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How to Amuse Yourself and Others
How to Amuse Yourself and Others

Chapter XXI

Chapter 21 of How to Amuse Yourself and Others is here in full — 93 sentences across 19 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/18 · 5 lines
English subtitles · tap any word to listen 1 / 5
HOW TO PAINT IN WATER-COLORS.
THERE is a certain charm in water-color paintinga charm distinctly its ownwhich lies, as Penley says, in the beauty and truthfulness of its aerial tones.”
Without this quality a water-color, as a water-color, is a failure.
This transparency of effect does not depend alone upon the manner of painting or the colors employed, but much rests with the paper we use.
In the days when our mothers and grandmothers were taught painting at school, the finest, smoothest cardboard was thought necessary; but we have since learned that the flat, smooth paper tends decidedly toward producing a flat, smooth effect in the picture painted upon it, while the rough, uneven surface of the paper now in use helps to produce depth and atmosphere.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

How to Amuse Yourself and Others

Chapter XXI

Chapter 21 of How to Amuse Yourself and Others is here in full — 93 sentences across 19 reading sections, with audio for every sentence and word.

Reading 1/18 · 5 reading units · Lines 1–5

Line 1
HOW TO PAINT IN WATER-COLORS.
Line 2
THERE is a certain charm in water-color paintinga charm distinctly its ownwhich lies, as Penley says, “in the beauty and truthfulness of its aerial tones.”
Line 3
Without this quality a water-color, as a water-color, is a failure.
Line 4
This transparency of effect does not depend alone upon the manner of painting or the colors employed, but much rests with the paper we use.
/ðɪs trænˈsperənsi ʌv ɪˈfekt dʌz nɑːt dɪˈpend əˈloʊn əˈpɑːn ðə ˈmænər ʌv ˈpeɪntɪŋ ɔːr ðə ˈkʌlərz emˈplɔɪd bʌt mʌtʃ rests wɪð ðə ˈpeɪpər wiː juːs/
Line 5
In the days when our mothers and grandmothers were taught painting at school, the finest, smoothest cardboard was thought necessary; but we have since learned that the flat, smooth paper tends decidedly toward producing a flat, smooth effect in the picture painted upon it, while the rough, uneven surface of the paper now in use helps to produce depth and atmosphere.
/ɪn ðə deɪz wen ˈaʊər ˈmʌðərz ənd ˈɡrændmʌðərz wɜːr tɔːt ˈpeɪntɪŋ æt skuːl ðə ˈfaɪnəst ˈsmuːðəst ˈkɑːrdbɔːrd wɑːz θɔːt ˈnesəseri bʌt wiː hæv sɪns lɜːrnd ðæt ðə flæt smuːð ˈpeɪpər tendz ˌdɪˈsaɪdədli təˈwɔːrd prəˈduːsɪŋ ə flæt smuːð ɪˈfekt ɪn ðə ˈpɪktʃər ˈpeɪntɪd əˈpɑːn ɪt waɪl ðə rʌf əˈniːvən ˈsɜːrfəs ʌv ðə ˈpeɪpər naʊ ɪn juːs helps tuː prəˈduːs depθ ənd ˈætməsfɪr/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

aerial noun US /ˈeriəl/

a pass to a receiver downfield from the passer

From this reading “THERE is a certain charm in water-color painting—a charm distinctly its own—which lies, as Penley says, “in the beauty and truthfulness of its aerial tones.””

cardboard noun US /ˈkɑːrdbɔːrd/

a stiff moderately thick paper

From this reading “In the days when our mothers and grandmothers were taught painting at school, the finest, smoothest cardboard was thought necessary; but we have since learned that the flat, smooth paper tends decidedly toward producing a flat, smooth effect in the picture painted upon it, while the rough, uneven surface of the paper now in use helps to produce depth and atmosphere.”

grandmothers noun US /ˈɡrændmʌðərz/

plural of “grandmother” — the mother of your father or mother

From this reading “In the days when our mothers and grandmothers were taught painting at school, the finest, smoothest cardboard was thought necessary; but we have since learned that the flat, smooth paper tends decidedly toward producing a flat, smooth effect in the picture painted upon it, while the rough, uneven surface of the paper now in use helps to produce depth and atmosphere.”

smoothest adjective US /ˈsmuːðəst/

superlative of “smooth” — having a surface free from roughness or bumps or ridges or irregularities

