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Hidden Creek
Hidden Creek

Chapter II · Chapter 2

Chapter 2 of Hidden Creek is here in full — 155 sentences across 31 reading sections, with audio for every sentence and word.

Cover illustration for Hidden Creek
Context Illustration Reading 1/31 · 5 lines
English subtitles · tap any word to listen 1 / 5
THE FINEST CITY IN THE WORLD So Sheila Arundel left the garret where the stars pressed close, and went with Sylvester Hudson out into the world.
It was, that morning, a world of sawing wind, of flying papers and dust-dervishes, a world, to meet which people bent their shrinking faces and drew their bodies together as against the lashing of a whip.
Sheila thought she had never seen New York so drab and soulless; it hurt her to leave it under so desolate an aspect.
"Cheery little old town, isn't it?" said Sylvester.
"Gee!
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Hidden Creek

Chapter II · Chapter 2

Chapter 2 of Hidden Creek is here in full — 155 sentences across 31 reading sections, with audio for every sentence and word.

Reading 1/31 · 5 reading units · Lines 1–5

Line 1
THE FINEST CITY IN THE WORLD So Sheila Arundel left the garret where the stars pressed close, and went with Sylvester Hudson out into the world.
Line 2
It was, that morning, a world of sawing wind, of flying papers and dust-dervishes, a world, to meet which people bent their shrinking faces and drew their bodies together as against the lashing of a whip.
Line 3
Sheila thought she had never seen New York so drab and soulless; it hurt her to leave it under so desolate an aspect.
Line 4
"Cheery little old town, isn't it?" said Sylvester.
Line 5
"Gee!
/dʒiː/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Cheery adjective US /ˈtʃɪri/

bright and pleasant; promoting a feeling of cheer

From this reading “"Cheery little old town, isn't it?" said Sylvester.”

drab adjective US /dræb/

lacking in liveliness or charm or surprise

From this reading “Sheila thought she had never seen New York so drab and soulless; it hurt her to leave it under so desolate an aspect.”

Gee noun US /dʒiː/

a unit of force equal to the force exerted by gravity; used to indicate the force to which a body is subjected when it is accelerated

From this reading “"Gee!”

Hudson noun US /ˈhʌdsən/

a New York river; flows southward into New York Bay; explored by Henry Hudson early in the 17th century

From this reading “THE FINEST CITY IN THE WORLD So Sheila Arundel left the garret where the stars pressed close, and went with Sylvester Hudson out into the world.”

lashing noun US /ˈlæʃɪŋ/

beating with a whip or strap or rope as a form of punishment

From this reading “It was, that morning, a world of sawing wind, of flying papers and dust-dervishes, a world, to meet which people bent their shrinking faces and drew their bodies together as against the lashing of a whip.”

sawing verb US /ˈsɔːɪŋ/

-ing form of “saw” — cut with a saw

From this reading “It was, that morning, a world of sawing wind, of flying papers and dust-dervishes, a world, to meet which people bent their shrinking faces and drew their bodies together as against the lashing of a whip.”

shrinking noun US /ˈʃrɪŋkɪŋ/

process or result of becoming less or smaller

From this reading “It was, that morning, a world of sawing wind, of flying papers and dust-dervishes, a world, to meet which people bent their shrinking faces and drew their bodies together as against the lashing of a whip.”

soulless adjective US /ˈsoʊlləs/

lacking sensitivity or the capacity for deep feeling

From this reading “Sheila thought she had never seen New York so drab and soulless; it hurt her to leave it under so desolate an aspect.”

All words in this reading · 70

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading It was, that morning, a world of sawing wind, of flying papers and dust-dervishes, a world, to meet which people bent their shrinking faces and drew their bodies together as against the lashing of a whip.

againstprepositionUS /əˈɡenst/

touching and pressing; in opposition to

From this reading It was, that morning, a world of sawing wind, of flying papers and dust-dervishes, a world, to meet which people bent their shrinking faces and drew their bodies together as against the lashing of a whip.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading Sheila thought she had never seen New York so drab and soulless; it hurt her to leave it under so desolate an aspect.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading THE FINEST CITY IN THE WORLD So Sheila Arundel left the garret where the stars pressed close, and went with Sylvester Hudson out into the world.

Arundel

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE FINEST CITY IN THE WORLD So Sheila Arundel left the garret where the stars pressed close, and went with Sylvester Hudson out into the world.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading It was, that morning, a world of sawing wind, of flying papers and dust-dervishes, a world, to meet which people bent their shrinking faces and drew their bodies together as against the lashing of a whip.

aspectnounUS /ˈæspekt/

a distinct feature or element in a problem

From this reading Sheila thought she had never seen New York so drab and soulless; it hurt her to leave it under so desolate an aspect.

bentnounUS /bent/

a relatively permanent inclination to react in a particular way

From this reading It was, that morning, a world of sawing wind, of flying papers and dust-dervishes, a world, to meet which people bent their shrinking faces and drew their bodies together as against the lashing of a whip.

bodiesnounUS /ˈbɑːdiz/

plural of “body” — the entire physical structure of an organism (an animal, plant, or human being)

From this reading It was, that morning, a world of sawing wind, of flying papers and dust-dervishes, a world, to meet which people bent their shrinking faces and drew their bodies together as against the lashing of a whip.

