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Hogarth's Works, with Life and Anecdotal — Volume 3
Hogarth's Works, with Life and Anecdotal — Volume 3

Chapter V

Chapter 5 of Hogarth's Works, with Life and Anecdotal — Volume 3 is here in full — 301 sentences across 61 reading sections, with audio for every sentence and word.

Cover illustration for Hogarth's Works, with Life and Anecdotal — Volume 3
Context Illustration Reading 1/60 · 5 lines
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THE MOTIVES BY WHICH HOGARTH WAS INDUCED TO PUBLISH HIS ANALYSIS OF BEAUTY; THE ABUSE IT DREW UPON HIM, AND HIS VINDICATION OF HIMSELF AND THE VOLUME.
HE IS ELECTED A MEMBER OF THE IMPERIAL ACADEMY AT AUGSBURG, AND APPOINTED SERJEANT PAINTER TO THE KING.
Hogarth finding his prints were become sufficiently numerous to form a handsome volume, in the year 1745[50] engraved his own portrait as a frontispiece.
In one corner of the plate he introduced a painter's palette, on which was a waving line inscribed "The Line of Beauty."
This created much curious speculation, and, as he himself expresses it, "The bait soon took, and no Egyptian hieroglyphic ever amused more than it did for a time.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Hogarth's Works, with Life and Anecdotal — Volume 3

Chapter V

Chapter 5 of Hogarth's Works, with Life and Anecdotal — Volume 3 is here in full — 301 sentences across 61 reading sections, with audio for every sentence and word.

Reading 1/60 · 5 reading units · Lines 1–5

Line 1
THE MOTIVES BY WHICH HOGARTH WAS INDUCED TO PUBLISH HIS ANALYSIS OF BEAUTY; THE ABUSE IT DREW UPON HIM, AND HIS VINDICATION OF HIMSELF AND THE VOLUME.
/ðə ˈmoʊtɪvz baɪ wɪtʃ ˈhoʊɡɑːrθ wɑːz ˌɪnˈduːst tuː ˈpʌblɪʃ hɪz əˈnæləsəs ʌv ˈbjuːti ðə əˈbjuːs ɪt druː əˈpɑːn hɪm ənd hɪz vɪndəˈkeɪʃən ʌv hɪmˈself ənd ðə ˈvɑːljuːm/
Line 2
HE IS ELECTED A MEMBER OF THE IMPERIAL ACADEMY AT AUGSBURG, AND APPOINTED SERJEANT PAINTER TO THE KING.
Line 3
Hogarth finding his prints were become sufficiently numerous to form a handsome volume, in the year 1745[50] engraved his own portrait as a frontispiece.
Line 4
In one corner of the plate he introduced a painter's palette, on which was a waving line inscribed "The Line of Beauty."
/ɪn wʌn ˈkɔːrnər ʌv ðə pleɪt hiː ˌɪntrəˈduːst ə ˈpeɪntərz ˈpælət ɑːn wɪtʃ wɑːz ə ˈweɪvɪŋ laɪn ˌɪnˈskraɪbd ðə laɪn ʌv ˈbjuːti/
Line 5
This created much curious speculation, and, as he himself expresses it, "The bait soon took, and no Egyptian hieroglyphic ever amused more than it did for a time.
/ðɪs kriˈeɪtəd mʌtʃ ˈkjʊriəs ˌspekjəˈleɪʃən ənd æz hiː hɪmˈself ɪkˈspresəz ɪt ðə beɪt suːn tʊk ənd noʊ ɪˈdʒɪpʃən ˌhaɪroʊˈɡlɪfɪk ˈevər əˈmjuːzd mɔːr ðæn ɪt dɪd fɔːr ə taɪm/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

engraved adjective US /ɪnˈɡreɪvd/

cut or impressed into a surface

From this reading “Hogarth finding his prints were become sufficiently numerous to form a handsome volume, in the year 1745[50] engraved his own portrait as a frontispiece.”

