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J. S. Le Fanu's Ghostly Tales, Volume 1
J. S. Le Fanu's Ghostly Tales, Volume 1

Chapter I · Chapter 1

Chapter 1 of J. S. Le Fanu's Ghostly Tales, Volume 1 is here in full — 578 sentences across 116 reading sections, with audio for every sentence and word.

Cover illustration for J. S. Le Fanu's Ghostly Tales, Volume 1
Context Illustration Reading 1/115 · 5 lines
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An Account of Some Strange Disturbances in Aungier Street (1853) _"For he is not a man as I am that we should come together; neither is there any that might lay his hand upon us both.
Let him, therefore, take his rod away from me, and let not his fear terrify me."_ There exists, at this moment, in good preservation a remarkable work of Schalken's.
The curious management of its lights constitutes, as usual in his pieces, the chief apparent merit of the picture.
I say _apparent_, for in its subject, and not in its handling, however exquisite, consists its real value.
The picture represents the interior of what might be a chamber in some antique religious building; and its foreground is occupied by a female figure, in a species of white robe, part of which is arranged so as to form a veil.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

J. S. Le Fanu's Ghostly Tales, Volume 1

Chapter I · Chapter 1

Chapter 1 of J. S. Le Fanu's Ghostly Tales, Volume 1 is here in full — 578 sentences across 116 reading sections, with audio for every sentence and word.

Reading 1/115 · 5 reading units · Lines 1–5

Line 1
An Account of Some Strange Disturbances in Aungier Street (1853) _"For he is not a man as I am that we should come together; neither is there any that might lay his hand upon us both.
Line 2
Let him, therefore, take his rod away from me, and let not his fear terrify me."_ There exists, at this moment, in good preservation a remarkable work of Schalken's.
Line 3
The curious management of its lights constitutes, as usual in his pieces, the chief apparent merit of the picture.
/ðə ˈkjʊriəs ˈmænədʒmənt ʌv ɪts laɪts ˈkɑːnstətuːts æz ˈjuːʒəwəl ɪn hɪz ˈpiːsəz ðə tʃiːf əˈperənt ˈmerət ʌv ðə ˈpɪktʃər/
Line 4
I say _apparent_, for in its subject, and not in its handling, however exquisite, consists its real value.
/aɪ seɪ əˈperənt fɔːr ɪn ɪts səbˈdʒekt ənd nɑːt ɪn ɪts ˈhændlɪŋ ˌhaʊˈevər ˈekskwəzət kənˈsɪsts ɪts riːl ˈvæljuː/
Line 5
The picture represents the interior of what might be a chamber in some antique religious building; and its foreground is occupied by a female figure, in a species of white robe, part of which is arranged so as to form a veil.
/ðə ˈpɪktʃər ˌreprɪˈzents ðə ˌɪnˈtɪriər ʌv wʌt maɪt biː ə ˈtʃeɪmbər ɪn sʌm ænˈtiːk rɪˈlɪdʒəs ˈbɪldɪŋ ənd ɪts ˈfɔːrɡraʊnd ɪz ˈɑːkjəpaɪd baɪ ə ˈfiːmeɪl ˈfɪɡjər ɪn ə ˈspiːʃiz ʌv waɪt roʊb pɑːrt ʌv wɪtʃ ɪz ərˈeɪndʒd soʊ æz tuː fɔːrm ə veɪl/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

consists verb US /kənˈsɪsts/

third-person singular of “consist” — originate

From this reading “I say _apparent_, for in its subject, and not in its handling, however exquisite, consists its real value.”

constitutes verb US /ˈkɑːnstətuːts/

third-person singular of “constitute” — form or compose

From this reading “The curious management of its lights constitutes, as usual in his pieces, the chief apparent merit of the picture.”