CheeryadjectiveUS /ˈtʃɪri/

bright and pleasant; promoting a feeling of cheer

From this reading "Cheery little old town, isn't it?" said Sylvester.

CITYnounUS /ˈsɪti/

a large and densely populated urban area; may include several independent administrative districts

From this reading THE FINEST CITY IN THE WORLD So Sheila Arundel left the garret where the stars pressed close, and went with Sylvester Hudson out into the world.

closeadjectiveUS /kloʊs/

at or within a short distance in space or time or having elements near each other

From this reading THE FINEST CITY IN THE WORLD So Sheila Arundel left the garret where the stars pressed close, and went with Sylvester Hudson out into the world.

desolateadjectiveUS /ˈdesələt/

providing no shelter or sustenance

From this reading Sheila thought she had never seen New York so drab and soulless; it hurt her to leave it under so desolate an aspect.

drabadjectiveUS /dræb/

lacking in liveliness or charm or surprise

From this reading Sheila thought she had never seen New York so drab and soulless; it hurt her to leave it under so desolate an aspect.

drewnounUS /druː/

United States actor (born in Ireland); father of Georgiana Emma Barrymore (1827-1862)

From this reading It was, that morning, a world of sawing wind, of flying papers and dust-dervishes, a world, to meet which people bent their shrinking faces and drew their bodies together as against the lashing of a whip.

dust-dervishes

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It was, that morning, a world of sawing wind, of flying papers and dust-dervishes, a world, to meet which people bent their shrinking faces and drew their bodies together as against the lashing of a whip.

facesnounUS /ˈfeɪsəz/

plural of “face” — the front of the human head from the forehead to the chin and ear to ear

From this reading It was, that morning, a world of sawing wind, of flying papers and dust-dervishes, a world, to meet which people bent their shrinking faces and drew their bodies together as against the lashing of a whip.

FINESTadjectiveUS /ˈfaɪnəst/

superlative of “fine” — being satisfactory or in satisfactory condition

From this reading THE FINEST CITY IN THE WORLD So Sheila Arundel left the garret where the stars pressed close, and went with Sylvester Hudson out into the world.

flyingadjectiveUS /ˈflaɪɪŋ/

moving swiftly

From this reading It was, that morning, a world of sawing wind, of flying papers and dust-dervishes, a world, to meet which people bent their shrinking faces and drew their bodies together as against the lashing of a whip.

garretnounUS /ˈɡerɪt/

floor consisting of open space at the top of a house just below roof; often used for storage

From this reading THE FINEST CITY IN THE WORLD So Sheila Arundel left the garret where the stars pressed close, and went with Sylvester Hudson out into the world.

GeenounUS /dʒiː/

a unit of force equal to the force exerted by gravity; used to indicate the force to which a body is subjected when it is accelerated

From this reading "Gee!

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading Sheila thought she had never seen New York so drab and soulless; it hurt her to leave it under so desolate an aspect.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading Sheila thought she had never seen New York so drab and soulless; it hurt her to leave it under so desolate an aspect.

HudsonnounUS /ˈhʌdsən/

a New York river; flows southward into New York Bay; explored by Henry Hudson early in the 17th century

From this reading THE FINEST CITY IN THE WORLD So Sheila Arundel left the garret where the stars pressed close, and went with Sylvester Hudson out into the world.

hurtverbUS /hɜːrt/

be the source of pain

From this reading Sheila thought she had never seen New York so drab and soulless; it hurt her to leave it under so desolate an aspect.

INprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading THE FINEST CITY IN THE WORLD So Sheila Arundel left the garret where the stars pressed close, and went with Sylvester Hudson out into the world.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading THE FINEST CITY IN THE WORLD So Sheila Arundel left the garret where the stars pressed close, and went with Sylvester Hudson out into the world.

isn't

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "Cheery little old town, isn't it?" said Sylvester.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It was, that morning, a world of sawing wind, of flying papers and dust-dervishes, a world, to meet which people bent their shrinking faces and drew their bodies together as against the lashing of a whip.

lashingnounUS /ˈlæʃɪŋ/

beating with a whip or strap or rope as a form of punishment

From this reading It was, that morning, a world of sawing wind, of flying papers and dust-dervishes, a world, to meet which people bent their shrinking faces and drew their bodies together as against the lashing of a whip.

