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Hogarth's Works, with Life and Anecdotal — Volume 3
Hogarth's Works, with Life and Anecdotal — Volume 3

Chapter VI

Chapter 6 of Hogarth's Works, with Life and Anecdotal — Volume 3 is here in full — 2740 sentences across 548 reading sections, with audio for every sentence and word.

Cover illustration for Hogarth's Works, with Life and Anecdotal — Volume 3
Context Illustration Reading 1/548 · 5 lines
English subtitles · tap any word to listen 1 / 5
HOGARTH'S INDUCEMENT TO PAINTING THE PICTURE OF SIGISMUNDA.
HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.
ORIGIN OF THE QUARREL WITH WILKES AND CHURCHILL, WHICH GAVE RISE TO THE PRINT OF THE BEAR, ETC.; AND THE ARTIST'S DEATH.
The particulars relative to the picture of "Sigismunda," Hogarth has himself inserted in his subscription-book, on the leaves of which he has pasted his correspondence with Lord Charlemont and Lord Grosvenor, and a proof print of MacArdell's copy from Correggio's picture.
In a little blue memorandum book he resumes the subject, and concludes with a narrative of his quarrel with Wilkes and Churchill, which ends with the word _Finis_.
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Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Hogarth's Works, with Life and Anecdotal — Volume 3

Chapter VI

Chapter 6 of Hogarth's Works, with Life and Anecdotal — Volume 3 is here in full — 2740 sentences across 548 reading sections, with audio for every sentence and word.

Reading 1/548 · 5 reading units · Lines 1–5

Line 1
HOGARTH'S INDUCEMENT TO PAINTING THE PICTURE OF SIGISMUNDA.
Line 2
HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.
Line 3
ORIGIN OF THE QUARREL WITH WILKES AND CHURCHILL, WHICH GAVE RISE TO THE PRINT OF THE BEAR, ETC.; AND THE ARTIST'S DEATH.
Line 4
The particulars relative to the picture of "Sigismunda," Hogarth has himself inserted in his subscription-book, on the leaves of which he has pasted his correspondence with Lord Charlemont and Lord Grosvenor, and a proof print of MacArdell's copy from Correggio's picture.
Line 5
In a little blue memorandum book he resumes the subject, and concludes with a narrative of his quarrel with Wilkes and Churchill, which ends with the word _Finis_.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

artist's noun US /ˈɑːrtəsts/

possessive form of “artist” — a person whose creative work shows sensitivity and imagination

From this reading “ORIGIN OF THE QUARREL WITH WILKES AND CHURCHILL, WHICH GAVE RISE TO THE PRINT OF THE BEAR, ETC.; AND THE ARTIST'S DEATH.”

concludes verb US /kənˈkluːdz/

third-person singular of “conclude” — decide by reasoning; draw or come to a conclusion

From this reading “In a little blue memorandum book he resumes the subject, and concludes with a narrative of his quarrel with Wilkes and Churchill, which ends with the word _Finis_.”

Hogarth noun US /ˈhoʊɡɑːrθ/

English artist noted for a series of engravings that satirized the affectations of his time (1697-1764)

From this reading “HOGARTH'S INDUCEMENT TO PAINTING THE PICTURE OF SIGISMUNDA.”

inducement noun US /ˌɪnˈduːsmənt/

a positive motivational influence

From this reading “HOGARTH'S INDUCEMENT TO PAINTING THE PICTURE OF SIGISMUNDA.”

memorandum noun US /ˌmemərˈændəm/

a written proposal or reminder

From this reading “In a little blue memorandum book he resumes the subject, and concludes with a narrative of his quarrel with Wilkes and Churchill, which ends with the word _Finis_.”

pasted adjective US /ˈpeɪstɪd/

affixed or as if affixed with glue or paste

From this reading “The particulars relative to the picture of "Sigismunda," Hogarth has himself inserted in his subscription-book, on the leaves of which he has pasted his correspondence with Lord Charlemont and Lord Grosvenor, and a proof print of MacArdell's copy from Correggio's picture.”

resumes noun US /rɪˈzuːmz/

plural of “resume” — short descriptive summary (of events)

From this reading “In a little blue memorandum book he resumes the subject, and concludes with a narrative of his quarrel with Wilkes and Churchill, which ends with the word _Finis_.”

wilkes noun US /wɪlks/

English reformer who published attacks on George III and supported the rights of the American colonists (1727-1797)

From this reading “ORIGIN OF THE QUARREL WITH WILKES AND CHURCHILL, WHICH GAVE RISE TO THE PRINT OF THE BEAR, ETC.; AND THE ARTIST'S DEATH.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

memorandum book noun + noun

In this reading “In a little blue memorandum book he resumes the subject, and concludes with a narrative of his quarrel with Wilkes and Churchill, which ends with the word _Finis_.”

