used before a singular noun to mean one of a group, when it is not a particular one
From this reading A SEQUEL TO “FAIR PLAY.”
ABBEYnounUS /ˈæbi/
a church associated with a monastery or convent
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
ALLWORTH
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
writes (books or stories or articles or the like) professionally (for pay)
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
BEAUTIESnounUS /ˈbjuːtiz/
plural of “beauty” — the qualities that give pleasure to the senses
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
BRIDALadjectiveUS /ˈbraɪdəl/
of or relating to a wedding
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
a woman who has recently been married
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
BRIDESnounUS /braɪdz/
plural of “bride” — a woman who has recently been married
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
made or become different in nature or form
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
CLIFTON
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
profane or obscene expression usually of surprise or anger
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
a fat-soluble vitamin that prevents rickets
From this reading EMMA D. E. N. SOUTHWORTH.
absence of light or illumination
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
a female human offspring
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
forsaken by owner or inhabitants
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
DISCARDEDadjectiveUS /dɪˈskɑːrdɪd/
thrown away
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
a fat-soluble vitamin that is essential for normal reproduction; an important antioxidant that neutralizes free radicals in the body
From this reading EMMA D. E. N. SOUTHWORTH.
EMMA
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading EMMA D. E. N. SOUTHWORTH.
ETC
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
(Old Testament) Adam's wife in Judeo-Christian mythology: the first woman and mother of the human race; God created Eve from Adam's rib and placed Adam and Eve in the Garden of Eden
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
free from favoritism or self-interest or bias or deception; conforming with established standards or rules
From this reading A SEQUEL TO “FAIR PLAY.”
having dropped by the force of gravity
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
FATALadjectiveUS /ˈfeɪtəl/
bringing death
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
an unknown and unpredictable phenomenon that causes an event to result one way rather than another
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
GIPSY'S
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
HAUNTEDadjectiveUS /ˈhɔːntɪd/
having or showing excessive or compulsive concern with something
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
a man, boy, or male animal already mentioned, as the subject
From this reading HOW HE WON HER.
HEIRESSnounUS /ˈerəs/
a female heir
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
belonging to a woman, girl, or female animal already mentioned
From this reading HOW HE WON HER.
HOMESTEADnounUS /ˈhoʊmsted/
the home and adjacent grounds occupied by a family
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
HOW
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading HOW HE WON HER.
a republic in the Asian subcontinent in southern Asia; second most populous country in the world; achieved independence from the United Kingdom in 1947
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
ISLEnounUS /aɪl/
a small island
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
a social class comprising those who do manual labor or work for wages
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
a polite name for any woman
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
LLEWELLYN
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
no longer in your possession or control; unable to be found or recovered
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
LOVE'SnounUS /lʌvz/
possessive form of “love” — a strong positive emotion of regard and affection
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
the state of being a married couple voluntarily joined for life (or until divorce)
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
not able to be found
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
MOTHER-IN-LAWnounUS /ˈmʌðərɪnlɔː/
the mother of your spouse
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
a form of address for a married woman
From this reading MRS.
a common nonmetallic element that is normally a colorless odorless tasteless inert diatomic gas; constitutes 78 percent of the atmosphere by volume; a constituent of all living tissues
From this reading EMMA D. E. N. SOUTHWORTH.
belonging to, or connected with, somebody or something
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
participate in games or sport
From this reading A SEQUEL TO “FAIR PLAY.”
a feeling of self-respect and personal worth
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
a male member of a royal family other than the sovereign (especially the son of a sovereign)
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
PROPHECYnounUS /ˈprɒf.ə.si/
A prediction of what will happen in the future, often divinely or magically inspired.
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
RETRIBUTIONnounUS /ˌret.rəˈbjuː.ʃən/
Punishment inflicted on someone as vengeance for a wrong act. (Sự trừng phạt, quả báo thích đáng.)
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
SEEKERnounUS /ˈsiːkər/
someone making a search or inquiry
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
SEQUELnounUS /ˈsiːkwəl/
something that follows something else
From this reading A SEQUEL TO “FAIR PLAY.”
plural of “sister” — a female person who has the same parents as another person
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
a male human offspring
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
SOUTHWORTH
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading EMMA D. E. N. SOUTHWORTH.
used before a noun that is already known, already mentioned, or the only one of its kind
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
the cardinal number that is the sum of one and one and one
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
used before the base form of a verb to make the infinitive
From this reading A SEQUEL TO “FAIR PLAY.”
the cardinal number that is the sum of one and one or a numeral representing this number
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
a successful ending of a struggle or contest
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
VIVIA
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
WIDOW'SnounUS /ˈwɪdoʊz/
possessive form of “widow” — a woman whose husband is dead especially one who has not remarried
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
a married woman; a man's partner in marriage
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
WIFE'SnounUS /waɪfs/
possessive form of “wife” — a married woman; a man's partner in marriage
From this reading AUTHOR OF “FAIR PLAY,” “THE WIDOW’S SON,” “THE BRIDE OF LLEWELLYN,” “HAUNTED HOMESTEAD,” “RETRIBUTION,” “THE DISCARDED DAUGHTER,” “THE LOST HEIRESS,” “THE FORTUNE SEEKER,” “ALLWORTH ABBEY,” “THE FATAL MARRIAGE,” “THE MISSING BRIDE,” “THE TWO SISTERS,” “THE BRIDAL EVE,” “LADY OF THE ISLE,” “GIPSY’S PROPHECY,” “VIVIA,” “WIFE’S VICTORY,” “MOTHER-IN-LAW,” “INDIA,” “THE THREE BEAUTIES,” “THE CURSE OF CLIFTON,” “THE DESERTED WIFE,” “LOVE’S LABOR WON,” “FALLEN PRIDE,” “THE CHANGED BRIDES,” “THE PRINCE OF DARKNESS,” ETC., ETC.
the basic unit of money in South Korea
From this reading HOW HE WON HER.