Disturbances noun US /dɪˈstɜːrbənsəz/

plural of “disturbance” — activity that is a malfunction, intrusion, or interruption

From this reading “An Account of Some Strange Disturbances in Aungier Street (1853) _"For he is not a man as I am that we should come together; neither is there any that might lay his hand upon us both.”

foreground noun US /ˈfɔːrɡraʊnd/

the part of a scene that is near the viewer

From this reading “The picture represents the interior of what might be a chamber in some antique religious building; and its foreground is occupied by a female figure, in a species of white robe, part of which is arranged so as to form a veil.”

handling noun US /ˈhændlɪŋ/

manual (or mechanical) carrying or moving or delivering or working with something

From this reading “I say _apparent_, for in its subject, and not in its handling, however exquisite, consists its real value.”

preservation noun US /ˌprezərˈveɪʃən/

the activity of protecting something from loss or danger

From this reading “Let him, therefore, take his rod away from me, and let not his fear terrify me."_ There exists, at this moment, in good preservation a remarkable work of Schalken's.”

represents verb US /ˌreprɪˈzents/

third-person singular of “represent” — take the place of or be parallel or equivalent to

From this reading “The picture represents the interior of what might be a chamber in some antique religious building; and its foreground is occupied by a female figure, in a species of white robe, part of which is arranged so as to form a veil.”

terrify verb US /ˈterəfaɪ/

fill with terror; frighten greatly

From this reading “Let him, therefore, take his rod away from me, and let not his fear terrify me."_ There exists, at this moment, in good preservation a remarkable work of Schalken's.”

All words in this reading · 97

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1853

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading An Account of Some Strange Disturbances in Aungier Street (1853) _"For he is not a man as I am that we should come together; neither is there any that might lay his hand upon us both.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading An Account of Some Strange Disturbances in Aungier Street (1853) _"For he is not a man as I am that we should come together; neither is there any that might lay his hand upon us both.

AccountnounUS /əˈkaʊnt/

a record or narrative description of past events

From this reading An Account of Some Strange Disturbances in Aungier Street (1853) _"For he is not a man as I am that we should come together; neither is there any that might lay his hand upon us both.

amauxiliary verbUS /æm/

the form of “be” used with “I”

From this reading An Account of Some Strange Disturbances in Aungier Street (1853) _"For he is not a man as I am that we should come together; neither is there any that might lay his hand upon us both.

AndeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading An Account of Some Strange Disturbances in Aungier Street (1853) _"For he is not a man as I am that we should come together; neither is there any that might lay his hand upon us both.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Let him, therefore, take his rod away from me, and let not his fear terrify me."_ There exists, at this moment, in good preservation a remarkable work of Schalken's.

antiqueadjectiveUS /ænˈtiːk/

made in or typical of earlier times and valued for its age

From this reading The picture represents the interior of what might be a chamber in some antique religious building; and its foreground is occupied by a female figure, in a species of white robe, part of which is arranged so as to form a veil.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading An Account of Some Strange Disturbances in Aungier Street (1853) _"For he is not a man as I am that we should come together; neither is there any that might lay his hand upon us both.

apparentadjectiveUS /əˈperənt/

clearly revealed to the mind or the senses or judgment

From this reading The curious management of its lights constitutes, as usual in his pieces, the chief apparent merit of the picture.

arrangedadjectiveUS /ərˈeɪndʒd/

disposed or placed in a particular kind of order

From this reading The picture represents the interior of what might be a chamber in some antique religious building; and its foreground is occupied by a female figure, in a species of white robe, part of which is arranged so as to form a veil.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading An Account of Some Strange Disturbances in Aungier Street (1853) _"For he is not a man as I am that we should come together; neither is there any that might lay his hand upon us both.

atprepositionUS /æt/

in or near a particular place or position

From this reading Let him, therefore, take his rod away from me, and let not his fear terrify me."_ There exists, at this moment, in good preservation a remarkable work of Schalken's.

Aungier

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading An Account of Some Strange Disturbances in Aungier Street (1853) _"For he is not a man as I am that we should come together; neither is there any that might lay his hand upon us both.

awayadverbUS /əˈweɪ/

from a particular thing or place or position (“forth” is obsolete)

From this reading Let him, therefore, take his rod away from me, and let not his fear terrify me."_ There exists, at this moment, in good preservation a remarkable work of Schalken's.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading The picture represents the interior of what might be a chamber in some antique religious building; and its foreground is occupied by a female figure, in a species of white robe, part of which is arranged so as to form a veil.

bothdeterminerUS /boʊθ/

the two together, not just one

From this reading An Account of Some Strange Disturbances in Aungier Street (1853) _"For he is not a man as I am that we should come together; neither is there any that might lay his hand upon us both.

buildingnounUS /ˈbɪldɪŋ/

a structure that has a roof and walls and stands more or less permanently in one place

From this reading The picture represents the interior of what might be a chamber in some antique religious building; and its foreground is occupied by a female figure, in a species of white robe, part of which is arranged so as to form a veil.

