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History of Tom Jones, a Foundling
History of Tom Jones, a Foundling

Chapter XXXVI · Chapter 36

Chapter 36 of History of Tom Jones, a Foundling is here in full — 525 sentences across 105 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/105 · 5 lines
English subtitles · tap any word to listen 1 / 5
CONTAINING THREE DAYS.
Chapter i.
Containing a portion of introductory writing.
When a comic writer hath made his principal characters as happy as he can, or when a tragic writer hath brought them to the highest pitch of human misery, they both conclude their business to be done, and that their work is come to a period.
Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

History of Tom Jones, a Foundling

Chapter XXXVI · Chapter 36

Chapter 36 of History of Tom Jones, a Foundling is here in full — 525 sentences across 105 reading sections, with audio for every sentence and word.

Reading 1/105 · 5 reading units · Lines 1–5

Line 1
CONTAINING THREE DAYS.
/kənˈteɪnɪŋ θriː deɪz/
Line 2
Chapter i.
/ˈtʃæptər aɪ/
Line 3
Containing a portion of introductory writing.
/kənˈteɪnɪŋ ə ˈpɔːrʃən ʌv ˌɪntrəˈdʌktəri ˈraɪtɪŋ/
Line 4
When a comic writer hath made his principal characters as happy as he can, or when a tragic writer hath brought them to the highest pitch of human misery, they both conclude their business to be done, and that their work is come to a period.
/wen ə ˈkɑːmɪk ˈraɪtər hæθ meɪd hɪz ˈprɪnsəpəl ˈkærəktərz æz ˈhæpi æz hiː kæn ɔːr wen ə ˈtrædʒɪk ˈraɪtər hæθ brɔːt ðem tuː ðə ˈhaɪəst pɪtʃ ʌv ˈhjuːmən ˈmɪzəri ðeɪ boʊθ kənˈkluːd ðer ˈbɪznəs tuː biː dʌn ənd ðæt ðer wɜːrk ɪz kʌm tuː ə ˈpɪriəd/
Line 5
Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

comic adjective US /ˈkɑːmɪk/

arousing or provoking laughter

From this reading “When a comic writer hath made his principal characters as happy as he can, or when a tragic writer hath brought them to the highest pitch of human misery, they both conclude their business to be done, and that their work is come to a period.”

conclude verb US /kənˈkluːd/

decide by reasoning; draw or come to a conclusion

From this reading “When a comic writer hath made his principal characters as happy as he can, or when a tragic writer hath brought them to the highest pitch of human misery, they both conclude their business to be done, and that their work is come to a period.”

contrived adjective US /kənˈtraɪvd/

showing effects of planning or manipulation

From this reading “Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.”

introductory adjective US /ˌɪntrəˈdʌktəri/

serving to open or begin

From this reading “Containing a portion of introductory writing.”

representatives noun US /ˌreprəˈzentətɪvz/

plural of “representative” — a person who represents others

From this reading “Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.”

torments noun US /ˈtɔːrments/

plural of “torment” — unbearable physical pain

From this reading “Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.”

tragic adjective US /ˈtrædʒɪk/

very sad; especially involving grief or death or destruction

From this reading “When a comic writer hath made his principal characters as happy as he can, or when a tragic writer hath brought them to the highest pitch of human misery, they both conclude their business to be done, and that their work is come to a period.”

uneasiness noun US /ˌʌˈniːzinəs/

feelings of anxiety that make you tense and irritable

From this reading “Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.”

All words in this reading · 96

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Containing a portion of introductory writing.

allowverbUS /əˈlaʊ/

make it possible through a specific action or lack of action for something to happen

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading When a comic writer hath made his principal characters as happy as he can, or when a tragic writer hath brought them to the highest pitch of human misery, they both conclude their business to be done, and that their work is come to a period.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

arrivedverbUS /ərˈaɪvd/

past form of “arrive” — reach a destination; arrive by movement or progress

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading When a comic writer hath made his principal characters as happy as he can, or when a tragic writer hath brought them to the highest pitch of human misery, they both conclude their business to be done, and that their work is come to a period.

