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How to Tell a Story, and Other Essays
How to Tell a Story, and Other Essays

Chapter I · Chapter 1

Chapter 1 of How to Tell a Story, and Other Essays is here in full — 171 sentences across 35 reading sections, with audio for every sentence and word.

Cover illustration for How to Tell a Story, and Other Essays
Context Illustration Reading 9/34 · 5 lines
English subtitles · tap any word to listen 1 / 5
To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they are absurdities, is the basis of the American art, if my position is correct.
Another feature is the slurring of the point.
A third is the dropping of a studied remark apparently without knowing it, as if one were thinking aloud.
The fourth and last is the pause.
Artemus Ward dealt in numbers three and four a good deal.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

How to Tell a Story, and Other Essays

Chapter I · Chapter 1

Chapter 1 of How to Tell a Story, and Other Essays is here in full — 171 sentences across 35 reading sections, with audio for every sentence and word.

Reading 9/34 · 5 reading units · Lines 41–45

Line 1
To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they are absurdities, is the basis of the American art, if my position is correct.
Line 2
Another feature is the slurring of the point.
/əˈnʌðər ˈfiːtʃər ɪz ðə ˈslɜːrɪŋ ʌv ðə pɔɪnt/
Line 3
A third is the dropping of a studied remark apparently without knowing it, as if one were thinking aloud.
/ə θɜːrd ɪz ðə ˈdrɑːpɪŋ ʌv ə ˈstʌdid rɪˈmɑːrk əˈperəntli wɪˈθaʊt ˈnoʊɪŋ ɪt æz ɪf wʌn wɜːr ˈθɪŋkɪŋ əˈlaʊd/
Line 4
The fourth and last is the pause.
/ðə fɔːrθ ənd læst ɪz ðə pɔːz/
Line 5
Artemus Ward dealt in numbers three and four a good deal.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

absurdities noun US /əbˈsɜːrdətiz/

plural of “absurdity” — a message whose content is at variance with reason

From this reading “To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they are absurdities, is the basis of the American art, if my position is correct.”

basis noun US /ˈbeɪsəs/

a relation that provides the foundation for something

From this reading “To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they are absurdities, is the basis of the American art, if my position is correct.”

dealt verb US /delt/

inflected form of “deal” — act on verbally or in some form of artistic expression

From this reading “Artemus Ward dealt in numbers three and four a good deal.”

feature noun US /ˈfiːtʃər/

a prominent attribute or aspect of something

From this reading “Another feature is the slurring of the point.”

innocently adverb US /ˈɪnəsəntli/

in a not unlawful manner

From this reading “To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they are absurdities, is the basis of the American art, if my position is correct.”

purposeless adjective US /ˈpɜːrpəsləs/

not evidencing any purpose or goal

From this reading “To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they are absurdities, is the basis of the American art, if my position is correct.”

slurring verb US /ˈslɜːrɪŋ/

inflected form of “slur” — play smoothly or legato

From this reading “Another feature is the slurring of the point.”

unaware adjective US /ˌʌnəˈwer/

(often followed by “of”) not aware

From this reading “To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they are absurdities, is the basis of the American art, if my position is correct.”

All words in this reading · 56

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they are absurdities, is the basis of the American art, if my position is correct.

absurditiesnounUS /əbˈsɜːrdətiz/

plural of “absurdity” — a message whose content is at variance with reason

From this reading To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they are absurdities, is the basis of the American art, if my position is correct.

aloudadverbUS /əˈlaʊd/

using the voice; not silently

From this reading A third is the dropping of a studied remark apparently without knowing it, as if one were thinking aloud.

AmericannounUS /əˈmerəkən/

a native or inhabitant of the United States

From this reading To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they are absurdities, is the basis of the American art, if my position is correct.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they are absurdities, is the basis of the American art, if my position is correct.

AnotherdeterminerUS /əˈnʌðər/

one more of the same kind, or a different one

From this reading Another feature is the slurring of the point.

apparentlyadverbUS /əˈperəntli/

from appearances alone

From this reading A third is the dropping of a studied remark apparently without knowing it, as if one were thinking aloud.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they are absurdities, is the basis of the American art, if my position is correct.

artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they are absurdities, is the basis of the American art, if my position is correct.

