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His Masterpiece
His Masterpiece

Chapter I · Chapter 1

Chapter 1 of His Masterpiece is here in full — 430 sentences across 86 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/86 · 5 lines
English subtitles · tap any word to listen 1 / 5
Edited, With a Preface, By Ernest Alfred Vizetelly HIS MASTERPIECE,’ which in the original French bears the title of _L’Œuvre_, is a strikingly accurate story of artistic life in Paris during the latter years of the Second Empire.
Amusing at times, extremely pathetic and even painful at others, it not only contributes a necessary element to the Rougon-Macquart series of novels--a series illustrative of all phases of life in France within certain dates--but it also represents a particular period of M. Zola’s own career and work.
Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that Open-air school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.
Manet died before his genius was fully recognised; still he lived long enough to reap some measure of recognition and to see his influence triumph in more than one respect among his brother artists.
Indeed, few if any painters left a stronger mark on the art of the second half of the nineteenth century than he did, even though the school, which he suggested rather than established, lapsed largely into mere impressionism--a term, by the way, which he himself coined already in 1858; for it is an error to attribute it--as is often done--to his friend and junior, Claude Monet.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

His Masterpiece

Chapter I · Chapter 1

Chapter 1 of His Masterpiece is here in full — 430 sentences across 86 reading sections, with audio for every sentence and word.

Reading 1/86 · 5 reading units · Lines 1–5

Line 1
Edited, With a Preface, By Ernest Alfred VizetellyHIS MASTERPIECE,’ which in the original French bears the title of _L’Œuvre_, is a strikingly accurate story of artistic life in Paris during the latter years of the Second Empire.
Line 2
Amusing at times, extremely pathetic and even painful at others, it not only contributes a necessary element to the Rougon-Macquart series of novels--a series illustrative of all phases of life in France within certain dates--but it also represents a particular period of M. Zola’s own career and work.
Line 3
Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of thatOpen-airschool which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.
Line 4
Manet died before his genius was fully recognised; still he lived long enough to reap some measure of recognition and to see his influence triumph in more than one respect among his brother artists.
/mæˈneɪ daɪd bɪˈfɔːr hɪz ˈdʒiːnjəs wɑːz ˈfʊli ˈrekəɡnaɪzd stɪl hiː lɪvd lɔːŋ ɪˈnʌf tuː riːp sʌm ˈmeʒər ʌv ˌrekəɡˈnɪʃən ənd tuː siː hɪz ˈɪnfluːəns ˈtraɪəmf ɪn mɔːr ðæn wʌn rɪˈspekt əˈmʌŋ hɪz ˈbrʌðər ˈɑːrtɪsts/
Line 5
Indeed, few if any painters left a stronger mark on the art of the second half of the nineteenth century than he did, even though the school, which he suggested rather than established, lapsed largely into mere impressionism--a term, by the way, which he himself coined already in 1858; for it is an error to attribute it--as is often done--to his friend and junior, Claude Monet.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

coined verb US /kɔɪnd/

past form of “coin” — make up

From this reading “Indeed, few if any painters left a stronger mark on the art of the second half of the nineteenth century than he did, even though the school, which he suggested rather than established, lapsed largely into mere impressionism--a term, by the way, which he himself coined already in 1858; for it is an error to attribute it--as is often done--to his friend and junior, Claude Monet.”

contributes verb US /kənˈtrɪbjuːts/

third-person singular of “contribute” — bestow a quality on

From this reading “Amusing at times, extremely pathetic and even painful at others, it not only contributes a necessary element to the Rougon-Macquart series of novels--a series illustrative of all phases of life in France within certain dates--but it also represents a particular period of M. Zola’s own career and work.”

derided verb US /dɪˈraɪdɪd/

past form of “deride” — treat or speak of with contempt

From this reading “Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.”

illustrative adjective US /ˌɪˈlʌstrətɪv/

clarifying by use of examples

From this reading “Amusing at times, extremely pathetic and even painful at others, it not only contributes a necessary element to the Rougon-Macquart series of novels--a series illustrative of all phases of life in France within certain dates--but it also represents a particular period of M. Zola’s own career and work.”

impressionism noun US /ˌɪmˈpreʃənɪzəm/

a school of late 19th century French painters who pictured appearances by strokes of unmixed colors to give the impression of reflected light

From this reading “Indeed, few if any painters left a stronger mark on the art of the second half of the nineteenth century than he did, even though the school, which he suggested rather than established, lapsed largely into mere impressionism--a term, by the way, which he himself coined already in 1858; for it is an error to attribute it--as is often done--to his friend and junior, Claude Monet.”

Manet noun US /mæˈneɪ/

French painter whose work influenced the impressionists (1832-1883)

From this reading “Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.”

Monet noun US /moʊˈneɪ/

French impressionist painter (1840-1926)

From this reading “Indeed, few if any painters left a stronger mark on the art of the second half of the nineteenth century than he did, even though the school, which he suggested rather than established, lapsed largely into mere impressionism--a term, by the way, which he himself coined already in 1858; for it is an error to attribute it--as is often done--to his friend and junior, Claude Monet.”

sculptors noun US /ˈskʌlptərz/

plural of “sculptor” — an artist who creates sculptures

From this reading “Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.”

All words in this reading · 168

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1858

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Indeed, few if any painters left a stronger mark on the art of the second half of the nineteenth century than he did, even though the school, which he suggested rather than established, lapsed largely into mere impressionism--a term, by the way, which he himself coined already in 1858; for it is an error to attribute it--as is often done--to his friend and junior, Claude Monet.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Edited, With a Preface, By Ernest Alfred Vizetelly ‘HIS MASTERPIECE,’ which in the original French bears the title of _L’Œuvre_, is a strikingly accurate story of artistic life in Paris during the latter years of the Second Empire.

accurateadjectiveUS /ˈækjərət/

conforming exactly or almost exactly to fact or to a standard or performing with total accuracy

From this reading Edited, With a Preface, By Ernest Alfred Vizetelly ‘HIS MASTERPIECE,’ which in the original French bears the title of _L’Œuvre_, is a strikingly accurate story of artistic life in Paris during the latter years of the Second Empire.

acquiredadjectiveUS /əˈkwaɪərd/

gotten through environmental forces

From this reading Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.