From this reading “In the days when our mothers and grandmothers were taught painting at school, the finest, smoothest cardboard was thought necessary; but we have since learned that the flat, smooth paper tends decidedly toward producing a flat, smooth effect in the picture painted upon it, while the rough, uneven surface of the paper now in use helps to produce depth and atmosphere.”

tends verb US /tendz/

third-person singular of “tend” — have a tendency or disposition to do or be something; be inclined

From this reading “In the days when our mothers and grandmothers were taught painting at school, the finest, smoothest cardboard was thought necessary; but we have since learned that the flat, smooth paper tends decidedly toward producing a flat, smooth effect in the picture painted upon it, while the rough, uneven surface of the paper now in use helps to produce depth and atmosphere.”

transparency noun US /trænˈsperənsi/

permitting the free passage of electromagnetic radiation

From this reading “This transparency of effect does not depend alone upon the manner of painting or the colors employed, but much rests with the paper we use.”

truthfulness noun US /ˈtruːθfəlnəs/

the quality of being truthful

From this reading “THERE is a certain charm in water-color painting—a charm distinctly its own—which lies, as Penley says, “in the beauty and truthfulness of its aerial tones.””

uneven adjective US /əˈniːvən/

not even or uniform as e.g. in shape or texture

From this reading “In the days when our mothers and grandmothers were taught painting at school, the finest, smoothest cardboard was thought necessary; but we have since learned that the flat, smooth paper tends decidedly toward producing a flat, smooth effect in the picture painted upon it, while the rough, uneven surface of the paper now in use helps to produce depth and atmosphere.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

certain charm adjective + noun

In this reading “THERE is a certain charm in water-color painting—a charm distinctly its own—which lies, as Penley says, “in the beauty and truthfulness of its aerial tones.””

at school preposition + noun

In this reading “In the days when our mothers and grandmothers were taught painting at school, the finest, smoothest cardboard was thought necessary; but we have since learned that the flat, smooth paper tends decidedly toward producing a flat, smooth effect in the picture painted upon it, while the rough, uneven surface of the paper now in use helps to produce depth and atmosphere.”

All words in this reading · 86

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading THERE is a certain charm in water-color painting—a charm distinctly its own—which lies, as Penley says, “in the beauty and truthfulness of its aerial tones.”

aerialnounUS /ˈeriəl/

a pass to a receiver downfield from the passer

From this reading THERE is a certain charm in water-color painting—a charm distinctly its own—which lies, as Penley says, “in the beauty and truthfulness of its aerial tones.”

aloneadjectiveUS /əˈloʊn/

Having no one else present.

From this reading This transparency of effect does not depend alone upon the manner of painting or the colors employed, but much rests with the paper we use.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading THERE is a certain charm in water-color painting—a charm distinctly its own—which lies, as Penley says, “in the beauty and truthfulness of its aerial tones.”

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading THERE is a certain charm in water-color painting—a charm distinctly its own—which lies, as Penley says, “in the beauty and truthfulness of its aerial tones.”

atprepositionUS /æt/

in or near a particular place or position

From this reading In the days when our mothers and grandmothers were taught painting at school, the finest, smoothest cardboard was thought necessary; but we have since learned that the flat, smooth paper tends decidedly toward producing a flat, smooth effect in the picture painted upon it, while the rough, uneven surface of the paper now in use helps to produce depth and atmosphere.

atmospherenounUS /ˈætməsfɪr/

a particular environment or surrounding influence

From this reading In the days when our mothers and grandmothers were taught painting at school, the finest, smoothest cardboard was thought necessary; but we have since learned that the flat, smooth paper tends decidedly toward producing a flat, smooth effect in the picture painted upon it, while the rough, uneven surface of the paper now in use helps to produce depth and atmosphere.

beautynounUS /ˈbjuːti/

the qualities that give pleasure to the senses

From this reading THERE is a certain charm in water-color painting—a charm distinctly its own—which lies, as Penley says, “in the beauty and truthfulness of its aerial tones.”