atprepositionUS /æt/

in or near a particular place or position

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading When a comic writer hath made his principal characters as happy as he can, or when a tragic writer hath brought them to the highest pitch of human misery, they both conclude their business to be done, and that their work is come to a period.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

bothdeterminerUS /boʊθ/

the two together, not just one

From this reading When a comic writer hath made his principal characters as happy as he can, or when a tragic writer hath brought them to the highest pitch of human misery, they both conclude their business to be done, and that their work is come to a period.

broughtverbUS /brɔːt/

inflected form of “bring” — take something or somebody with oneself somewhere

From this reading When a comic writer hath made his principal characters as happy as he can, or when a tragic writer hath brought them to the highest pitch of human misery, they both conclude their business to be done, and that their work is come to a period.

businessnounUS /ˈbɪznəs/

a commercial or industrial enterprise and the people who constitute it

From this reading When a comic writer hath made his principal characters as happy as he can, or when a tragic writer hath brought them to the highest pitch of human misery, they both conclude their business to be done, and that their work is come to a period.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading When a comic writer hath made his principal characters as happy as he can, or when a tragic writer hath brought them to the highest pitch of human misery, they both conclude their business to be done, and that their work is come to a period.

ChapternounUS /ˈtʃæptər/

a subdivision of a written work; usually numbered and titled

From this reading Chapter i.

charactersnounUS /ˈkærəktərz/

plural of “character” — an imaginary person represented in a work of fiction (play or film or story)

From this reading When a comic writer hath made his principal characters as happy as he can, or when a tragic writer hath brought them to the highest pitch of human misery, they both conclude their business to be done, and that their work is come to a period.

comeverbUS /kʌm/

move toward, travel toward something or somebody or approach something or somebody

From this reading When a comic writer hath made his principal characters as happy as he can, or when a tragic writer hath brought them to the highest pitch of human misery, they both conclude their business to be done, and that their work is come to a period.

comicadjectiveUS /ˈkɑːmɪk/

arousing or provoking laughter

From this reading When a comic writer hath made his principal characters as happy as he can, or when a tragic writer hath brought them to the highest pitch of human misery, they both conclude their business to be done, and that their work is come to a period.

complexionnounUS /kəmˈplekʃən/

the coloring of a person's face

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

concludeverbUS /kənˈkluːd/

decide by reasoning; draw or come to a conclusion

From this reading When a comic writer hath made his principal characters as happy as he can, or when a tragic writer hath brought them to the highest pitch of human misery, they both conclude their business to be done, and that their work is come to a period.

CONTAININGverbUS /kənˈteɪnɪŋ/

-ing form of “contain” — include or contain; have as a component

From this reading CONTAINING THREE DAYS.

contrivedadjectiveUS /kənˈtraɪvd/

showing effects of planning or manipulation

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

DAYSnounUS /deɪz/

the time during which someone's life continues

From this reading CONTAINING THREE DAYS.

devilnounUS /ˈdevəl/

(Judeo-Christian and Islamic religions) chief spirit of evil and adversary of God; tempter of mankind; master of Hell

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

difficultadjectiveUS /ˈdɪfəkəlt/

not easy; requiring great physical or mental effort to accomplish or comprehend or endure

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

doneadjectiveUS /dʌn/

having finished or arrived at completion

From this reading When a comic writer hath made his principal characters as happy as he can, or when a tragic writer hath brought them to the highest pitch of human misery, they both conclude their business to be done, and that their work is come to a period.

earthnounUS /ɜːrθ/

the 3rd planet from the sun; the planet we live on

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

feelverbUS /fiːl/

undergo an emotional sensation or be in a particular state of mind

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

good-naturedadjective

having an easygoing and cheerful disposition

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

greateradjectiveUS /ˈɡreɪtər/

greater in size or importance or degree

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

Hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

happyadjectiveUS /ˈhæpi/

enjoying or showing or marked by joy or pleasure

From this reading When a comic writer hath made his principal characters as happy as he can, or when a tragic writer hath brought them to the highest pitch of human misery, they both conclude their business to be done, and that their work is come to a period.

hardlyadverbUS /ˈhɑːrdli/

only a very short time before

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

hathauxiliary verbUS /hæθ/

an old form of “has”

From this reading When a comic writer hath made his principal characters as happy as he can, or when a tragic writer hath brought them to the highest pitch of human misery, they both conclude their business to be done, and that their work is come to a period.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading When a comic writer hath made his principal characters as happy as he can, or when a tragic writer hath brought them to the highest pitch of human misery, they both conclude their business to be done, and that their work is come to a period.