AlfrednounUS /ˈælfrəd/

king of Wessex; defeated the Vikings and encouraged writing in English (849-899)

From this reading Edited, With a Preface, By Ernest Alfred Vizetelly ‘HIS MASTERPIECE,’ which in the original French bears the title of _L’Œuvre_, is a strikingly accurate story of artistic life in Paris during the latter years of the Second Empire.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading Amusing at times, extremely pathetic and even painful at others, it not only contributes a necessary element to the Rougon-Macquart series of novels--a series illustrative of all phases of life in France within certain dates--but it also represents a particular period of M. Zola’s own career and work.

alreadyadverbUS /ɔːlˈredi/

prior to a specified or implied time

From this reading Indeed, few if any painters left a stronger mark on the art of the second half of the nineteenth century than he did, even though the school, which he suggested rather than established, lapsed largely into mere impressionism--a term, by the way, which he himself coined already in 1858; for it is an error to attribute it--as is often done--to his friend and junior, Claude Monet.

alsoadverbUS /ˈɔːlsoʊ/

in addition

From this reading Amusing at times, extremely pathetic and even painful at others, it not only contributes a necessary element to the Rougon-Macquart series of novels--a series illustrative of all phases of life in France within certain dates--but it also represents a particular period of M. Zola’s own career and work.

amongprepositionUS /əˈmʌŋ/

surrounded by; in the middle of a group

From this reading Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.

AmusingadjectiveUS /əˈmjuːzɪŋ/

providing enjoyment; pleasantly entertaining

From this reading Amusing at times, extremely pathetic and even painful at others, it not only contributes a necessary element to the Rougon-Macquart series of novels--a series illustrative of all phases of life in France within certain dates--but it also represents a particular period of M. Zola’s own career and work.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading Indeed, few if any painters left a stronger mark on the art of the second half of the nineteenth century than he did, even though the school, which he suggested rather than established, lapsed largely into mere impressionism--a term, by the way, which he himself coined already in 1858; for it is an error to attribute it--as is often done--to his friend and junior, Claude Monet.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Amusing at times, extremely pathetic and even painful at others, it not only contributes a necessary element to the Rougon-Macquart series of novels--a series illustrative of all phases of life in France within certain dates--but it also represents a particular period of M. Zola’s own career and work.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading Indeed, few if any painters left a stronger mark on the art of the second half of the nineteenth century than he did, even though the school, which he suggested rather than established, lapsed largely into mere impressionism--a term, by the way, which he himself coined already in 1858; for it is an error to attribute it--as is often done--to his friend and junior, Claude Monet.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.

artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.

artisticadjectiveUS /ɑːrˈtɪstɪk/

relating to or characteristic of art or artists

From this reading Edited, With a Preface, By Ernest Alfred Vizetelly ‘HIS MASTERPIECE,’ which in the original French bears the title of _L’Œuvre_, is a strikingly accurate story of artistic life in Paris during the latter years of the Second Empire.

artistsnounUS /ˈɑːrtɪsts/

plural of “artist” — a person whose creative work shows sensitivity and imagination

From this reading Manet died before his genius was fully recognised; still he lived long enough to reap some measure of recognition and to see his influence triumph in more than one respect among his brother artists.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.

atprepositionUS /æt/

in or near a particular place or position

From this reading Amusing at times, extremely pathetic and even painful at others, it not only contributes a necessary element to the Rougon-Macquart series of novels--a series illustrative of all phases of life in France within certain dates--but it also represents a particular period of M. Zola’s own career and work.

attributenounUS /ˈætrəbjuːt/

a construct whereby objects or individuals can be distinguished

From this reading Indeed, few if any painters left a stronger mark on the art of the second half of the nineteenth century than he did, even though the school, which he suggested rather than established, lapsed largely into mere impressionism--a term, by the way, which he himself coined already in 1858; for it is an error to attribute it--as is often done--to his friend and junior, Claude Monet.

bearsnounUS /berz/

plural of “bear” — massive plantigrade carnivorous or omnivorous mammals with long shaggy coats and strong claws

From this reading Edited, With a Preface, By Ernest Alfred Vizetelly ‘HIS MASTERPIECE,’ which in the original French bears the title of _L’Œuvre_, is a strikingly accurate story of artistic life in Paris during the latter years of the Second Empire.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.

beingauxiliary verbUS /ˈbiːɪŋ/

the -ing form of “be”

From this reading Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.

brothernounUS /ˈbrʌðər/

a male with the same parents as someone else

From this reading Manet died before his genius was fully recognised; still he lived long enough to reap some measure of recognition and to see his influence triumph in more than one respect among his brother artists.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Amusing at times, extremely pathetic and even painful at others, it not only contributes a necessary element to the Rougon-Macquart series of novels--a series illustrative of all phases of life in France within certain dates--but it also represents a particular period of M. Zola’s own career and work.

