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Harvard Classics Volume 28 Essays English and American
Harvard Classics Volume 28 Essays English and American

Chapter VII · Chapter 7

Chapter 7 of Harvard Classics Volume 28 Essays English and American is here in full — 406 sentences across 82 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/81 · 5 lines
English subtitles · tap any word to listen 1 / 5
Another of his peculiarities is equally striking.
There seems to be such a thing as second-hand poetry: some poets, musing on the poetry of other men, have unconsciously shaped it into something of their own.
The new conception is like the original, it would never probably have existed had not the original existed previously: still, it is sufficiently different from the original to be a new thing, not a copy or a plagiarism; it is a creation, though so to say, a suggested creation.
Gray is as good an example as can be found of a poet whose works abound in this species of semi-original conceptions.
Industrious critics track his best lines back, and find others like them which doubtless lingered near his fancy while he was writing them.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Harvard Classics Volume 28 Essays English and American

Chapter VII · Chapter 7

Chapter 7 of Harvard Classics Volume 28 Essays English and American is here in full — 406 sentences across 82 reading sections, with audio for every sentence and word.

Reading 1/81 · 5 reading units · Lines 1–5

Line 1
Another of his peculiarities is equally striking.
/əˈnʌðər ʌv hɪz pɪˌkjuːliˈerətiz ɪz ˈiːkwəli ˈstraɪkɪŋ/
Line 2
There seems to be such a thing as second-hand poetry: some poets, musing on the poetry of other men, have unconsciously shaped it into something of their own.
Line 3
The new conception is like the original, it would never probably have existed had not the original existed previously: still, it is sufficiently different from the original to be a new thing, not a copy or a plagiarism; it is a creation, though so to say, a suggested creation.
/ðə nuː kənˈsepʃən ɪz laɪk ðə ərˈɪdʒənəl ɪt wʊd ˈnevər ˈprɑːbəbliː hæv ɪɡˈzɪstəd hæd nɑːt ðə ərˈɪdʒənəl ɪɡˈzɪstəd ˈpriːviəsli stɪl ɪt ɪz səˈfɪʃəntli ˈdɪfərənt frʌm ðə ərˈɪdʒənəl tuː biː ə nuː θɪŋ nɑːt ə ˈkɑːpi ɔːr ə ˈpleɪdʒərɪzəm ɪt ɪz ə kriˈeɪʃən ðoʊ soʊ tuː seɪ ə səˈdʒestɪd kriˈeɪʃən/
Line 4
Gray is as good an example as can be found of a poet whose works abound in this species of semi-original conceptions.
Line 5
Industrious critics track his best lines back, and find others like them which doubtless lingered near his fancy while he was writing them.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

abound verb US /əˈbaʊnd/

be abundant or plentiful; exist in large quantities

From this reading “Gray is as good an example as can be found of a poet whose works abound in this species of semi-original conceptions.”

conceptions noun US /kənˈsepʃənz/

plural of “conception” — an abstract or general idea inferred or derived from specific instances

From this reading “Gray is as good an example as can be found of a poet whose works abound in this species of semi-original conceptions.”

critics noun US /ˈkrɪtɪks/

plural of “critic” — a person who is professionally engaged in the analysis and interpretation of works of art

From this reading “Industrious critics track his best lines back, and find others like them which doubtless lingered near his fancy while he was writing them.”

Industrious adjective US /ˌɪnˈdʌstriəs/

characterized by hard work and perseverance

From this reading “Industrious critics track his best lines back, and find others like them which doubtless lingered near his fancy while he was writing them.”

musing noun US /ˈmjuːzɪŋ/

a calm, lengthy, intent consideration

From this reading “There seems to be such a thing as second-hand poetry: some poets, musing on the poetry of other men, have unconsciously shaped it into something of their own.”

peculiarities noun US /pɪˌkjuːliˈerətiz/

plural of “peculiarity” — an odd or unusual characteristic

From this reading “Another of his peculiarities is equally striking.”

plagiarism noun US /ˈpleɪdʒərɪzəm/

a piece of writing that has been copied from someone else and is presented as being your own work

From this reading “The new conception is like the original, it would never probably have existed had not the original existed previously: still, it is sufficiently different from the original to be a new thing, not a copy or a plagiarism; it is a creation, though so to say, a suggested creation.”

shaped adjective US /ʃeɪpt/

shaped to fit by or as if by altering the contours of a pliable mass (as by work or effort)

From this reading “There seems to be such a thing as second-hand poetry: some poets, musing on the poetry of other men, have unconsciously shaped it into something of their own.”

