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Humanistic Studies of the University of Kansas, Vol. 1
Humanistic Studies of the University of Kansas, Vol. 1

Chapter XXI

Chapter 21 of Humanistic Studies of the University of Kansas, Vol. 1 is here in full — 123 sentences across 25 reading sections, with audio for every sentence and word.

Cover illustration for Humanistic Studies of the University of Kansas, Vol. 1
Context Illustration Reading 1/24 · 5 lines
English subtitles · tap any word to listen 1 / 5
ITALIAN PAINTING IN THE POEMS OF BROWNING.
I. GENERAL STATEMENT.--Twenty-nine poems contain the names of Italian painters, and fifty-one Italian painters are mentioned by name; while several of the great artists are mentioned in many poems.
Michael Angelo is referred to in ten different poems; Raphael in seven, besides the duplicate mention in three sections of _The Ring and the Book_; Correggio, and Titian, each in six poems, and Da Vinci in five different poems.
These are all great masters of the High Renaissance in Italy; and therefore, they are the greatest artists the world has known: the repeated introduction of their names is perfectly natural.
But among Browning’s fifty-one painters, some of so little importance are named that references to them are rare in histories of art.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Humanistic Studies of the University of Kansas, Vol. 1

Chapter XXI

Chapter 21 of Humanistic Studies of the University of Kansas, Vol. 1 is here in full — 123 sentences across 25 reading sections, with audio for every sentence and word.

Reading 1/24 · 5 reading units · Lines 1–5

Line 1
ITALIAN PAINTING IN THE POEMS OF BROWNING.
/ˌɪˈtæljən ˈpeɪntɪŋ ɪn ðə ˈpoʊəmz ʌv ˈbraʊnɪŋ/
Line 2
I. GENERAL STATEMENT.--Twenty-nine poems contain the names of Italian painters, and fifty-one Italian painters are mentioned by name; while several of the great artists are mentioned in many poems.
Line 3
Michael Angelo is referred to in ten different poems; Raphael in seven, besides the duplicate mention in three sections of _The Ring and the Book_; Correggio, and Titian, each in six poems, and Da Vinci in five different poems.
Line 4
These are all great masters of the High Renaissance in Italy; and therefore, they are the greatest artists the world has known: the repeated introduction of their names is perfectly natural.
/ðiːz ɑːr ɔːl ɡreɪt ˈmæstərz ʌv ðə haɪ ˌrenəˈsɑːns ɪn ˈɪtəli ənd ˈðerfɔːr ðeɪ ɑːr ðə ˈɡreɪtəst ˈɑːrtɪsts ðə wɜːrld hæz noʊn ðə rɪˈpiːtɪd ˌɪntrəˈdʌkʃən ʌv ðer neɪmz ɪz ˈpɜːrfəktli ˈnætʃərəl/
Line 5
But among Browning’s fifty-one painters, some of so little importance are named that references to them are rare in histories of art.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Browning's noun US /ˈbraʊnɪŋz/

possessive form of “browning” — United States inventor of firearms (especially automatic pistols and repeating rifles and a machine gun called the Peacemaker) (1855-1926)

duplicate verb US /ˈduːpləkət/

make or do or perform again

From this reading “Michael Angelo is referred to in ten different poems; Raphael in seven, besides the duplicate mention in three sections of _The Ring and the Book_; Correggio, and Titian, each in six poems, and Da Vinci in five different poems.”

histories noun US /ˈhɪstəriz/

plural of “history” — the aggregate of past events

From this reading “But among Browning’s fifty-one painters, some of so little importance are named that references to them are rare in histories of art.”

painters noun US /ˈpeɪntərz/

plural of “painter” — an artist who paints

From this reading “I. GENERAL STATEMENT.--Twenty-nine poems contain the names of Italian painters, and fifty-one Italian painters are mentioned by name; while several of the great artists are mentioned in many poems.”

Raphael noun US /ˌrɑːfaɪˈel/

Italian painter whose many paintings exemplify the ideals of the High Renaissance (1483-1520)

From this reading “Michael Angelo is referred to in ten different poems; Raphael in seven, besides the duplicate mention in three sections of _The Ring and the Book_; Correggio, and Titian, each in six poems, and Da Vinci in five different poems.”

references noun US /ˈrefərənsɪz/

plural of “reference” — a remark that calls attention to something or someone

From this reading “But among Browning’s fifty-one painters, some of so little importance are named that references to them are rare in histories of art.”