ByprepositionUS /baɪ/

showing who or what does the action

From this reading Edited, With a Preface, By Ernest Alfred Vizetelly ‘HIS MASTERPIECE,’ which in the original French bears the title of _L’Œuvre_, is a strikingly accurate story of artistic life in Paris during the latter years of the Second Empire.

cameverbUS /keɪm/

inflected form of “come” — move toward, travel toward something or somebody or approach something or somebody

From this reading Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.

careernounUS /kərˈɪr/

the particular occupation for which you are trained

From this reading Amusing at times, extremely pathetic and even painful at others, it not only contributes a necessary element to the Rougon-Macquart series of novels--a series illustrative of all phases of life in France within certain dates--but it also represents a particular period of M. Zola’s own career and work.

centurynounUS /ˈsentʃəri/

a period of 100 years

From this reading Indeed, few if any painters left a stronger mark on the art of the second half of the nineteenth century than he did, even though the school, which he suggested rather than established, lapsed largely into mere impressionism--a term, by the way, which he himself coined already in 1858; for it is an error to attribute it--as is often done--to his friend and junior, Claude Monet.

certainadjectiveUS /ˈsɜːrtən/

definite but not specified or identified

From this reading Amusing at times, extremely pathetic and even painful at others, it not only contributes a necessary element to the Rougon-Macquart series of novels--a series illustrative of all phases of life in France within certain dates--but it also represents a particular period of M. Zola’s own career and work.

championnounUS /ˈtʃæmpiən/

someone who has won first place in a competition

From this reading Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.

Claude

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Indeed, few if any painters left a stronger mark on the art of the second half of the nineteenth century than he did, even though the school, which he suggested rather than established, lapsed largely into mere impressionism--a term, by the way, which he himself coined already in 1858; for it is an error to attribute it--as is often done--to his friend and junior, Claude Monet.

coinedverbUS /kɔɪnd/

past form of “coin” — make up

From this reading Indeed, few if any painters left a stronger mark on the art of the second half of the nineteenth century than he did, even though the school, which he suggested rather than established, lapsed largely into mere impressionism--a term, by the way, which he himself coined already in 1858; for it is an error to attribute it--as is often done--to his friend and junior, Claude Monet.

considerableadjectiveUS /kənˈsɪdərəbəl/

large or relatively large in number or amount or extent or degree

From this reading Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.

contributesverbUS /kənˈtrɪbjuːts/

third-person singular of “contribute” — bestow a quality on

From this reading Amusing at times, extremely pathetic and even painful at others, it not only contributes a necessary element to the Rougon-Macquart series of novels--a series illustrative of all phases of life in France within certain dates--but it also represents a particular period of M. Zola’s own career and work.

criticnounUS /ˈkrɪtɪk/

a person who is professionally engaged in the analysis and interpretation of works of art

From this reading Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.

datesnounUS /deɪts/

plural of “date” — the specified day of the month

From this reading Amusing at times, extremely pathetic and even painful at others, it not only contributes a necessary element to the Rougon-Macquart series of novels--a series illustrative of all phases of life in France within certain dates--but it also represents a particular period of M. Zola’s own career and work.

daysnounUS /deɪz/

the time during which someone's life continues

From this reading Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.

deridedverbUS /dɪˈraɪdɪd/

past form of “deride” — treat or speak of with contempt

From this reading Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading Indeed, few if any painters left a stronger mark on the art of the second half of the nineteenth century than he did, even though the school, which he suggested rather than established, lapsed largely into mere impressionism--a term, by the way, which he himself coined already in 1858; for it is an error to attribute it--as is often done--to his friend and junior, Claude Monet.

diedverbUS /daɪd/

past form of “die” — pass from physical life and lose all bodily attributes and functions necessary to sustain life

From this reading Manet died before his genius was fully recognised; still he lived long enough to reap some measure of recognition and to see his influence triumph in more than one respect among his brother artists.

doneadjectiveUS /dʌn/

having finished or arrived at completion

From this reading Indeed, few if any painters left a stronger mark on the art of the second half of the nineteenth century than he did, even though the school, which he suggested rather than established, lapsed largely into mere impressionism--a term, by the way, which he himself coined already in 1858; for it is an error to attribute it--as is often done--to his friend and junior, Claude Monet.

duringprepositionUS /ˈdʊrɪŋ/

all through a period, or at some point within it

From this reading Edited, With a Preface, By Ernest Alfred Vizetelly ‘HIS MASTERPIECE,’ which in the original French bears the title of _L’Œuvre_, is a strikingly accurate story of artistic life in Paris during the latter years of the Second Empire.

EditedadjectiveUS /ˈedətəd/

improved or corrected by critical editing

From this reading Edited, With a Preface, By Ernest Alfred Vizetelly ‘HIS MASTERPIECE,’ which in the original French bears the title of _L’Œuvre_, is a strikingly accurate story of artistic life in Paris during the latter years of the Second Empire.

Edouard

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.

elementnounUS /ˈeləmənt/

an abstract part of something

From this reading Amusing at times, extremely pathetic and even painful at others, it not only contributes a necessary element to the Rougon-Macquart series of novels--a series illustrative of all phases of life in France within certain dates--but it also represents a particular period of M. Zola’s own career and work.

EmpirenounUS /ˈempaɪər/

the domain ruled by an emperor or empress; the region over which imperial dominion is exercised

From this reading Edited, With a Preface, By Ernest Alfred Vizetelly ‘HIS MASTERPIECE,’ which in the original French bears the title of _L’Œuvre_, is a strikingly accurate story of artistic life in Paris during the latter years of the Second Empire.

enoughnounUS /ɪˈnʌf/

an adequate quantity; a quantity that is large enough to achieve a purpose

From this reading Manet died before his genius was fully recognised; still he lived long enough to reap some measure of recognition and to see his influence triumph in more than one respect among his brother artists.

Ernest

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Edited, With a Preface, By Ernest Alfred Vizetelly ‘HIS MASTERPIECE,’ which in the original French bears the title of _L’Œuvre_, is a strikingly accurate story of artistic life in Paris during the latter years of the Second Empire.

errornounUS /ˈerər/

a wrong action attributable to bad judgment or ignorance or inattention

From this reading Indeed, few if any painters left a stronger mark on the art of the second half of the nineteenth century than he did, even though the school, which he suggested rather than established, lapsed largely into mere impressionism--a term, by the way, which he himself coined already in 1858; for it is an error to attribute it--as is often done--to his friend and junior, Claude Monet.

establishedadjectiveUS /ɪˈstæblɪʃt/

brought about or set up or accepted; especially long established

From this reading Indeed, few if any painters left a stronger mark on the art of the second half of the nineteenth century than he did, even though the school, which he suggested rather than established, lapsed largely into mere impressionism--a term, by the way, which he himself coined already in 1858; for it is an error to attribute it--as is often done--to his friend and junior, Claude Monet.