All words in this reading · 89

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading There seems to be such a thing as second-hand poetry: some poets, musing on the poetry of other men, have unconsciously shaped it into something of their own.

aboundverbUS /əˈbaʊnd/

be abundant or plentiful; exist in large quantities

From this reading Gray is as good an example as can be found of a poet whose works abound in this species of semi-original conceptions.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading Gray is as good an example as can be found of a poet whose works abound in this species of semi-original conceptions.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Industrious critics track his best lines back, and find others like them which doubtless lingered near his fancy while he was writing them.

AnotherdeterminerUS /əˈnʌðər/

one more of the same kind, or a different one

From this reading Another of his peculiarities is equally striking.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading There seems to be such a thing as second-hand poetry: some poets, musing on the poetry of other men, have unconsciously shaped it into something of their own.

backadverbUS /bæk/

in or to or toward a former location

From this reading Industrious critics track his best lines back, and find others like them which doubtless lingered near his fancy while he was writing them.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading There seems to be such a thing as second-hand poetry: some poets, musing on the poetry of other men, have unconsciously shaped it into something of their own.

bestnounUS /best/

the supreme effort one can make

From this reading Industrious critics track his best lines back, and find others like them which doubtless lingered near his fancy while he was writing them.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading Gray is as good an example as can be found of a poet whose works abound in this species of semi-original conceptions.

conceptionnounUS /kənˈsepʃən/

an abstract or general idea inferred or derived from specific instances

From this reading The new conception is like the original, it would never probably have existed had not the original existed previously: still, it is sufficiently different from the original to be a new thing, not a copy or a plagiarism; it is a creation, though so to say, a suggested creation.

conceptionsnounUS /kənˈsepʃənz/

plural of “conception” — an abstract or general idea inferred or derived from specific instances

From this reading Gray is as good an example as can be found of a poet whose works abound in this species of semi-original conceptions.

copynounUS /ˈkɑːpi/

a reproduction of a written record (e.g. of a legal or school record)

From this reading The new conception is like the original, it would never probably have existed had not the original existed previously: still, it is sufficiently different from the original to be a new thing, not a copy or a plagiarism; it is a creation, though so to say, a suggested creation.

creationnounUS /kriˈeɪʃən/

the human act of creating

From this reading The new conception is like the original, it would never probably have existed had not the original existed previously: still, it is sufficiently different from the original to be a new thing, not a copy or a plagiarism; it is a creation, though so to say, a suggested creation.

criticsnounUS /ˈkrɪtɪks/

plural of “critic” — a person who is professionally engaged in the analysis and interpretation of works of art

From this reading Industrious critics track his best lines back, and find others like them which doubtless lingered near his fancy while he was writing them.

differentadjectiveUS /ˈdɪfərənt/

unlike in nature or quality or form or degree

From this reading The new conception is like the original, it would never probably have existed had not the original existed previously: still, it is sufficiently different from the original to be a new thing, not a copy or a plagiarism; it is a creation, though so to say, a suggested creation.

doubtlessadverbUS /ˈdaʊtləs/

without doubt; certainly

From this reading Industrious critics track his best lines back, and find others like them which doubtless lingered near his fancy while he was writing them.

equallyadverbUS /ˈiːkwəli/

to the same degree (often followed by “as”)

From this reading Another of his peculiarities is equally striking.

examplenounUS /ɪɡˈzæmpəl/

an item of information that is typical of a class or group

From this reading Gray is as good an example as can be found of a poet whose works abound in this species of semi-original conceptions.

existedverbUS /ɪɡˈzɪstəd/

past form of “exist” — have an existence, be extant

From this reading The new conception is like the original, it would never probably have existed had not the original existed previously: still, it is sufficiently different from the original to be a new thing, not a copy or a plagiarism; it is a creation, though so to say, a suggested creation.

fancynounUS /ˈfænsi/

something many people believe that is false

From this reading Industrious critics track his best lines back, and find others like them which doubtless lingered near his fancy while he was writing them.

findverbUS /faɪnd/

come upon, as if by accident; meet with

From this reading Industrious critics track his best lines back, and find others like them which doubtless lingered near his fancy while he was writing them.

foundverbUS /faʊnd/

set up or found

From this reading Gray is as good an example as can be found of a poet whose works abound in this species of semi-original conceptions.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading The new conception is like the original, it would never probably have existed had not the original existed previously: still, it is sufficiently different from the original to be a new thing, not a copy or a plagiarism; it is a creation, though so to say, a suggested creation.

goodadjectiveUS /ɡʊd/

having desirable or positive qualities especially those suitable for a thing specified

From this reading Gray is as good an example as can be found of a poet whose works abound in this species of semi-original conceptions.

