to be the one trait the novelist and dramatist have in common with the evangelist.

partsnounUS /pɑːrts/

the local environment

From this reading And I remember seeing it objected to novelists, by a young gentleman just putting his foot for the first time into “Criticism,” that the writers aforesaid suppress the small intermediate matters which in real life come by the score between each brilliant event: and so present the ordinary and the extraordinary parts of life in false proportions.

philosophicaladjectiveUS /ˌfɪləˈsɑːfɪkəl/

of or relating to philosophy or philosophers

From this reading Now, if this remark had been offered by way of contrast between events themselves and all mortal attempts to reproduce them upon paper or the stage, it would have been philosophical; but it was a strange error to denounce the practice as distinctive of fiction: for it happens to be the one trait the novelist and dramatist have in common with the evangelist.

playverbUS /pleɪ/

participate in games or sport

From this reading No life was ever yet a play: I mean, an unbroken sequence of dramatic incidents.

practicenounUS /ˈpræktəs/

a customary way of operation or behavior

From this reading Now, if this remark had been offered by way of contrast between events themselves and all mortal attempts to reproduce them upon paper or the stage, it would have been philosophical; but it was a strange error to denounce the practice as distinctive of fiction: for it happens to be the one trait the novelist and dramatist have in common with the evangelist.

presentverbUS /ˈprezənt/

give an exhibition of to an interested audience

From this reading And I remember seeing it objected to novelists, by a young gentleman just putting his foot for the first time into “Criticism,” that the writers aforesaid suppress the small intermediate matters which in real life come by the score between each brilliant event: and so present the ordinary and the extraordinary parts of life in false proportions.

proportionsnounUS /prəˈpɔːrʃənz/

plural of “proportion” — the quotient obtained when the magnitude of a part is divided by the magnitude of the whole

From this reading And I remember seeing it objected to novelists, by a young gentleman just putting his foot for the first time into “Criticism,” that the writers aforesaid suppress the small intermediate matters which in real life come by the score between each brilliant event: and so present the ordinary and the extraordinary parts of life in false proportions.

puttingnounUS /ˈpʌtɪŋ/

hitting a golf ball that is on the green using a putter

From this reading And I remember seeing it objected to novelists, by a young gentleman just putting his foot for the first time into “Criticism,” that the writers aforesaid suppress the small intermediate matters which in real life come by the score between each brilliant event: and so present the ordinary and the extraordinary parts of life in false proportions.

readverbUS /red/

interpret something that is written or printed

From this reading Calms will come; unfortunately for the readers, happily for the read.

readersnounUS /ˈriːdərz/

plural of “reader” — a person who enjoys reading

From this reading Calms will come; unfortunately for the readers, happily for the read.

realadjectiveUS /riːl/

being or occurring in fact or actuality; having verified existence; not illusory

From this reading And I remember seeing it objected to novelists, by a young gentleman just putting his foot for the first time into “Criticism,” that the writers aforesaid suppress the small intermediate matters which in real life come by the score between each brilliant event: and so present the ordinary and the extraordinary parts of life in false proportions.

relateverbUS /rɪˈleɪt/

make a logical or causal connection

From this reading The Gospels skip fifteen years of the most interesting life Creation has witnessed; they relate Christ's birth in full, but hurry from His boyhood to the more stirring events of His thirtieth and subsequent years.

remarknounUS /rɪˈmɑːrk/

a statement that expresses a personal opinion or belief or adds information

From this reading Now, if this remark had been offered by way of contrast between events themselves and all mortal attempts to reproduce them upon paper or the stage, it would have been philosophical; but it was a strange error to denounce the practice as distinctive of fiction: for it happens to be the one trait the novelist and dramatist have in common with the evangelist.

rememberverbUS /rɪˈmɛm.bər/

To recall to mind.