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading Amusing at times, extremely pathetic and even painful at others, it not only contributes a necessary element to the Rougon-Macquart series of novels--a series illustrative of all phases of life in France within certain dates--but it also represents a particular period of M. Zola’s own career and work.

extremelyadverbUS /ekˈstriːmli/

to a high degree or extent; favorably or with much respect

From this reading Amusing at times, extremely pathetic and even painful at others, it not only contributes a necessary element to the Rougon-Macquart series of novels--a series illustrative of all phases of life in France within certain dates--but it also represents a particular period of M. Zola’s own career and work.

ferventadjectiveUS /ˈfɜːrvənt/

characterized by intense emotion

From this reading Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.

fewadjectiveUS /fjuː/

a quantifier that can be used with count nouns and is often preceded by “a”; a small but indefinite number

From this reading Indeed, few if any painters left a stronger mark on the art of the second half of the nineteenth century than he did, even though the school, which he suggested rather than established, lapsed largely into mere impressionism--a term, by the way, which he himself coined already in 1858; for it is an error to attribute it--as is often done--to his friend and junior, Claude Monet.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Indeed, few if any painters left a stronger mark on the art of the second half of the nineteenth century than he did, even though the school, which he suggested rather than established, lapsed largely into mere impressionism--a term, by the way, which he himself coined already in 1858; for it is an error to attribute it--as is often done--to his friend and junior, Claude Monet.

foundverbUS /faʊnd/

set up or found

From this reading Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.

FrancenounUS /fræns/

a republic in western Europe; the largest country wholly in Europe

From this reading Amusing at times, extremely pathetic and even painful at others, it not only contributes a necessary element to the Rougon-Macquart series of novels--a series illustrative of all phases of life in France within certain dates--but it also represents a particular period of M. Zola’s own career and work.

FrenchnounUS /frentʃ/

the Romance language spoken in France and in countries colonized by France

From this reading Edited, With a Preface, By Ernest Alfred Vizetelly ‘HIS MASTERPIECE,’ which in the original French bears the title of _L’Œuvre_, is a strikingly accurate story of artistic life in Paris during the latter years of the Second Empire.

friendnounUS /frend/

a person you know well and regard with affection and trust

From this reading Indeed, few if any painters left a stronger mark on the art of the second half of the nineteenth century than he did, even though the school, which he suggested rather than established, lapsed largely into mere impressionism--a term, by the way, which he himself coined already in 1858; for it is an error to attribute it--as is often done--to his friend and junior, Claude Monet.

fullyadverbUS /ˈfʊli/

to the greatest degree or extent; completely or entirely; (“full” in this sense is used as a combining form)

From this reading Manet died before his genius was fully recognised; still he lived long enough to reap some measure of recognition and to see his influence triumph in more than one respect among his brother artists.

geniusnounUS /ˈdʒiːnjəs/

someone who has exceptional intellectual ability and originality

From this reading Manet died before his genius was fully recognised; still he lived long enough to reap some measure of recognition and to see his influence triumph in more than one respect among his brother artists.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.

halfadjectiveUS /hæf/

consisting of one of two equivalent parts in value or quantity

From this reading Indeed, few if any painters left a stronger mark on the art of the second half of the nineteenth century than he did, even though the school, which he suggested rather than established, lapsed largely into mere impressionism--a term, by the way, which he himself coined already in 1858; for it is an error to attribute it--as is often done--to his friend and junior, Claude Monet.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.

himselfpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.

HISdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Edited, With a Preface, By Ernest Alfred Vizetelly ‘HIS MASTERPIECE,’ which in the original French bears the title of _L’Œuvre_, is a strikingly accurate story of artistic life in Paris during the latter years of the Second Empire.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading Indeed, few if any painters left a stronger mark on the art of the second half of the nineteenth century than he did, even though the school, which he suggested rather than established, lapsed largely into mere impressionism--a term, by the way, which he himself coined already in 1858; for it is an error to attribute it--as is often done--to his friend and junior, Claude Monet.

illustrativeadjectiveUS /ˌɪˈlʌstrətɪv/

clarifying by use of examples

From this reading Amusing at times, extremely pathetic and even painful at others, it not only contributes a necessary element to the Rougon-Macquart series of novels--a series illustrative of all phases of life in France within certain dates--but it also represents a particular period of M. Zola’s own career and work.

impressionismnounUS /ˌɪmˈpreʃənɪzəm/

a school of late 19th century French painters who pictured appearances by strokes of unmixed colors to give the impression of reflected light

From this reading Indeed, few if any painters left a stronger mark on the art of the second half of the nineteenth century than he did, even though the school, which he suggested rather than established, lapsed largely into mere impressionism--a term, by the way, which he himself coined already in 1858; for it is an error to attribute it--as is often done--to his friend and junior, Claude Monet.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Edited, With a Preface, By Ernest Alfred Vizetelly ‘HIS MASTERPIECE,’ which in the original French bears the title of _L’Œuvre_, is a strikingly accurate story of artistic life in Paris during the latter years of the Second Empire.

indeedadverbUS /ˌɪnˈdiːd/

in truth (often tends to intensify)

From this reading Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.

influencenounUS /ˈɪnfluːəns/

a power to affect persons or events especially power based on prestige etc

From this reading Manet died before his genius was fully recognised; still he lived long enough to reap some measure of recognition and to see his influence triumph in more than one respect among his brother artists.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Edited, With a Preface, By Ernest Alfred Vizetelly ‘HIS MASTERPIECE,’ which in the original French bears the title of _L’Œuvre_, is a strikingly accurate story of artistic life in Paris during the latter years of the Second Empire.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Amusing at times, extremely pathetic and even painful at others, it not only contributes a necessary element to the Rougon-Macquart series of novels--a series illustrative of all phases of life in France within certain dates--but it also represents a particular period of M. Zola’s own career and work.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.

juniornounUS /ˈdʒuːnjər/

term of address for a disrespectful and annoying male

From this reading Indeed, few if any painters left a stronger mark on the art of the second half of the nineteenth century than he did, even though the school, which he suggested rather than established, lapsed largely into mere impressionism--a term, by the way, which he himself coined already in 1858; for it is an error to attribute it--as is often done--to his friend and junior, Claude Monet.

knownadjectiveUS /noʊn/

apprehended with certainty

From this reading Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.

