used before a singular noun to mean one of a group, when it is not a particular one
From this reading The particulars relative to the picture of "Sigismunda," Hogarth has himself inserted in his subscription-book, on the leaves of which he has pasted his correspondence with Lord Charlemont and Lord Grosvenor, and a proof print of MacArdell's copy from Correggio's picture.
the form of “a” used before a word that begins with a vowel sound
From this reading HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.
used to join words or parts of a sentence that go together
From this reading ORIGIN OF THE QUARREL WITH WILKES AND CHURCHILL, WHICH GAVE RISE TO THE PRINT OF THE BEAR, ETC.; AND THE ARTIST'S DEATH.
ARTIST'SnounUS /ˈɑːrtəsts/
possessive form of “artist” — a person whose creative work shows sensitivity and imagination
From this reading ORIGIN OF THE QUARREL WITH WILKES AND CHURCHILL, WHICH GAVE RISE TO THE PRINT OF THE BEAR, ETC.; AND THE ARTIST'S DEATH.
have
From this reading ORIGIN OF THE QUARREL WITH WILKES AND CHURCHILL, WHICH GAVE RISE TO THE PRINT OF THE BEAR, ETC.; AND THE ARTIST'S DEATH.
of the color intermediate between green and violet; having a color similar to that of a clear unclouded sky
From this reading In a little blue memorandum book he resumes the subject, and concludes with a narrative of his quarrel with Wilkes and Churchill, which ends with the word _Finis_.
a written work or composition that has been published (printed on pages bound together)
From this reading In a little blue memorandum book he resumes the subject, and concludes with a narrative of his quarrel with Wilkes and Churchill, which ends with the word _Finis_.
showing who or what does the action
From this reading HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.
CHARLEMONT
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.
CHURCHILLnounUS /ˈtʃɜːrtʃɪl/
English general considered one of the greatest generals in history (1650-1722)
From this reading ORIGIN OF THE QUARREL WITH WILKES AND CHURCHILL, WHICH GAVE RISE TO THE PRINT OF THE BEAR, ETC.; AND THE ARTIST'S DEATH.
concludesverbUS /kənˈkluːdz/
third-person singular of “conclude” — decide by reasoning; draw or come to a conclusion
From this reading In a little blue memorandum book he resumes the subject, and concludes with a narrative of his quarrel with Wilkes and Churchill, which ends with the word _Finis_.
CONTRASTEDverbUS /kənˈtræstəd/
past form of “contrast” — put in opposition to show or emphasize differences
From this reading HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.
a reproduction of a written record (e.g. of a legal or school record)
From this reading The particulars relative to the picture of "Sigismunda," Hogarth has himself inserted in his subscription-book, on the leaves of which he has pasted his correspondence with Lord Charlemont and Lord Grosvenor, and a proof print of MacArdell's copy from Correggio's picture.
Correggio's
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading The particulars relative to the picture of "Sigismunda," Hogarth has himself inserted in his subscription-book, on the leaves of which he has pasted his correspondence with Lord Charlemont and Lord Grosvenor, and a proof print of MacArdell's copy from Correggio's picture.
CORRESPONDENCEnounUS /ˌkɔːrəˈspɑːndəns/
communication by the exchange of letters
From this reading HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.
the event of dying or departure from life
From this reading ORIGIN OF THE QUARREL WITH WILKES AND CHURCHILL, WHICH GAVE RISE TO THE PRINT OF THE BEAR, ETC.; AND THE ARTIST'S DEATH.
plural of “end” — either extremity of something that has length
From this reading In a little blue memorandum book he resumes the subject, and concludes with a narrative of his quarrel with Wilkes and Churchill, which ends with the word _Finis_.
ETC
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading ORIGIN OF THE QUARREL WITH WILKES AND CHURCHILL, WHICH GAVE RISE TO THE PRINT OF THE BEAR, ETC.; AND THE ARTIST'S DEATH.
Finisnoun
the temporal end; the concluding time
From this reading In a little blue memorandum book he resumes the subject, and concludes with a narrative of his quarrel with Wilkes and Churchill, which ends with the word _Finis_.
intended to be given to, or used by, somebody
From this reading HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.
showing where something starts, or who sent it
From this reading HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.
inflected form of “give” — cause to have, in the abstract sense or physical sense
From this reading ORIGIN OF THE QUARREL WITH WILKES AND CHURCHILL, WHICH GAVE RISE TO THE PRINT OF THE BEAR, ETC.; AND THE ARTIST'S DEATH.
GROSVENOR
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.