expresses noun US /ɪkˈspresəz/

plural of “express” — mail that is distributed by a rapid and efficient system

From this reading “This created much curious speculation, and, as he himself expresses it, "The bait soon took, and no Egyptian hieroglyphic ever amused more than it did for a time.”

hieroglyphic noun US /ˌhaɪroʊˈɡlɪfɪk/

writing that resembles hieroglyphics (usually by being illegible)

From this reading “This created much curious speculation, and, as he himself expresses it, "The bait soon took, and no Egyptian hieroglyphic ever amused more than it did for a time.”

hogarth noun US /ˈhoʊɡɑːrθ/

English artist noted for a series of engravings that satirized the affectations of his time (1697-1764)

From this reading “THE MOTIVES BY WHICH HOGARTH WAS INDUCED TO PUBLISH HIS ANALYSIS OF BEAUTY; THE ABUSE IT DREW UPON HIM, AND HIS VINDICATION OF HIMSELF AND THE VOLUME.”

inscribed adjective US /ˌɪnˈskraɪbd/

written (by handwriting, printing, engraving, or carving) on or in a surface

From this reading “In one corner of the plate he introduced a painter's palette, on which was a waving line inscribed "The Line of Beauty."”

painter's noun US /ˈpeɪntərz/

possessive form of “painter” — an artist who paints

From this reading “In one corner of the plate he introduced a painter's palette, on which was a waving line inscribed "The Line of Beauty."”

palette noun US /ˈpælət/

the range of colour characteristic of a particular artist or painting or school of art

From this reading “In one corner of the plate he introduced a painter's palette, on which was a waving line inscribed "The Line of Beauty."”

vindication noun US /vɪndəˈkeɪʃən/

the act of vindicating or defending against criticism or censure etc.

From this reading “THE MOTIVES BY WHICH HOGARTH WAS INDUCED TO PUBLISH HIS ANALYSIS OF BEAUTY; THE ABUSE IT DREW UPON HIM, AND HIS VINDICATION OF HIMSELF AND THE VOLUME.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

become sufficiently verb + particle

In this reading “Hogarth finding his prints were become sufficiently numerous to form a handsome volume, in the year 1745[50] engraved his own portrait as a frontispiece.”

All words in this reading · 81

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1745

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Hogarth finding his prints were become sufficiently numerous to form a handsome volume, in the year 1745[50] engraved his own portrait as a frontispiece.

50

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Hogarth finding his prints were become sufficiently numerous to form a handsome volume, in the year 1745[50] engraved his own portrait as a frontispiece.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading HE IS ELECTED A MEMBER OF THE IMPERIAL ACADEMY AT AUGSBURG, AND APPOINTED SERJEANT PAINTER TO THE KING.

ABUSEverbUS /əˈbjuːs/

treat badly

From this reading THE MOTIVES BY WHICH HOGARTH WAS INDUCED TO PUBLISH HIS ANALYSIS OF BEAUTY; THE ABUSE IT DREW UPON HIM, AND HIS VINDICATION OF HIMSELF AND THE VOLUME.

ACADEMYnounUS /əˈkæd.ə.mi/

A place of study or training in a special field of knowledge and arts.

From this reading HE IS ELECTED A MEMBER OF THE IMPERIAL ACADEMY AT AUGSBURG, AND APPOINTED SERJEANT PAINTER TO THE KING.

amusedadjectiveUS /əˈmjuːzd/

pleasantly occupied

From this reading This created much curious speculation, and, as he himself expresses it, "The bait soon took, and no Egyptian hieroglyphic ever amused more than it did for a time.

ANALYSISnounUS /əˈnæləsəs/

an investigation of the component parts of a whole and their relations in making up the whole

From this reading THE MOTIVES BY WHICH HOGARTH WAS INDUCED TO PUBLISH HIS ANALYSIS OF BEAUTY; THE ABUSE IT DREW UPON HIM, AND HIS VINDICATION OF HIMSELF AND THE VOLUME.

ANDconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading THE MOTIVES BY WHICH HOGARTH WAS INDUCED TO PUBLISH HIS ANALYSIS OF BEAUTY; THE ABUSE IT DREW UPON HIM, AND HIS VINDICATION OF HIMSELF AND THE VOLUME.