L'Œuvre

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Edited, With a Preface, By Ernest Alfred Vizetelly ‘HIS MASTERPIECE,’ which in the original French bears the title of _L’Œuvre_, is a strikingly accurate story of artistic life in Paris during the latter years of the Second Empire.

lapsedadjectiveUS /læpst/

no longer active or practicing

From this reading Indeed, few if any painters left a stronger mark on the art of the second half of the nineteenth century than he did, even though the school, which he suggested rather than established, lapsed largely into mere impressionism--a term, by the way, which he himself coined already in 1858; for it is an error to attribute it--as is often done--to his friend and junior, Claude Monet.

largelyadverbUS /ˈlɑːrdʒli/

in large part; mainly or chiefly

From this reading Indeed, few if any painters left a stronger mark on the art of the second half of the nineteenth century than he did, even though the school, which he suggested rather than established, lapsed largely into mere impressionism--a term, by the way, which he himself coined already in 1858; for it is an error to attribute it--as is often done--to his friend and junior, Claude Monet.

lateradverbUS /ˈleɪtər/

happening at a time subsequent to a reference time

From this reading Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.

latteradjectiveUS /ˈlætər/

referring to the second of two things or persons mentioned (or the last one or ones of several)

From this reading Edited, With a Preface, By Ernest Alfred Vizetelly ‘HIS MASTERPIECE,’ which in the original French bears the title of _L’Œuvre_, is a strikingly accurate story of artistic life in Paris during the latter years of the Second Empire.

leftnounUS /left/

location near or direction toward the left side; i.e. the side to the north when a person or object faces east

From this reading Indeed, few if any painters left a stronger mark on the art of the second half of the nineteenth century than he did, even though the school, which he suggested rather than established, lapsed largely into mere impressionism--a term, by the way, which he himself coined already in 1858; for it is an error to attribute it--as is often done--to his friend and junior, Claude Monet.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading Edited, With a Preface, By Ernest Alfred Vizetelly ‘HIS MASTERPIECE,’ which in the original French bears the title of _L’Œuvre_, is a strikingly accurate story of artistic life in Paris during the latter years of the Second Empire.

livedverbUS /lɪvd/

past form of “live” — be an inhabitant of or reside in

From this reading Manet died before his genius was fully recognised; still he lived long enough to reap some measure of recognition and to see his influence triumph in more than one respect among his brother artists.

longadjectiveUS /lɔːŋ/

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading Manet died before his genius was fully recognised; still he lived long enough to reap some measure of recognition and to see his influence triumph in more than one respect among his brother artists.

MnounUS /em/

the basic unit of length adopted under the Systeme International d'Unites (approximately 1.094 yards)

From this reading Amusing at times, extremely pathetic and even painful at others, it not only contributes a necessary element to the Rougon-Macquart series of novels--a series illustrative of all phases of life in France within certain dates--but it also represents a particular period of M. Zola’s own career and work.

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.

ManetnounUS /mæˈneɪ/

French painter whose work influenced the impressionists (1832-1883)

From this reading Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.

markverbUS /mɑːrk/

attach a tag or label to

From this reading Indeed, few if any painters left a stronger mark on the art of the second half of the nineteenth century than he did, even though the school, which he suggested rather than established, lapsed largely into mere impressionism--a term, by the way, which he himself coined already in 1858; for it is an error to attribute it--as is often done--to his friend and junior, Claude Monet.

masternounUS /ˈmæstər/

an artist of consummate skill

From this reading Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.

MASTERPIECEnounUS /ˈmæstərpiːs/

the most outstanding work of a creative artist or craftsman

From this reading Edited, With a Preface, By Ernest Alfred Vizetelly ‘HIS MASTERPIECE,’ which in the original French bears the title of _L’Œuvre_, is a strikingly accurate story of artistic life in Paris during the latter years of the Second Empire.

masterpiecesnounUS /ˈmæstərpiːsəz/

plural of “masterpiece” — the most outstanding work of a creative artist or craftsman

From this reading Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.

measurenounUS /ˈmeʒər/

any maneuver made as part of progress toward a goal

From this reading Manet died before his genius was fully recognised; still he lived long enough to reap some measure of recognition and to see his influence triumph in more than one respect among his brother artists.

mereadjectiveUS /mɪr/

being nothing more than specified

From this reading Indeed, few if any painters left a stronger mark on the art of the second half of the nineteenth century than he did, even though the school, which he suggested rather than established, lapsed largely into mere impressionism--a term, by the way, which he himself coined already in 1858; for it is an error to attribute it--as is often done--to his friend and junior, Claude Monet.