TWO LETTERS noun + noun

In this reading “HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.”

resumes the subject verb + article + noun counted as “resume … subject”

In this reading “In a little blue memorandum book he resumes the subject, and concludes with a narrative of his quarrel with Wilkes and Churchill, which ends with the word _Finis_.”

INTERESTING SCENE adjective + noun

In this reading “HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.”

inserted in verb + particle counted as “insert in”

In this reading “The particulars relative to the picture of "Sigismunda," Hogarth has himself inserted in his subscription-book, on the leaves of which he has pasted his correspondence with Lord Charlemont and Lord Grosvenor, and a proof print of MacArdell's copy from Correggio's picture.”

All words in this reading · 69

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading The particulars relative to the picture of "Sigismunda," Hogarth has himself inserted in his subscription-book, on the leaves of which he has pasted his correspondence with Lord Charlemont and Lord Grosvenor, and a proof print of MacArdell's copy from Correggio's picture.

ANdeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.

ANDconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading ORIGIN OF THE QUARREL WITH WILKES AND CHURCHILL, WHICH GAVE RISE TO THE PRINT OF THE BEAR, ETC.; AND THE ARTIST'S DEATH.

ARTIST'SnounUS /ˈɑːrtəsts/

possessive form of “artist” — a person whose creative work shows sensitivity and imagination

From this reading ORIGIN OF THE QUARREL WITH WILKES AND CHURCHILL, WHICH GAVE RISE TO THE PRINT OF THE BEAR, ETC.; AND THE ARTIST'S DEATH.

BEARverbUS /ber/

have

From this reading ORIGIN OF THE QUARREL WITH WILKES AND CHURCHILL, WHICH GAVE RISE TO THE PRINT OF THE BEAR, ETC.; AND THE ARTIST'S DEATH.

blueadjectiveUS /bluː/

of the color intermediate between green and violet; having a color similar to that of a clear unclouded sky

From this reading In a little blue memorandum book he resumes the subject, and concludes with a narrative of his quarrel with Wilkes and Churchill, which ends with the word _Finis_.

booknounUS /bʊk/

a written work or composition that has been published (printed on pages bound together)

From this reading In a little blue memorandum book he resumes the subject, and concludes with a narrative of his quarrel with Wilkes and Churchill, which ends with the word _Finis_.

BYprepositionUS /baɪ/

showing who or what does the action

From this reading HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.

CHARLEMONT

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.

CHURCHILLnounUS /ˈtʃɜːrtʃɪl/

English general considered one of the greatest generals in history (1650-1722)

From this reading ORIGIN OF THE QUARREL WITH WILKES AND CHURCHILL, WHICH GAVE RISE TO THE PRINT OF THE BEAR, ETC.; AND THE ARTIST'S DEATH.

concludesverbUS /kənˈkluːdz/

third-person singular of “conclude” — decide by reasoning; draw or come to a conclusion

From this reading In a little blue memorandum book he resumes the subject, and concludes with a narrative of his quarrel with Wilkes and Churchill, which ends with the word _Finis_.

CONTRASTEDverbUS /kənˈtræstəd/

past form of “contrast” — put in opposition to show or emphasize differences

From this reading HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.

copynounUS /ˈkɑːpi/

a reproduction of a written record (e.g. of a legal or school record)

From this reading The particulars relative to the picture of "Sigismunda," Hogarth has himself inserted in his subscription-book, on the leaves of which he has pasted his correspondence with Lord Charlemont and Lord Grosvenor, and a proof print of MacArdell's copy from Correggio's picture.

Correggio's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The particulars relative to the picture of "Sigismunda," Hogarth has himself inserted in his subscription-book, on the leaves of which he has pasted his correspondence with Lord Charlemont and Lord Grosvenor, and a proof print of MacArdell's copy from Correggio's picture.

CORRESPONDENCEnounUS /ˌkɔːrəˈspɑːndəns/

communication by the exchange of letters

From this reading HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.

