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Humanistic Studies of the University of Kansas, Vol. 1
Humanistic Studies of the University of Kansas, Vol. 1

Chapter XVI

Chapter 16 of Humanistic Studies of the University of Kansas, Vol. 1 is here in full — 87 sentences across 18 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/17 · 5 lines
English subtitles · tap any word to listen 1 / 5
BROWNING’S GENERAL INTEREST IN ART.
I. SUBJECT MATTER OF BROWNING’S POEMS.--Three prominent facts concerning the subjects of Browning’s poetry are: the comparative insignificance of nature, the extensive treatment of art, and the predominance of the human soul.
Only a few poems contain any extended reference to nature; and where such reference is found, nature is usually treated, as in _By the Fireside_, for its effect on human beings, and the soul still remains the dominant subject.
Nature for its own sake is never a supreme concern.
It is never considered as a primary moral force, akin to a personality, as in Wordsworth.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Humanistic Studies of the University of Kansas, Vol. 1

Chapter XVI

Chapter 16 of Humanistic Studies of the University of Kansas, Vol. 1 is here in full — 87 sentences across 18 reading sections, with audio for every sentence and word.

Reading 1/17 · 5 reading units · Lines 1–5

Line 1
BROWNING’S GENERAL INTEREST IN ART.
/ˈbraʊnɪŋz ˈdʒenərəl ˈɪntrəst ɪn ɑːrt/
Line 2
I. SUBJECT MATTER OF BROWNING’S POEMS.--Three prominent facts concerning the subjects of Browning’s poetry are: the comparative insignificance of nature, the extensive treatment of art, and the predominance of the human soul.
Line 3
Only a few poems contain any extended reference to nature; and where such reference is found, nature is usually treated, as in _By the Fireside_, for its effect on human beings, and the soul still remains the dominant subject.
/ˈoʊnli ə fjuː ˈpoʊəmz kənˈteɪn ˈeni ɪkˈstendəd ˈrefərəns tuː ˈneɪtʃər ənd wer sʌtʃ ˈrefərəns ɪz faʊnd ˈneɪtʃər ɪz ˈjuːʒəwəli ˈtriːtɪd æz ɪn baɪ ðə ˈfaɪərsaɪd fɔːr ɪts ɪˈfekt ɑːn ˈhjuːmən ˈbiːɪŋz ənd ðə soʊl stɪl rɪˈmeɪnz ðə ˈdɑːmənənt səbˈdʒekt/
Line 4
Nature for its own sake is never a supreme concern.
/ˈneɪtʃər fɔːr ɪts oʊn seɪk ɪz ˈnevər ə səˈpriːm kənˈsɜːrn/
Line 5
It is never considered as a primary moral force, akin to a personality, as in Wordsworth.
/ɪt ɪz ˈnevər kənˈsɪdərd æz ə ˈpraɪmeri ˈmɔːrəl fɔːrs əˈkɪn tuː ə ˌpɜːrsəˈnælɪti æz ɪn ˈwɜːrdzwərθ/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

akin adjective US /əˈkɪn/

similar in quality or character

From this reading “It is never considered as a primary moral force, akin to a personality, as in Wordsworth.”

browning's noun US /ˈbraʊnɪŋz/

possessive form of “browning” — United States inventor of firearms (especially automatic pistols and repeating rifles and a machine gun called the Peacemaker) (1855-1926)

comparative adjective US /kəmˈperətɪv/

relating to or based on or involving comparison

From this reading “I. SUBJECT MATTER OF BROWNING’S POEMS.--Three prominent facts concerning the subjects of Browning’s poetry are: the comparative insignificance of nature, the extensive treatment of art, and the predominance of the human soul.”

dominant adjective US /ˈdɑːmənənt/

exercising influence or control

From this reading “Only a few poems contain any extended reference to nature; and where such reference is found, nature is usually treated, as in _By the Fireside_, for its effect on human beings, and the soul still remains the dominant subject.”

