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How to Amuse Yourself and Others
How to Amuse Yourself and Others

Chapter XXII

Chapter 22 of How to Amuse Yourself and Others is here in full — 82 sentences across 17 reading sections, with audio for every sentence and word.

Cover illustration for How to Amuse Yourself and Others
Context Illustration Reading 1/16 · 5 lines
English subtitles · tap any word to listen 1 / 5
HOW TO PAINT IN OIL-COLORS.
THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.
But there are first steps to be taken in all things, and the greatest artist who ever lived had to make a beginning and learn the preliminaries of painting before he could produce a picture.
To these steps, then, we will turn our attention, and the first will be the necessary =Materials.= The following list of colors, with their combinations, will be found sufficient for most purposes.
YELLOWS.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

How to Amuse Yourself and Others

Chapter XXII

Chapter 22 of How to Amuse Yourself and Others is here in full — 82 sentences across 17 reading sections, with audio for every sentence and word.

Reading 1/16 · 5 reading units · Lines 1–5

Line 1
HOW TO PAINT IN OIL-COLORS.
Line 2
THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.
Line 3
But there are first steps to be taken in all things, and the greatest artist who ever lived had to make a beginning and learn the preliminaries of painting before he could produce a picture.
/bʌt ðer ɑːr fɜːrst steps tuː biː ˈteɪkən ɪn ɔːl θɪŋz ənd ðə ˈɡreɪtəst ˈɑːrtəst huː ˈevər lɪvd hæd tuː meɪk ə bɪˈɡɪnɪŋ ənd lɜːrn ðə prɪˈlɪməneriz ʌv ˈpeɪntɪŋ bɪˈfɔːr hiː kʊd prəˈduːs ə ˈpɪktʃər/
Line 4
To these steps, then, we will turn our attention, and the first will be the necessary =Materials.= The following list of colors, with their combinations, will be found sufficient for most purposes.
/tuː ðiːz steps ðen wiː wɪl tɜːrn ˈaʊər əˈtenʃən ənd ðə fɜːrst wɪl biː ðə ˈnesəseri məˈtɪriəlz ðə ˈfɑːloʊɪŋ lɪst ʌv ˈkʌlərz wɪð ðer ˌkɑːmbəˈneɪʃənz wɪl biː faʊnd səˈfɪʃənt fɔːr moʊst ˈpɜːrpəsəz/
Line 5
YELLOWS.
/ˈjeloʊz/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

adapted adjective US /əˈdæptɪd/

changed in order to improve or made more fit for a particular purpose

From this reading “THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.”

combinations noun US /ˌkɑːmbəˈneɪʃənz/

plural of “combination” — a collection of things that have been combined; an assemblage of separate parts or qualities

From this reading “To these steps, then, we will turn our attention, and the first will be the necessary =Materials.= The following list of colors, with their combinations, will be found sufficient for most purposes.”

grandest adjective US /ˈɡrændəst/

superlative of “grand” — of behavior that is impressive and ambitious in scale or scope

From this reading “THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.”

limitations noun US /ˌlɪmɪˈteɪʃənz/

plural of “limitation” — a principle that limits the extent of something

From this reading “THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.”

portrayal noun US /pɔːrˈtreɪəl/

a word picture of a person's appearance and character

From this reading “THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.”

preliminaries noun US /prɪˈlɪməneriz/

plural of “preliminary” — a minor match preceding the main event

From this reading “But there are first steps to be taken in all things, and the greatest artist who ever lived had to make a beginning and learn the preliminaries of painting before he could produce a picture.”

simplest adjective US /ˈsɪmpləst/

superlative of “simple” — having few parts; not complex or complicated or involved

From this reading “THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.”

yellows noun US /ˈjeloʊz/

plural of “yellow” — yellow color or pigment; the chromatic color resembling the hue of sunflowers or ripe lemons

From this reading “YELLOWS.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

well adapted adverb + adjective

In this reading “THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.”

great artist adjective + noun

In this reading “THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.”

all things adjective + noun

In this reading “But there are first steps to be taken in all things, and the greatest artist who ever lived had to make a beginning and learn the preliminaries of painting before he could produce a picture.”

list of verb + particle

In this reading “To these steps, then, we will turn our attention, and the first will be the necessary =Materials.= The following list of colors, with their combinations, will be found sufficient for most purposes.”

lies in verb + particle counted as “lie in”

originate (in)

In this reading “THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.”