byprepositionUS /baɪ/

showing who or what does the action

From this reading The picture represents the interior of what might be a chamber in some antique religious building; and its foreground is occupied by a female figure, in a species of white robe, part of which is arranged so as to form a veil.

chambernounUS /ˈtʃeɪmbər/

a natural or artificial enclosed space

From this reading The picture represents the interior of what might be a chamber in some antique religious building; and its foreground is occupied by a female figure, in a species of white robe, part of which is arranged so as to form a veil.

chiefnounUS /tʃiːf/

a person who is in charge

From this reading The curious management of its lights constitutes, as usual in his pieces, the chief apparent merit of the picture.

comeverbUS /kʌm/

move toward, travel toward something or somebody or approach something or somebody

From this reading An Account of Some Strange Disturbances in Aungier Street (1853) _"For he is not a man as I am that we should come together; neither is there any that might lay his hand upon us both.

consistsverbUS /kənˈsɪsts/

third-person singular of “consist” — originate

From this reading I say _apparent_, for in its subject, and not in its handling, however exquisite, consists its real value.

constitutesverbUS /ˈkɑːnstətuːts/

third-person singular of “constitute” — form or compose

From this reading The curious management of its lights constitutes, as usual in his pieces, the chief apparent merit of the picture.

curiousadjectiveUS /ˈkjʊriəs/

beyond or deviating from the usual or expected

From this reading The curious management of its lights constitutes, as usual in his pieces, the chief apparent merit of the picture.

DisturbancesnounUS /dɪˈstɜːrbənsəz/

plural of “disturbance” — activity that is a malfunction, intrusion, or interruption

From this reading An Account of Some Strange Disturbances in Aungier Street (1853) _"For he is not a man as I am that we should come together; neither is there any that might lay his hand upon us both.

existsverbUS /ɪɡˈzɪsts/

third-person singular of “exist” — have an existence, be extant

From this reading Let him, therefore, take his rod away from me, and let not his fear terrify me."_ There exists, at this moment, in good preservation a remarkable work of Schalken's.

exquisiteadjectiveUS /ˈekskwəzət/

intense or sharp

From this reading I say _apparent_, for in its subject, and not in its handling, however exquisite, consists its real value.

fearverbUS /fɪr/

be afraid or feel anxious or apprehensive about a possible or probable situation or event

From this reading Let him, therefore, take his rod away from me, and let not his fear terrify me."_ There exists, at this moment, in good preservation a remarkable work of Schalken's.

femaleadjectiveUS /ˈfiːmeɪl/

being the sex (of plant or animal) that produces fertilizable gametes (ova) from which offspring develop

From this reading The picture represents the interior of what might be a chamber in some antique religious building; and its foreground is occupied by a female figure, in a species of white robe, part of which is arranged so as to form a veil.

figurenounUS /ˈfɪɡjər/

a diagram or picture illustrating textual material

From this reading The picture represents the interior of what might be a chamber in some antique religious building; and its foreground is occupied by a female figure, in a species of white robe, part of which is arranged so as to form a veil.

ForprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading An Account of Some Strange Disturbances in Aungier Street (1853) _"For he is not a man as I am that we should come together; neither is there any that might lay his hand upon us both.

foregroundnounUS /ˈfɔːrɡraʊnd/

the part of a scene that is near the viewer

From this reading The picture represents the interior of what might be a chamber in some antique religious building; and its foreground is occupied by a female figure, in a species of white robe, part of which is arranged so as to form a veil.

formnounUS /fɔːrm/

the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading The picture represents the interior of what might be a chamber in some antique religious building; and its foreground is occupied by a female figure, in a species of white robe, part of which is arranged so as to form a veil.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Let him, therefore, take his rod away from me, and let not his fear terrify me."_ There exists, at this moment, in good preservation a remarkable work of Schalken's.

goodadjectiveUS /ɡʊd/

having desirable or positive qualities especially those suitable for a thing specified

From this reading Let him, therefore, take his rod away from me, and let not his fear terrify me."_ There exists, at this moment, in good preservation a remarkable work of Schalken's.

handnounUS /hænd/

the (prehensile) extremity of the superior limb

From this reading An Account of Some Strange Disturbances in Aungier Street (1853) _"For he is not a man as I am that we should come together; neither is there any that might lay his hand upon us both.