GraynounUS /ɡreɪ/

a neutral achromatic color midway between white and black

From this reading Gray is as good an example as can be found of a poet whose works abound in this species of semi-original conceptions.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading The new conception is like the original, it would never probably have existed had not the original existed previously: still, it is sufficiently different from the original to be a new thing, not a copy or a plagiarism; it is a creation, though so to say, a suggested creation.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading There seems to be such a thing as second-hand poetry: some poets, musing on the poetry of other men, have unconsciously shaped it into something of their own.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading Industrious critics track his best lines back, and find others like them which doubtless lingered near his fancy while he was writing them.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Another of his peculiarities is equally striking.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Gray is as good an example as can be found of a poet whose works abound in this species of semi-original conceptions.

IndustriousadjectiveUS /ˌɪnˈdʌstriəs/

characterized by hard work and perseverance

From this reading Industrious critics track his best lines back, and find others like them which doubtless lingered near his fancy while he was writing them.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading There seems to be such a thing as second-hand poetry: some poets, musing on the poetry of other men, have unconsciously shaped it into something of their own.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Another of his peculiarities is equally striking.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading There seems to be such a thing as second-hand poetry: some poets, musing on the poetry of other men, have unconsciously shaped it into something of their own.

likeverbUS /laɪk/

prefer or wish to do something

From this reading The new conception is like the original, it would never probably have existed had not the original existed previously: still, it is sufficiently different from the original to be a new thing, not a copy or a plagiarism; it is a creation, though so to say, a suggested creation.

linesnounUS /laɪnz/

plural of “line” — a formation of people or things one beside another

From this reading Industrious critics track his best lines back, and find others like them which doubtless lingered near his fancy while he was writing them.

lingeredverbUS /ˈlɪŋɡərd/

past form of “linger” — remain present although waning or gradually dying

From this reading Industrious critics track his best lines back, and find others like them which doubtless lingered near his fancy while he was writing them.

mennounUS /men/

the force of workers available

From this reading There seems to be such a thing as second-hand poetry: some poets, musing on the poetry of other men, have unconsciously shaped it into something of their own.

musingnounUS /ˈmjuːzɪŋ/

a calm, lengthy, intent consideration

From this reading There seems to be such a thing as second-hand poetry: some poets, musing on the poetry of other men, have unconsciously shaped it into something of their own.

nearadverbUS /nɪr/

near in time or place or relationship

From this reading Industrious critics track his best lines back, and find others like them which doubtless lingered near his fancy while he was writing them.

neveradverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading The new conception is like the original, it would never probably have existed had not the original existed previously: still, it is sufficiently different from the original to be a new thing, not a copy or a plagiarism; it is a creation, though so to say, a suggested creation.

newadjectiveUS /nuː/

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading The new conception is like the original, it would never probably have existed had not the original existed previously: still, it is sufficiently different from the original to be a new thing, not a copy or a plagiarism; it is a creation, though so to say, a suggested creation.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading The new conception is like the original, it would never probably have existed had not the original existed previously: still, it is sufficiently different from the original to be a new thing, not a copy or a plagiarism; it is a creation, though so to say, a suggested creation.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Another of his peculiarities is equally striking.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading There seems to be such a thing as second-hand poetry: some poets, musing on the poetry of other men, have unconsciously shaped it into something of their own.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading The new conception is like the original, it would never probably have existed had not the original existed previously: still, it is sufficiently different from the original to be a new thing, not a copy or a plagiarism; it is a creation, though so to say, a suggested creation.

originaladjectiveUS /ərˈɪdʒənəl/

preceding all others in time or being as first made or performed

From this reading The new conception is like the original, it would never probably have existed had not the original existed previously: still, it is sufficiently different from the original to be a new thing, not a copy or a plagiarism; it is a creation, though so to say, a suggested creation.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading There seems to be such a thing as second-hand poetry: some poets, musing on the poetry of other men, have unconsciously shaped it into something of their own.

others

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Industrious critics track his best lines back, and find others like them which doubtless lingered near his fancy while he was writing them.

ownverbUS /oʊn/

have ownership or possession of

From this reading There seems to be such a thing as second-hand poetry: some poets, musing on the poetry of other men, have unconsciously shaped it into something of their own.

peculiaritiesnounUS /pɪˌkjuːliˈerətiz/

plural of “peculiarity” — an odd or unusual characteristic

From this reading Another of his peculiarities is equally striking.

plagiarismnounUS /ˈpleɪdʒərɪzəm/

a piece of writing that has been copied from someone else and is presented as being your own work

From this reading The new conception is like the original, it would never probably have existed had not the original existed previously: still, it is sufficiently different from the original to be a new thing, not a copy or a plagiarism; it is a creation, though so to say, a suggested creation.