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading This transparency of effect does not depend alone upon the manner of painting or the colors employed, but much rests with the paper we use.

cardboardnounUS /ˈkɑːrdbɔːrd/

a stiff moderately thick paper

From this reading In the days when our mothers and grandmothers were taught painting at school, the finest, smoothest cardboard was thought necessary; but we have since learned that the flat, smooth paper tends decidedly toward producing a flat, smooth effect in the picture painted upon it, while the rough, uneven surface of the paper now in use helps to produce depth and atmosphere.

certainadjectiveUS /ˈsɜːrtən/

definite but not specified or identified

From this reading THERE is a certain charm in water-color painting—a charm distinctly its own—which lies, as Penley says, “in the beauty and truthfulness of its aerial tones.”

charmnounUS /tʃɑːrm/

attractiveness that interests or pleases or stimulates

From this reading THERE is a certain charm in water-color painting—a charm distinctly its own—which lies, as Penley says, “in the beauty and truthfulness of its aerial tones.”

colorsnounUS /ˈkʌlərz/

a flag that shows its nationality

From this reading This transparency of effect does not depend alone upon the manner of painting or the colors employed, but much rests with the paper we use.

daysnounUS /deɪz/

the time during which someone's life continues

From this reading In the days when our mothers and grandmothers were taught painting at school, the finest, smoothest cardboard was thought necessary; but we have since learned that the flat, smooth paper tends decidedly toward producing a flat, smooth effect in the picture painted upon it, while the rough, uneven surface of the paper now in use helps to produce depth and atmosphere.

decidedlyadverbUS /ˌdɪˈsaɪdədli/

without question and beyond doubt

From this reading In the days when our mothers and grandmothers were taught painting at school, the finest, smoothest cardboard was thought necessary; but we have since learned that the flat, smooth paper tends decidedly toward producing a flat, smooth effect in the picture painted upon it, while the rough, uneven surface of the paper now in use helps to produce depth and atmosphere.

dependverbUS /dɪˈpend/

be contingent upon (something that is elided)

From this reading This transparency of effect does not depend alone upon the manner of painting or the colors employed, but much rests with the paper we use.

depthnounUS /depθ/

the extent downward or backward or inward

From this reading In the days when our mothers and grandmothers were taught painting at school, the finest, smoothest cardboard was thought necessary; but we have since learned that the flat, smooth paper tends decidedly toward producing a flat, smooth effect in the picture painted upon it, while the rough, uneven surface of the paper now in use helps to produce depth and atmosphere.

distinctlyadverbUS /dɪˈstɪŋktli/

clear to the mind; with distinct mental discernment

From this reading THERE is a certain charm in water-color painting—a charm distinctly its own—which lies, as Penley says, “in the beauty and truthfulness of its aerial tones.”

doesauxiliary verbUS /dʌz/

the form of “do” used with he, she, it, or a singular noun

From this reading This transparency of effect does not depend alone upon the manner of painting or the colors employed, but much rests with the paper we use.

effectnounUS /ɪˈfekt/

a phenomenon that follows and is caused by some previous phenomenon

From this reading This transparency of effect does not depend alone upon the manner of painting or the colors employed, but much rests with the paper we use.

employedadjectiveUS /emˈplɔɪd/

having your services engaged for; or having a job especially one that pays wages or a salary

From this reading This transparency of effect does not depend alone upon the manner of painting or the colors employed, but much rests with the paper we use.

failurenounUS /ˈfeɪljər/

an act that fails

From this reading Without this quality a water-color, as a water-color, is a failure.

finestadjectiveUS /ˈfaɪnəst/

superlative of “fine” — being satisfactory or in satisfactory condition

From this reading In the days when our mothers and grandmothers were taught painting at school, the finest, smoothest cardboard was thought necessary; but we have since learned that the flat, smooth paper tends decidedly toward producing a flat, smooth effect in the picture painted upon it, while the rough, uneven surface of the paper now in use helps to produce depth and atmosphere.

flatadjectiveUS /flæt/

having a surface without slope, tilt in which no part is higher or lower than another

From this reading In the days when our mothers and grandmothers were taught painting at school, the finest, smoothest cardboard was thought necessary; but we have since learned that the flat, smooth paper tends decidedly toward producing a flat, smooth effect in the picture painted upon it, while the rough, uneven surface of the paper now in use helps to produce depth and atmosphere.

grandmothersnounUS /ˈɡrændmʌðərz/

plural of “grandmother” — the mother of your father or mother

From this reading In the days when our mothers and grandmothers were taught painting at school, the finest, smoothest cardboard was thought necessary; but we have since learned that the flat, smooth paper tends decidedly toward producing a flat, smooth effect in the picture painted upon it, while the rough, uneven surface of the paper now in use helps to produce depth and atmosphere.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading In the days when our mothers and grandmothers were taught painting at school, the finest, smoothest cardboard was thought necessary; but we have since learned that the flat, smooth paper tends decidedly toward producing a flat, smooth effect in the picture painted upon it, while the rough, uneven surface of the paper now in use helps to produce depth and atmosphere.

