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Hitting the line
Hitting the line

Chapter XII

Chapter 12 of Hitting the line is here in full — 186 sentences across 38 reading sections, with audio for every sentence and word.

Cover illustration for Hitting the line
Context Illustration Reading 1/37 · 5 lines
English subtitles · tap any word to listen 1 / 5
KEYS: PIANO AND OTHERS Monty had a good voice, and lots of it, a true baritone.
And he proved within a few moments that he could, to use his own phrase, “pound the tombstones.”
He could read easy notes, but his playing was usually by ear, and he was not tied down by any particular method, style or rules.
Fingering may not have been one of Monty’s strong points, but he had a good sense of harmony and rhythm and plenty of strength!
His first offering, however, afforded him small opportunity to prove his skill as an accompanist, for the song required little assistance from the instrument.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Hitting the line

Chapter XII

Chapter 12 of Hitting the line is here in full — 186 sentences across 38 reading sections, with audio for every sentence and word.

Reading 1/37 · 5 reading units · Lines 1–5

Line 1
KEYS: PIANO AND OTHERS Monty had a good voice, and lots of it, a true baritone.
Line 2
And he proved within a few moments that he could, to use his own phrase, “pound the tombstones.”
/ənd hiː pruːvd wɪˈðɪn ə fjuː ˈmoʊmənts ðæt hiː kʊd tuː juːs hɪz oʊn freɪz paʊnd ðə ˈtuːmstoʊnz/
Line 3
He could read easy notes, but his playing was usually by ear, and he was not tied down by any particular method, style or rules.
/hiː kʊd red ˈiːzi noʊts bʌt hɪz ˈpleɪɪŋ wɑːz ˈjuːʒəwəli baɪ iːr ənd hiː wɑːz nɑːt taɪd daʊn baɪ ˈeni pərˈtɪkjələr ˈmeθəd staɪl ɔːr ruːlz/
Line 4
Fingering may not have been one of Monty’s strong points, but he had a good sense of harmony and rhythm and plenty of strength!
Line 5
His first offering, however, afforded him small opportunity to prove his skill as an accompanist, for the song required little assistance from the instrument.
/hɪz fɜːrst ˈɔːfərɪŋ ˌhaʊˈevər əˈfɔːrdəd hɪm smɔːl ˌɑːpərˈtuːnəti tuː pruːv hɪz skɪl æz æn əˈkʌmpənəst fɔːr ðə sɔːŋ riˈkwaɪərd ˈlɪtəl əˈsɪstəns frʌm ðə ˈɪnstrəmənt/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

accompanist noun US /əˈkʌmpənəst/

a person who provides musical accompaniment (usually on a piano)

From this reading “His first offering, however, afforded him small opportunity to prove his skill as an accompanist, for the song required little assistance from the instrument.”

afforded verb US /əˈfɔːrdəd/

past form of “afford” — be able to spare or give up

From this reading “His first offering, however, afforded him small opportunity to prove his skill as an accompanist, for the song required little assistance from the instrument.”

baritone noun US /ˈberətoʊn/

a male singer

From this reading “KEYS: PIANO AND OTHERS Monty had a good voice, and lots of it, a true baritone.”

Fingering noun US /ˈfɪŋɡərɪŋ/

the placement of the fingers for playing different notes (or sequences of notes) on a musical instrument

From this reading “Fingering may not have been one of Monty’s strong points, but he had a good sense of harmony and rhythm and plenty of strength!”

harmony noun US /ˈhɑːrməni/

compatibility in opinion and action

From this reading “Fingering may not have been one of Monty’s strong points, but he had a good sense of harmony and rhythm and plenty of strength!”

keys noun US /kiːz/

plural of “key” — metal device shaped in such a way that when it is inserted into the appropriate lock the lock's mechanism can be rotated

From this reading “KEYS: PIANO AND OTHERS Monty had a good voice, and lots of it, a true baritone.”

rhythm noun US /ˈrɪðəm/

the basic rhythmic unit in a piece of music

From this reading “Fingering may not have been one of Monty’s strong points, but he had a good sense of harmony and rhythm and plenty of strength!”

tombstones noun US /ˈtuːmstoʊnz/

plural of “tombstone” — a stone that is used to mark a grave

From this reading “And he proved within a few moments that he could, to use his own phrase, “pound the tombstones.””

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

few moments adjective + noun counted as “few moment”

In this reading “And he proved within a few moments that he could, to use his own phrase, “pound the tombstones.””

good sense adjective + noun

sound practical judgment

In this reading “Fingering may not have been one of Monty’s strong points, but he had a good sense of harmony and rhythm and plenty of strength!”

strong points adjective + noun counted as “strong point”

an asset of special worth or utility

In this reading “Fingering may not have been one of Monty’s strong points, but he had a good sense of harmony and rhythm and plenty of strength!”