poetnounUS /ˈpoʊət/

a writer of poems (the term is usually reserved for writers of good poetry)

From this reading Gray is as good an example as can be found of a poet whose works abound in this species of semi-original conceptions.

poetrynounUS /ˈpoʊətri/

literature in metrical form

From this reading There seems to be such a thing as second-hand poetry: some poets, musing on the poetry of other men, have unconsciously shaped it into something of their own.

poetsnounUS /ˈpoʊəts/

plural of “poet” — a writer of poems (the term is usually reserved for writers of good poetry)

From this reading There seems to be such a thing as second-hand poetry: some poets, musing on the poetry of other men, have unconsciously shaped it into something of their own.

previouslyadverbUS /ˈpriːviəsli/

at an earlier time or formerly

From this reading The new conception is like the original, it would never probably have existed had not the original existed previously: still, it is sufficiently different from the original to be a new thing, not a copy or a plagiarism; it is a creation, though so to say, a suggested creation.

probablyadverbUS /ˈprɑːbəbliː/

with considerable certainty; without much doubt

From this reading The new conception is like the original, it would never probably have existed had not the original existed previously: still, it is sufficiently different from the original to be a new thing, not a copy or a plagiarism; it is a creation, though so to say, a suggested creation.

sayverbUS /seɪ/

express in words

From this reading The new conception is like the original, it would never probably have existed had not the original existed previously: still, it is sufficiently different from the original to be a new thing, not a copy or a plagiarism; it is a creation, though so to say, a suggested creation.

second-hand

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There seems to be such a thing as second-hand poetry: some poets, musing on the poetry of other men, have unconsciously shaped it into something of their own.

seemsverbUS /siːmz/

third-person singular of “seem” — give a certain impression or have a certain outward aspect

From this reading There seems to be such a thing as second-hand poetry: some poets, musing on the poetry of other men, have unconsciously shaped it into something of their own.

semi-original

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Gray is as good an example as can be found of a poet whose works abound in this species of semi-original conceptions.

shapedadjectiveUS /ʃeɪpt/

shaped to fit by or as if by altering the contours of a pliable mass (as by work or effort)

From this reading There seems to be such a thing as second-hand poetry: some poets, musing on the poetry of other men, have unconsciously shaped it into something of their own.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading The new conception is like the original, it would never probably have existed had not the original existed previously: still, it is sufficiently different from the original to be a new thing, not a copy or a plagiarism; it is a creation, though so to say, a suggested creation.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading There seems to be such a thing as second-hand poetry: some poets, musing on the poetry of other men, have unconsciously shaped it into something of their own.

somethingpronounUS /ˈsʌmθɪŋ/

a thing, without saying which

From this reading There seems to be such a thing as second-hand poetry: some poets, musing on the poetry of other men, have unconsciously shaped it into something of their own.

speciesnounUS /ˈspiːʃiz/

(biology) taxonomic group whose members can interbreed

From this reading Gray is as good an example as can be found of a poet whose works abound in this species of semi-original conceptions.

stilladjectiveUS /stɪl/

not in physical motion

From this reading The new conception is like the original, it would never probably have existed had not the original existed previously: still, it is sufficiently different from the original to be a new thing, not a copy or a plagiarism; it is a creation, though so to say, a suggested creation.

strikingadjectiveUS /ˈstraɪkɪŋ/

sensational in appearance or thrilling in effect

From this reading Another of his peculiarities is equally striking.

suchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading There seems to be such a thing as second-hand poetry: some poets, musing on the poetry of other men, have unconsciously shaped it into something of their own.

sufficientlyadverbUS /səˈfɪʃəntli/

to a sufficient degree

From this reading The new conception is like the original, it would never probably have existed had not the original existed previously: still, it is sufficiently different from the original to be a new thing, not a copy or a plagiarism; it is a creation, though so to say, a suggested creation.

suggestedverbUS /səˈdʒestɪd/

past form of “suggest” — make a proposal, declare a plan for something

From this reading The new conception is like the original, it would never probably have existed had not the original existed previously: still, it is sufficiently different from the original to be a new thing, not a copy or a plagiarism; it is a creation, though so to say, a suggested creation.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading There seems to be such a thing as second-hand poetry: some poets, musing on the poetry of other men, have unconsciously shaped it into something of their own.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading There seems to be such a thing as second-hand poetry: some poets, musing on the poetry of other men, have unconsciously shaped it into something of their own.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading Industrious critics track his best lines back, and find others like them which doubtless lingered near his fancy while he was writing them.