leaveverbUS /liːv/

go away from a place

From this reading Sheila thought she had never seen New York so drab and soulless; it hurt her to leave it under so desolate an aspect.

leftnounUS /left/

location near or direction toward the left side; i.e. the side to the north when a person or object faces east

From this reading THE FINEST CITY IN THE WORLD So Sheila Arundel left the garret where the stars pressed close, and went with Sylvester Hudson out into the world.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading "Cheery little old town, isn't it?" said Sylvester.

meetverbUS /miːt/

come together

From this reading It was, that morning, a world of sawing wind, of flying papers and dust-dervishes, a world, to meet which people bent their shrinking faces and drew their bodies together as against the lashing of a whip.

morningnounUS /ˈmɔːrnɪŋ/

the time period between dawn and noon

From this reading It was, that morning, a world of sawing wind, of flying papers and dust-dervishes, a world, to meet which people bent their shrinking faces and drew their bodies together as against the lashing of a whip.

neveradverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading Sheila thought she had never seen New York so drab and soulless; it hurt her to leave it under so desolate an aspect.

NewadjectiveUS /nuː/

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading Sheila thought she had never seen New York so drab and soulless; it hurt her to leave it under so desolate an aspect.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading It was, that morning, a world of sawing wind, of flying papers and dust-dervishes, a world, to meet which people bent their shrinking faces and drew their bodies together as against the lashing of a whip.

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading "Cheery little old town, isn't it?" said Sylvester.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading THE FINEST CITY IN THE WORLD So Sheila Arundel left the garret where the stars pressed close, and went with Sylvester Hudson out into the world.

papersnounUS /ˈpeɪpərz/

writing that provides information (especially information of an official nature)

From this reading It was, that morning, a world of sawing wind, of flying papers and dust-dervishes, a world, to meet which people bent their shrinking faces and drew their bodies together as against the lashing of a whip.

peoplenounUS /ˈpiːpəl/

(plural) any group of human beings (men or women or children) collectively

From this reading It was, that morning, a world of sawing wind, of flying papers and dust-dervishes, a world, to meet which people bent their shrinking faces and drew their bodies together as against the lashing of a whip.

pressedadjectiveUS /prest/

compacted by ironing

From this reading THE FINEST CITY IN THE WORLD So Sheila Arundel left the garret where the stars pressed close, and went with Sylvester Hudson out into the world.

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading "Cheery little old town, isn't it?" said Sylvester.

sawingverbUS /ˈsɔːɪŋ/

-ing form of “saw” — cut with a saw

From this reading It was, that morning, a world of sawing wind, of flying papers and dust-dervishes, a world, to meet which people bent their shrinking faces and drew their bodies together as against the lashing of a whip.

seenverbUS /siːn/

inflected form of “see” — perceive by sight or have the power to perceive by sight

From this reading Sheila thought she had never seen New York so drab and soulless; it hurt her to leave it under so desolate an aspect.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading Sheila thought she had never seen New York so drab and soulless; it hurt her to leave it under so desolate an aspect.

Sheila

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE FINEST CITY IN THE WORLD So Sheila Arundel left the garret where the stars pressed close, and went with Sylvester Hudson out into the world.

shrinkingnounUS /ˈʃrɪŋkɪŋ/

process or result of becoming less or smaller

From this reading It was, that morning, a world of sawing wind, of flying papers and dust-dervishes, a world, to meet which people bent their shrinking faces and drew their bodies together as against the lashing of a whip.

SoconjunctionUS /soʊ/

for that reason; with the result that

From this reading THE FINEST CITY IN THE WORLD So Sheila Arundel left the garret where the stars pressed close, and went with Sylvester Hudson out into the world.

soullessadjectiveUS /ˈsoʊlləs/

lacking sensitivity or the capacity for deep feeling

From this reading Sheila thought she had never seen New York so drab and soulless; it hurt her to leave it under so desolate an aspect.

starsnounUS /stɑːrz/

plural of “star” — (astronomy) a celestial body of hot gases that radiates energy derived from thermonuclear reactions in the interior

From this reading THE FINEST CITY IN THE WORLD So Sheila Arundel left the garret where the stars pressed close, and went with Sylvester Hudson out into the world.