Fireside noun US /ˈfaɪərsaɪd/

an area near a fireplace (usually paved and extending out into a room)

insignificance noun US /ˌɪnsɪɡˈnjɪfɪkəns/

the quality of having little or no significance

From this reading “I. SUBJECT MATTER OF BROWNING’S POEMS.--Three prominent facts concerning the subjects of Browning’s poetry are: the comparative insignificance of nature, the extensive treatment of art, and the predominance of the human soul.”

predominance noun US /prɪˈdɑːmənəns/

the state of being predominant over others

From this reading “I. SUBJECT MATTER OF BROWNING’S POEMS.--Three prominent facts concerning the subjects of Browning’s poetry are: the comparative insignificance of nature, the extensive treatment of art, and the predominance of the human soul.”

primary adjective US /ˈpraɪmeri/

of first rank or importance or value; direct and immediate rather than secondary

From this reading “It is never considered as a primary moral force, akin to a personality, as in Wordsworth.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

human soul adjective + noun

In this reading “I. SUBJECT MATTER OF BROWNING’S POEMS.--Three prominent facts concerning the subjects of Browning’s poetry are: the comparative insignificance of nature, the extensive treatment of art, and the predominance of the human soul.”

own sake verb + noun

In this reading “Nature for its own sake is never a supreme concern.”

moral force adjective + noun

an efficient incentive

In this reading “It is never considered as a primary moral force, akin to a personality, as in Wordsworth.”

By the Fireside preposition + article + noun counted as “by … fireside”

In this reading “Only a few poems contain any extended reference to nature; and where such reference is found, nature is usually treated, as in _By the Fireside_, for its effect on human beings, and the soul still remains the dominant subject.”

still remains adjective + noun

In this reading “Only a few poems contain any extended reference to nature; and where such reference is found, nature is usually treated, as in _By the Fireside_, for its effect on human beings, and the soul still remains the dominant subject.”

facts concerning noun + noun counted as “fact concern”

In this reading “I. SUBJECT MATTER OF BROWNING’S POEMS.--Three prominent facts concerning the subjects of Browning’s poetry are: the comparative insignificance of nature, the extensive treatment of art, and the predominance of the human soul.”

GENERAL INTEREST adjective + noun

In this reading “BROWNING’S GENERAL INTEREST IN ART.”

All words in this reading · 65

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Only a few poems contain any extended reference to nature; and where such reference is found, nature is usually treated, as in _By the Fireside_, for its effect on human beings, and the soul still remains the dominant subject.

akinadjectiveUS /əˈkɪn/

similar in quality or character

From this reading It is never considered as a primary moral force, akin to a personality, as in Wordsworth.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading I. SUBJECT MATTER OF BROWNING’S POEMS.--Three prominent facts concerning the subjects of Browning’s poetry are: the comparative insignificance of nature, the extensive treatment of art, and the predominance of the human soul.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading Only a few poems contain any extended reference to nature; and where such reference is found, nature is usually treated, as in _By the Fireside_, for its effect on human beings, and the soul still remains the dominant subject.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading I. SUBJECT MATTER OF BROWNING’S POEMS.--Three prominent facts concerning the subjects of Browning’s poetry are: the comparative insignificance of nature, the extensive treatment of art, and the predominance of the human soul.

ARTauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading BROWNING’S GENERAL INTEREST IN ART.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Only a few poems contain any extended reference to nature; and where such reference is found, nature is usually treated, as in _By the Fireside_, for its effect on human beings, and the soul still remains the dominant subject.

beingsnounUS /ˈbiːɪŋz/

plural of “being” — the state or fact of existing

From this reading Only a few poems contain any extended reference to nature; and where such reference is found, nature is usually treated, as in _By the Fireside_, for its effect on human beings, and the soul still remains the dominant subject.

BROWNING'SnounUS /ˈbraʊnɪŋz/

possessive form of “browning” — United States inventor of firearms (especially automatic pistols and repeating rifles and a machine gun called the Peacemaker) (1855-1926)

From this reading BROWNING’S GENERAL INTEREST IN ART.