Artemus

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Artemus Ward dealt in numbers three and four a good deal.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading A third is the dropping of a studied remark apparently without knowing it, as if one were thinking aloud.

basisnounUS /ˈbeɪsəs/

a relation that provides the foundation for something

From this reading To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they are absurdities, is the basis of the American art, if my position is correct.

correctverbUS /kərˈekt/

make right or correct

From this reading To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they are absurdities, is the basis of the American art, if my position is correct.

dealverbUS /diːl/

act on verbally or in some form of artistic expression

From this reading Artemus Ward dealt in numbers three and four a good deal.

dealtverbUS /delt/

inflected form of “deal” — act on verbally or in some form of artistic expression

From this reading Artemus Ward dealt in numbers three and four a good deal.

droppingadjectiveUS /ˈdrɑːpɪŋ/

coming down freely under the influence of gravity

From this reading A third is the dropping of a studied remark apparently without knowing it, as if one were thinking aloud.

featurenounUS /ˈfiːtʃər/

a prominent attribute or aspect of something

From this reading Another feature is the slurring of the point.

fournounUS /fɔːr/

the cardinal number that is the sum of three and one

From this reading Artemus Ward dealt in numbers three and four a good deal.

fourthnounUS /fɔːrθ/

following the third position; number four in a countable series

From this reading The fourth and last is the pause.

goodadjectiveUS /ɡʊd/

having desirable or positive qualities especially those suitable for a thing specified

From this reading Artemus Ward dealt in numbers three and four a good deal.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they are absurdities, is the basis of the American art, if my position is correct.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they are absurdities, is the basis of the American art, if my position is correct.

incongruities

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they are absurdities, is the basis of the American art, if my position is correct.

innocentlyadverbUS /ˈɪnəsəntli/

in a not unlawful manner

From this reading To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they are absurdities, is the basis of the American art, if my position is correct.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they are absurdities, is the basis of the American art, if my position is correct.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading A third is the dropping of a studied remark apparently without knowing it, as if one were thinking aloud.

knowingadjectiveUS /ˈnoʊɪŋ/

evidencing the possession of inside information

From this reading A third is the dropping of a studied remark apparently without knowing it, as if one were thinking aloud.

lastadjectiveUS /læst/

immediately past

From this reading The fourth and last is the pause.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they are absurdities, is the basis of the American art, if my position is correct.

numbersnounUS /ˈnʌmbərz/

the fourth book of the Old Testament; contains a record of the number of Israelites who followed Moses out of Egypt

From this reading Artemus Ward dealt in numbers three and four a good deal.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they are absurdities, is the basis of the American art, if my position is correct.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading A third is the dropping of a studied remark apparently without knowing it, as if one were thinking aloud.

pausenounUS /pɔːz/

a time interval during which there is a temporary cessation of something

From this reading The fourth and last is the pause.

pointnounUS /pɔɪnt/

a geometric element that has position but no extension

From this reading Another feature is the slurring of the point.

positionnounUS /pəˈzɪʃən/

the particular portion of space occupied by something

From this reading To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they are absurdities, is the basis of the American art, if my position is correct.

purposelessadjectiveUS /ˈpɜːrpəsləs/

not evidencing any purpose or goal

From this reading To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they are absurdities, is the basis of the American art, if my position is correct.

remarknounUS /rɪˈmɑːrk/

a statement that expresses a personal opinion or belief or adds information

From this reading A third is the dropping of a studied remark apparently without knowing it, as if one were thinking aloud.

seemverbUS /siːm/

give a certain impression or have a certain outward aspect

From this reading To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they are absurdities, is the basis of the American art, if my position is correct.

slurringverbUS /ˈslɜːrɪŋ/

inflected form of “slur” — play smoothly or legato

From this reading Another feature is the slurring of the point.

sometimesadverbUS /səmˈtaɪmz/

on certain occasions or in certain cases but not always

From this reading To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they are absurdities, is the basis of the American art, if my position is correct.