Sylvester

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE FINEST CITY IN THE WORLD So Sheila Arundel left the garret where the stars pressed close, and went with Sylvester Hudson out into the world.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading It was, that morning, a world of sawing wind, of flying papers and dust-dervishes, a world, to meet which people bent their shrinking faces and drew their bodies together as against the lashing of a whip.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE FINEST CITY IN THE WORLD So Sheila Arundel left the garret where the stars pressed close, and went with Sylvester Hudson out into the world.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading It was, that morning, a world of sawing wind, of flying papers and dust-dervishes, a world, to meet which people bent their shrinking faces and drew their bodies together as against the lashing of a whip.

thoughtnounUS /θɔːt/

the content of cognition; the main thing you are thinking about

From this reading Sheila thought she had never seen New York so drab and soulless; it hurt her to leave it under so desolate an aspect.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading It was, that morning, a world of sawing wind, of flying papers and dust-dervishes, a world, to meet which people bent their shrinking faces and drew their bodies together as against the lashing of a whip.

togetheradverbUS /təˈɡeðər/

in contact with each other or in proximity

From this reading It was, that morning, a world of sawing wind, of flying papers and dust-dervishes, a world, to meet which people bent their shrinking faces and drew their bodies together as against the lashing of a whip.

townnounUS /taʊn/

an urban area with a fixed boundary that is smaller than a city

From this reading "Cheery little old town, isn't it?" said Sylvester.

underprepositionUS /ˈʌndər/

below or beneath something; less than

From this reading Sheila thought she had never seen New York so drab and soulless; it hurt her to leave it under so desolate an aspect.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading It was, that morning, a world of sawing wind, of flying papers and dust-dervishes, a world, to meet which people bent their shrinking faces and drew their bodies together as against the lashing of a whip.

wentverbUS /went/

inflected form of “go” — change location; move, travel, or proceed, also metaphorically

From this reading THE FINEST CITY IN THE WORLD So Sheila Arundel left the garret where the stars pressed close, and went with Sylvester Hudson out into the world.

whereconjunctionUS /wer/

in or at the place that

From this reading THE FINEST CITY IN THE WORLD So Sheila Arundel left the garret where the stars pressed close, and went with Sylvester Hudson out into the world.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading It was, that morning, a world of sawing wind, of flying papers and dust-dervishes, a world, to meet which people bent their shrinking faces and drew their bodies together as against the lashing of a whip.

whipverbUS /wɪp/

beat severely with a whip or rod

From this reading It was, that morning, a world of sawing wind, of flying papers and dust-dervishes, a world, to meet which people bent their shrinking faces and drew their bodies together as against the lashing of a whip.

windnounUS /waɪnd/

air moving (sometimes with considerable force) from an area of high pressure to an area of low pressure

From this reading It was, that morning, a world of sawing wind, of flying papers and dust-dervishes, a world, to meet which people bent their shrinking faces and drew their bodies together as against the lashing of a whip.

withprepositionUS /wɪð/

in the company of; together with

From this reading THE FINEST CITY IN THE WORLD So Sheila Arundel left the garret where the stars pressed close, and went with Sylvester Hudson out into the world.

WORLDnounUS /wɜːrld/

everything that exists anywhere

From this reading THE FINEST CITY IN THE WORLD So Sheila Arundel left the garret where the stars pressed close, and went with Sylvester Hudson out into the world.

YorknounUS /jɔːrk/

the English royal house (a branch of the Plantagenet line) that reigned from 1461 to 1485; its emblem was a white rose

From this reading Sheila thought she had never seen New York so drab and soulless; it hurt her to leave it under so desolate an aspect.

Chapter 2 of Hidden Creek by Katharine Newlin Burt holds 155 sentences, grouped into 31 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 2 of Hidden Creek contain?

Chapter 2 holds 155 sentences of Hidden Creek, unabridged, divided into 31 reading sections.

This page carries chapter 2 of Hidden Creek by Katharine Newlin Burt exactly as it stands in the source edition, without abridgement. It runs to 155 sentences, grouped into 31 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 2 of Hidden Creek?

Work through the 31 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 31 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 2 be read aloud to me?

Yes — every sentence and every individual word in chapter 2 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Hidden Creek

Common questions about reading Hidden Creek by Katharine Newlin Burt on this page, its source edition and its audio.

Is this the complete text of Hidden Creek?

Yes. All 5809 sentences of Project Gutenberg eBook #10978 are kept, with a record of which sentences cover which part.

Which edition of Hidden Creek is used?

Project Gutenberg eBook #10978, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Hidden Creek take to read?

About 484 minutes of reading across 1162 sections of 5 sentences each, at an unhurried pace.

How to read Hidden Creek section by section

How to work through Hidden Creek section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 28 chapters of Hidden Creek to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Hidden Creek

Words and structures a reader meets early in Hidden Creek, each tappable for pronunciation and meaning.

Sallow
A word that appears in the opening chapter of Hidden Creek; the reader can tap it to hear it and see its dictionary entry.
Lantern-jawed
A word that appears in the opening chapter of Hidden Creek; the reader can tap it to hear it and see its dictionary entry.
Sylvester
A word that appears in the opening chapter of Hidden Creek; the reader can tap it to hear it and see its dictionary entry.
Hudson
A word that appears in the opening chapter of Hidden Creek; the reader can tap it to hear it and see its dictionary entry.