ByprepositionUS /baɪ/

showing who or what does the action

From this reading Only a few poems contain any extended reference to nature; and where such reference is found, nature is usually treated, as in _By the Fireside_, for its effect on human beings, and the soul still remains the dominant subject.

comparativeadjectiveUS /kəmˈperətɪv/

relating to or based on or involving comparison

From this reading I. SUBJECT MATTER OF BROWNING’S POEMS.--Three prominent facts concerning the subjects of Browning’s poetry are: the comparative insignificance of nature, the extensive treatment of art, and the predominance of the human soul.

concernnounUS /kənˈsɜːrn/

something that interests you because it is important or affects you

From this reading Nature for its own sake is never a supreme concern.

concerningverbUS /kənˈsɜːrnɪŋ/

-ing form of “concern” — be relevant to

From this reading I. SUBJECT MATTER OF BROWNING’S POEMS.--Three prominent facts concerning the subjects of Browning’s poetry are: the comparative insignificance of nature, the extensive treatment of art, and the predominance of the human soul.

consideredadjectiveUS /kənˈsɪdərd/

carefully weighed

From this reading It is never considered as a primary moral force, akin to a personality, as in Wordsworth.

containverbUS /kənˈteɪn/

include or contain; have as a component

From this reading Only a few poems contain any extended reference to nature; and where such reference is found, nature is usually treated, as in _By the Fireside_, for its effect on human beings, and the soul still remains the dominant subject.

dominantadjectiveUS /ˈdɑːmənənt/

exercising influence or control

From this reading Only a few poems contain any extended reference to nature; and where such reference is found, nature is usually treated, as in _By the Fireside_, for its effect on human beings, and the soul still remains the dominant subject.

effectnounUS /ɪˈfekt/

a phenomenon that follows and is caused by some previous phenomenon

From this reading Only a few poems contain any extended reference to nature; and where such reference is found, nature is usually treated, as in _By the Fireside_, for its effect on human beings, and the soul still remains the dominant subject.

extendedadjectiveUS /ɪkˈstendəd/

relatively long in duration; tediously protracted

From this reading Only a few poems contain any extended reference to nature; and where such reference is found, nature is usually treated, as in _By the Fireside_, for its effect on human beings, and the soul still remains the dominant subject.

extensiveadjectiveUS /ɪkˈstensɪv/

large in spatial extent or range or scope or quantity

From this reading I. SUBJECT MATTER OF BROWNING’S POEMS.--Three prominent facts concerning the subjects of Browning’s poetry are: the comparative insignificance of nature, the extensive treatment of art, and the predominance of the human soul.

factsnounUS /fækts/

plural of “fact” — a piece of information about circumstances that exist or events that have occurred

From this reading I. SUBJECT MATTER OF BROWNING’S POEMS.--Three prominent facts concerning the subjects of Browning’s poetry are: the comparative insignificance of nature, the extensive treatment of art, and the predominance of the human soul.

fewadjectiveUS /fjuː/

a quantifier that can be used with count nouns and is often preceded by “a”; a small but indefinite number

From this reading Only a few poems contain any extended reference to nature; and where such reference is found, nature is usually treated, as in _By the Fireside_, for its effect on human beings, and the soul still remains the dominant subject.

FiresidenounUS /ˈfaɪərsaɪd/

an area near a fireplace (usually paved and extending out into a room)

From this reading Only a few poems contain any extended reference to nature; and where such reference is found, nature is usually treated, as in _By the Fireside_, for its effect on human beings, and the soul still remains the dominant subject.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Only a few poems contain any extended reference to nature; and where such reference is found, nature is usually treated, as in _By the Fireside_, for its effect on human beings, and the soul still remains the dominant subject.

forcenounUS /fɔːrs/

a powerful effect or influence

From this reading It is never considered as a primary moral force, akin to a personality, as in Wordsworth.

foundverbUS /faʊnd/

set up or found

From this reading Only a few poems contain any extended reference to nature; and where such reference is found, nature is usually treated, as in _By the Fireside_, for its effect on human beings, and the soul still remains the dominant subject.