Renaissance noun US /ˌrenəˈsɑːns/

the period of European history at the close of the Middle Ages and the rise of the modern world; a cultural rebirth from the 14th through the middle of the 17th centuries

From this reading “These are all great masters of the High Renaissance in Italy; and therefore, they are the greatest artists the world has known: the repeated introduction of their names is perfectly natural.”

Titian noun US /ˈtɪʃən/

old master of the Venetian school (1490-1576)

From this reading “Michael Angelo is referred to in ten different poems; Raphael in seven, besides the duplicate mention in three sections of _The Ring and the Book_; Correggio, and Titian, each in six poems, and Da Vinci in five different poems.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

perfectly natural adverb + adjective

In this reading “These are all great masters of the High Renaissance in Italy; and therefore, they are the greatest artists the world has known: the repeated introduction of their names is perfectly natural.”

great artists adjective + noun counted as “great artist”

In this reading “I. GENERAL STATEMENT.--Twenty-nine poems contain the names of Italian painters, and fifty-one Italian painters are mentioned by name; while several of the great artists are mentioned in many poems.”

great masters adjective + noun

In this reading “These are all great masters of the High Renaissance in Italy; and therefore, they are the greatest artists the world has known: the repeated introduction of their names is perfectly natural.”

All words in this reading · 79

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading These are all great masters of the High Renaissance in Italy; and therefore, they are the greatest artists the world has known: the repeated introduction of their names is perfectly natural.

amongprepositionUS /əˈmʌŋ/

surrounded by; in the middle of a group

From this reading But among Browning’s fifty-one painters, some of so little importance are named that references to them are rare in histories of art.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading I. GENERAL STATEMENT.--Twenty-nine poems contain the names of Italian painters, and fifty-one Italian painters are mentioned by name; while several of the great artists are mentioned in many poems.

Angelo

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Michael Angelo is referred to in ten different poems; Raphael in seven, besides the duplicate mention in three sections of _The Ring and the Book_; Correggio, and Titian, each in six poems, and Da Vinci in five different poems.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading I. GENERAL STATEMENT.--Twenty-nine poems contain the names of Italian painters, and fifty-one Italian painters are mentioned by name; while several of the great artists are mentioned in many poems.

artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading But among Browning’s fifty-one painters, some of so little importance are named that references to them are rare in histories of art.

artistsnounUS /ˈɑːrtɪsts/

plural of “artist” — a person whose creative work shows sensitivity and imagination

From this reading I. GENERAL STATEMENT.--Twenty-nine poems contain the names of Italian painters, and fifty-one Italian painters are mentioned by name; while several of the great artists are mentioned in many poems.

besidesprepositionUS /bɪˈsaɪdz/

in addition to; as well as

From this reading Michael Angelo is referred to in ten different poems; Raphael in seven, besides the duplicate mention in three sections of _The Ring and the Book_; Correggio, and Titian, each in six poems, and Da Vinci in five different poems.

BooknounUS /bʊk/

a written work or composition that has been published (printed on pages bound together)

From this reading Michael Angelo is referred to in ten different poems; Raphael in seven, besides the duplicate mention in three sections of _The Ring and the Book_; Correggio, and Titian, each in six poems, and Da Vinci in five different poems.

BROWNINGnounUS /ˈbraʊnɪŋ/

United States inventor of firearms (especially automatic pistols and repeating rifles and a machine gun called the Peacemaker) (1855-1926)

From this reading ITALIAN PAINTING IN THE POEMS OF BROWNING.

Browning'snounUS /ˈbraʊnɪŋz/

possessive form of “browning” — United States inventor of firearms (especially automatic pistols and repeating rifles and a machine gun called the Peacemaker) (1855-1926)

From this reading But among Browning’s fifty-one painters, some of so little importance are named that references to them are rare in histories of art.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading But among Browning’s fifty-one painters, some of so little importance are named that references to them are rare in histories of art.

byprepositionUS /baɪ/

showing who or what does the action

From this reading I. GENERAL STATEMENT.--Twenty-nine poems contain the names of Italian painters, and fifty-one Italian painters are mentioned by name; while several of the great artists are mentioned in many poems.

containverbUS /kənˈteɪn/

include or contain; have as a component

From this reading I. GENERAL STATEMENT.--Twenty-nine poems contain the names of Italian painters, and fifty-one Italian painters are mentioned by name; while several of the great artists are mentioned in many poems.

