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Hours in a Library, Volume 2
Hours in a Library, Volume 2

Chapter IV

Chapter 4 of Hours in a Library, Volume 2 is here in full — 399 sentences across 80 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/79 · 5 lines
English subtitles · tap any word to listen 1 / 5
It is time, however, to stop.
More might be said by a qualified writer of Hazlitt's merits as a judge of pictures or of the stage.
The same literary qualities mark all his writings.
De Quincey, of course, condemns Hazlitt, as he does Lamb, for a want of 'continuity.'
'No man can be eloquent,' he says, 'whose thoughts are abrupt, insulated, capricious, and nonsequacious.'
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Hours in a Library, Volume 2

Chapter IV

Chapter 4 of Hours in a Library, Volume 2 is here in full — 399 sentences across 80 reading sections, with audio for every sentence and word.

Reading 1/79 · 5 reading units · Lines 1–5

Line 1
It is time, however, to stop.
/ɪt ɪz taɪm ˌhaʊˈevər tuː stɑːp/
Line 2
More might be said by a qualified writer of Hazlitt's merits as a judge of pictures or of the stage.
Line 3
The same literary qualities mark all his writings.
/ðə seɪm ˈlɪtəreri ˈkwɑːlətiz mɑːrk ɔːl hɪz ˈraɪtɪŋz/
Line 4
De Quincey, of course, condemns Hazlitt, as he does Lamb, for a want of 'continuity.'
Line 5
'No man can be eloquent,' he says, 'whose thoughts are abrupt, insulated, capricious, and nonsequacious.'

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

abrupt adjective US /əˈbrʌpt/

marked by sudden changes in subject and sharp transitions

From this reading “'No man can be eloquent,' he says, 'whose thoughts are abrupt, insulated, capricious, and nonsequacious.'”

capricious adjective US /kəˈprɪʃəs/

changeable

From this reading “'No man can be eloquent,' he says, 'whose thoughts are abrupt, insulated, capricious, and nonsequacious.'”

condemns verb US /kənˈdemz/

third-person singular of “condemn” — express strong disapproval of

From this reading “De Quincey, of course, condemns Hazlitt, as he does Lamb, for a want of 'continuity.'”

continuity noun US /ˌkɑːntəˈnuːəti/

uninterrupted connection or union

From this reading “De Quincey, of course, condemns Hazlitt, as he does Lamb, for a want of 'continuity.'”

insulated verb US /ˈɪnsəleɪtəd/

past form of “insulate” — protect from heat, cold, or noise by surrounding with insulating material

From this reading “'No man can be eloquent,' he says, 'whose thoughts are abrupt, insulated, capricious, and nonsequacious.'”

merits noun US /ˈmerəts/

plural of “merit” — any admirable quality or attribute

From this reading “More might be said by a qualified writer of Hazlitt's merits as a judge of pictures or of the stage.”

qualified adjective US /ˈkwɑːləfaɪd/

meeting the proper standards and requirements and training for an office or position or task

From this reading “More might be said by a qualified writer of Hazlitt's merits as a judge of pictures or of the stage.”

writings noun US /ˈraɪtɪŋz/

the third of three divisions of the Hebrew Scriptures

From this reading “The same literary qualities mark all his writings.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

literary qualities adjective + noun counted as “literary quality”

In this reading “The same literary qualities mark all his writings.”

of course preposition + noun

as might be expected

In this reading “De Quincey, of course, condemns Hazlitt, as he does Lamb, for a want of 'continuity.'”

judge of verb + particle

In this reading “More might be said by a qualified writer of Hazlitt's merits as a judge of pictures or of the stage.”

All words in this reading · 54

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading More might be said by a qualified writer of Hazlitt's merits as a judge of pictures or of the stage.

abruptadjectiveUS /əˈbrʌpt/

marked by sudden changes in subject and sharp transitions

From this reading 'No man can be eloquent,' he says, 'whose thoughts are abrupt, insulated, capricious, and nonsequacious.'

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading The same literary qualities mark all his writings.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading 'No man can be eloquent,' he says, 'whose thoughts are abrupt, insulated, capricious, and nonsequacious.'

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading 'No man can be eloquent,' he says, 'whose thoughts are abrupt, insulated, capricious, and nonsequacious.'