APPOINTEDadjectiveUS /əˈpɔɪntɪd/

subject to appointment

From this reading HE IS ELECTED A MEMBER OF THE IMPERIAL ACADEMY AT AUGSBURG, AND APPOINTED SERJEANT PAINTER TO THE KING.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Hogarth finding his prints were become sufficiently numerous to form a handsome volume, in the year 1745[50] engraved his own portrait as a frontispiece.

ATprepositionUS /æt/

in or near a particular place or position

From this reading HE IS ELECTED A MEMBER OF THE IMPERIAL ACADEMY AT AUGSBURG, AND APPOINTED SERJEANT PAINTER TO THE KING.

AUGSBURG

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading HE IS ELECTED A MEMBER OF THE IMPERIAL ACADEMY AT AUGSBURG, AND APPOINTED SERJEANT PAINTER TO THE KING.

baitverbUS /beɪt/

harass with persistent criticism or carping

From this reading This created much curious speculation, and, as he himself expresses it, "The bait soon took, and no Egyptian hieroglyphic ever amused more than it did for a time.

BEAUTYnounUS /ˈbjuːti/

the qualities that give pleasure to the senses

From this reading THE MOTIVES BY WHICH HOGARTH WAS INDUCED TO PUBLISH HIS ANALYSIS OF BEAUTY; THE ABUSE IT DREW UPON HIM, AND HIS VINDICATION OF HIMSELF AND THE VOLUME.

becomeverbUS /bɪˈkʌm/

enter or assume a certain state or condition

From this reading Hogarth finding his prints were become sufficiently numerous to form a handsome volume, in the year 1745[50] engraved his own portrait as a frontispiece.

BYprepositionUS /baɪ/

showing who or what does the action

From this reading THE MOTIVES BY WHICH HOGARTH WAS INDUCED TO PUBLISH HIS ANALYSIS OF BEAUTY; THE ABUSE IT DREW UPON HIM, AND HIS VINDICATION OF HIMSELF AND THE VOLUME.

cornernounUS /ˈkɔːrnər/

a place off to the side of an area

From this reading In one corner of the plate he introduced a painter's palette, on which was a waving line inscribed "The Line of Beauty."

createdverbUS /kriˈeɪtəd/

past form of “create” — make or cause to be or to become

From this reading This created much curious speculation, and, as he himself expresses it, "The bait soon took, and no Egyptian hieroglyphic ever amused more than it did for a time.

curiousadjectiveUS /ˈkjʊriəs/

beyond or deviating from the usual or expected

From this reading This created much curious speculation, and, as he himself expresses it, "The bait soon took, and no Egyptian hieroglyphic ever amused more than it did for a time.

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading This created much curious speculation, and, as he himself expresses it, "The bait soon took, and no Egyptian hieroglyphic ever amused more than it did for a time.

DREWnounUS /druː/

United States actor (born in Ireland); father of Georgiana Emma Barrymore (1827-1862)

From this reading THE MOTIVES BY WHICH HOGARTH WAS INDUCED TO PUBLISH HIS ANALYSIS OF BEAUTY; THE ABUSE IT DREW UPON HIM, AND HIS VINDICATION OF HIMSELF AND THE VOLUME.

EgyptiannounUS /ɪˈdʒɪpʃən/

a native or inhabitant of Egypt

From this reading This created much curious speculation, and, as he himself expresses it, "The bait soon took, and no Egyptian hieroglyphic ever amused more than it did for a time.