From this reading And I remember seeing it objected to novelists, by a young gentleman just putting his foot for the first time into “Criticism,” that the writers aforesaid suppress the small intermediate matters which in real life come by the score between each brilliant event: and so present the ordinary and the extraordinary parts of life in false proportions.

reproduceverbUS /ˌriːprəˈduːs/

make a copy or equivalent of

From this reading Now, if this remark had been offered by way of contrast between events themselves and all mortal attempts to reproduce them upon paper or the stage, it would have been philosophical; but it was a strange error to denounce the practice as distinctive of fiction: for it happens to be the one trait the novelist and dramatist have in common with the evangelist.

scorenounUS /skɔːr/

a number or letter indicating quality (especially of a student's performance)

From this reading And I remember seeing it objected to novelists, by a young gentleman just putting his foot for the first time into “Criticism,” that the writers aforesaid suppress the small intermediate matters which in real life come by the score between each brilliant event: and so present the ordinary and the extraordinary parts of life in false proportions.

seeingnounUS /ˈsiːɪŋ/

perception by means of the eyes

From this reading And I remember seeing it objected to novelists, by a young gentleman just putting his foot for the first time into “Criticism,” that the writers aforesaid suppress the small intermediate matters which in real life come by the score between each brilliant event: and so present the ordinary and the extraordinary parts of life in false proportions.

sequencenounUS /ˈsiːkwəns/

serial arrangement in which things follow in logical order or a recurrent pattern

From this reading No life was ever yet a play: I mean, an unbroken sequence of dramatic incidents.

skipverbUS /skɪp/

bypass

From this reading The Gospels skip fifteen years of the most interesting life Creation has witnessed; they relate Christ's birth in full, but hurry from His boyhood to the more stirring events of His thirtieth and subsequent years.

smalladjectiveUS /smɔːl/

limited or below average in number or quantity or magnitude or extent

From this reading And I remember seeing it objected to novelists, by a young gentleman just putting his foot for the first time into “Criticism,” that the writers aforesaid suppress the small intermediate matters which in real life come by the score between each brilliant event: and so present the ordinary and the extraordinary parts of life in false proportions.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading And I remember seeing it objected to novelists, by a young gentleman just putting his foot for the first time into “Criticism,” that the writers aforesaid suppress the small intermediate matters which in real life come by the score between each brilliant event: and so present the ordinary and the extraordinary parts of life in false proportions.

stagenounUS /steɪdʒ/

any distinct time period in a sequence of events

From this reading Now, if this remark had been offered by way of contrast between events themselves and all mortal attempts to reproduce them upon paper or the stage, it would have been philosophical; but it was a strange error to denounce the practice as distinctive of fiction: for it happens to be the one trait the novelist and dramatist have in common with the evangelist.

stirringnounUS /ˈstɜːrɪŋ/

agitating a liquid with an implement

From this reading The Gospels skip fifteen years of the most interesting life Creation has witnessed; they relate Christ's birth in full, but hurry from His boyhood to the more stirring events of His thirtieth and subsequent years.

strangeadjectiveUS /streɪndʒ/

being definitely out of the ordinary and unexpected; slightly odd or even a bit weird

From this reading Now, if this remark had been offered by way of contrast between events themselves and all mortal attempts to reproduce them upon paper or the stage, it would have been philosophical; but it was a strange error to denounce the practice as distinctive of fiction: for it happens to be the one trait the novelist and dramatist have in common with the evangelist.

subsequentadjectiveUS /ˈsʌbsəkwənt/

following in time or order

From this reading The Gospels skip fifteen years of the most interesting life Creation has witnessed; they relate Christ's birth in full, but hurry from His boyhood to the more stirring events of His thirtieth and subsequent years.