Correggionoun

Italian painter noted for his use of chiaroscuro and perspective (1494-1534)

From this reading Michael Angelo is referred to in ten different poems; Raphael in seven, besides the duplicate mention in three sections of _The Ring and the Book_; Correggio, and Titian, each in six poems, and Da Vinci in five different poems.

DanounUS /dɑː/

an official prosecutor for a judicial district

From this reading Michael Angelo is referred to in ten different poems; Raphael in seven, besides the duplicate mention in three sections of _The Ring and the Book_; Correggio, and Titian, each in six poems, and Da Vinci in five different poems.

differentadjectiveUS /ˈdɪfərənt/

unlike in nature or quality or form or degree

From this reading Michael Angelo is referred to in ten different poems; Raphael in seven, besides the duplicate mention in three sections of _The Ring and the Book_; Correggio, and Titian, each in six poems, and Da Vinci in five different poems.

duplicateverbUS /ˈduːpləkət/

make or do or perform again

From this reading Michael Angelo is referred to in ten different poems; Raphael in seven, besides the duplicate mention in three sections of _The Ring and the Book_; Correggio, and Titian, each in six poems, and Da Vinci in five different poems.

eachdeterminerUS /iːtʃ/

every one of two or more people or things, taken separately

From this reading Michael Angelo is referred to in ten different poems; Raphael in seven, besides the duplicate mention in three sections of _The Ring and the Book_; Correggio, and Titian, each in six poems, and Da Vinci in five different poems.

fifty-oneadjective

being one more than fifty

From this reading I. GENERAL STATEMENT.--Twenty-nine poems contain the names of Italian painters, and fifty-one Italian painters are mentioned by name; while several of the great artists are mentioned in many poems.

fivenounUS /faɪv/

the cardinal number that is the sum of four and one

From this reading Michael Angelo is referred to in ten different poems; Raphael in seven, besides the duplicate mention in three sections of _The Ring and the Book_; Correggio, and Titian, each in six poems, and Da Vinci in five different poems.

GENERALadjectiveUS /ˈdʒenərəl/

applying to all or most members of a category or group

From this reading I. GENERAL STATEMENT.--Twenty-nine poems contain the names of Italian painters, and fifty-one Italian painters are mentioned by name; while several of the great artists are mentioned in many poems.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading I. GENERAL STATEMENT.--Twenty-nine poems contain the names of Italian painters, and fifty-one Italian painters are mentioned by name; while several of the great artists are mentioned in many poems.

greatestadjectiveUS /ˈɡreɪtəst/

highest in quality

From this reading These are all great masters of the High Renaissance in Italy; and therefore, they are the greatest artists the world has known: the repeated introduction of their names is perfectly natural.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading These are all great masters of the High Renaissance in Italy; and therefore, they are the greatest artists the world has known: the repeated introduction of their names is perfectly natural.

HighadjectiveUS /haɪ/

greater than normal in degree or intensity or amount

From this reading These are all great masters of the High Renaissance in Italy; and therefore, they are the greatest artists the world has known: the repeated introduction of their names is perfectly natural.

historiesnounUS /ˈhɪstəriz/

plural of “history” — the aggregate of past events

From this reading But among Browning’s fifty-one painters, some of so little importance are named that references to them are rare in histories of art.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading I. GENERAL STATEMENT.--Twenty-nine poems contain the names of Italian painters, and fifty-one Italian painters are mentioned by name; while several of the great artists are mentioned in many poems.

importancenounUS /ˌɪmˈpɔːrtəns/

the quality of being important and worthy of note

From this reading But among Browning’s fifty-one painters, some of so little importance are named that references to them are rare in histories of art.

INprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading ITALIAN PAINTING IN THE POEMS OF BROWNING.

introductionnounUS /ˌɪntrəˈdʌkʃən/

the act of beginning something new

From this reading These are all great masters of the High Renaissance in Italy; and therefore, they are the greatest artists the world has known: the repeated introduction of their names is perfectly natural.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Michael Angelo is referred to in ten different poems; Raphael in seven, besides the duplicate mention in three sections of _The Ring and the Book_; Correggio, and Titian, each in six poems, and Da Vinci in five different poems.

ITALIANnounUS /ˌɪˈtæljən/

a native or inhabitant of Italy

From this reading ITALIAN PAINTING IN THE POEMS OF BROWNING.