stringnounUS /strɪŋ/

a lightweight cord

From this reading To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they are absurdities, is the basis of the American art, if my position is correct.

studiedadjectiveUS /ˈstʌdid/

produced or marked by conscious design or premeditation

From this reading A third is the dropping of a studied remark apparently without knowing it, as if one were thinking aloud.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they are absurdities, is the basis of the American art, if my position is correct.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they are absurdities, is the basis of the American art, if my position is correct.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they are absurdities, is the basis of the American art, if my position is correct.

thinkingnounUS /ˈθɪŋkɪŋ/

the process of using your mind to consider something carefully

From this reading A third is the dropping of a studied remark apparently without knowing it, as if one were thinking aloud.

thirdnounUS /θɜːrd/

one of three equal parts of a divisible whole

From this reading A third is the dropping of a studied remark apparently without knowing it, as if one were thinking aloud.

threenounUS /θriː/

the cardinal number that is the sum of one and one and one

From this reading Artemus Ward dealt in numbers three and four a good deal.

ToparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they are absurdities, is the basis of the American art, if my position is correct.

togetheradverbUS /təˈɡeðər/

in contact with each other or in proximity

From this reading To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they are absurdities, is the basis of the American art, if my position is correct.

unawareadjectiveUS /ˌʌnəˈwer/

(often followed by “of”) not aware

From this reading To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they are absurdities, is the basis of the American art, if my position is correct.

wanderingadjectiveUS /ˈwɑːndərɪŋ/

migratory

From this reading To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they are absurdities, is the basis of the American art, if my position is correct.

WardnounUS /wɔːrd/

a person who is under the protection or in the custody of another

From this reading Artemus Ward dealt in numbers three and four a good deal.

waynounUS /weɪ/

how something is done or how it happens

From this reading To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they are absurdities, is the basis of the American art, if my position is correct.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading A third is the dropping of a studied remark apparently without knowing it, as if one were thinking aloud.

withoutprepositionUS /wɪˈθaʊt/

not having, not using, or not accompanied by

From this reading A third is the dropping of a studied remark apparently without knowing it, as if one were thinking aloud.

Chapter 1 of How to Tell a Story, and Other Essays by Mark Twain holds 171 sentences, grouped into 35 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of How to Tell a Story, and Other Essays contain?

Chapter 1 holds 171 sentences of How to Tell a Story, and Other Essays, unabridged, divided into 35 reading sections.

This page carries chapter 1 of How to Tell a Story, and Other Essays by Mark Twain exactly as it stands in the source edition, without abridgement. It runs to 171 sentences, grouped into 35 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of How to Tell a Story, and Other Essays?

Work through the 35 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 35 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading How to Tell a Story, and Other Essays

Common questions about reading How to Tell a Story, and Other Essays by Mark Twain on this page, its source edition and its audio.

Is this the complete text of How to Tell a Story, and Other Essays?

Yes. All 332 sentences of Project Gutenberg eBook #3250 are kept, with a record of which sentences cover which part.

Which edition of How to Tell a Story, and Other Essays is used?

Project Gutenberg eBook #3250, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does How to Tell a Story, and Other Essays take to read?

About 27 minutes of reading across 67 sections of 5 sentences each, at an unhurried pace.

How to read How to Tell a Story, and Other Essays section by section

How to work through How to Tell a Story, and Other Essays section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 2 chapters of How to Tell a Story, and Other Essays to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in How to Tell a Story, and Other Essays

Words and structures a reader meets early in How to Tell a Story, and Other Essays, each tappable for pronunciation and meaning.

Humorous
A word that appears in the opening chapter of How to Tell a Story, and Other Essays; the reader can tap it to hear it and see its dictionary entry.
Story
A word that appears in the opening chapter of How to Tell a Story, and Other Essays; the reader can tap it to hear it and see its dictionary entry.
American
A word that appears in the opening chapter of How to Tell a Story, and Other Essays; the reader can tap it to hear it and see its dictionary entry.
Development
A word that appears in the opening chapter of How to Tell a Story, and Other Essays; the reader can tap it to hear it and see its dictionary entry.