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading More might be said by a qualified writer of Hazlitt's merits as a judge of pictures or of the stage.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading More might be said by a qualified writer of Hazlitt's merits as a judge of pictures or of the stage.

byprepositionUS /baɪ/

showing who or what does the action

From this reading More might be said by a qualified writer of Hazlitt's merits as a judge of pictures or of the stage.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading 'No man can be eloquent,' he says, 'whose thoughts are abrupt, insulated, capricious, and nonsequacious.'

capriciousadjectiveUS /kəˈprɪʃəs/

changeable

From this reading 'No man can be eloquent,' he says, 'whose thoughts are abrupt, insulated, capricious, and nonsequacious.'

condemnsverbUS /kənˈdemz/

third-person singular of “condemn” — express strong disapproval of

From this reading De Quincey, of course, condemns Hazlitt, as he does Lamb, for a want of 'continuity.'

continuitynounUS /ˌkɑːntəˈnuːəti/

uninterrupted connection or union

From this reading De Quincey, of course, condemns Hazlitt, as he does Lamb, for a want of 'continuity.'

coursenounUS /kɔːrs/

education imparted in a series of lessons or meetings

From this reading De Quincey, of course, condemns Hazlitt, as he does Lamb, for a want of 'continuity.'

DenounUS /diː/

a Mid-Atlantic state; one of the original 13 colonies

From this reading De Quincey, of course, condemns Hazlitt, as he does Lamb, for a want of 'continuity.'

doesauxiliary verbUS /dʌz/

the form of “do” used with he, she, it, or a singular noun

From this reading De Quincey, of course, condemns Hazlitt, as he does Lamb, for a want of 'continuity.'

eloquentadjectiveUS /ˈeləkwənt/

expressing yourself readily, clearly, effectively

From this reading 'No man can be eloquent,' he says, 'whose thoughts are abrupt, insulated, capricious, and nonsequacious.'

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading De Quincey, of course, condemns Hazlitt, as he does Lamb, for a want of 'continuity.'

Hazlittnoun

English essayist and literary critic (1778-1830)

From this reading De Quincey, of course, condemns Hazlitt, as he does Lamb, for a want of 'continuity.'

Hazlitt's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading More might be said by a qualified writer of Hazlitt's merits as a judge of pictures or of the stage.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading De Quincey, of course, condemns Hazlitt, as he does Lamb, for a want of 'continuity.'

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading The same literary qualities mark all his writings.

howeveradverbUS /ˌhaʊˈevər/

used to add a contrasting statement

From this reading It is time, however, to stop.

insulatedverbUS /ˈɪnsəleɪtəd/

past form of “insulate” — protect from heat, cold, or noise by surrounding with insulating material

From this reading 'No man can be eloquent,' he says, 'whose thoughts are abrupt, insulated, capricious, and nonsequacious.'

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading It is time, however, to stop.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It is time, however, to stop.

judgeverbUS /dʒʌdʒ/

determine the result of (a competition)

From this reading More might be said by a qualified writer of Hazlitt's merits as a judge of pictures or of the stage.

LambnounUS /læm/

young sheep

From this reading De Quincey, of course, condemns Hazlitt, as he does Lamb, for a want of 'continuity.'

literaryadjectiveUS /ˈlɪtəreri/

of or relating to or characteristic of literature

From this reading The same literary qualities mark all his writings.

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading 'No man can be eloquent,' he says, 'whose thoughts are abrupt, insulated, capricious, and nonsequacious.'

markverbUS /mɑːrk/

attach a tag or label to

From this reading The same literary qualities mark all his writings.

meritsnounUS /ˈmerəts/

plural of “merit” — any admirable quality or attribute

From this reading More might be said by a qualified writer of Hazlitt's merits as a judge of pictures or of the stage.

mightmodal verbUS /maɪt/

used to say something is possible but not certain

From this reading More might be said by a qualified writer of Hazlitt's merits as a judge of pictures or of the stage.

MoreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading More might be said by a qualified writer of Hazlitt's merits as a judge of pictures or of the stage.

NodeterminerUS /noʊ/

not any; not one

From this reading 'No man can be eloquent,' he says, 'whose thoughts are abrupt, insulated, capricious, and nonsequacious.'

nonsequacious

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 'No man can be eloquent,' he says, 'whose thoughts are abrupt, insulated, capricious, and nonsequacious.'