HADauxiliary verbUS /hæd/
the past form of “have”, used to form the past perfect
From this reading HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.
hasauxiliary verbUS /hæz/
the form of “have” used with he, she, it, or a singular noun
From this reading The particulars relative to the picture of "Sigismunda," Hogarth has himself inserted in his subscription-book, on the leaves of which he has pasted his correspondence with Lord Charlemont and Lord Grosvenor, and a proof print of MacArdell's copy from Correggio's picture.
a man, boy, or male animal already mentioned, as the subject
From this reading HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.
used when the man or boy doing the action is also its object
From this reading The particulars relative to the picture of "Sigismunda," Hogarth has himself inserted in his subscription-book, on the leaves of which he has pasted his correspondence with Lord Charlemont and Lord Grosvenor, and a proof print of MacArdell's copy from Correggio's picture.
belonging to a man, boy, or male animal already mentioned
From this reading HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.
HogarthnounUS /ˈhoʊɡɑːrθ/
English artist noted for a series of engravings that satirized the affectations of his time (1697-1764)
From this reading The particulars relative to the picture of "Sigismunda," Hogarth has himself inserted in his subscription-book, on the leaves of which he has pasted his correspondence with Lord Charlemont and Lord Grosvenor, and a proof print of MacArdell's copy from Correggio's picture.
HOGARTH'S
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading HOGARTH'S INDUCEMENT TO PAINTING THE PICTURE OF SIGISMUNDA.
inside something, or within a place, period, or state
From this reading The particulars relative to the picture of "Sigismunda," Hogarth has himself inserted in his subscription-book, on the leaves of which he has pasted his correspondence with Lord Charlemont and Lord Grosvenor, and a proof print of MacArdell's copy from Correggio's picture.
INDUCEMENTnounUS /ˌɪnˈduːsmənt/
a positive motivational influence
From this reading HOGARTH'S INDUCEMENT TO PAINTING THE PICTURE OF SIGISMUNDA.
insertedverbUS /ˌɪnˈsɜːrtəd/
past form of “insert” — put or introduce into something
From this reading The particulars relative to the picture of "Sigismunda," Hogarth has himself inserted in his subscription-book, on the leaves of which he has pasted his correspondence with Lord Charlemont and Lord Grosvenor, and a proof print of MacArdell's copy from Correggio's picture.
arousing or holding the attention
From this reading HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.
plural of “leaf” — the main organ of photosynthesis and transpiration in higher plants
From this reading The particulars relative to the picture of "Sigismunda," Hogarth has himself inserted in his subscription-book, on the leaves of which he has pasted his correspondence with Lord Charlemont and Lord Grosvenor, and a proof print of MacArdell's copy from Correggio's picture.
the literary culture
From this reading HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.
limited or below average in number or quantity or magnitude or extent
From this reading In a little blue memorandum book he resumes the subject, and concludes with a narrative of his quarrel with Wilkes and Churchill, which ends with the word _Finis_.
terms referring to the Judeo-Christian God
From this reading HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.
MacArdell's
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading The particulars relative to the picture of "Sigismunda," Hogarth has himself inserted in his subscription-book, on the leaves of which he has pasted his correspondence with Lord Charlemont and Lord Grosvenor, and a proof print of MacArdell's copy from Correggio's picture.
memorandumnounUS /ˌmemərˈændəm/
a written proposal or reminder
From this reading In a little blue memorandum book he resumes the subject, and concludes with a narrative of his quarrel with Wilkes and Churchill, which ends with the word _Finis_.
narrativenounUS /ˈnærətɪv/
a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program
From this reading In a little blue memorandum book he resumes the subject, and concludes with a narrative of his quarrel with Wilkes and Churchill, which ends with the word _Finis_.
belonging to, or connected with, somebody or something
From this reading HOGARTH'S INDUCEMENT TO PAINTING THE PICTURE OF SIGISMUNDA.
touching and supported by a surface
From this reading HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.
ORIGINnounUS /ˈɔːrədʒən/
the place where something begins, where it springs into being
From this reading ORIGIN OF THE QUARREL WITH WILKES AND CHURCHILL, WHICH GAVE RISE TO THE PRINT OF THE BEAR, ETC.; AND THE ARTIST'S DEATH.
coated with paint
From this reading HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.