DEATHnounUS /deθ/

the event of dying or departure from life

From this reading ORIGIN OF THE QUARREL WITH WILKES AND CHURCHILL, WHICH GAVE RISE TO THE PRINT OF THE BEAR, ETC.; AND THE ARTIST'S DEATH.

endsnounUS /endz/

plural of “end” — either extremity of something that has length

From this reading In a little blue memorandum book he resumes the subject, and concludes with a narrative of his quarrel with Wilkes and Churchill, which ends with the word _Finis_.

ETC

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ORIGIN OF THE QUARREL WITH WILKES AND CHURCHILL, WHICH GAVE RISE TO THE PRINT OF THE BEAR, ETC.; AND THE ARTIST'S DEATH.

Finisnoun

the temporal end; the concluding time

From this reading In a little blue memorandum book he resumes the subject, and concludes with a narrative of his quarrel with Wilkes and Churchill, which ends with the word _Finis_.

FORprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.

FROMprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.

GAVEverbUS /ɡeɪv/

inflected form of “give” — cause to have, in the abstract sense or physical sense

From this reading ORIGIN OF THE QUARREL WITH WILKES AND CHURCHILL, WHICH GAVE RISE TO THE PRINT OF THE BEAR, ETC.; AND THE ARTIST'S DEATH.

GROSVENOR

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.

HADauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading The particulars relative to the picture of "Sigismunda," Hogarth has himself inserted in his subscription-book, on the leaves of which he has pasted his correspondence with Lord Charlemont and Lord Grosvenor, and a proof print of MacArdell's copy from Correggio's picture.

HEpronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.

himselfpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading The particulars relative to the picture of "Sigismunda," Hogarth has himself inserted in his subscription-book, on the leaves of which he has pasted his correspondence with Lord Charlemont and Lord Grosvenor, and a proof print of MacArdell's copy from Correggio's picture.

HISdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.

HogarthnounUS /ˈhoʊɡɑːrθ/

English artist noted for a series of engravings that satirized the affectations of his time (1697-1764)

From this reading The particulars relative to the picture of "Sigismunda," Hogarth has himself inserted in his subscription-book, on the leaves of which he has pasted his correspondence with Lord Charlemont and Lord Grosvenor, and a proof print of MacArdell's copy from Correggio's picture.

HOGARTH'S

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading HOGARTH'S INDUCEMENT TO PAINTING THE PICTURE OF SIGISMUNDA.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading The particulars relative to the picture of "Sigismunda," Hogarth has himself inserted in his subscription-book, on the leaves of which he has pasted his correspondence with Lord Charlemont and Lord Grosvenor, and a proof print of MacArdell's copy from Correggio's picture.

INDUCEMENTnounUS /ˌɪnˈduːsmənt/

a positive motivational influence

From this reading HOGARTH'S INDUCEMENT TO PAINTING THE PICTURE OF SIGISMUNDA.

insertedverbUS /ˌɪnˈsɜːrtəd/

past form of “insert” — put or introduce into something

From this reading The particulars relative to the picture of "Sigismunda," Hogarth has himself inserted in his subscription-book, on the leaves of which he has pasted his correspondence with Lord Charlemont and Lord Grosvenor, and a proof print of MacArdell's copy from Correggio's picture.

INTERESTINGadjectiveUS /ˈɪntrəstɪŋ/

arousing or holding the attention

From this reading HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.

leavesnounUS /liːvz/

plural of “leaf” — the main organ of photosynthesis and transpiration in higher plants

From this reading The particulars relative to the picture of "Sigismunda," Hogarth has himself inserted in his subscription-book, on the leaves of which he has pasted his correspondence with Lord Charlemont and Lord Grosvenor, and a proof print of MacArdell's copy from Correggio's picture.

LETTERSnounUS /ˈletərz/

the literary culture

From this reading HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading In a little blue memorandum book he resumes the subject, and concludes with a narrative of his quarrel with Wilkes and Churchill, which ends with the word _Finis_.

LORDnounUS /lɔːrd/

terms referring to the Judeo-Christian God

From this reading HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.

MacArdell's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The particulars relative to the picture of "Sigismunda," Hogarth has himself inserted in his subscription-book, on the leaves of which he has pasted his correspondence with Lord Charlemont and Lord Grosvenor, and a proof print of MacArdell's copy from Correggio's picture.

memorandumnounUS /ˌmemərˈændəm/

a written proposal or reminder

From this reading In a little blue memorandum book he resumes the subject, and concludes with a narrative of his quarrel with Wilkes and Churchill, which ends with the word _Finis_.

narrativenounUS /ˈnærətɪv/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading In a little blue memorandum book he resumes the subject, and concludes with a narrative of his quarrel with Wilkes and Churchill, which ends with the word _Finis_.