ELECTEDadjectiveUS /ɪˈlektəd/

subject to popular election

From this reading HE IS ELECTED A MEMBER OF THE IMPERIAL ACADEMY AT AUGSBURG, AND APPOINTED SERJEANT PAINTER TO THE KING.

engravedadjectiveUS /ɪnˈɡreɪvd/

cut or impressed into a surface

From this reading Hogarth finding his prints were become sufficiently numerous to form a handsome volume, in the year 1745[50] engraved his own portrait as a frontispiece.

everadverbUS /ˈevər/

at any time

From this reading This created much curious speculation, and, as he himself expresses it, "The bait soon took, and no Egyptian hieroglyphic ever amused more than it did for a time.

expressesnounUS /ɪkˈspresəz/

plural of “express” — mail that is distributed by a rapid and efficient system

From this reading This created much curious speculation, and, as he himself expresses it, "The bait soon took, and no Egyptian hieroglyphic ever amused more than it did for a time.

findingnounUS /ˈfaɪndɪŋ/

the act of determining the properties of something, usually by research or calculation

From this reading Hogarth finding his prints were become sufficiently numerous to form a handsome volume, in the year 1745[50] engraved his own portrait as a frontispiece.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading This created much curious speculation, and, as he himself expresses it, "The bait soon took, and no Egyptian hieroglyphic ever amused more than it did for a time.

formnounUS /fɔːrm/

the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading Hogarth finding his prints were become sufficiently numerous to form a handsome volume, in the year 1745[50] engraved his own portrait as a frontispiece.

frontispiecenoun

an ornamental facade

From this reading Hogarth finding his prints were become sufficiently numerous to form a handsome volume, in the year 1745[50] engraved his own portrait as a frontispiece.

handsomeadjectiveUS /ˈhænsəm/

pleasing in appearance especially by reason of conformity to ideals of form and proportion

From this reading Hogarth finding his prints were become sufficiently numerous to form a handsome volume, in the year 1745[50] engraved his own portrait as a frontispiece.

HEpronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading HE IS ELECTED A MEMBER OF THE IMPERIAL ACADEMY AT AUGSBURG, AND APPOINTED SERJEANT PAINTER TO THE KING.

hieroglyphicnounUS /ˌhaɪroʊˈɡlɪfɪk/

writing that resembles hieroglyphics (usually by being illegible)

From this reading This created much curious speculation, and, as he himself expresses it, "The bait soon took, and no Egyptian hieroglyphic ever amused more than it did for a time.

HIMpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading THE MOTIVES BY WHICH HOGARTH WAS INDUCED TO PUBLISH HIS ANALYSIS OF BEAUTY; THE ABUSE IT DREW UPON HIM, AND HIS VINDICATION OF HIMSELF AND THE VOLUME.

HIMSELFpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading THE MOTIVES BY WHICH HOGARTH WAS INDUCED TO PUBLISH HIS ANALYSIS OF BEAUTY; THE ABUSE IT DREW UPON HIM, AND HIS VINDICATION OF HIMSELF AND THE VOLUME.

HISdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading THE MOTIVES BY WHICH HOGARTH WAS INDUCED TO PUBLISH HIS ANALYSIS OF BEAUTY; THE ABUSE IT DREW UPON HIM, AND HIS VINDICATION OF HIMSELF AND THE VOLUME.

HOGARTHnounUS /ˈhoʊɡɑːrθ/

English artist noted for a series of engravings that satirized the affectations of his time (1697-1764)

From this reading THE MOTIVES BY WHICH HOGARTH WAS INDUCED TO PUBLISH HIS ANALYSIS OF BEAUTY; THE ABUSE IT DREW UPON HIM, AND HIS VINDICATION OF HIMSELF AND THE VOLUME.

IMPERIALadjectiveUS /ˌɪmˈpɪriəl/

relating to or associated with an empire

From this reading HE IS ELECTED A MEMBER OF THE IMPERIAL ACADEMY AT AUGSBURG, AND APPOINTED SERJEANT PAINTER TO THE KING.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Hogarth finding his prints were become sufficiently numerous to form a handsome volume, in the year 1745[50] engraved his own portrait as a frontispiece.

INDUCEDadjectiveUS /ˌɪnˈduːst/

brought about or caused; not spontaneous

From this reading THE MOTIVES BY WHICH HOGARTH WAS INDUCED TO PUBLISH HIS ANALYSIS OF BEAUTY; THE ABUSE IT DREW UPON HIM, AND HIS VINDICATION OF HIMSELF AND THE VOLUME.

inscribedadjectiveUS /ˌɪnˈskraɪbd/

written (by handwriting, printing, engraving, or carving) on or in a surface

From this reading In one corner of the plate he introduced a painter's palette, on which was a waving line inscribed "The Line of Beauty."

introducedverbUS /ˌɪntrəˈduːst/

past form of “introduce” — cause to come to know personally

From this reading In one corner of the plate he introduced a painter's palette, on which was a waving line inscribed "The Line of Beauty."

ISauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading HE IS ELECTED A MEMBER OF THE IMPERIAL ACADEMY AT AUGSBURG, AND APPOINTED SERJEANT PAINTER TO THE KING.

ITpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading THE MOTIVES BY WHICH HOGARTH WAS INDUCED TO PUBLISH HIS ANALYSIS OF BEAUTY; THE ABUSE IT DREW UPON HIM, AND HIS VINDICATION OF HIMSELF AND THE VOLUME.

KINGnounUS /kɪŋ/

a male sovereign; ruler of a kingdom

From this reading HE IS ELECTED A MEMBER OF THE IMPERIAL ACADEMY AT AUGSBURG, AND APPOINTED SERJEANT PAINTER TO THE KING.

linenounUS /laɪn/

a formation of people or things one beside another

From this reading In one corner of the plate he introduced a painter's palette, on which was a waving line inscribed "The Line of Beauty."

MEMBERnounUS /ˈmembər/

one of the persons who compose a social group (especially individuals who have joined and participate in a group organization)

From this reading HE IS ELECTED A MEMBER OF THE IMPERIAL ACADEMY AT AUGSBURG, AND APPOINTED SERJEANT PAINTER TO THE KING.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading This created much curious speculation, and, as he himself expresses it, "The bait soon took, and no Egyptian hieroglyphic ever amused more than it did for a time.

MOTIVESnounUS /ˈmoʊtɪvz/

plural of “motive” — the psychological feature that arouses an organism to action toward a desired goal; the reason for the action; that which gives purpose and direction to behavior

From this reading THE MOTIVES BY WHICH HOGARTH WAS INDUCED TO PUBLISH HIS ANALYSIS OF BEAUTY; THE ABUSE IT DREW UPON HIM, AND HIS VINDICATION OF HIMSELF AND THE VOLUME.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading This created much curious speculation, and, as he himself expresses it, "The bait soon took, and no Egyptian hieroglyphic ever amused more than it did for a time.

nodeterminerUS /noʊ/

not any; not one

From this reading This created much curious speculation, and, as he himself expresses it, "The bait soon took, and no Egyptian hieroglyphic ever amused more than it did for a time.

numerousadjectiveUS /ˈnuːmərəs/

amounting to a large indefinite number

From this reading Hogarth finding his prints were become sufficiently numerous to form a handsome volume, in the year 1745[50] engraved his own portrait as a frontispiece.

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading THE MOTIVES BY WHICH HOGARTH WAS INDUCED TO PUBLISH HIS ANALYSIS OF BEAUTY; THE ABUSE IT DREW UPON HIM, AND HIS VINDICATION OF HIMSELF AND THE VOLUME.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading In one corner of the plate he introduced a painter's palette, on which was a waving line inscribed "The Line of Beauty."

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading In one corner of the plate he introduced a painter's palette, on which was a waving line inscribed "The Line of Beauty."

ownverbUS /oʊn/

have ownership or possession of

From this reading Hogarth finding his prints were become sufficiently numerous to form a handsome volume, in the year 1745[50] engraved his own portrait as a frontispiece.