highestadjectiveUS /ˈhaɪəst/

superlative of “high” — greater than normal in degree or intensity or amount

From this reading When a comic writer hath made his principal characters as happy as he can, or when a tragic writer hath brought them to the highest pitch of human misery, they both conclude their business to be done, and that their work is come to a period.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading When a comic writer hath made his principal characters as happy as he can, or when a tragic writer hath brought them to the highest pitch of human misery, they both conclude their business to be done, and that their work is come to a period.

humanadjectiveUS /ˈhjuːmən/

characteristic of humanity

From this reading When a comic writer hath made his principal characters as happy as he can, or when a tragic writer hath brought them to the highest pitch of human misery, they both conclude their business to be done, and that their work is come to a period.

ipronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading Chapter i.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

introductoryadjectiveUS /ˌɪntrəˈdʌktəri/

serving to open or begin

From this reading Containing a portion of introductory writing.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading When a comic writer hath made his principal characters as happy as he can, or when a tragic writer hath brought them to the highest pitch of human misery, they both conclude their business to be done, and that their work is come to a period.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

JonesnounUS /dʒoʊnz/

United States labor leader (born in Ireland) who helped to found the Industrial Workers of the World (1830-1930)

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

lastadjectiveUS /læst/

immediately past

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

leftnounUS /left/

location near or direction toward the left side; i.e. the side to the north when a person or object faces east

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading When a comic writer hath made his principal characters as happy as he can, or when a tragic writer hath brought them to the highest pitch of human misery, they both conclude their business to be done, and that their work is come to a period.

miserynounUS /ˈmɪzəri/

a state of ill-being due to affliction or misfortune

From this reading When a comic writer hath made his principal characters as happy as he can, or when a tragic writer hath brought them to the highest pitch of human misery, they both conclude their business to be done, and that their work is come to a period.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

nearlyadverbUS /ˈnɪrli/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Containing a portion of introductory writing.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading When a comic writer hath made his principal characters as happy as he can, or when a tragic writer hath brought them to the highest pitch of human misery, they both conclude their business to be done, and that their work is come to a period.

periodnounUS /ˈpɪriəd/

an amount of time

From this reading When a comic writer hath made his principal characters as happy as he can, or when a tragic writer hath brought them to the highest pitch of human misery, they both conclude their business to be done, and that their work is come to a period.

pitchnounUS /pɪtʃ/

the property of sound that varies with variation in the frequency of vibration

From this reading When a comic writer hath made his principal characters as happy as he can, or when a tragic writer hath brought them to the highest pitch of human misery, they both conclude their business to be done, and that their work is come to a period.

pooradjectiveUS /puːr/

deserving or inciting pity

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

portionnounUS /ˈpɔːrʃən/

something determined in relation to something that includes it

From this reading Containing a portion of introductory writing.

presentverbUS /ˈprezənt/

give an exhibition of to an interested audience

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

principalnounUS /ˈprɪnsəpəl/

the original amount of a debt on which interest is calculated

From this reading When a comic writer hath made his principal characters as happy as he can, or when a tragic writer hath brought them to the highest pitch of human misery, they both conclude their business to be done, and that their work is come to a period.

readernounUS /ˈriːdər/

a person who enjoys reading

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

representativesnounUS /ˌreprəˈzentətɪvz/

plural of “representative” — a person who represents others

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

rivalverbUS /ˈraɪvəl/

be equal to in quality or ability

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

sinceprepositionUS /sɪns/

from a time in the past until now

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

Sophia

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

supposedadjectiveUS /səˈpoʊzd/

required or under orders

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading When a comic writer hath made his principal characters as happy as he can, or when a tragic writer hath brought them to the highest pitch of human misery, they both conclude their business to be done, and that their work is come to a period.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading When a comic writer hath made his principal characters as happy as he can, or when a tragic writer hath brought them to the highest pitch of human misery, they both conclude their business to be done, and that their work is come to a period.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading When a comic writer hath made his principal characters as happy as he can, or when a tragic writer hath brought them to the highest pitch of human misery, they both conclude their business to be done, and that their work is come to a period.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading When a comic writer hath made his principal characters as happy as he can, or when a tragic writer hath brought them to the highest pitch of human misery, they both conclude their business to be done, and that their work is come to a period.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading When a comic writer hath made his principal characters as happy as he can, or when a tragic writer hath brought them to the highest pitch of human misery, they both conclude their business to be done, and that their work is come to a period.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