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading HOGARTH'S INDUCEMENT TO PAINTING THE PICTURE OF SIGISMUNDA.

ONprepositionUS /ɑːn/

touching and supported by a surface

From this reading HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.

ORIGINnounUS /ˈɔːrədʒən/

the place where something begins, where it springs into being

From this reading ORIGIN OF THE QUARREL WITH WILKES AND CHURCHILL, WHICH GAVE RISE TO THE PRINT OF THE BEAR, ETC.; AND THE ARTIST'S DEATH.

PAINTEDadjectiveUS /ˈpeɪntɪd/

coated with paint

From this reading HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.

PAINTINGnounUS /ˈpeɪntɪŋ/

graphic art consisting of an artistic composition made by applying paints to a surface

From this reading HOGARTH'S INDUCEMENT TO PAINTING THE PICTURE OF SIGISMUNDA.

particularsnounUS /pərˈtɪkjələrz/

plural of “particular” — a fact about some part (as opposed to general)

From this reading The particulars relative to the picture of "Sigismunda," Hogarth has himself inserted in his subscription-book, on the leaves of which he has pasted his correspondence with Lord Charlemont and Lord Grosvenor, and a proof print of MacArdell's copy from Correggio's picture.

pastedadjectiveUS /ˈpeɪstɪd/

affixed or as if affixed with glue or paste

From this reading The particulars relative to the picture of "Sigismunda," Hogarth has himself inserted in his subscription-book, on the leaves of which he has pasted his correspondence with Lord Charlemont and Lord Grosvenor, and a proof print of MacArdell's copy from Correggio's picture.

PICTUREnounUS /ˈpɪktʃər/

a visual representation (of an object or scene or person or abstraction) produced on a surface

From this reading HOGARTH'S INDUCEMENT TO PAINTING THE PICTURE OF SIGISMUNDA.

PREVIOUSLYadverbUS /ˈpriːviəsli/

at an earlier time or formerly

From this reading HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.

PRINTnounUS /prɪnt/

the text appearing in a book, newspaper, or other printed publication

From this reading ORIGIN OF THE QUARREL WITH WILKES AND CHURCHILL, WHICH GAVE RISE TO THE PRINT OF THE BEAR, ETC.; AND THE ARTIST'S DEATH.

proofnounUS /pruːf/

any factual evidence that helps to establish the truth of something

From this reading The particulars relative to the picture of "Sigismunda," Hogarth has himself inserted in his subscription-book, on the leaves of which he has pasted his correspondence with Lord Charlemont and Lord Grosvenor, and a proof print of MacArdell's copy from Correggio's picture.

QUARRELnounUS /ˈkwɔːrəl/

an angry dispute

From this reading ORIGIN OF THE QUARREL WITH WILKES AND CHURCHILL, WHICH GAVE RISE TO THE PRINT OF THE BEAR, ETC.; AND THE ARTIST'S DEATH.

relativenounUS /ˈrelətɪv/

a person related by blood or marriage

From this reading The particulars relative to the picture of "Sigismunda," Hogarth has himself inserted in his subscription-book, on the leaves of which he has pasted his correspondence with Lord Charlemont and Lord Grosvenor, and a proof print of MacArdell's copy from Correggio's picture.

resumesnounUS /rɪˈzuːmz/

plural of “resume” — short descriptive summary (of events)

From this reading In a little blue memorandum book he resumes the subject, and concludes with a narrative of his quarrel with Wilkes and Churchill, which ends with the word _Finis_.

RISEverbUS /raɪz/

move upward

From this reading ORIGIN OF THE QUARREL WITH WILKES AND CHURCHILL, WHICH GAVE RISE TO THE PRINT OF THE BEAR, ETC.; AND THE ARTIST'S DEATH.

SCENEnounUS /siːn/

the place where some action occurs

From this reading HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.

SIGISMUNDA

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading HOGARTH'S INDUCEMENT TO PAINTING THE PICTURE OF SIGISMUNDA.