helpsnounUS /helps/

plural of “help” — the activity of contributing to the fulfillment of a need or furtherance of an effort or purpose

From this reading In the days when our mothers and grandmothers were taught painting at school, the finest, smoothest cardboard was thought necessary; but we have since learned that the flat, smooth paper tends decidedly toward producing a flat, smooth effect in the picture painted upon it, while the rough, uneven surface of the paper now in use helps to produce depth and atmosphere.

HOW

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading HOW TO PAINT IN WATER-COLORS.

INprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading HOW TO PAINT IN WATER-COLORS.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading THERE is a certain charm in water-color painting—a charm distinctly its own—which lies, as Penley says, “in the beauty and truthfulness of its aerial tones.”

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading In the days when our mothers and grandmothers were taught painting at school, the finest, smoothest cardboard was thought necessary; but we have since learned that the flat, smooth paper tends decidedly toward producing a flat, smooth effect in the picture painted upon it, while the rough, uneven surface of the paper now in use helps to produce depth and atmosphere.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading THERE is a certain charm in water-color painting—a charm distinctly its own—which lies, as Penley says, “in the beauty and truthfulness of its aerial tones.”

learnedadjectiveUS /lɜːrnd/

having or showing profound knowledge

From this reading In the days when our mothers and grandmothers were taught painting at school, the finest, smoothest cardboard was thought necessary; but we have since learned that the flat, smooth paper tends decidedly toward producing a flat, smooth effect in the picture painted upon it, while the rough, uneven surface of the paper now in use helps to produce depth and atmosphere.

liesnounUS /laɪz/

plural of “lie” — a statement that deviates from or perverts the truth

From this reading THERE is a certain charm in water-color painting—a charm distinctly its own—which lies, as Penley says, “in the beauty and truthfulness of its aerial tones.”

mannernounUS /ˈmænər/

how something is done or how it happens

From this reading This transparency of effect does not depend alone upon the manner of painting or the colors employed, but much rests with the paper we use.

mothersnounUS /ˈmʌðərz/

plural of “mother” — a woman who has given birth to a child (also used as a term of address to your mother)

From this reading In the days when our mothers and grandmothers were taught painting at school, the finest, smoothest cardboard was thought necessary; but we have since learned that the flat, smooth paper tends decidedly toward producing a flat, smooth effect in the picture painted upon it, while the rough, uneven surface of the paper now in use helps to produce depth and atmosphere.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading This transparency of effect does not depend alone upon the manner of painting or the colors employed, but much rests with the paper we use.

necessaryadjectiveUS /ˈnesəseri/

absolutely essential

From this reading In the days when our mothers and grandmothers were taught painting at school, the finest, smoothest cardboard was thought necessary; but we have since learned that the flat, smooth paper tends decidedly toward producing a flat, smooth effect in the picture painted upon it, while the rough, uneven surface of the paper now in use helps to produce depth and atmosphere.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading This transparency of effect does not depend alone upon the manner of painting or the colors employed, but much rests with the paper we use.

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading In the days when our mothers and grandmothers were taught painting at school, the finest, smoothest cardboard was thought necessary; but we have since learned that the flat, smooth paper tends decidedly toward producing a flat, smooth effect in the picture painted upon it, while the rough, uneven surface of the paper now in use helps to produce depth and atmosphere.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading THERE is a certain charm in water-color painting—a charm distinctly its own—which lies, as Penley says, “in the beauty and truthfulness of its aerial tones.”

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading This transparency of effect does not depend alone upon the manner of painting or the colors employed, but much rests with the paper we use.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading In the days when our mothers and grandmothers were taught painting at school, the finest, smoothest cardboard was thought necessary; but we have since learned that the flat, smooth paper tends decidedly toward producing a flat, smooth effect in the picture painted upon it, while the rough, uneven surface of the paper now in use helps to produce depth and atmosphere.

ownverbUS /oʊn/

have ownership or possession of

From this reading THERE is a certain charm in water-color painting—a charm distinctly its own—which lies, as Penley says, “in the beauty and truthfulness of its aerial tones.”