GENERALadjectiveUS /ˈdʒenərəl/

applying to all or most members of a category or group

From this reading BROWNING’S GENERAL INTEREST IN ART.

humanadjectiveUS /ˈhjuːmən/

characteristic of humanity

From this reading I. SUBJECT MATTER OF BROWNING’S POEMS.--Three prominent facts concerning the subjects of Browning’s poetry are: the comparative insignificance of nature, the extensive treatment of art, and the predominance of the human soul.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading I. SUBJECT MATTER OF BROWNING’S POEMS.--Three prominent facts concerning the subjects of Browning’s poetry are: the comparative insignificance of nature, the extensive treatment of art, and the predominance of the human soul.

INprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading BROWNING’S GENERAL INTEREST IN ART.

insignificancenounUS /ˌɪnsɪɡˈnjɪfɪkəns/

the quality of having little or no significance

From this reading I. SUBJECT MATTER OF BROWNING’S POEMS.--Three prominent facts concerning the subjects of Browning’s poetry are: the comparative insignificance of nature, the extensive treatment of art, and the predominance of the human soul.

INTERESTnounUS /ˈɪntrəst/

a sense of concern with and curiosity about someone or something

From this reading BROWNING’S GENERAL INTEREST IN ART.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Only a few poems contain any extended reference to nature; and where such reference is found, nature is usually treated, as in _By the Fireside_, for its effect on human beings, and the soul still remains the dominant subject.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It is never considered as a primary moral force, akin to a personality, as in Wordsworth.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading Only a few poems contain any extended reference to nature; and where such reference is found, nature is usually treated, as in _By the Fireside_, for its effect on human beings, and the soul still remains the dominant subject.

MATTERnounUS /ˈmætər/

a vaguely specified concern

From this reading I. SUBJECT MATTER OF BROWNING’S POEMS.--Three prominent facts concerning the subjects of Browning’s poetry are: the comparative insignificance of nature, the extensive treatment of art, and the predominance of the human soul.

moraladjectiveUS /ˈmɔːrəl/

concerned with principles of right and wrong or conforming to standards of behavior and character based on those principles

From this reading It is never considered as a primary moral force, akin to a personality, as in Wordsworth.

naturenounUS /ˈneɪtʃər/

the essential qualities or characteristics by which something is recognized

From this reading I. SUBJECT MATTER OF BROWNING’S POEMS.--Three prominent facts concerning the subjects of Browning’s poetry are: the comparative insignificance of nature, the extensive treatment of art, and the predominance of the human soul.

neveradverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading Nature for its own sake is never a supreme concern.

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading I. SUBJECT MATTER OF BROWNING’S POEMS.--Three prominent facts concerning the subjects of Browning’s poetry are: the comparative insignificance of nature, the extensive treatment of art, and the predominance of the human soul.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading Only a few poems contain any extended reference to nature; and where such reference is found, nature is usually treated, as in _By the Fireside_, for its effect on human beings, and the soul still remains the dominant subject.

OnlyadverbUS /ˈoʊnli/

and nothing more

From this reading Only a few poems contain any extended reference to nature; and where such reference is found, nature is usually treated, as in _By the Fireside_, for its effect on human beings, and the soul still remains the dominant subject.

ownverbUS /oʊn/

have ownership or possession of

From this reading Nature for its own sake is never a supreme concern.

personalitynounUS /ˌpɜːrsəˈnælɪti/

the complex of all the attributes--behavioral, temperamental, emotional and mental--that characterize a unique individual

From this reading It is never considered as a primary moral force, akin to a personality, as in Wordsworth.