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading More might be said by a qualified writer of Hazlitt's merits as a judge of pictures or of the stage.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading More might be said by a qualified writer of Hazlitt's merits as a judge of pictures or of the stage.

picturesnounUS /ˈpɪktʃərz/

plural of “picture” — a visual representation (of an object or scene or person or abstraction) produced on a surface

From this reading More might be said by a qualified writer of Hazlitt's merits as a judge of pictures or of the stage.

qualifiedadjectiveUS /ˈkwɑːləfaɪd/

meeting the proper standards and requirements and training for an office or position or task

From this reading More might be said by a qualified writer of Hazlitt's merits as a judge of pictures or of the stage.

qualitiesnounUS /ˈkwɑːlətiz/

plural of “quality” — an essential and distinguishing attribute of something or someone

From this reading The same literary qualities mark all his writings.

Quincey

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading De Quincey, of course, condemns Hazlitt, as he does Lamb, for a want of 'continuity.'

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading More might be said by a qualified writer of Hazlitt's merits as a judge of pictures or of the stage.

sameadjectiveUS /seɪm/

Identical; not different.

From this reading The same literary qualities mark all his writings.

saysnounUS /sez/

plural of “say” — the chance to speak

From this reading 'No man can be eloquent,' he says, 'whose thoughts are abrupt, insulated, capricious, and nonsequacious.'

stagenounUS /steɪdʒ/

any distinct time period in a sequence of events

From this reading More might be said by a qualified writer of Hazlitt's merits as a judge of pictures or of the stage.

stopverbUS /stɑːp/

come to a halt, stop moving

From this reading It is time, however, to stop.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading More might be said by a qualified writer of Hazlitt's merits as a judge of pictures or of the stage.

thoughtsnounUS /θɔːts/

plural of “thought” — the content of cognition; the main thing you are thinking about

From this reading 'No man can be eloquent,' he says, 'whose thoughts are abrupt, insulated, capricious, and nonsequacious.'

timenounUS /taɪm/

an instance or single occasion for some event

From this reading It is time, however, to stop.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading It is time, however, to stop.

wantverbUS /wɑːnt/

feel or have a desire for; want strongly

From this reading De Quincey, of course, condemns Hazlitt, as he does Lamb, for a want of 'continuity.'

whosedeterminerUS /huːz/

belonging to which person

From this reading 'No man can be eloquent,' he says, 'whose thoughts are abrupt, insulated, capricious, and nonsequacious.'

writernounUS /ˈraɪtər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading More might be said by a qualified writer of Hazlitt's merits as a judge of pictures or of the stage.

writingsnounUS /ˈraɪtɪŋz/

the third of three divisions of the Hebrew Scriptures

From this reading The same literary qualities mark all his writings.

Chapter 4 of Hours in a Library, Volume 2 by Leslie Stephen holds 399 sentences, grouped into 80 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 4 of Hours in a Library, Volume 2 contain?

Chapter 4 holds 399 sentences of Hours in a Library, Volume 2, unabridged, divided into 80 reading sections.

This page carries chapter 4 of Hours in a Library, Volume 2 by Leslie Stephen exactly as it stands in the source edition, without abridgement. It runs to 399 sentences, grouped into 80 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 4 of Hours in a Library, Volume 2?

Work through the 80 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 80 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 4 be read aloud to me?

Yes — every sentence and every individual word in chapter 4 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Hours in a Library, Volume 2

Common questions about reading Hours in a Library, Volume 2 by Leslie Stephen on this page, its source edition and its audio.

Is this the complete text of Hours in a Library, Volume 2?

Yes. All 4443 sentences of Project Gutenberg eBook #30336 are kept, with a record of which sentences cover which part.

Which edition of Hours in a Library, Volume 2 is used?

Project Gutenberg eBook #30336, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Hours in a Library, Volume 2 take to read?

About 370 minutes of reading across 889 sections of 5 sentences each, at an unhurried pace.

How to read Hours in a Library, Volume 2 section by section

How to work through Hours in a Library, Volume 2 section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 11 chapters of Hours in a Library, Volume 2 to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Hours in a Library, Volume 2

Words and structures a reader meets early in Hours in a Library, Volume 2, each tappable for pronunciation and meaning.

Complete
A word that appears in the opening chapter of Hours in a Library, Volume 2; the reader can tap it to hear it and see its dictionary entry.
Please
A word that appears in the opening chapter of Hours in a Library, Volume 2; the reader can tap it to hear it and see its dictionary entry.
Bottom
A word that appears in the opening chapter of Hours in a Library, Volume 2; the reader can tap it to hear it and see its dictionary entry.
Document
A word that appears in the opening chapter of Hours in a Library, Volume 2; the reader can tap it to hear it and see its dictionary entry.