handlingnounUS /ˈhændlɪŋ/

manual (or mechanical) carrying or moving or delivering or working with something

From this reading I say _apparent_, for in its subject, and not in its handling, however exquisite, consists its real value.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading An Account of Some Strange Disturbances in Aungier Street (1853) _"For he is not a man as I am that we should come together; neither is there any that might lay his hand upon us both.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading Let him, therefore, take his rod away from me, and let not his fear terrify me."_ There exists, at this moment, in good preservation a remarkable work of Schalken's.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading An Account of Some Strange Disturbances in Aungier Street (1853) _"For he is not a man as I am that we should come together; neither is there any that might lay his hand upon us both.

howeveradverbUS /ˌhaʊˈevər/

used to add a contrasting statement

From this reading I say _apparent_, for in its subject, and not in its handling, however exquisite, consists its real value.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading An Account of Some Strange Disturbances in Aungier Street (1853) _"For he is not a man as I am that we should come together; neither is there any that might lay his hand upon us both.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading An Account of Some Strange Disturbances in Aungier Street (1853) _"For he is not a man as I am that we should come together; neither is there any that might lay his hand upon us both.

interioradjectiveUS /ˌɪnˈtɪriər/

situated within or suitable for inside a building

From this reading The picture represents the interior of what might be a chamber in some antique religious building; and its foreground is occupied by a female figure, in a species of white robe, part of which is arranged so as to form a veil.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading An Account of Some Strange Disturbances in Aungier Street (1853) _"For he is not a man as I am that we should come together; neither is there any that might lay his hand upon us both.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading The curious management of its lights constitutes, as usual in his pieces, the chief apparent merit of the picture.

layverbUS /leɪ/

put into a certain place or abstract location

From this reading An Account of Some Strange Disturbances in Aungier Street (1853) _"For he is not a man as I am that we should come together; neither is there any that might lay his hand upon us both.

Letauxiliary verbUS /let/

used to make a suggestion or a command including the speaker

From this reading Let him, therefore, take his rod away from me, and let not his fear terrify me."_ There exists, at this moment, in good preservation a remarkable work of Schalken's.

lightsnounUS /laɪts/

plural of “light” — (physics) electromagnetic radiation that can produce a visual sensation

From this reading The curious management of its lights constitutes, as usual in his pieces, the chief apparent merit of the picture.

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading An Account of Some Strange Disturbances in Aungier Street (1853) _"For he is not a man as I am that we should come together; neither is there any that might lay his hand upon us both.

managementnounUS /ˈmænədʒmənt/

the act of managing something

From this reading The curious management of its lights constitutes, as usual in his pieces, the chief apparent merit of the picture.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading Let him, therefore, take his rod away from me, and let not his fear terrify me."_ There exists, at this moment, in good preservation a remarkable work of Schalken's.

meritnounUS /ˈmerət/

any admirable quality or attribute

From this reading The curious management of its lights constitutes, as usual in his pieces, the chief apparent merit of the picture.

mightmodal verbUS /maɪt/

used to say something is possible but not certain

From this reading An Account of Some Strange Disturbances in Aungier Street (1853) _"For he is not a man as I am that we should come together; neither is there any that might lay his hand upon us both.

momentnounUS /ˈmoʊmənt/

a particular point in time

From this reading Let him, therefore, take his rod away from me, and let not his fear terrify me."_ There exists, at this moment, in good preservation a remarkable work of Schalken's.

neitherdeterminerUS /ˈniːðər/

not one and not the other of two

From this reading An Account of Some Strange Disturbances in Aungier Street (1853) _"For he is not a man as I am that we should come together; neither is there any that might lay his hand upon us both.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading An Account of Some Strange Disturbances in Aungier Street (1853) _"For he is not a man as I am that we should come together; neither is there any that might lay his hand upon us both.

occupiedadjectiveUS /ˈɑːkjəpaɪd/

held or filled or in use

From this reading The picture represents the interior of what might be a chamber in some antique religious building; and its foreground is occupied by a female figure, in a species of white robe, part of which is arranged so as to form a veil.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading An Account of Some Strange Disturbances in Aungier Street (1853) _"For he is not a man as I am that we should come together; neither is there any that might lay his hand upon us both.