ThereadverbUS /ðer/

in or at that place or location

From this reading There seems to be such a thing as second-hand poetry: some poets, musing on the poetry of other men, have unconsciously shaped it into something of their own.

thingnounUS /θɪŋ/

a special situation

From this reading There seems to be such a thing as second-hand poetry: some poets, musing on the poetry of other men, have unconsciously shaped it into something of their own.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading Gray is as good an example as can be found of a poet whose works abound in this species of semi-original conceptions.

thoughconjunctionUS /ðoʊ/

in spite of the fact that

From this reading The new conception is like the original, it would never probably have existed had not the original existed previously: still, it is sufficiently different from the original to be a new thing, not a copy or a plagiarism; it is a creation, though so to say, a suggested creation.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading There seems to be such a thing as second-hand poetry: some poets, musing on the poetry of other men, have unconsciously shaped it into something of their own.

tracknounUS /træk/

a line or route along which something travels or moves

From this reading Industrious critics track his best lines back, and find others like them which doubtless lingered near his fancy while he was writing them.

unconsciouslyadverbUS /ˌʌnˈkɑːnʃəsli/

without awareness

From this reading There seems to be such a thing as second-hand poetry: some poets, musing on the poetry of other men, have unconsciously shaped it into something of their own.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Industrious critics track his best lines back, and find others like them which doubtless lingered near his fancy while he was writing them.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Industrious critics track his best lines back, and find others like them which doubtless lingered near his fancy while he was writing them.

whileconjunctionUS /waɪl/

during the time that

From this reading Industrious critics track his best lines back, and find others like them which doubtless lingered near his fancy while he was writing them.

whosedeterminerUS /huːz/

belonging to which person

From this reading Gray is as good an example as can be found of a poet whose works abound in this species of semi-original conceptions.

worksnounUS /wɜːrks/

buildings for carrying on industrial labor

From this reading Gray is as good an example as can be found of a poet whose works abound in this species of semi-original conceptions.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading The new conception is like the original, it would never probably have existed had not the original existed previously: still, it is sufficiently different from the original to be a new thing, not a copy or a plagiarism; it is a creation, though so to say, a suggested creation.

writingnounUS /ˈraɪtɪŋ/

the act of creating written works

From this reading Industrious critics track his best lines back, and find others like them which doubtless lingered near his fancy while he was writing them.

Chapter 7 of Harvard Classics Volume 28 Essays English and American by Charles William [Editor] Eliot holds 406 sentences, grouped into 82 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 7 of Harvard Classics Volume 28 Essays English and American contain?

Chapter 7 holds 406 sentences of Harvard Classics Volume 28 Essays English and American, unabridged, divided into 82 reading sections.

This page carries chapter 7 of Harvard Classics Volume 28 Essays English and American by Charles William [Editor] Eliot exactly as it stands in the source edition, without abridgement. It runs to 406 sentences, grouped into 82 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 7 of Harvard Classics Volume 28 Essays English and American?

Work through the 82 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 82 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 7 be read aloud to me?

Yes — every sentence and every individual word in chapter 7 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Harvard Classics Volume 28 Essays English and American

Common questions about reading Harvard Classics Volume 28 Essays English and American by Charles William [Editor] Eliot on this page, its source edition and its audio.

Is this the complete text of Harvard Classics Volume 28 Essays English and American?

Yes. All 6176 sentences of Project Gutenberg eBook #21962 are kept, with a record of which sentences cover which part.

Which edition of Harvard Classics Volume 28 Essays English and American is used?

Project Gutenberg eBook #21962, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Harvard Classics Volume 28 Essays English and American take to read?

About 514 minutes of reading across 1236 sections of 5 sentences each, at an unhurried pace.

How to read Harvard Classics Volume 28 Essays English and American section by section

How to work through Harvard Classics Volume 28 Essays English and American section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 15 chapters of Harvard Classics Volume 28 Essays English and American to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Harvard Classics Volume 28 Essays English and American

Words and structures a reader meets early in Harvard Classics Volume 28 Essays English and American, each tappable for pronunciation and meaning.

William
A word that appears in the opening chapter of Harvard Classics Volume 28 Essays English and American; the reader can tap it to hear it and see its dictionary entry.
Makepeace
A word that appears in the opening chapter of Harvard Classics Volume 28 Essays English and American; the reader can tap it to hear it and see its dictionary entry.
Thackeray
A word that appears in the opening chapter of Harvard Classics Volume 28 Essays English and American; the reader can tap it to hear it and see its dictionary entry.
Greatest
A word that appears in the opening chapter of Harvard Classics Volume 28 Essays English and American; the reader can tap it to hear it and see its dictionary entry.