suppressverbUS /səˈpres/

bring under control by force or authority

From this reading And I remember seeing it objected to novelists, by a young gentleman just putting his foot for the first time into “Criticism,” that the writers aforesaid suppress the small intermediate matters which in real life come by the score between each brilliant event: and so present the ordinary and the extraordinary parts of life in false proportions.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading And I remember seeing it objected to novelists, by a young gentleman just putting his foot for the first time into “Criticism,” that the writers aforesaid suppress the small intermediate matters which in real life come by the score between each brilliant event: and so present the ordinary and the extraordinary parts of life in false proportions.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Calms will come; unfortunately for the readers, happily for the read.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading Now, if this remark had been offered by way of contrast between events themselves and all mortal attempts to reproduce them upon paper or the stage, it would have been philosophical; but it was a strange error to denounce the practice as distinctive of fiction: for it happens to be the one trait the novelist and dramatist have in common with the evangelist.

themselvespronounUS /ðemˈselvz/

used when the people doing the action are also its object

From this reading Now, if this remark had been offered by way of contrast between events themselves and all mortal attempts to reproduce them upon paper or the stage, it would have been philosophical; but it was a strange error to denounce the practice as distinctive of fiction: for it happens to be the one trait the novelist and dramatist have in common with the evangelist.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading The Gospels skip fifteen years of the most interesting life Creation has witnessed; they relate Christ's birth in full, but hurry from His boyhood to the more stirring events of His thirtieth and subsequent years.

thirtiethadjectiveUS /ˈθɜːrtiəθ/

coming next after the twenty-ninth in position

From this reading The Gospels skip fifteen years of the most interesting life Creation has witnessed; they relate Christ's birth in full, but hurry from His boyhood to the more stirring events of His thirtieth and subsequent years.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading Now, if this remark had been offered by way of contrast between events themselves and all mortal attempts to reproduce them upon paper or the stage, it would have been philosophical; but it was a strange error to denounce the practice as distinctive of fiction: for it happens to be the one trait the novelist and dramatist have in common with the evangelist.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading And I remember seeing it objected to novelists, by a young gentleman just putting his foot for the first time into “Criticism,” that the writers aforesaid suppress the small intermediate matters which in real life come by the score between each brilliant event: and so present the ordinary and the extraordinary parts of life in false proportions.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading And I remember seeing it objected to novelists, by a young gentleman just putting his foot for the first time into “Criticism,” that the writers aforesaid suppress the small intermediate matters which in real life come by the score between each brilliant event: and so present the ordinary and the extraordinary parts of life in false proportions.

traitnounUS /treɪt/

a distinguishing feature of your personal nature

From this reading Now, if this remark had been offered by way of contrast between events themselves and all mortal attempts to reproduce them upon paper or the stage, it would have been philosophical; but it was a strange error to denounce the practice as distinctive of fiction: for it happens to be the one trait the novelist and dramatist have in common with the evangelist.

unbrokenadjectiveUS /ənˈbroʊkən/

marked by continuous or uninterrupted extension in space or time or sequence

From this reading No life was ever yet a play: I mean, an unbroken sequence of dramatic incidents.

unfortunatelyadverbUS /ənˈfɔːrtʃənətli/

by bad luck

From this reading Calms will come; unfortunately for the readers, happily for the read.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading Now, if this remark had been offered by way of contrast between events themselves and all mortal attempts to reproduce them upon paper or the stage, it would have been philosophical; but it was a strange error to denounce the practice as distinctive of fiction: for it happens to be the one trait the novelist and dramatist have in common with the evangelist.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading No life was ever yet a play: I mean, an unbroken sequence of dramatic incidents.

waynounUS /weɪ/

how something is done or how it happens

From this reading Now, if this remark had been offered by way of contrast between events themselves and all mortal attempts to reproduce them upon paper or the stage, it would have been philosophical; but it was a strange error to denounce the practice as distinctive of fiction: for it happens to be the one trait the novelist and dramatist have in common with the evangelist.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading And I remember seeing it objected to novelists, by a young gentleman just putting his foot for the first time into “Criticism,” that the writers aforesaid suppress the small intermediate matters which in real life come by the score between each brilliant event: and so present the ordinary and the extraordinary parts of life in false proportions.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading Calms will come; unfortunately for the readers, happily for the read.