ItalynounUS /ˈɪtəli/

a republic in southern Europe on the Italian Peninsula; was the core of the Roman Republic and the Roman Empire between the 4th century BC and the 5th century AD

From this reading These are all great masters of the High Renaissance in Italy; and therefore, they are the greatest artists the world has known: the repeated introduction of their names is perfectly natural.

knownadjectiveUS /noʊn/

apprehended with certainty

From this reading These are all great masters of the High Renaissance in Italy; and therefore, they are the greatest artists the world has known: the repeated introduction of their names is perfectly natural.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading But among Browning’s fifty-one painters, some of so little importance are named that references to them are rare in histories of art.

manyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading I. GENERAL STATEMENT.--Twenty-nine poems contain the names of Italian painters, and fifty-one Italian painters are mentioned by name; while several of the great artists are mentioned in many poems.

mastersnounUS /ˈmæstərz/

United States poet (1869-1950)

From this reading These are all great masters of the High Renaissance in Italy; and therefore, they are the greatest artists the world has known: the repeated introduction of their names is perfectly natural.

mentionverbUS /ˈmenʃən/

make reference to

From this reading Michael Angelo is referred to in ten different poems; Raphael in seven, besides the duplicate mention in three sections of _The Ring and the Book_; Correggio, and Titian, each in six poems, and Da Vinci in five different poems.

mentionedverbUS /ˈmenʃənd/

past form of “mention” — make reference to

From this reading I. GENERAL STATEMENT.--Twenty-nine poems contain the names of Italian painters, and fifty-one Italian painters are mentioned by name; while several of the great artists are mentioned in many poems.

MichaelnounUS /ˈmaɪkəl/

(Old Testament) the guardian archangel of the Jews

From this reading Michael Angelo is referred to in ten different poems; Raphael in seven, besides the duplicate mention in three sections of _The Ring and the Book_; Correggio, and Titian, each in six poems, and Da Vinci in five different poems.

nameverbUS /neɪm/

assign a specified (usually proper) proper name to

From this reading I. GENERAL STATEMENT.--Twenty-nine poems contain the names of Italian painters, and fifty-one Italian painters are mentioned by name; while several of the great artists are mentioned in many poems.

namedverbUS /neɪmd/

past form of “name” — assign a specified (usually proper) proper name to

From this reading But among Browning’s fifty-one painters, some of so little importance are named that references to them are rare in histories of art.

namesnounUS /neɪmz/

verbal abuse; a crude substitute for argument

From this reading I. GENERAL STATEMENT.--Twenty-nine poems contain the names of Italian painters, and fifty-one Italian painters are mentioned by name; while several of the great artists are mentioned in many poems.

naturaladjectiveUS /ˈnætʃərəl/

in accordance with nature; relating to or concerning nature

From this reading These are all great masters of the High Renaissance in Italy; and therefore, they are the greatest artists the world has known: the repeated introduction of their names is perfectly natural.

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading ITALIAN PAINTING IN THE POEMS OF BROWNING.

paintersnounUS /ˈpeɪntərz/

plural of “painter” — an artist who paints

From this reading I. GENERAL STATEMENT.--Twenty-nine poems contain the names of Italian painters, and fifty-one Italian painters are mentioned by name; while several of the great artists are mentioned in many poems.

PAINTINGnounUS /ˈpeɪntɪŋ/

graphic art consisting of an artistic composition made by applying paints to a surface

From this reading ITALIAN PAINTING IN THE POEMS OF BROWNING.

perfectlyadverbUS /ˈpɜːrfəktli/

completely and without qualification; used informally as intensifiers

From this reading These are all great masters of the High Renaissance in Italy; and therefore, they are the greatest artists the world has known: the repeated introduction of their names is perfectly natural.

POEMSnounUS /ˈpoʊəmz/

plural of “poem” — a composition written in metrical feet forming rhythmical lines

From this reading ITALIAN PAINTING IN THE POEMS OF BROWNING.