PAINTERnounUS /ˈpeɪntər/

an artist who paints

From this reading HE IS ELECTED A MEMBER OF THE IMPERIAL ACADEMY AT AUGSBURG, AND APPOINTED SERJEANT PAINTER TO THE KING.

painter'snounUS /ˈpeɪntərz/

possessive form of “painter” — an artist who paints

From this reading In one corner of the plate he introduced a painter's palette, on which was a waving line inscribed "The Line of Beauty."

palettenounUS /ˈpælət/

the range of colour characteristic of a particular artist or painting or school of art

From this reading In one corner of the plate he introduced a painter's palette, on which was a waving line inscribed "The Line of Beauty."

platenounUS /pleɪt/

(baseball) base consisting of a rubber slab where the batter stands; it must be touched by a base runner in order to score

From this reading In one corner of the plate he introduced a painter's palette, on which was a waving line inscribed "The Line of Beauty."

portraitnounUS /ˈpɔːrtrət/

a word picture of a person's appearance and character

From this reading Hogarth finding his prints were become sufficiently numerous to form a handsome volume, in the year 1745[50] engraved his own portrait as a frontispiece.

printsnounUS /prɪnts/

plural of “print” — the text appearing in a book, newspaper, or other printed publication

From this reading Hogarth finding his prints were become sufficiently numerous to form a handsome volume, in the year 1745[50] engraved his own portrait as a frontispiece.

PUBLISHverbUS /ˈpʌblɪʃ/

put into print

From this reading THE MOTIVES BY WHICH HOGARTH WAS INDUCED TO PUBLISH HIS ANALYSIS OF BEAUTY; THE ABUSE IT DREW UPON HIM, AND HIS VINDICATION OF HIMSELF AND THE VOLUME.

SERJEANTnoun

an English barrister of the highest rank

From this reading HE IS ELECTED A MEMBER OF THE IMPERIAL ACADEMY AT AUGSBURG, AND APPOINTED SERJEANT PAINTER TO THE KING.

soonadverbUS /suːn/

in the near future

From this reading This created much curious speculation, and, as he himself expresses it, "The bait soon took, and no Egyptian hieroglyphic ever amused more than it did for a time.

speculationnounUS /ˌspekjəˈleɪʃən/

a message expressing an opinion based on incomplete evidence

From this reading This created much curious speculation, and, as he himself expresses it, "The bait soon took, and no Egyptian hieroglyphic ever amused more than it did for a time.

sufficientlyadverbUS /səˈfɪʃəntli/

to a sufficient degree

From this reading Hogarth finding his prints were become sufficiently numerous to form a handsome volume, in the year 1745[50] engraved his own portrait as a frontispiece.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading This created much curious speculation, and, as he himself expresses it, "The bait soon took, and no Egyptian hieroglyphic ever amused more than it did for a time.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE MOTIVES BY WHICH HOGARTH WAS INDUCED TO PUBLISH HIS ANALYSIS OF BEAUTY; THE ABUSE IT DREW UPON HIM, AND HIS VINDICATION OF HIMSELF AND THE VOLUME.

ThisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading This created much curious speculation, and, as he himself expresses it, "The bait soon took, and no Egyptian hieroglyphic ever amused more than it did for a time.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading This created much curious speculation, and, as he himself expresses it, "The bait soon took, and no Egyptian hieroglyphic ever amused more than it did for a time.

TOparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading THE MOTIVES BY WHICH HOGARTH WAS INDUCED TO PUBLISH HIS ANALYSIS OF BEAUTY; THE ABUSE IT DREW UPON HIM, AND HIS VINDICATION OF HIMSELF AND THE VOLUME.

tookverbUS /tʊk/

inflected form of “take” — carry out

From this reading This created much curious speculation, and, as he himself expresses it, "The bait soon took, and no Egyptian hieroglyphic ever amused more than it did for a time.

UPONprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading THE MOTIVES BY WHICH HOGARTH WAS INDUCED TO PUBLISH HIS ANALYSIS OF BEAUTY; THE ABUSE IT DREW UPON HIM, AND HIS VINDICATION OF HIMSELF AND THE VOLUME.

VINDICATIONnounUS /vɪndəˈkeɪʃən/

the act of vindicating or defending against criticism or censure etc.

From this reading THE MOTIVES BY WHICH HOGARTH WAS INDUCED TO PUBLISH HIS ANALYSIS OF BEAUTY; THE ABUSE IT DREW UPON HIM, AND HIS VINDICATION OF HIMSELF AND THE VOLUME.