PAINTINGnounUS /ˈpeɪntɪŋ/
graphic art consisting of an artistic composition made by applying paints to a surface
From this reading HOGARTH'S INDUCEMENT TO PAINTING THE PICTURE OF SIGISMUNDA.
particularsnounUS /pərˈtɪkjələrz/
plural of “particular” — a fact about some part (as opposed to general)
From this reading The particulars relative to the picture of "Sigismunda," Hogarth has himself inserted in his subscription-book, on the leaves of which he has pasted his correspondence with Lord Charlemont and Lord Grosvenor, and a proof print of MacArdell's copy from Correggio's picture.
pastedadjectiveUS /ˈpeɪstɪd/
affixed or as if affixed with glue or paste
From this reading The particulars relative to the picture of "Sigismunda," Hogarth has himself inserted in his subscription-book, on the leaves of which he has pasted his correspondence with Lord Charlemont and Lord Grosvenor, and a proof print of MacArdell's copy from Correggio's picture.
a visual representation (of an object or scene or person or abstraction) produced on a surface
From this reading HOGARTH'S INDUCEMENT TO PAINTING THE PICTURE OF SIGISMUNDA.
PREVIOUSLYadverbUS /ˈpriːviəsli/
at an earlier time or formerly
From this reading HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.
PRINTnounUS /prɪnt/
the text appearing in a book, newspaper, or other printed publication
From this reading ORIGIN OF THE QUARREL WITH WILKES AND CHURCHILL, WHICH GAVE RISE TO THE PRINT OF THE BEAR, ETC.; AND THE ARTIST'S DEATH.
any factual evidence that helps to establish the truth of something
From this reading The particulars relative to the picture of "Sigismunda," Hogarth has himself inserted in his subscription-book, on the leaves of which he has pasted his correspondence with Lord Charlemont and Lord Grosvenor, and a proof print of MacArdell's copy from Correggio's picture.
an angry dispute
From this reading ORIGIN OF THE QUARREL WITH WILKES AND CHURCHILL, WHICH GAVE RISE TO THE PRINT OF THE BEAR, ETC.; AND THE ARTIST'S DEATH.
relativenounUS /ˈrelətɪv/
a person related by blood or marriage
From this reading The particulars relative to the picture of "Sigismunda," Hogarth has himself inserted in his subscription-book, on the leaves of which he has pasted his correspondence with Lord Charlemont and Lord Grosvenor, and a proof print of MacArdell's copy from Correggio's picture.
resumesnounUS /rɪˈzuːmz/
plural of “resume” — short descriptive summary (of events)
From this reading In a little blue memorandum book he resumes the subject, and concludes with a narrative of his quarrel with Wilkes and Churchill, which ends with the word _Finis_.
move upward
From this reading ORIGIN OF THE QUARREL WITH WILKES AND CHURCHILL, WHICH GAVE RISE TO THE PRINT OF THE BEAR, ETC.; AND THE ARTIST'S DEATH.
the place where some action occurs
From this reading HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.
SIGISMUNDA
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading HOGARTH'S INDUCEMENT TO PAINTING THE PICTURE OF SIGISMUNDA.
the subject matter of a conversation or discussion
From this reading HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.
subscription-book
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading The particulars relative to the picture of "Sigismunda," Hogarth has himself inserted in his subscription-book, on the leaves of which he has pasted his correspondence with Lord Charlemont and Lord Grosvenor, and a proof print of MacArdell's copy from Correggio's picture.
used before a noun that is already known, already mentioned, or the only one of its kind
From this reading HOGARTH'S INDUCEMENT TO PAINTING THE PICTURE OF SIGISMUNDA.
used for a person or thing that is near, or that has just been mentioned
From this reading HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.
used before the base form of a verb to make the infinitive
From this reading HOGARTH'S INDUCEMENT TO PAINTING THE PICTURE OF SIGISMUNDA.
the cardinal number that is the sum of one and one or a numeral representing this number
From this reading HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.
used to introduce a clause giving more about a thing just mentioned
From this reading ORIGIN OF THE QUARREL WITH WILKES AND CHURCHILL, WHICH GAVE RISE TO THE PRINT OF THE BEAR, ETC.; AND THE ARTIST'S DEATH.
the form of “who” used as the object of a verb or preposition
From this reading HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.
WILKESnounUS /wɪlks/
English reformer who published attacks on George III and supported the rights of the American colonists (1727-1797)
From this reading ORIGIN OF THE QUARREL WITH WILKES AND CHURCHILL, WHICH GAVE RISE TO THE PRINT OF THE BEAR, ETC.; AND THE ARTIST'S DEATH.
in the company of; together with
From this reading HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.
a unit of language that native speakers can identify
From this reading In a little blue memorandum book he resumes the subject, and concludes with a narrative of his quarrel with Wilkes and Churchill, which ends with the word _Finis_.