PAINTverbUS /peɪnt/

make a painting

From this reading HOW TO PAINT IN WATER-COLORS.

paintedadjectiveUS /ˈpeɪntɪd/

coated with paint

From this reading In the days when our mothers and grandmothers were taught painting at school, the finest, smoothest cardboard was thought necessary; but we have since learned that the flat, smooth paper tends decidedly toward producing a flat, smooth effect in the picture painted upon it, while the rough, uneven surface of the paper now in use helps to produce depth and atmosphere.

paintingnounUS /ˈpeɪntɪŋ/

graphic art consisting of an artistic composition made by applying paints to a surface

From this reading THERE is a certain charm in water-color painting—a charm distinctly its own—which lies, as Penley says, “in the beauty and truthfulness of its aerial tones.”

papernounUS /ˈpeɪpər/

a material made of cellulose pulp derived mainly from wood or rags or certain grasses

From this reading This transparency of effect does not depend alone upon the manner of painting or the colors employed, but much rests with the paper we use.

Penley

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THERE is a certain charm in water-color painting—a charm distinctly its own—which lies, as Penley says, “in the beauty and truthfulness of its aerial tones.”

picturenounUS /ˈpɪktʃər/

a visual representation (of an object or scene or person or abstraction) produced on a surface

From this reading In the days when our mothers and grandmothers were taught painting at school, the finest, smoothest cardboard was thought necessary; but we have since learned that the flat, smooth paper tends decidedly toward producing a flat, smooth effect in the picture painted upon it, while the rough, uneven surface of the paper now in use helps to produce depth and atmosphere.

produceverbUS /prəˈduːs/

bring forth or yield

From this reading In the days when our mothers and grandmothers were taught painting at school, the finest, smoothest cardboard was thought necessary; but we have since learned that the flat, smooth paper tends decidedly toward producing a flat, smooth effect in the picture painted upon it, while the rough, uneven surface of the paper now in use helps to produce depth and atmosphere.

producingverbUS /prəˈduːsɪŋ/

-ing form of “produce” — bring forth or yield

From this reading In the days when our mothers and grandmothers were taught painting at school, the finest, smoothest cardboard was thought necessary; but we have since learned that the flat, smooth paper tends decidedly toward producing a flat, smooth effect in the picture painted upon it, while the rough, uneven surface of the paper now in use helps to produce depth and atmosphere.

qualitynounUS /ˈkwɑːləti/

an essential and distinguishing attribute of something or someone

From this reading Without this quality a water-color, as a water-color, is a failure.

restsnounUS /rests/

plural of “rest” — something left after other parts have been taken away

From this reading This transparency of effect does not depend alone upon the manner of painting or the colors employed, but much rests with the paper we use.

roughadjectiveUS /rʌf/

having or caused by an irregular surface

From this reading In the days when our mothers and grandmothers were taught painting at school, the finest, smoothest cardboard was thought necessary; but we have since learned that the flat, smooth paper tends decidedly toward producing a flat, smooth effect in the picture painted upon it, while the rough, uneven surface of the paper now in use helps to produce depth and atmosphere.

saysnounUS /sez/

plural of “say” — the chance to speak

From this reading THERE is a certain charm in water-color painting—a charm distinctly its own—which lies, as Penley says, “in the beauty and truthfulness of its aerial tones.”

schoolnounUS /skuːl/

an educational institution

From this reading In the days when our mothers and grandmothers were taught painting at school, the finest, smoothest cardboard was thought necessary; but we have since learned that the flat, smooth paper tends decidedly toward producing a flat, smooth effect in the picture painted upon it, while the rough, uneven surface of the paper now in use helps to produce depth and atmosphere.

sinceprepositionUS /sɪns/

from a time in the past until now

From this reading In the days when our mothers and grandmothers were taught painting at school, the finest, smoothest cardboard was thought necessary; but we have since learned that the flat, smooth paper tends decidedly toward producing a flat, smooth effect in the picture painted upon it, while the rough, uneven surface of the paper now in use helps to produce depth and atmosphere.

smoothadjectiveUS /smuːð/

having a surface free from roughness or bumps or ridges or irregularities

From this reading In the days when our mothers and grandmothers were taught painting at school, the finest, smoothest cardboard was thought necessary; but we have since learned that the flat, smooth paper tends decidedly toward producing a flat, smooth effect in the picture painted upon it, while the rough, uneven surface of the paper now in use helps to produce depth and atmosphere.