POEMSnounUS /ˈpoʊəmz/

plural of “poem” — a composition written in metrical feet forming rhythmical lines

From this reading I. SUBJECT MATTER OF BROWNING’S POEMS.--Three prominent facts concerning the subjects of Browning’s poetry are: the comparative insignificance of nature, the extensive treatment of art, and the predominance of the human soul.

poetrynounUS /ˈpoʊətri/

literature in metrical form

From this reading I. SUBJECT MATTER OF BROWNING’S POEMS.--Three prominent facts concerning the subjects of Browning’s poetry are: the comparative insignificance of nature, the extensive treatment of art, and the predominance of the human soul.

predominancenounUS /prɪˈdɑːmənəns/

the state of being predominant over others

From this reading I. SUBJECT MATTER OF BROWNING’S POEMS.--Three prominent facts concerning the subjects of Browning’s poetry are: the comparative insignificance of nature, the extensive treatment of art, and the predominance of the human soul.

primaryadjectiveUS /ˈpraɪmeri/

of first rank or importance or value; direct and immediate rather than secondary

From this reading It is never considered as a primary moral force, akin to a personality, as in Wordsworth.

prominentadjectiveUS /ˈprɑːmənənt/

having a quality that thrusts itself into attention

From this reading I. SUBJECT MATTER OF BROWNING’S POEMS.--Three prominent facts concerning the subjects of Browning’s poetry are: the comparative insignificance of nature, the extensive treatment of art, and the predominance of the human soul.

referencenounUS /ˈrefərəns/

a remark that calls attention to something or someone

From this reading Only a few poems contain any extended reference to nature; and where such reference is found, nature is usually treated, as in _By the Fireside_, for its effect on human beings, and the soul still remains the dominant subject.

remainsnounUS /rɪˈmeɪnz/

any object that is left unused or still extant

From this reading Only a few poems contain any extended reference to nature; and where such reference is found, nature is usually treated, as in _By the Fireside_, for its effect on human beings, and the soul still remains the dominant subject.

sakenounUS /seɪk/

a reason for wanting something done

From this reading Nature for its own sake is never a supreme concern.

soulnounUS /soʊl/

the immaterial part of a person; the actuating cause of an individual life

From this reading I. SUBJECT MATTER OF BROWNING’S POEMS.--Three prominent facts concerning the subjects of Browning’s poetry are: the comparative insignificance of nature, the extensive treatment of art, and the predominance of the human soul.

stilladjectiveUS /stɪl/

not in physical motion

From this reading Only a few poems contain any extended reference to nature; and where such reference is found, nature is usually treated, as in _By the Fireside_, for its effect on human beings, and the soul still remains the dominant subject.

SUBJECTnounUS /səbˈdʒekt/

the subject matter of a conversation or discussion

From this reading I. SUBJECT MATTER OF BROWNING’S POEMS.--Three prominent facts concerning the subjects of Browning’s poetry are: the comparative insignificance of nature, the extensive treatment of art, and the predominance of the human soul.

subjectsnounUS /ˈsʌbdʒɪkts/

plural of “subject” — the subject matter of a conversation or discussion

From this reading I. SUBJECT MATTER OF BROWNING’S POEMS.--Three prominent facts concerning the subjects of Browning’s poetry are: the comparative insignificance of nature, the extensive treatment of art, and the predominance of the human soul.

suchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading Only a few poems contain any extended reference to nature; and where such reference is found, nature is usually treated, as in _By the Fireside_, for its effect on human beings, and the soul still remains the dominant subject.

supremeadjectiveUS /səˈpriːm/

final or last in your life or progress

From this reading Nature for its own sake is never a supreme concern.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading I. SUBJECT MATTER OF BROWNING’S POEMS.--Three prominent facts concerning the subjects of Browning’s poetry are: the comparative insignificance of nature, the extensive treatment of art, and the predominance of the human soul.