THREEnounUS /θriː/

the cardinal number that is the sum of one and one and one

From this reading CONTAINING THREE DAYS.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading When a comic writer hath made his principal characters as happy as he can, or when a tragic writer hath brought them to the highest pitch of human misery, they both conclude their business to be done, and that their work is come to a period.

tormentsnounUS /ˈtɔːrments/

plural of “torment” — unbearable physical pain

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

tragicadjectiveUS /ˈtrædʒɪk/

very sad; especially involving grief or death or destruction

From this reading When a comic writer hath made his principal characters as happy as he can, or when a tragic writer hath brought them to the highest pitch of human misery, they both conclude their business to be done, and that their work is come to a period.

uneasinessnounUS /ˌʌˈniːzinəs/

feelings of anxiety that make you tense and irritable

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

whatpronounUS /wʌt/

used to ask for information about something

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

WhenconjunctionUS /wen/

at the time that

From this reading When a comic writer hath made his principal characters as happy as he can, or when a tragic writer hath brought them to the highest pitch of human misery, they both conclude their business to be done, and that their work is come to a period.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

wishverbUS /wɪʃ/

hope for; have a wish

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

womannounUS /ˈwʊmən/

an adult female person (as opposed to a man)

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading When a comic writer hath made his principal characters as happy as he can, or when a tragic writer hath brought them to the highest pitch of human misery, they both conclude their business to be done, and that their work is come to a period.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading Had we been of the tragic complexion, the reader must now allow we were very nearly arrived at this period, since it would be difficult for the devil, or any of his representatives on earth, to have contrived much greater torments for poor Jones than those in which we left him in the last chapter; and as for Sophia, a good-natured woman would hardly wish more uneasiness to a rival than what she must at present be supposed to feel.

writernounUS /ˈraɪtər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading When a comic writer hath made his principal characters as happy as he can, or when a tragic writer hath brought them to the highest pitch of human misery, they both conclude their business to be done, and that their work is come to a period.

writingnounUS /ˈraɪtɪŋ/

the act of creating written works

From this reading Containing a portion of introductory writing.

Chapter 36 of History of Tom Jones, a Foundling by Henry Fielding holds 525 sentences, grouped into 105 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 36 of History of Tom Jones, a Foundling contain?

Chapter 36 holds 525 sentences of History of Tom Jones, a Foundling, unabridged, divided into 105 reading sections.

This page carries chapter 36 of History of Tom Jones, a Foundling by Henry Fielding exactly as it stands in the source edition, without abridgement. It runs to 525 sentences, grouped into 105 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 36 of History of Tom Jones, a Foundling?

Work through the 105 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 105 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 36 be read aloud to me?

Yes — every sentence and every individual word in chapter 36 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading History of Tom Jones, a Foundling

Common questions about reading History of Tom Jones, a Foundling by Henry Fielding on this page, its source edition and its audio.

Is this the complete text of History of Tom Jones, a Foundling?

Yes. All 10696 sentences of Project Gutenberg eBook #6593 are kept, with a record of which sentences cover which part.

Which edition of History of Tom Jones, a Foundling is used?

Project Gutenberg eBook #6593, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does History of Tom Jones, a Foundling take to read?

About 600 minutes of reading across 2140 sections of 5 sentences each, at an unhurried pace.

How to read History of Tom Jones, a Foundling section by section

How to work through History of Tom Jones, a Foundling section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

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  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in History of Tom Jones, a Foundling

Words and structures a reader meets early in History of Tom Jones, a Foundling, each tappable for pronunciation and meaning.

Degrees
A word that appears in the opening chapter of History of Tom Jones, a Foundling; the reader can tap it to hear it and see its dictionary entry.
Various
A word that appears in the opening chapter of History of Tom Jones, a Foundling; the reader can tap it to hear it and see its dictionary entry.
Other
A word that appears in the opening chapter of History of Tom Jones, a Foundling; the reader can tap it to hear it and see its dictionary entry.
Transactions
A word that appears in the opening chapter of History of Tom Jones, a Foundling; the reader can tap it to hear it and see its dictionary entry.