All words in this reading · 79

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading KEYS: PIANO AND OTHERS Monty had a good voice, and lots of it, a true baritone.

accompanistnounUS /əˈkʌmpənəst/

a person who provides musical accompaniment (usually on a piano)

From this reading His first offering, however, afforded him small opportunity to prove his skill as an accompanist, for the song required little assistance from the instrument.

affordedverbUS /əˈfɔːrdəd/

past form of “afford” — be able to spare or give up

From this reading His first offering, however, afforded him small opportunity to prove his skill as an accompanist, for the song required little assistance from the instrument.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading His first offering, however, afforded him small opportunity to prove his skill as an accompanist, for the song required little assistance from the instrument.

ANDconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading KEYS: PIANO AND OTHERS Monty had a good voice, and lots of it, a true baritone.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading He could read easy notes, but his playing was usually by ear, and he was not tied down by any particular method, style or rules.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading His first offering, however, afforded him small opportunity to prove his skill as an accompanist, for the song required little assistance from the instrument.

assistancenounUS /əˈsɪstəns/

the activity of contributing to the fulfillment of a need or furtherance of an effort or purpose

From this reading His first offering, however, afforded him small opportunity to prove his skill as an accompanist, for the song required little assistance from the instrument.

baritonenounUS /ˈberətoʊn/

a male singer

From this reading KEYS: PIANO AND OTHERS Monty had a good voice, and lots of it, a true baritone.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading Fingering may not have been one of Monty’s strong points, but he had a good sense of harmony and rhythm and plenty of strength!

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading He could read easy notes, but his playing was usually by ear, and he was not tied down by any particular method, style or rules.

byprepositionUS /baɪ/

showing who or what does the action

From this reading He could read easy notes, but his playing was usually by ear, and he was not tied down by any particular method, style or rules.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading And he proved within a few moments that he could, to use his own phrase, “pound the tombstones.”

downadjectiveUS /daʊn/

being or moving lower in position or less in some value

From this reading He could read easy notes, but his playing was usually by ear, and he was not tied down by any particular method, style or rules.

earnounUS /iːr/

the sense organ for hearing and equilibrium

From this reading He could read easy notes, but his playing was usually by ear, and he was not tied down by any particular method, style or rules.

easyadjectiveUS /ˈiːzi/

posing no difficulty; requiring little effort

From this reading He could read easy notes, but his playing was usually by ear, and he was not tied down by any particular method, style or rules.

fewadjectiveUS /fjuː/

a quantifier that can be used with count nouns and is often preceded by “a”; a small but indefinite number

From this reading And he proved within a few moments that he could, to use his own phrase, “pound the tombstones.”

FingeringnounUS /ˈfɪŋɡərɪŋ/

the placement of the fingers for playing different notes (or sequences of notes) on a musical instrument

From this reading Fingering may not have been one of Monty’s strong points, but he had a good sense of harmony and rhythm and plenty of strength!

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading His first offering, however, afforded him small opportunity to prove his skill as an accompanist, for the song required little assistance from the instrument.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading His first offering, however, afforded him small opportunity to prove his skill as an accompanist, for the song required little assistance from the instrument.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading His first offering, however, afforded him small opportunity to prove his skill as an accompanist, for the song required little assistance from the instrument.

goodadjectiveUS /ɡʊd/

having desirable or positive qualities especially those suitable for a thing specified

From this reading KEYS: PIANO AND OTHERS Monty had a good voice, and lots of it, a true baritone.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading KEYS: PIANO AND OTHERS Monty had a good voice, and lots of it, a true baritone.

harmonynounUS /ˈhɑːrməni/

compatibility in opinion and action

From this reading Fingering may not have been one of Monty’s strong points, but he had a good sense of harmony and rhythm and plenty of strength!

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading Fingering may not have been one of Monty’s strong points, but he had a good sense of harmony and rhythm and plenty of strength!

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading And he proved within a few moments that he could, to use his own phrase, “pound the tombstones.”

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading His first offering, however, afforded him small opportunity to prove his skill as an accompanist, for the song required little assistance from the instrument.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading And he proved within a few moments that he could, to use his own phrase, “pound the tombstones.”

howeveradverbUS /ˌhaʊˈevər/

used to add a contrasting statement

From this reading His first offering, however, afforded him small opportunity to prove his skill as an accompanist, for the song required little assistance from the instrument.

instrumentnounUS /ˈɪnstrəmənt/

a device that requires skill for proper use

From this reading His first offering, however, afforded him small opportunity to prove his skill as an accompanist, for the song required little assistance from the instrument.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading KEYS: PIANO AND OTHERS Monty had a good voice, and lots of it, a true baritone.