ThreenounUS /θriː/

the cardinal number that is the sum of one and one and one

From this reading I. SUBJECT MATTER OF BROWNING’S POEMS.--Three prominent facts concerning the subjects of Browning’s poetry are: the comparative insignificance of nature, the extensive treatment of art, and the predominance of the human soul.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Only a few poems contain any extended reference to nature; and where such reference is found, nature is usually treated, as in _By the Fireside_, for its effect on human beings, and the soul still remains the dominant subject.

treatedadjectiveUS /ˈtriːtɪd/

subjected to a physical (or chemical) treatment or action or agent

From this reading Only a few poems contain any extended reference to nature; and where such reference is found, nature is usually treated, as in _By the Fireside_, for its effect on human beings, and the soul still remains the dominant subject.

treatmentnounUS /ˈtriːtmənt/

care provided to improve a situation (especially medical procedures or applications that are intended to relieve illness or injury)

From this reading I. SUBJECT MATTER OF BROWNING’S POEMS.--Three prominent facts concerning the subjects of Browning’s poetry are: the comparative insignificance of nature, the extensive treatment of art, and the predominance of the human soul.

usuallyadverbUS /ˈjuːʒəwəli/

under normal conditions

From this reading Only a few poems contain any extended reference to nature; and where such reference is found, nature is usually treated, as in _By the Fireside_, for its effect on human beings, and the soul still remains the dominant subject.

whereconjunctionUS /wer/

in or at the place that

From this reading Only a few poems contain any extended reference to nature; and where such reference is found, nature is usually treated, as in _By the Fireside_, for its effect on human beings, and the soul still remains the dominant subject.

WordsworthnounUS /ˈwɜːrdzwərθ/

a romantic English poet whose work was inspired by the Lake District where he spent most of his life (1770-1850)

From this reading It is never considered as a primary moral force, akin to a personality, as in Wordsworth.

Chapter 16 of Humanistic Studies of the University of Kansas, Vol. 1 by De Witt Clinton Croissant holds 87 sentences, grouped into 18 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 16 of Humanistic Studies of the University of Kansas, Vol. 1 contain?

Chapter 16 holds 87 sentences of Humanistic Studies of the University of Kansas, Vol. 1, unabridged, divided into 18 reading sections.

This page carries chapter 16 of Humanistic Studies of the University of Kansas, Vol. 1 by De Witt Clinton Croissant exactly as it stands in the source edition, without abridgement. It runs to 87 sentences, grouped into 18 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 16 of Humanistic Studies of the University of Kansas, Vol. 1?

Work through the 18 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 18 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 16 be read aloud to me?

Yes — every sentence and every individual word in chapter 16 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

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Common questions about reading Humanistic Studies of the University of Kansas, Vol. 1 by De Witt Clinton Croissant on this page, its source edition and its audio.

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Project Gutenberg eBook #51685, unabridged. The Project Gutenberg header, footer and licence are removed.

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About 498 minutes of reading across 1196 sections of 5 sentences each, at an unhurried pace.

How to read Humanistic Studies of the University of Kansas, Vol. 1 section by section

How to work through Humanistic Studies of the University of Kansas, Vol. 1 section by section, using the audio and the tap-to-define vocabulary.

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Vocabulary met early in Humanistic Studies of the University of Kansas, Vol. 1

Words and structures a reader meets early in Humanistic Studies of the University of Kansas, Vol. 1, each tappable for pronunciation and meaning.

Pagination
A word that appears in the opening chapter of Humanistic Studies of the University of Kansas, Vol. 1; the reader can tap it to hear it and see its dictionary entry.
Unusual
A word that appears in the opening chapter of Humanistic Studies of the University of Kansas, Vol. 1; the reader can tap it to hear it and see its dictionary entry.
Consists
A word that appears in the opening chapter of Humanistic Studies of the University of Kansas, Vol. 1; the reader can tap it to hear it and see its dictionary entry.
Sections
A word that appears in the opening chapter of Humanistic Studies of the University of Kansas, Vol. 1; the reader can tap it to hear it and see its dictionary entry.