smoothestadjectiveUS /ˈsmuːðəst/

superlative of “smooth” — having a surface free from roughness or bumps or ridges or irregularities

From this reading In the days when our mothers and grandmothers were taught painting at school, the finest, smoothest cardboard was thought necessary; but we have since learned that the flat, smooth paper tends decidedly toward producing a flat, smooth effect in the picture painted upon it, while the rough, uneven surface of the paper now in use helps to produce depth and atmosphere.

surfacenounUS /ˈsɜːrfəs/

the outer boundary of an artifact or a material layer constituting or resembling such a boundary

From this reading In the days when our mothers and grandmothers were taught painting at school, the finest, smoothest cardboard was thought necessary; but we have since learned that the flat, smooth paper tends decidedly toward producing a flat, smooth effect in the picture painted upon it, while the rough, uneven surface of the paper now in use helps to produce depth and atmosphere.

taughtverbUS /tɔːt/

inflected form of “teach” — impart skills or knowledge to

From this reading In the days when our mothers and grandmothers were taught painting at school, the finest, smoothest cardboard was thought necessary; but we have since learned that the flat, smooth paper tends decidedly toward producing a flat, smooth effect in the picture painted upon it, while the rough, uneven surface of the paper now in use helps to produce depth and atmosphere.

tendsverbUS /tendz/

third-person singular of “tend” — have a tendency or disposition to do or be something; be inclined

From this reading In the days when our mothers and grandmothers were taught painting at school, the finest, smoothest cardboard was thought necessary; but we have since learned that the flat, smooth paper tends decidedly toward producing a flat, smooth effect in the picture painted upon it, while the rough, uneven surface of the paper now in use helps to produce depth and atmosphere.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading In the days when our mothers and grandmothers were taught painting at school, the finest, smoothest cardboard was thought necessary; but we have since learned that the flat, smooth paper tends decidedly toward producing a flat, smooth effect in the picture painted upon it, while the rough, uneven surface of the paper now in use helps to produce depth and atmosphere.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THERE is a certain charm in water-color painting—a charm distinctly its own—which lies, as Penley says, “in the beauty and truthfulness of its aerial tones.”

THEREadverbUS /ðer/

in or at that place or location

From this reading THERE is a certain charm in water-color painting—a charm distinctly its own—which lies, as Penley says, “in the beauty and truthfulness of its aerial tones.”

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading Without this quality a water-color, as a water-color, is a failure.

thoughtnounUS /θɔːt/

the content of cognition; the main thing you are thinking about

From this reading In the days when our mothers and grandmothers were taught painting at school, the finest, smoothest cardboard was thought necessary; but we have since learned that the flat, smooth paper tends decidedly toward producing a flat, smooth effect in the picture painted upon it, while the rough, uneven surface of the paper now in use helps to produce depth and atmosphere.

TOparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading HOW TO PAINT IN WATER-COLORS.

tonesnounUS /toʊnz/

plural of “tone” — the quality of a person's voice

From this reading THERE is a certain charm in water-color painting—a charm distinctly its own—which lies, as Penley says, “in the beauty and truthfulness of its aerial tones.”

towardprepositionUS /təˈwɔːrd/

in the direction of

From this reading In the days when our mothers and grandmothers were taught painting at school, the finest, smoothest cardboard was thought necessary; but we have since learned that the flat, smooth paper tends decidedly toward producing a flat, smooth effect in the picture painted upon it, while the rough, uneven surface of the paper now in use helps to produce depth and atmosphere.

transparencynounUS /trænˈsperənsi/

permitting the free passage of electromagnetic radiation

From this reading This transparency of effect does not depend alone upon the manner of painting or the colors employed, but much rests with the paper we use.

truthfulnessnounUS /ˈtruːθfəlnəs/

the quality of being truthful

From this reading THERE is a certain charm in water-color painting—a charm distinctly its own—which lies, as Penley says, “in the beauty and truthfulness of its aerial tones.”

unevenadjectiveUS /əˈniːvən/

not even or uniform as e.g. in shape or texture

From this reading In the days when our mothers and grandmothers were taught painting at school, the finest, smoothest cardboard was thought necessary; but we have since learned that the flat, smooth paper tends decidedly toward producing a flat, smooth effect in the picture painted upon it, while the rough, uneven surface of the paper now in use helps to produce depth and atmosphere.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading This transparency of effect does not depend alone upon the manner of painting or the colors employed, but much rests with the paper we use.