KEYSnounUS /kiːz/

plural of “key” — metal device shaped in such a way that when it is inserted into the appropriate lock the lock's mechanism can be rotated

From this reading KEYS: PIANO AND OTHERS Monty had a good voice, and lots of it, a true baritone.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading His first offering, however, afforded him small opportunity to prove his skill as an accompanist, for the song required little assistance from the instrument.

lotsnounUS /lɑːts/

a large number or amount

From this reading KEYS: PIANO AND OTHERS Monty had a good voice, and lots of it, a true baritone.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading Fingering may not have been one of Monty’s strong points, but he had a good sense of harmony and rhythm and plenty of strength!

methodnounUS /ˈmeθəd/

a way of doing something, especially a systematic way; implies an orderly logical arrangement (usually in steps)

From this reading He could read easy notes, but his playing was usually by ear, and he was not tied down by any particular method, style or rules.

momentsnounUS /ˈmoʊmənts/

plural of “moment” — a particular point in time

From this reading And he proved within a few moments that he could, to use his own phrase, “pound the tombstones.”

Monty

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading KEYS: PIANO AND OTHERS Monty had a good voice, and lots of it, a true baritone.

Monty's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Fingering may not have been one of Monty’s strong points, but he had a good sense of harmony and rhythm and plenty of strength!

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading He could read easy notes, but his playing was usually by ear, and he was not tied down by any particular method, style or rules.

notesnounUS /noʊts/

plural of “note” — a brief written record

From this reading He could read easy notes, but his playing was usually by ear, and he was not tied down by any particular method, style or rules.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading KEYS: PIANO AND OTHERS Monty had a good voice, and lots of it, a true baritone.

offeringnounUS /ˈɔːfərɪŋ/

something offered (as a proposal or bid)

From this reading His first offering, however, afforded him small opportunity to prove his skill as an accompanist, for the song required little assistance from the instrument.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading Fingering may not have been one of Monty’s strong points, but he had a good sense of harmony and rhythm and plenty of strength!

opportunitynounUS /ˌɑːpərˈtuːnəti/

a possibility due to a favorable combination of circumstances

From this reading His first offering, however, afforded him small opportunity to prove his skill as an accompanist, for the song required little assistance from the instrument.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading He could read easy notes, but his playing was usually by ear, and he was not tied down by any particular method, style or rules.

OTHERS

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading KEYS: PIANO AND OTHERS Monty had a good voice, and lots of it, a true baritone.

ownverbUS /oʊn/

have ownership or possession of

From this reading And he proved within a few moments that he could, to use his own phrase, “pound the tombstones.”

particularadjectiveUS /pərˈtɪkjələr/

unique or specific to a person or thing or category

From this reading He could read easy notes, but his playing was usually by ear, and he was not tied down by any particular method, style or rules.

phrasenounUS /freɪz/

an expression consisting of one or more words forming a grammatical constituent of a sentence

From this reading And he proved within a few moments that he could, to use his own phrase, “pound the tombstones.”

PIANOnounUS /piˈænoʊ/

a keyboard instrument that is played by depressing keys that cause hammers to strike tuned strings and produce sounds

From this reading KEYS: PIANO AND OTHERS Monty had a good voice, and lots of it, a true baritone.

playingnounUS /ˈpleɪɪŋ/

the act of playing a musical instrument

From this reading He could read easy notes, but his playing was usually by ear, and he was not tied down by any particular method, style or rules.

plentynounUS /ˈplenti/

a full supply

From this reading Fingering may not have been one of Monty’s strong points, but he had a good sense of harmony and rhythm and plenty of strength!

pointsnounUS /pɔɪnts/

plural of “point” — a geometric element that has position but no extension

From this reading Fingering may not have been one of Monty’s strong points, but he had a good sense of harmony and rhythm and plenty of strength!

poundverbUS /paʊnd/

hit hard with the hand, fist, or some heavy instrument

From this reading And he proved within a few moments that he could, to use his own phrase, “pound the tombstones.”

proveverbUS /pruːv/

be shown or be found to be

From this reading His first offering, however, afforded him small opportunity to prove his skill as an accompanist, for the song required little assistance from the instrument.

provedadjectiveUS /pruːvd/

established beyond doubt

From this reading And he proved within a few moments that he could, to use his own phrase, “pound the tombstones.”

readverbUS /red/

interpret something that is written or printed

From this reading He could read easy notes, but his playing was usually by ear, and he was not tied down by any particular method, style or rules.

requiredadjectiveUS /riˈkwaɪərd/

necessary for relief or supply

From this reading His first offering, however, afforded him small opportunity to prove his skill as an accompanist, for the song required little assistance from the instrument.

rhythmnounUS /ˈrɪðəm/

the basic rhythmic unit in a piece of music

From this reading Fingering may not have been one of Monty’s strong points, but he had a good sense of harmony and rhythm and plenty of strength!