All words in this reading · 90

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.

adaptedadjectiveUS /əˈdæptɪd/

changed in order to improve or made more fit for a particular purpose

From this reading THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading But there are first steps to be taken in all things, and the greatest artist who ever lived had to make a beginning and learn the preliminaries of painting before he could produce a picture.

althoughconjunctionUS /ˌɔːlˈðoʊ/

in spite of the fact that

From this reading THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading But there are first steps to be taken in all things, and the greatest artist who ever lived had to make a beginning and learn the preliminaries of painting before he could produce a picture.

artistnounUS /ˈɑːrtəst/

a person whose creative work shows sensitivity and imagination

From this reading THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.

attentionnounUS /əˈtenʃən/

the process whereby a person concentrates on some features of the environment to the (relative) exclusion of others

From this reading To these steps, then, we will turn our attention, and the first will be the necessary =Materials.= The following list of colors, with their combinations, will be found sufficient for most purposes.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading But there are first steps to be taken in all things, and the greatest artist who ever lived had to make a beginning and learn the preliminaries of painting before he could produce a picture.

beginningnounUS /bɪˈɡɪnɪŋ/

the event consisting of the start of something

From this reading But there are first steps to be taken in all things, and the greatest artist who ever lived had to make a beginning and learn the preliminaries of painting before he could produce a picture.

betweenprepositionUS /bɪˈtwiːn/

in the space, time, or range separating two things

From this reading THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading But there are first steps to be taken in all things, and the greatest artist who ever lived had to make a beginning and learn the preliminaries of painting before he could produce a picture.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.

colorsnounUS /ˈkʌlərz/

a flag that shows its nationality

From this reading To these steps, then, we will turn our attention, and the first will be the necessary =Materials.= The following list of colors, with their combinations, will be found sufficient for most purposes.

combinationsnounUS /ˌkɑːmbəˈneɪʃənz/

plural of “combination” — a collection of things that have been combined; an assemblage of separate parts or qualities

From this reading To these steps, then, we will turn our attention, and the first will be the necessary =Materials.= The following list of colors, with their combinations, will be found sufficient for most purposes.

conceptionnounUS /kənˈsepʃən/

an abstract or general idea inferred or derived from specific instances

From this reading THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading But there are first steps to be taken in all things, and the greatest artist who ever lived had to make a beginning and learn the preliminaries of painting before he could produce a picture.

differencenounUS /ˈdɪfərəns/

the quality of being unlike or dissimilar

From this reading THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.

especiallyadverbUS /əˈspeʃli/

to a distinctly greater extent or degree than is common

From this reading THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.

everadverbUS /ˈevər/

at any time

From this reading But there are first steps to be taken in all things, and the greatest artist who ever lived had to make a beginning and learn the preliminaries of painting before he could produce a picture.

factnounUS /fækt/

a piece of information about circumstances that exist or events that have occurred

From this reading THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading But there are first steps to be taken in all things, and the greatest artist who ever lived had to make a beginning and learn the preliminaries of painting before he could produce a picture.

followingadjectiveUS /ˈfɑːloʊɪŋ/

about to be mentioned or specified

From this reading To these steps, then, we will turn our attention, and the first will be the necessary =Materials.= The following list of colors, with their combinations, will be found sufficient for most purposes.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading To these steps, then, we will turn our attention, and the first will be the necessary =Materials.= The following list of colors, with their combinations, will be found sufficient for most purposes.

foundverbUS /faʊnd/

set up or found

From this reading To these steps, then, we will turn our attention, and the first will be the necessary =Materials.= The following list of colors, with their combinations, will be found sufficient for most purposes.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.

grandestadjectiveUS /ˈɡrændəst/

superlative of “grand” — of behavior that is impressive and ambitious in scale or scope

From this reading THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.

greatestadjectiveUS /ˈɡreɪtəst/

highest in quality

From this reading But there are first steps to be taken in all things, and the greatest artist who ever lived had to make a beginning and learn the preliminaries of painting before he could produce a picture.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading But there are first steps to be taken in all things, and the greatest artist who ever lived had to make a beginning and learn the preliminaries of painting before he could produce a picture.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading But there are first steps to be taken in all things, and the greatest artist who ever lived had to make a beginning and learn the preliminaries of painting before he could produce a picture.

HOW

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading HOW TO PAINT IN OIL-COLORS.

INprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading HOW TO PAINT IN OIL-COLORS.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.

learnverbUS /lɜːrn/

gain knowledge or skills

From this reading But there are first steps to be taken in all things, and the greatest artist who ever lived had to make a beginning and learn the preliminaries of painting before he could produce a picture.

liesnounUS /laɪz/

plural of “lie” — a statement that deviates from or perverts the truth

From this reading THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.

limitnounUS /ˈlɪmət/

the greatest possible degree of something

From this reading THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.

limitationsnounUS /ˌlɪmɪˈteɪʃənz/

plural of “limitation” — a principle that limits the extent of something

From this reading THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.

listverbUS /lɪst/

give or make a list of; name individually; give the names of

From this reading To these steps, then, we will turn our attention, and the first will be the necessary =Materials.= The following list of colors, with their combinations, will be found sufficient for most purposes.

livedverbUS /lɪvd/

past form of “live” — be an inhabitant of or reside in

From this reading But there are first steps to be taken in all things, and the greatest artist who ever lived had to make a beginning and learn the preliminaries of painting before he could produce a picture.

makeverbUS /meɪk/

engage in

From this reading But there are first steps to be taken in all things, and the greatest artist who ever lived had to make a beginning and learn the preliminaries of painting before he could produce a picture.

MaterialsnounUS /məˈtɪriəlz/

plural of “material” — the tangible substance that goes into the makeup of a physical object

From this reading To these steps, then, we will turn our attention, and the first will be the necessary =Materials.= The following list of colors, with their combinations, will be found sufficient for most purposes.

mostadverbUS /moʊst/

used to form the superlative

From this reading To these steps, then, we will turn our attention, and the first will be the necessary =Materials.= The following list of colors, with their combinations, will be found sufficient for most purposes.

necessaryadjectiveUS /ˈnesəseri/

absolutely essential

From this reading To these steps, then, we will turn our attention, and the first will be the necessary =Materials.= The following list of colors, with their combinations, will be found sufficient for most purposes.

nodeterminerUS /noʊ/

not any; not one

From this reading THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.

oilnounUS /ɔɪl/

A viscous liquid derived from petroleum or plants, stored in large earthen jars.

From this reading THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.

OIL-COLORS

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading HOW TO PAINT IN OIL-COLORS.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading To these steps, then, we will turn our attention, and the first will be the necessary =Materials.= The following list of colors, with their combinations, will be found sufficient for most purposes.

PAINTverbUS /peɪnt/

make a painting

From this reading HOW TO PAINT IN OIL-COLORS.

paintingnounUS /ˈpeɪntɪŋ/

graphic art consisting of an artistic composition made by applying paints to a surface

From this reading THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.

picturenounUS /ˈpɪktʃər/

a visual representation (of an object or scene or person or abstraction) produced on a surface

From this reading But there are first steps to be taken in all things, and the greatest artist who ever lived had to make a beginning and learn the preliminaries of painting before he could produce a picture.

portrayalnounUS /pɔːrˈtreɪəl/

a word picture of a person's appearance and character

From this reading THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.

possibilitiesnounUS /ˌpɑːsəˈbɪlətiz/

plural of “possibility” — a future prospect or potential

From this reading THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.

preliminariesnounUS /prɪˈlɪməneriz/

plural of “preliminary” — a minor match preceding the main event

From this reading But there are first steps to be taken in all things, and the greatest artist who ever lived had to make a beginning and learn the preliminaries of painting before he could produce a picture.

produceverbUS /prəˈduːs/

bring forth or yield

From this reading But there are first steps to be taken in all things, and the greatest artist who ever lived had to make a beginning and learn the preliminaries of painting before he could produce a picture.

purposesnounUS /ˈpɜːrpəsəz/

plural of “purpose” — an anticipated outcome that is intended or that guides your planned actions

From this reading To these steps, then, we will turn our attention, and the first will be the necessary =Materials.= The following list of colors, with their combinations, will be found sufficient for most purposes.

reachedverbUS /riːtʃt/

past form of “reach” — reach a destination, either real or abstract

From this reading THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.

representedadjectiveUS /ˌreprɪˈzentɪd/

represented accurately or precisely

From this reading THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.

simplestadjectiveUS /ˈsɪmpləst/

superlative of “simple” — having few parts; not complex or complicated or involved

From this reading THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.

stepsnounUS /steps/

a flight of stairs or a flight of steps

From this reading But there are first steps to be taken in all things, and the greatest artist who ever lived had to make a beginning and learn the preliminaries of painting before he could produce a picture.

still-life

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.

studynounUS /ˈstʌdi/

a detailed critical inspection

From this reading THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.

subjectnounUS /səbˈdʒekt/

the subject matter of a conversation or discussion

From this reading THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.

subjectsnounUS /ˈsʌbdʒɪkts/

plural of “subject” — the subject matter of a conversation or discussion

From this reading THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.

sufficientadjectiveUS /səˈfɪʃənt/

of a quantity that can fulfill a need or requirement but without being abundant

From this reading To these steps, then, we will turn our attention, and the first will be the necessary =Materials.= The following list of colors, with their combinations, will be found sufficient for most purposes.