MonetnounUS /moʊˈneɪ/

French impressionist painter (1840-1926)

From this reading Indeed, few if any painters left a stronger mark on the art of the second half of the nineteenth century than he did, even though the school, which he suggested rather than established, lapsed largely into mere impressionism--a term, by the way, which he himself coined already in 1858; for it is an error to attribute it--as is often done--to his friend and junior, Claude Monet.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading Manet died before his genius was fully recognised; still he lived long enough to reap some measure of recognition and to see his influence triumph in more than one respect among his brother artists.

necessaryadjectiveUS /ˈnesəseri/

absolutely essential

From this reading Amusing at times, extremely pathetic and even painful at others, it not only contributes a necessary element to the Rougon-Macquart series of novels--a series illustrative of all phases of life in France within certain dates--but it also represents a particular period of M. Zola’s own career and work.

nineteenthadjectiveUS /ˈnaɪnˈtiːnθ/

coming next after the eighteenth in position

From this reading Indeed, few if any painters left a stronger mark on the art of the second half of the nineteenth century than he did, even though the school, which he suggested rather than established, lapsed largely into mere impressionism--a term, by the way, which he himself coined already in 1858; for it is an error to attribute it--as is often done--to his friend and junior, Claude Monet.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Amusing at times, extremely pathetic and even painful at others, it not only contributes a necessary element to the Rougon-Macquart series of novels--a series illustrative of all phases of life in France within certain dates--but it also represents a particular period of M. Zola’s own career and work.

notorietynounUS /ˌnoʊtərˈaɪəti/

the state of being known for some unfavorable act or quality

From this reading Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.

novelistnounUS /ˈnɑːvələst/

one who writes novels

From this reading Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.

novelsnounUS /ˈnɑːvəlz/

plural of “novel” — an extended fictional work in prose; usually in the form of a story

From this reading Amusing at times, extremely pathetic and even painful at others, it not only contributes a necessary element to the Rougon-Macquart series of novels--a series illustrative of all phases of life in France within certain dates--but it also represents a particular period of M. Zola’s own career and work.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Edited, With a Preface, By Ernest Alfred Vizetelly ‘HIS MASTERPIECE,’ which in the original French bears the title of _L’Œuvre_, is a strikingly accurate story of artistic life in Paris during the latter years of the Second Empire.

oftenadverbUS /ˈɔːfən/

many times at short intervals

From this reading Indeed, few if any painters left a stronger mark on the art of the second half of the nineteenth century than he did, even though the school, which he suggested rather than established, lapsed largely into mere impressionism--a term, by the way, which he himself coined already in 1858; for it is an error to attribute it--as is often done--to his friend and junior, Claude Monet.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading Indeed, few if any painters left a stronger mark on the art of the second half of the nineteenth century than he did, even though the school, which he suggested rather than established, lapsed largely into mere impressionism--a term, by the way, which he himself coined already in 1858; for it is an error to attribute it--as is often done--to his friend and junior, Claude Monet.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading Manet died before his genius was fully recognised; still he lived long enough to reap some measure of recognition and to see his influence triumph in more than one respect among his brother artists.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading Amusing at times, extremely pathetic and even painful at others, it not only contributes a necessary element to the Rougon-Macquart series of novels--a series illustrative of all phases of life in France within certain dates--but it also represents a particular period of M. Zola’s own career and work.

Open-airadjective

in the open air

From this reading Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.

originaladjectiveUS /ərˈɪdʒənəl/

preceding all others in time or being as first made or performed

From this reading Edited, With a Preface, By Ernest Alfred Vizetelly ‘HIS MASTERPIECE,’ which in the original French bears the title of _L’Œuvre_, is a strikingly accurate story of artistic life in Paris during the latter years of the Second Empire.

others

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Amusing at times, extremely pathetic and even painful at others, it not only contributes a necessary element to the Rougon-Macquart series of novels--a series illustrative of all phases of life in France within certain dates--but it also represents a particular period of M. Zola’s own career and work.

ownverbUS /oʊn/

have ownership or possession of

From this reading Amusing at times, extremely pathetic and even painful at others, it not only contributes a necessary element to the Rougon-Macquart series of novels--a series illustrative of all phases of life in France within certain dates--but it also represents a particular period of M. Zola’s own career and work.

painfuladjectiveUS /ˈpeɪnfəl/

causing physical or psychological pain

From this reading Amusing at times, extremely pathetic and even painful at others, it not only contributes a necessary element to the Rougon-Macquart series of novels--a series illustrative of all phases of life in France within certain dates--but it also represents a particular period of M. Zola’s own career and work.

paintersnounUS /ˈpeɪntərz/

plural of “painter” — an artist who paints

From this reading Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.

ParisnounUS /ˈperɪs/

the capital and largest city of France; and international center of culture and commerce

From this reading Edited, With a Preface, By Ernest Alfred Vizetelly ‘HIS MASTERPIECE,’ which in the original French bears the title of _L’Œuvre_, is a strikingly accurate story of artistic life in Paris during the latter years of the Second Empire.

ParisianadjectiveUS /pərˈɪʒən/

of or relating to or characteristic of Paris or its inhabitants

From this reading Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.

particularadjectiveUS /pərˈtɪkjələr/

unique or specific to a person or thing or category

From this reading Amusing at times, extremely pathetic and even painful at others, it not only contributes a necessary element to the Rougon-Macquart series of novels--a series illustrative of all phases of life in France within certain dates--but it also represents a particular period of M. Zola’s own career and work.

patheticadjectiveUS /pəˈθetɪk/

deserving or inciting pity

From this reading Amusing at times, extremely pathetic and even painful at others, it not only contributes a necessary element to the Rougon-Macquart series of novels--a series illustrative of all phases of life in France within certain dates--but it also represents a particular period of M. Zola’s own career and work.

periodnounUS /ˈpɪriəd/

an amount of time

From this reading Amusing at times, extremely pathetic and even painful at others, it not only contributes a necessary element to the Rougon-Macquart series of novels--a series illustrative of all phases of life in France within certain dates--but it also represents a particular period of M. Zola’s own career and work.

phasesnounUS /ˈfeɪzəz/

plural of “phase” — any distinct time period in a sequence of events

From this reading Amusing at times, extremely pathetic and even painful at others, it not only contributes a necessary element to the Rougon-Macquart series of novels--a series illustrative of all phases of life in France within certain dates--but it also represents a particular period of M. Zola’s own career and work.