SUBJECTnounUS /səbˈdʒekt/

the subject matter of a conversation or discussion

From this reading HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.

subscription-book

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The particulars relative to the picture of "Sigismunda," Hogarth has himself inserted in his subscription-book, on the leaves of which he has pasted his correspondence with Lord Charlemont and Lord Grosvenor, and a proof print of MacArdell's copy from Correggio's picture.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading HOGARTH'S INDUCEMENT TO PAINTING THE PICTURE OF SIGISMUNDA.

THISdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.

TOparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading HOGARTH'S INDUCEMENT TO PAINTING THE PICTURE OF SIGISMUNDA.

TWOnounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.

WHICHpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading ORIGIN OF THE QUARREL WITH WILKES AND CHURCHILL, WHICH GAVE RISE TO THE PRINT OF THE BEAR, ETC.; AND THE ARTIST'S DEATH.

WHOMpronounUS /huːm/

the form of “who” used as the object of a verb or preposition

From this reading HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.

WILKESnounUS /wɪlks/

English reformer who published attacks on George III and supported the rights of the American colonists (1727-1797)

From this reading ORIGIN OF THE QUARREL WITH WILKES AND CHURCHILL, WHICH GAVE RISE TO THE PRINT OF THE BEAR, ETC.; AND THE ARTIST'S DEATH.

WITHprepositionUS /wɪð/

in the company of; together with

From this reading HIS CORRESPONDENCE WITH LORD GROSVENOR ON THIS SUBJECT, CONTRASTED BY TWO LETTERS FROM LORD CHARLEMONT, FOR WHOM HE HAD PREVIOUSLY PAINTED AN INTERESTING SCENE.

wordnounUS /wɜːrd/

a unit of language that native speakers can identify

From this reading In a little blue memorandum book he resumes the subject, and concludes with a narrative of his quarrel with Wilkes and Churchill, which ends with the word _Finis_.

Chapter 6 of Hogarth's Works, with Life and Anecdotal — Volume 3 by John, -1808 Ireland holds 2740 sentences, grouped into 548 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 6 of Hogarth's Works, with Life and Anecdotal — Volume 3 contain?

Chapter 6 holds 2740 sentences of Hogarth's Works, with Life and Anecdotal — Volume 3, unabridged, divided into 548 reading sections.

This page carries chapter 6 of Hogarth's Works, with Life and Anecdotal — Volume 3 by John, -1808 Ireland exactly as it stands in the source edition, without abridgement. It runs to 2740 sentences, grouped into 548 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 6 of Hogarth's Works, with Life and Anecdotal — Volume 3?

Work through the 548 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 548 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 6 be read aloud to me?

Yes — every sentence and every individual word in chapter 6 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Hogarth's Works, with Life and Anecdotal — Volume 3

Common questions about reading Hogarth's Works, with Life and Anecdotal — Volume 3 by John, -1808 Ireland on this page, its source edition and its audio.

Is this the complete text of Hogarth's Works, with Life and Anecdotal — Volume 3?

Yes. All 3525 sentences of Project Gutenberg eBook #52181 are kept, with a record of which sentences cover which part.

Which edition of Hogarth's Works, with Life and Anecdotal — Volume 3 is used?

Project Gutenberg eBook #52181, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Hogarth's Works, with Life and Anecdotal — Volume 3 take to read?

About 293 minutes of reading across 705 sections of 5 sentences each, at an unhurried pace.

How to read Hogarth's Works, with Life and Anecdotal — Volume 3 section by section

How to work through Hogarth's Works, with Life and Anecdotal — Volume 3 section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 6 chapters of Hogarth's Works, with Life and Anecdotal — Volume 3 to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Hogarth's Works, with Life and Anecdotal — Volume 3

Words and structures a reader meets early in Hogarth's Works, with Life and Anecdotal — Volume 3, each tappable for pronunciation and meaning.

Italic
A word that appears in the opening chapter of Hogarth's Works, with Life and Anecdotal — Volume 3; the reader can tap it to hear it and see its dictionary entry.
Denoted
A word that appears in the opening chapter of Hogarth's Works, with Life and Anecdotal — Volume 3; the reader can tap it to hear it and see its dictionary entry.
Underscores
A word that appears in the opening chapter of Hogarth's Works, with Life and Anecdotal — Volume 3; the reader can tap it to hear it and see its dictionary entry.
Superscript
A word that appears in the opening chapter of Hogarth's Works, with Life and Anecdotal — Volume 3; the reader can tap it to hear it and see its dictionary entry.