takenadjectiveUS /ˈteɪkən/

understood in a certain way; made sense of

From this reading But there are first steps to be taken in all things, and the greatest artist who ever lived had to make a beginning and learn the preliminaries of painting before he could produce a picture.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading To these steps, then, we will turn our attention, and the first will be the necessary =Materials.= The following list of colors, with their combinations, will be found sufficient for most purposes.

thenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading To these steps, then, we will turn our attention, and the first will be the necessary =Materials.= The following list of colors, with their combinations, will be found sufficient for most purposes.

thereadverbUS /ðer/

in or at that place or location

From this reading But there are first steps to be taken in all things, and the greatest artist who ever lived had to make a beginning and learn the preliminaries of painting before he could produce a picture.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading To these steps, then, we will turn our attention, and the first will be the necessary =Materials.= The following list of colors, with their combinations, will be found sufficient for most purposes.

thingsnounUS /θɪŋz/

any movable possession (especially articles of clothing)

From this reading But there are first steps to be taken in all things, and the greatest artist who ever lived had to make a beginning and learn the preliminaries of painting before he could produce a picture.

TOparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading HOW TO PAINT IN OIL-COLORS.

turnverbUS /tɜːrn/

change orientation or direction, also in the abstract sense

From this reading To these steps, then, we will turn our attention, and the first will be the necessary =Materials.= The following list of colors, with their combinations, will be found sufficient for most purposes.

water-colornoun

water-soluble pigment

From this reading THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading To these steps, then, we will turn our attention, and the first will be the necessary =Materials.= The following list of colors, with their combinations, will be found sufficient for most purposes.

welladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.

whileconjunctionUS /waɪl/

during the time that

From this reading THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.

whopronounUS /huː/

which person or people

From this reading But there are first steps to be taken in all things, and the greatest artist who ever lived had to make a beginning and learn the preliminaries of painting before he could produce a picture.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading To these steps, then, we will turn our attention, and the first will be the necessary =Materials.= The following list of colors, with their combinations, will be found sufficient for most purposes.

withprepositionUS /wɪð/

in the company of; together with

From this reading THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.

YELLOWSnounUS /ˈjeloʊz/

plural of “yellow” — yellow color or pigment; the chromatic color resembling the hue of sunflowers or ripe lemons

From this reading YELLOWS.

yetconjunctionUS /jet/

but in spite of that

From this reading THE difference between oil- and water-color painting lies in the fact that, although especially well adapted to the portrayal of some subjects, water-color has its limitations, while with oil-colors any subject, from the simplest study in still-life to the grandest conception of a great artist, can be represented, and no limit has yet been reached in its possibilities.

Chapter 22 of How to Amuse Yourself and Others by Lina Beard holds 82 sentences, grouped into 17 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 22 of How to Amuse Yourself and Others contain?

Chapter 22 holds 82 sentences of How to Amuse Yourself and Others, unabridged, divided into 17 reading sections.

This page carries chapter 22 of How to Amuse Yourself and Others by Lina Beard exactly as it stands in the source edition, without abridgement. It runs to 82 sentences, grouped into 17 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 22 of How to Amuse Yourself and Others?

Work through the 17 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 17 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 22 be read aloud to me?

Yes — every sentence and every individual word in chapter 22 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading How to Amuse Yourself and Others

Common questions about reading How to Amuse Yourself and Others by Lina Beard on this page, its source edition and its audio.

Is this the complete text of How to Amuse Yourself and Others?

Yes. All 3746 sentences of Project Gutenberg eBook #52051 are kept, with a record of which sentences cover which part.

Which edition of How to Amuse Yourself and Others is used?

Project Gutenberg eBook #52051, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does How to Amuse Yourself and Others take to read?

About 312 minutes of reading across 750 sections of 5 sentences each, at an unhurried pace.

How to read How to Amuse Yourself and Others section by section

How to work through How to Amuse Yourself and Others section by section, using the audio and the tap-to-define vocabulary.

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  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in How to Amuse Yourself and Others

Words and structures a reader meets early in How to Amuse Yourself and Others, each tappable for pronunciation and meaning.

American
A word that appears in the opening chapter of How to Amuse Yourself and Others; the reader can tap it to hear it and see its dictionary entry.
Handy
A word that appears in the opening chapter of How to Amuse Yourself and Others; the reader can tap it to hear it and see its dictionary entry.
Edition
A word that appears in the opening chapter of How to Amuse Yourself and Others; the reader can tap it to hear it and see its dictionary entry.
Cloth
A word that appears in the opening chapter of How to Amuse Yourself and Others; the reader can tap it to hear it and see its dictionary entry.