PrefacenounUS /ˈprefəs/

a short introductory essay preceding the text of a book

From this reading Edited, With a Preface, By Ernest Alfred Vizetelly ‘HIS MASTERPIECE,’ which in the original French bears the title of _L’Œuvre_, is a strikingly accurate story of artistic life in Paris during the latter years of the Second Empire.

ratheradverbUS /ˈræðər/

on the contrary

From this reading Indeed, few if any painters left a stronger mark on the art of the second half of the nineteenth century than he did, even though the school, which he suggested rather than established, lapsed largely into mere impressionism--a term, by the way, which he himself coined already in 1858; for it is an error to attribute it--as is often done--to his friend and junior, Claude Monet.

realadjectiveUS /riːl/

being or occurring in fact or actuality; having verified existence; not illusory

From this reading Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.

reapverbUS /riːp/

gather, as of natural products

From this reading Manet died before his genius was fully recognised; still he lived long enough to reap some measure of recognition and to see his influence triumph in more than one respect among his brother artists.

recognisedadjectiveUS /ˈrekəɡnaɪzd/

provided with a secure reputation

From this reading Manet died before his genius was fully recognised; still he lived long enough to reap some measure of recognition and to see his influence triumph in more than one respect among his brother artists.

recognitionnounUS /ˌrekəɡˈnɪʃən/

the state or quality of being recognized or acknowledged

From this reading Manet died before his genius was fully recognised; still he lived long enough to reap some measure of recognition and to see his influence triumph in more than one respect among his brother artists.

regardedverbUS /rɪˈɡɑːrdɪd/

past form of “regard” — deem to be

From this reading Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.

representsverbUS /ˌreprɪˈzents/

third-person singular of “represent” — take the place of or be parallel or equivalent to

From this reading Amusing at times, extremely pathetic and even painful at others, it not only contributes a necessary element to the Rougon-Macquart series of novels--a series illustrative of all phases of life in France within certain dates--but it also represents a particular period of M. Zola’s own career and work.

respectnounUS /rɪˈspekt/

(usually preceded by “in”) a detail or point

From this reading Manet died before his genius was fully recognised; still he lived long enough to reap some measure of recognition and to see his influence triumph in more than one respect among his brother artists.

revolutionaryadjectiveUS /ˌrevəˈluːʃəneri/

markedly new or introducing radical change

From this reading Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.

Rougon-Macquart

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Amusing at times, extremely pathetic and even painful at others, it not only contributes a necessary element to the Rougon-Macquart series of novels--a series illustrative of all phases of life in France within certain dates--but it also represents a particular period of M. Zola’s own career and work.

schoolnounUS /skuːl/

an educational institution

From this reading Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.

sculptorsnounUS /ˈskʌlptərz/

plural of “sculptor” — an artist who creates sculptures

From this reading Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.

SecondnounUS /ˈsekənd/

1/60 of a minute; the basic unit of time adopted under the Systeme International d'Unites

From this reading Edited, With a Preface, By Ernest Alfred Vizetelly ‘HIS MASTERPIECE,’ which in the original French bears the title of _L’Œuvre_, is a strikingly accurate story of artistic life in Paris during the latter years of the Second Empire.

seeverbUS /siː/

perceive by sight or have the power to perceive by sight

From this reading Manet died before his genius was fully recognised; still he lived long enough to reap some measure of recognition and to see his influence triumph in more than one respect among his brother artists.

seriesnounUS /ˈsɪriz/

similar things placed in order or happening one after another

From this reading Amusing at times, extremely pathetic and even painful at others, it not only contributes a necessary element to the Rougon-Macquart series of novels--a series illustrative of all phases of life in France within certain dates--but it also represents a particular period of M. Zola’s own career and work.

SomeadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.

stilladjectiveUS /stɪl/

not in physical motion

From this reading Manet died before his genius was fully recognised; still he lived long enough to reap some measure of recognition and to see his influence triumph in more than one respect among his brother artists.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading Edited, With a Preface, By Ernest Alfred Vizetelly ‘HIS MASTERPIECE,’ which in the original French bears the title of _L’Œuvre_, is a strikingly accurate story of artistic life in Paris during the latter years of the Second Empire.

strikinglyadverbUS /ˈstraɪkɪŋli/

in a striking manner

From this reading Edited, With a Preface, By Ernest Alfred Vizetelly ‘HIS MASTERPIECE,’ which in the original French bears the title of _L’Œuvre_, is a strikingly accurate story of artistic life in Paris during the latter years of the Second Empire.

strongeradjectiveUS /ˈstrɔːŋər/

comparative of “strong” — having strength or power greater than average or expected

From this reading Indeed, few if any painters left a stronger mark on the art of the second half of the nineteenth century than he did, even though the school, which he suggested rather than established, lapsed largely into mere impressionism--a term, by the way, which he himself coined already in 1858; for it is an error to attribute it--as is often done--to his friend and junior, Claude Monet.

suggestedverbUS /səˈdʒestɪd/

past form of “suggest” — make a proposal, declare a plan for something

From this reading Indeed, few if any painters left a stronger mark on the art of the second half of the nineteenth century than he did, even though the school, which he suggested rather than established, lapsed largely into mere impressionism--a term, by the way, which he himself coined already in 1858; for it is an error to attribute it--as is often done--to his friend and junior, Claude Monet.

termnounUS /tɜːrm/

a word or expression used for some particular thing

From this reading Indeed, few if any painters left a stronger mark on the art of the second half of the nineteenth century than he did, even though the school, which he suggested rather than established, lapsed largely into mere impressionism--a term, by the way, which he himself coined already in 1858; for it is an error to attribute it--as is often done--to his friend and junior, Claude Monet.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading Manet died before his genius was fully recognised; still he lived long enough to reap some measure of recognition and to see his influence triumph in more than one respect among his brother artists.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Edited, With a Preface, By Ernest Alfred Vizetelly ‘HIS MASTERPIECE,’ which in the original French bears the title of _L’Œuvre_, is a strikingly accurate story of artistic life in Paris during the latter years of the Second Empire.

thenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.

thoughconjunctionUS /ðoʊ/

in spite of the fact that

From this reading Indeed, few if any painters left a stronger mark on the art of the second half of the nineteenth century than he did, even though the school, which he suggested rather than established, lapsed largely into mere impressionism--a term, by the way, which he himself coined already in 1858; for it is an error to attribute it--as is often done--to his friend and junior, Claude Monet.

timesnounUS /taɪmz/

a more or less definite period of time now or previously present

From this reading Amusing at times, extremely pathetic and even painful at others, it not only contributes a necessary element to the Rougon-Macquart series of novels--a series illustrative of all phases of life in France within certain dates--but it also represents a particular period of M. Zola’s own career and work.

titlenounUS /ˈtaɪtəl/

a heading that names a statute or legislative bill; may give a brief summary of the matters it deals with

From this reading Edited, With a Preface, By Ernest Alfred Vizetelly ‘HIS MASTERPIECE,’ which in the original French bears the title of _L’Œuvre_, is a strikingly accurate story of artistic life in Paris during the latter years of the Second Empire.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Amusing at times, extremely pathetic and even painful at others, it not only contributes a necessary element to the Rougon-Macquart series of novels--a series illustrative of all phases of life in France within certain dates--but it also represents a particular period of M. Zola’s own career and work.

triumphnounUS /ˈtraɪəmf/

a successful ending of a struggle or contest

From this reading Manet died before his genius was fully recognised; still he lived long enough to reap some measure of recognition and to see his influence triumph in more than one respect among his brother artists.

Vizetelly

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Edited, With a Preface, By Ernest Alfred Vizetelly ‘HIS MASTERPIECE,’ which in the original French bears the title of _L’Œuvre_, is a strikingly accurate story of artistic life in Paris during the latter years of the Second Empire.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Manet died before his genius was fully recognised; still he lived long enough to reap some measure of recognition and to see his influence triumph in more than one respect among his brother artists.

waynounUS /weɪ/

how something is done or how it happens

From this reading Indeed, few if any painters left a stronger mark on the art of the second half of the nineteenth century than he did, even though the school, which he suggested rather than established, lapsed largely into mere impressionism--a term, by the way, which he himself coined already in 1858; for it is an error to attribute it--as is often done--to his friend and junior, Claude Monet.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Edited, With a Preface, By Ernest Alfred Vizetelly ‘HIS MASTERPIECE,’ which in the original French bears the title of _L’Œuvre_, is a strikingly accurate story of artistic life in Paris during the latter years of the Second Empire.

whosedeterminerUS /huːz/

belonging to which person

From this reading Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.

widelyadverbUS /ˈwaɪdli/

to a great degree

From this reading Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.

WithprepositionUS /wɪð/

in the company of; together with

From this reading Edited, With a Preface, By Ernest Alfred Vizetelly ‘HIS MASTERPIECE,’ which in the original French bears the title of _L’Œuvre_, is a strikingly accurate story of artistic life in Paris during the latter years of the Second Empire.

withinprepositionUS /wɪˈðɪn/

inside; before a period of time has passed

From this reading Amusing at times, extremely pathetic and even painful at others, it not only contributes a necessary element to the Rougon-Macquart series of novels--a series illustrative of all phases of life in France within certain dates--but it also represents a particular period of M. Zola’s own career and work.

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading Amusing at times, extremely pathetic and even painful at others, it not only contributes a necessary element to the Rougon-Macquart series of novels--a series illustrative of all phases of life in France within certain dates--but it also represents a particular period of M. Zola’s own career and work.

worksnounUS /wɜːrks/

buildings for carrying on industrial labor

From this reading Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that ‘Open-air’ school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces.

yearsnounUS /jɪrz/

a late time of life

From this reading Edited, With a Preface, By Ernest Alfred Vizetelly ‘HIS MASTERPIECE,’ which in the original French bears the title of _L’Œuvre_, is a strikingly accurate story of artistic life in Paris during the latter years of the Second Empire.

Zola's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Amusing at times, extremely pathetic and even painful at others, it not only contributes a necessary element to the Rougon-Macquart series of novels--a series illustrative of all phases of life in France within certain dates--but it also represents a particular period of M. Zola’s own career and work.

Chapter 1 of His Masterpiece by Émile Zola holds 430 sentences, grouped into 86 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of His Masterpiece contain?

Chapter 1 holds 430 sentences of His Masterpiece, unabridged, divided into 86 reading sections.

This page carries chapter 1 of His Masterpiece by Émile Zola exactly as it stands in the source edition, without abridgement. It runs to 430 sentences, grouped into 86 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of His Masterpiece?

Work through the 86 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 86 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading His Masterpiece

Common questions about reading His Masterpiece by Émile Zola on this page, its source edition and its audio.

Is this the complete text of His Masterpiece?

Yes. All 7129 sentences of Project Gutenberg eBook #15900 are kept, with a record of which sentences cover which part.

Which edition of His Masterpiece is used?

Project Gutenberg eBook #15900, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does His Masterpiece take to read?

About 594 minutes of reading across 1426 sections of 5 sentences each, at an unhurried pace.

How to read His Masterpiece section by section

How to work through His Masterpiece section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 17 chapters of His Masterpiece to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in His Masterpiece

Words and structures a reader meets early in His Masterpiece, each tappable for pronunciation and meaning.

Edited
A word that appears in the opening chapter of His Masterpiece; the reader can tap it to hear it and see its dictionary entry.
Preface
A word that appears in the opening chapter of His Masterpiece; the reader can tap it to hear it and see its dictionary entry.
Ernest
A word that appears in the opening chapter of His Masterpiece; the reader can tap it to hear it and see its dictionary entry.
Alfred
A word that appears in the opening chapter of His Masterpiece; the reader can tap it to hear it and see its dictionary entry.