VOLUMEnounUS /ˈvɑːljuːm/

the amount of 3-dimensional space occupied by an object

From this reading THE MOTIVES BY WHICH HOGARTH WAS INDUCED TO PUBLISH HIS ANALYSIS OF BEAUTY; THE ABUSE IT DREW UPON HIM, AND HIS VINDICATION OF HIMSELF AND THE VOLUME.

WASauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading THE MOTIVES BY WHICH HOGARTH WAS INDUCED TO PUBLISH HIS ANALYSIS OF BEAUTY; THE ABUSE IT DREW UPON HIM, AND HIS VINDICATION OF HIMSELF AND THE VOLUME.

wavingnounUS /ˈweɪvɪŋ/

the act of signaling by a movement of the hand

From this reading In one corner of the plate he introduced a painter's palette, on which was a waving line inscribed "The Line of Beauty."

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading Hogarth finding his prints were become sufficiently numerous to form a handsome volume, in the year 1745[50] engraved his own portrait as a frontispiece.

WHICHpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading THE MOTIVES BY WHICH HOGARTH WAS INDUCED TO PUBLISH HIS ANALYSIS OF BEAUTY; THE ABUSE IT DREW UPON HIM, AND HIS VINDICATION OF HIMSELF AND THE VOLUME.

yearnounUS /jɪr/

a period of time containing 365 (or 366) days

From this reading Hogarth finding his prints were become sufficiently numerous to form a handsome volume, in the year 1745[50] engraved his own portrait as a frontispiece.

Chapter 5 of Hogarth's Works, with Life and Anecdotal — Volume 3 by John, -1808 Ireland holds 301 sentences, grouped into 61 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 5 of Hogarth's Works, with Life and Anecdotal — Volume 3 contain?

Chapter 5 holds 301 sentences of Hogarth's Works, with Life and Anecdotal — Volume 3, unabridged, divided into 61 reading sections.

This page carries chapter 5 of Hogarth's Works, with Life and Anecdotal — Volume 3 by John, -1808 Ireland exactly as it stands in the source edition, without abridgement. It runs to 301 sentences, grouped into 61 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 5 of Hogarth's Works, with Life and Anecdotal — Volume 3?

Work through the 61 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 61 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 5 be read aloud to me?

Yes — every sentence and every individual word in chapter 5 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Hogarth's Works, with Life and Anecdotal — Volume 3

Common questions about reading Hogarth's Works, with Life and Anecdotal — Volume 3 by John, -1808 Ireland on this page, its source edition and its audio.

Is this the complete text of Hogarth's Works, with Life and Anecdotal — Volume 3?

Yes. All 3525 sentences of Project Gutenberg eBook #52181 are kept, with a record of which sentences cover which part.

Which edition of Hogarth's Works, with Life and Anecdotal — Volume 3 is used?

Project Gutenberg eBook #52181, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Hogarth's Works, with Life and Anecdotal — Volume 3 take to read?

About 293 minutes of reading across 705 sections of 5 sentences each, at an unhurried pace.

How to read Hogarth's Works, with Life and Anecdotal — Volume 3 section by section

How to work through Hogarth's Works, with Life and Anecdotal — Volume 3 section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 6 chapters of Hogarth's Works, with Life and Anecdotal — Volume 3 to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Hogarth's Works, with Life and Anecdotal — Volume 3

Words and structures a reader meets early in Hogarth's Works, with Life and Anecdotal — Volume 3, each tappable for pronunciation and meaning.

Italic
A word that appears in the opening chapter of Hogarth's Works, with Life and Anecdotal — Volume 3; the reader can tap it to hear it and see its dictionary entry.
Denoted
A word that appears in the opening chapter of Hogarth's Works, with Life and Anecdotal — Volume 3; the reader can tap it to hear it and see its dictionary entry.
Underscores
A word that appears in the opening chapter of Hogarth's Works, with Life and Anecdotal — Volume 3; the reader can tap it to hear it and see its dictionary entry.
Superscript
A word that appears in the opening chapter of Hogarth's Works, with Life and Anecdotal — Volume 3; the reader can tap it to hear it and see its dictionary entry.