RaphaelnounUS /ˌrɑːfaɪˈel/

Italian painter whose many paintings exemplify the ideals of the High Renaissance (1483-1520)

From this reading Michael Angelo is referred to in ten different poems; Raphael in seven, besides the duplicate mention in three sections of _The Ring and the Book_; Correggio, and Titian, each in six poems, and Da Vinci in five different poems.

rareadjectiveUS /rer/

not widely known; especially valued for its uncommonness

From this reading But among Browning’s fifty-one painters, some of so little importance are named that references to them are rare in histories of art.

referencesnounUS /ˈrefərənsɪz/

plural of “reference” — a remark that calls attention to something or someone

From this reading But among Browning’s fifty-one painters, some of so little importance are named that references to them are rare in histories of art.

referredverbUS /rəˈfɜːrd/

inflected form of “refer” — make reference to

From this reading Michael Angelo is referred to in ten different poems; Raphael in seven, besides the duplicate mention in three sections of _The Ring and the Book_; Correggio, and Titian, each in six poems, and Da Vinci in five different poems.

RenaissancenounUS /ˌrenəˈsɑːns/

the period of European history at the close of the Middle Ages and the rise of the modern world; a cultural rebirth from the 14th through the middle of the 17th centuries

From this reading These are all great masters of the High Renaissance in Italy; and therefore, they are the greatest artists the world has known: the repeated introduction of their names is perfectly natural.

repeatedadjectiveUS /rɪˈpiːtɪd/

recurring again and again

From this reading These are all great masters of the High Renaissance in Italy; and therefore, they are the greatest artists the world has known: the repeated introduction of their names is perfectly natural.

RingverbUS /rɪŋ/

sound loudly and sonorously

From this reading Michael Angelo is referred to in ten different poems; Raphael in seven, besides the duplicate mention in three sections of _The Ring and the Book_; Correggio, and Titian, each in six poems, and Da Vinci in five different poems.

sectionsnounUS /ˈsekʃənz/

plural of “section” — a self-contained part of a larger composition (written or musical)

From this reading Michael Angelo is referred to in ten different poems; Raphael in seven, besides the duplicate mention in three sections of _The Ring and the Book_; Correggio, and Titian, each in six poems, and Da Vinci in five different poems.

sevennounUS /ˈsevən/

the cardinal number that is the sum of six and one

From this reading Michael Angelo is referred to in ten different poems; Raphael in seven, besides the duplicate mention in three sections of _The Ring and the Book_; Correggio, and Titian, each in six poems, and Da Vinci in five different poems.

severaladjectiveUS /ˈsevrəl/

(used with count nouns) of an indefinite number more than 2 or 3 but not many

From this reading I. GENERAL STATEMENT.--Twenty-nine poems contain the names of Italian painters, and fifty-one Italian painters are mentioned by name; while several of the great artists are mentioned in many poems.

sixnounUS /sɪks/

the cardinal number that is the sum of five and one

From this reading Michael Angelo is referred to in ten different poems; Raphael in seven, besides the duplicate mention in three sections of _The Ring and the Book_; Correggio, and Titian, each in six poems, and Da Vinci in five different poems.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading But among Browning’s fifty-one painters, some of so little importance are named that references to them are rare in histories of art.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading But among Browning’s fifty-one painters, some of so little importance are named that references to them are rare in histories of art.

STATEMENTnounUS /ˈsteɪtmənt/

a message that is stated or declared; a communication (oral or written) setting forth particulars or facts etc

From this reading I. GENERAL STATEMENT.--Twenty-nine poems contain the names of Italian painters, and fifty-one Italian painters are mentioned by name; while several of the great artists are mentioned in many poems.

tennounUS /ten/

the cardinal number that is the sum of nine and one; the base of the decimal system

From this reading Michael Angelo is referred to in ten different poems; Raphael in seven, besides the duplicate mention in three sections of _The Ring and the Book_; Correggio, and Titian, each in six poems, and Da Vinci in five different poems.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading But among Browning’s fifty-one painters, some of so little importance are named that references to them are rare in histories of art.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading ITALIAN PAINTING IN THE POEMS OF BROWNING.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading These are all great masters of the High Renaissance in Italy; and therefore, they are the greatest artists the world has known: the repeated introduction of their names is perfectly natural.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading But among Browning’s fifty-one painters, some of so little importance are named that references to them are rare in histories of art.

thereforeadverbUS /ˈðerfɔːr/

for that reason; as a result

From this reading These are all great masters of the High Renaissance in Italy; and therefore, they are the greatest artists the world has known: the repeated introduction of their names is perfectly natural.

ThesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading These are all great masters of the High Renaissance in Italy; and therefore, they are the greatest artists the world has known: the repeated introduction of their names is perfectly natural.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading These are all great masters of the High Renaissance in Italy; and therefore, they are the greatest artists the world has known: the repeated introduction of their names is perfectly natural.

threenounUS /θriː/

the cardinal number that is the sum of one and one and one

From this reading Michael Angelo is referred to in ten different poems; Raphael in seven, besides the duplicate mention in three sections of _The Ring and the Book_; Correggio, and Titian, each in six poems, and Da Vinci in five different poems.

TitiannounUS /ˈtɪʃən/

old master of the Venetian school (1490-1576)

From this reading Michael Angelo is referred to in ten different poems; Raphael in seven, besides the duplicate mention in three sections of _The Ring and the Book_; Correggio, and Titian, each in six poems, and Da Vinci in five different poems.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Michael Angelo is referred to in ten different poems; Raphael in seven, besides the duplicate mention in three sections of _The Ring and the Book_; Correggio, and Titian, each in six poems, and Da Vinci in five different poems.

Twenty-ninenoun

the cardinal number that is the sum of twenty-eight and one

From this reading I. GENERAL STATEMENT.--Twenty-nine poems contain the names of Italian painters, and fifty-one Italian painters are mentioned by name; while several of the great artists are mentioned in many poems.

Vinci

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Michael Angelo is referred to in ten different poems; Raphael in seven, besides the duplicate mention in three sections of _The Ring and the Book_; Correggio, and Titian, each in six poems, and Da Vinci in five different poems.

whileconjunctionUS /waɪl/

during the time that

From this reading I. GENERAL STATEMENT.--Twenty-nine poems contain the names of Italian painters, and fifty-one Italian painters are mentioned by name; while several of the great artists are mentioned in many poems.

worldnounUS /wɜːrld/

everything that exists anywhere

From this reading These are all great masters of the High Renaissance in Italy; and therefore, they are the greatest artists the world has known: the repeated introduction of their names is perfectly natural.

Chapter 21 of Humanistic Studies of the University of Kansas, Vol. 1 by De Witt Clinton Croissant holds 123 sentences, grouped into 25 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 21 of Humanistic Studies of the University of Kansas, Vol. 1 contain?

Chapter 21 holds 123 sentences of Humanistic Studies of the University of Kansas, Vol. 1, unabridged, divided into 25 reading sections.

This page carries chapter 21 of Humanistic Studies of the University of Kansas, Vol. 1 by De Witt Clinton Croissant exactly as it stands in the source edition, without abridgement. It runs to 123 sentences, grouped into 25 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 21 of Humanistic Studies of the University of Kansas, Vol. 1?

Work through the 25 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 25 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 21 be read aloud to me?

Yes — every sentence and every individual word in chapter 21 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Humanistic Studies of the University of Kansas, Vol. 1

Common questions about reading Humanistic Studies of the University of Kansas, Vol. 1 by De Witt Clinton Croissant on this page, its source edition and its audio.

Is this the complete text of Humanistic Studies of the University of Kansas, Vol. 1?

Yes. All 5980 sentences of Project Gutenberg eBook #51685 are kept, with a record of which sentences cover which part.

Which edition of Humanistic Studies of the University of Kansas, Vol. 1 is used?

Project Gutenberg eBook #51685, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Humanistic Studies of the University of Kansas, Vol. 1 take to read?

About 498 minutes of reading across 1196 sections of 5 sentences each, at an unhurried pace.

How to read Humanistic Studies of the University of Kansas, Vol. 1 section by section

How to work through Humanistic Studies of the University of Kansas, Vol. 1 section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 28 chapters of Humanistic Studies of the University of Kansas, Vol. 1 to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Humanistic Studies of the University of Kansas, Vol. 1

Words and structures a reader meets early in Humanistic Studies of the University of Kansas, Vol. 1, each tappable for pronunciation and meaning.

Pagination
A word that appears in the opening chapter of Humanistic Studies of the University of Kansas, Vol. 1; the reader can tap it to hear it and see its dictionary entry.
Unusual
A word that appears in the opening chapter of Humanistic Studies of the University of Kansas, Vol. 1; the reader can tap it to hear it and see its dictionary entry.
Consists
A word that appears in the opening chapter of Humanistic Studies of the University of Kansas, Vol. 1; the reader can tap it to hear it and see its dictionary entry.
Sections
A word that appears in the opening chapter of Humanistic Studies of the University of Kansas, Vol. 1; the reader can tap it to hear it and see its dictionary entry.