withprepositionUS /wɪð/

in the company of; together with

From this reading Now, if this remark had been offered by way of contrast between events themselves and all mortal attempts to reproduce them upon paper or the stage, it would have been philosophical; but it was a strange error to denounce the practice as distinctive of fiction: for it happens to be the one trait the novelist and dramatist have in common with the evangelist.

witnessedverbUS /ˈwɪtnəst/

past form of “witness” — be a witness to

From this reading The Gospels skip fifteen years of the most interesting life Creation has witnessed; they relate Christ's birth in full, but hurry from His boyhood to the more stirring events of His thirtieth and subsequent years.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading Now, if this remark had been offered by way of contrast between events themselves and all mortal attempts to reproduce them upon paper or the stage, it would have been philosophical; but it was a strange error to denounce the practice as distinctive of fiction: for it happens to be the one trait the novelist and dramatist have in common with the evangelist.

writersnounUS /ˈraɪtərz/

plural of “writer” — writes (books or stories or articles or the like) professionally (for pay)

From this reading And I remember seeing it objected to novelists, by a young gentleman just putting his foot for the first time into “Criticism,” that the writers aforesaid suppress the small intermediate matters which in real life come by the score between each brilliant event: and so present the ordinary and the extraordinary parts of life in false proportions.

yearsnounUS /jɪrz/

a late time of life

From this reading The Gospels skip fifteen years of the most interesting life Creation has witnessed; they relate Christ's birth in full, but hurry from His boyhood to the more stirring events of His thirtieth and subsequent years.

yetconjunctionUS /jet/

but in spite of that

From this reading No life was ever yet a play: I mean, an unbroken sequence of dramatic incidents.

youngadjectiveUS /jʌŋ/

(used of living things especially persons) in an early period of life or development or growth

From this reading And I remember seeing it objected to novelists, by a young gentleman just putting his foot for the first time into “Criticism,” that the writers aforesaid suppress the small intermediate matters which in real life come by the score between each brilliant event: and so present the ordinary and the extraordinary parts of life in false proportions.

Chapter 36 of Hard Cash by Charles Reade holds 417 sentences, grouped into 84 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 36 of Hard Cash contain?

Chapter 36 holds 417 sentences of Hard Cash, unabridged, divided into 84 reading sections.

This page carries chapter 36 of Hard Cash by Charles Reade exactly as it stands in the public-domain source edition, without abridgement. It runs to 417 sentences, grouped into 84 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 36 of Hard Cash?

Work through the 84 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 84 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 36 be read aloud to me?

Yes — every sentence and every individual word in chapter 36 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Hard Cash

Common questions about reading Hard Cash by Charles Reade on this page, its source edition and its audio.

Is this the complete text of Hard Cash?

Yes. All 14119 sentences of Project Gutenberg eBook #3067 are kept, with a record of which sentences cover which part.

Which edition of Hard Cash is used?

Project Gutenberg eBook #3067, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

How long does Hard Cash take to read?

About 600 minutes of reading across 2824 sections of 5 sentences each, at an unhurried pace.

How to read Hard Cash section by section

How to work through Hard Cash section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 40 chapters of Hard Cash to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Hard Cash

Words and structures a reader meets early in Hard Cash, each tappable for pronunciation and meaning.

Bright
A word that appears in the opening chapter of Hard Cash; the reader can tap it to hear it and see its dictionary entry.
Julia
A word that appears in the opening chapter of Hard Cash; the reader can tap it to hear it and see its dictionary entry.
Reclining
A word that appears in the opening chapter of Hard Cash; the reader can tap it to hear it and see its dictionary entry.
Parasols
A word that appears in the opening chapter of Hard Cash; the reader can tap it to hear it and see its dictionary entry.