rulesnounUS /ruːlz/

plural of “rule” — a principle or condition that customarily governs behavior

From this reading He could read easy notes, but his playing was usually by ear, and he was not tied down by any particular method, style or rules.

sensenounUS /sens/

a general conscious awareness

From this reading Fingering may not have been one of Monty’s strong points, but he had a good sense of harmony and rhythm and plenty of strength!

skillnounUS /skɪl/

an ability that has been acquired by training

From this reading His first offering, however, afforded him small opportunity to prove his skill as an accompanist, for the song required little assistance from the instrument.

smalladjectiveUS /smɔːl/

limited or below average in number or quantity or magnitude or extent

From this reading His first offering, however, afforded him small opportunity to prove his skill as an accompanist, for the song required little assistance from the instrument.

songnounUS /sɔːŋ/

a short musical composition with words

From this reading His first offering, however, afforded him small opportunity to prove his skill as an accompanist, for the song required little assistance from the instrument.

strengthnounUS /streŋkθ/

the property of being physically or mentally strong

From this reading Fingering may not have been one of Monty’s strong points, but he had a good sense of harmony and rhythm and plenty of strength!

strongadjectiveUS /strɔːŋ/

having strength or power greater than average or expected

From this reading Fingering may not have been one of Monty’s strong points, but he had a good sense of harmony and rhythm and plenty of strength!

stylenounUS /staɪl/

how something is done or how it happens

From this reading He could read easy notes, but his playing was usually by ear, and he was not tied down by any particular method, style or rules.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading And he proved within a few moments that he could, to use his own phrase, “pound the tombstones.”

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading And he proved within a few moments that he could, to use his own phrase, “pound the tombstones.”

tiedadjectiveUS /taɪd/

bound or secured closely

From this reading He could read easy notes, but his playing was usually by ear, and he was not tied down by any particular method, style or rules.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading And he proved within a few moments that he could, to use his own phrase, “pound the tombstones.”

tombstonesnounUS /ˈtuːmstoʊnz/

plural of “tombstone” — a stone that is used to mark a grave

From this reading And he proved within a few moments that he could, to use his own phrase, “pound the tombstones.”

trueadjectiveUS /truː/

consistent with fact or reality; not false

From this reading KEYS: PIANO AND OTHERS Monty had a good voice, and lots of it, a true baritone.

usenounUS /juːs/

the act of using

From this reading And he proved within a few moments that he could, to use his own phrase, “pound the tombstones.”

usuallyadverbUS /ˈjuːʒəwəli/

under normal conditions

From this reading He could read easy notes, but his playing was usually by ear, and he was not tied down by any particular method, style or rules.

voicenounUS /vɔɪs/

the distinctive quality or pitch or condition of a person's speech

From this reading KEYS: PIANO AND OTHERS Monty had a good voice, and lots of it, a true baritone.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading He could read easy notes, but his playing was usually by ear, and he was not tied down by any particular method, style or rules.

withinprepositionUS /wɪˈðɪn/

inside; before a period of time has passed

From this reading And he proved within a few moments that he could, to use his own phrase, “pound the tombstones.”

Chapter 12 of Hitting the line by Ralph Henry Barbour holds 186 sentences, grouped into 38 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 12 of Hitting the line contain?

Chapter 12 holds 186 sentences of Hitting the line, unabridged, divided into 38 reading sections.

This page carries chapter 12 of Hitting the line by Ralph Henry Barbour exactly as it stands in the source edition, without abridgement. It runs to 186 sentences, grouped into 38 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 12 of Hitting the line?

Work through the 38 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 38 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 12 be read aloud to me?

Yes — every sentence and every individual word in chapter 12 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Hitting the line

Common questions about reading Hitting the line by Ralph Henry Barbour on this page, its source edition and its audio.

Is this the complete text of Hitting the line?

Yes. All 5669 sentences of Project Gutenberg eBook #71181 are kept, with a record of which sentences cover which part.

Which edition of Hitting the line is used?

Project Gutenberg eBook #71181, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Hitting the line take to read?

About 472 minutes of reading across 1134 sections of 5 sentences each, at an unhurried pace.

How to read Hitting the line section by section

How to work through Hitting the line section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 27 chapters of Hitting the line to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Hitting the line

Words and structures a reader meets early in Hitting the line, each tappable for pronunciation and meaning.

Chance
A word that appears in the opening chapter of Hitting the line; the reader can tap it to hear it and see its dictionary entry.
Encounter
A word that appears in the opening chapter of Hitting the line; the reader can tap it to hear it and see its dictionary entry.
Alighted
A word that appears in the opening chapter of Hitting the line; the reader can tap it to hear it and see its dictionary entry.
Surface
A word that appears in the opening chapter of Hitting the line; the reader can tap it to hear it and see its dictionary entry.