usenounUS /juːs/

the act of using

From this reading This transparency of effect does not depend alone upon the manner of painting or the colors employed, but much rests with the paper we use.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading In the days when our mothers and grandmothers were taught painting at school, the finest, smoothest cardboard was thought necessary; but we have since learned that the flat, smooth paper tends decidedly toward producing a flat, smooth effect in the picture painted upon it, while the rough, uneven surface of the paper now in use helps to produce depth and atmosphere.

water-colornoun

water-soluble pigment

From this reading THERE is a certain charm in water-color painting—a charm distinctly its own—which lies, as Penley says, “in the beauty and truthfulness of its aerial tones.”

WATER-COLORS

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading HOW TO PAINT IN WATER-COLORS.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading This transparency of effect does not depend alone upon the manner of painting or the colors employed, but much rests with the paper we use.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading In the days when our mothers and grandmothers were taught painting at school, the finest, smoothest cardboard was thought necessary; but we have since learned that the flat, smooth paper tends decidedly toward producing a flat, smooth effect in the picture painted upon it, while the rough, uneven surface of the paper now in use helps to produce depth and atmosphere.

whenconjunctionUS /wen/

at the time that

From this reading In the days when our mothers and grandmothers were taught painting at school, the finest, smoothest cardboard was thought necessary; but we have since learned that the flat, smooth paper tends decidedly toward producing a flat, smooth effect in the picture painted upon it, while the rough, uneven surface of the paper now in use helps to produce depth and atmosphere.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading THERE is a certain charm in water-color painting—a charm distinctly its own—which lies, as Penley says, “in the beauty and truthfulness of its aerial tones.”

whileconjunctionUS /waɪl/

during the time that

From this reading In the days when our mothers and grandmothers were taught painting at school, the finest, smoothest cardboard was thought necessary; but we have since learned that the flat, smooth paper tends decidedly toward producing a flat, smooth effect in the picture painted upon it, while the rough, uneven surface of the paper now in use helps to produce depth and atmosphere.

withprepositionUS /wɪð/

in the company of; together with

From this reading This transparency of effect does not depend alone upon the manner of painting or the colors employed, but much rests with the paper we use.

WithoutprepositionUS /wɪˈθaʊt/

not having, not using, or not accompanied by

From this reading Without this quality a water-color, as a water-color, is a failure.

Chapter 21 of How to Amuse Yourself and Others by Lina Beard holds 93 sentences, grouped into 19 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 21 of How to Amuse Yourself and Others contain?

Chapter 21 holds 93 sentences of How to Amuse Yourself and Others, unabridged, divided into 19 reading sections.

This page carries chapter 21 of How to Amuse Yourself and Others by Lina Beard exactly as it stands in the source edition, without abridgement. It runs to 93 sentences, grouped into 19 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 21 of How to Amuse Yourself and Others?

Work through the 19 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 19 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 21 be read aloud to me?

Yes — every sentence and every individual word in chapter 21 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading How to Amuse Yourself and Others

Common questions about reading How to Amuse Yourself and Others by Lina Beard on this page, its source edition and its audio.

Is this the complete text of How to Amuse Yourself and Others?

Yes. All 3746 sentences of Project Gutenberg eBook #52051 are kept, with a record of which sentences cover which part.

Which edition of How to Amuse Yourself and Others is used?

Project Gutenberg eBook #52051, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does How to Amuse Yourself and Others take to read?

About 312 minutes of reading across 750 sections of 5 sentences each, at an unhurried pace.

How to read How to Amuse Yourself and Others section by section

How to work through How to Amuse Yourself and Others section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 40 chapters of How to Amuse Yourself and Others to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in How to Amuse Yourself and Others

Words and structures a reader meets early in How to Amuse Yourself and Others, each tappable for pronunciation and meaning.

American
A word that appears in the opening chapter of How to Amuse Yourself and Others; the reader can tap it to hear it and see its dictionary entry.
Handy
A word that appears in the opening chapter of How to Amuse Yourself and Others; the reader can tap it to hear it and see its dictionary entry.
Edition
A word that appears in the opening chapter of How to Amuse Yourself and Others; the reader can tap it to hear it and see its dictionary entry.
Cloth
A word that appears in the opening chapter of How to Amuse Yourself and Others; the reader can tap it to hear it and see its dictionary entry.