partnounUS /pɑːrt/

something determined in relation to something that includes it

From this reading The picture represents the interior of what might be a chamber in some antique religious building; and its foreground is occupied by a female figure, in a species of white robe, part of which is arranged so as to form a veil.

picturenounUS /ˈpɪktʃər/

a visual representation (of an object or scene or person or abstraction) produced on a surface

From this reading The curious management of its lights constitutes, as usual in his pieces, the chief apparent merit of the picture.

piecesnounUS /ˈpiːsəz/

plural of “piece” — a separate part of a whole

From this reading The curious management of its lights constitutes, as usual in his pieces, the chief apparent merit of the picture.

preservationnounUS /ˌprezərˈveɪʃən/

the activity of protecting something from loss or danger

From this reading Let him, therefore, take his rod away from me, and let not his fear terrify me."_ There exists, at this moment, in good preservation a remarkable work of Schalken's.

realadjectiveUS /riːl/

being or occurring in fact or actuality; having verified existence; not illusory

From this reading I say _apparent_, for in its subject, and not in its handling, however exquisite, consists its real value.

religiousadjectiveUS /rɪˈlɪdʒəs/

concerned with sacred matters or religion or the church

From this reading The picture represents the interior of what might be a chamber in some antique religious building; and its foreground is occupied by a female figure, in a species of white robe, part of which is arranged so as to form a veil.

remarkableadjectiveUS /rɪˈmɑːrkəbəl/

unusual or striking

From this reading Let him, therefore, take his rod away from me, and let not his fear terrify me."_ There exists, at this moment, in good preservation a remarkable work of Schalken's.

representsverbUS /ˌreprɪˈzents/

third-person singular of “represent” — take the place of or be parallel or equivalent to

From this reading The picture represents the interior of what might be a chamber in some antique religious building; and its foreground is occupied by a female figure, in a species of white robe, part of which is arranged so as to form a veil.

robenounUS /roʊb/

any loose flowing garment

From this reading The picture represents the interior of what might be a chamber in some antique religious building; and its foreground is occupied by a female figure, in a species of white robe, part of which is arranged so as to form a veil.

rodnounUS /rɑːd/

a long thin implement made of metal or wood

From this reading Let him, therefore, take his rod away from me, and let not his fear terrify me."_ There exists, at this moment, in good preservation a remarkable work of Schalken's.

sayverbUS /seɪ/

express in words

From this reading I say _apparent_, for in its subject, and not in its handling, however exquisite, consists its real value.

Schalken's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Let him, therefore, take his rod away from me, and let not his fear terrify me."_ There exists, at this moment, in good preservation a remarkable work of Schalken's.

shouldmodal verbUS /ʃʊd/

used to say what is right, expected, or advisable

From this reading An Account of Some Strange Disturbances in Aungier Street (1853) _"For he is not a man as I am that we should come together; neither is there any that might lay his hand upon us both.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading The picture represents the interior of what might be a chamber in some antique religious building; and its foreground is occupied by a female figure, in a species of white robe, part of which is arranged so as to form a veil.

SomeadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading An Account of Some Strange Disturbances in Aungier Street (1853) _"For he is not a man as I am that we should come together; neither is there any that might lay his hand upon us both.

speciesnounUS /ˈspiːʃiz/

(biology) taxonomic group whose members can interbreed

From this reading The picture represents the interior of what might be a chamber in some antique religious building; and its foreground is occupied by a female figure, in a species of white robe, part of which is arranged so as to form a veil.

StrangeadjectiveUS /streɪndʒ/

being definitely out of the ordinary and unexpected; slightly odd or even a bit weird

From this reading An Account of Some Strange Disturbances in Aungier Street (1853) _"For he is not a man as I am that we should come together; neither is there any that might lay his hand upon us both.

StreetnounUS /striːt/

a thoroughfare (usually including sidewalks) that is lined with buildings

From this reading An Account of Some Strange Disturbances in Aungier Street (1853) _"For he is not a man as I am that we should come together; neither is there any that might lay his hand upon us both.

subjectnounUS /səbˈdʒekt/

the subject matter of a conversation or discussion

From this reading I say _apparent_, for in its subject, and not in its handling, however exquisite, consists its real value.

takeverbUS /teɪk/

carry out

From this reading Let him, therefore, take his rod away from me, and let not his fear terrify me."_ There exists, at this moment, in good preservation a remarkable work of Schalken's.

terrifyverbUS /ˈterəfaɪ/

fill with terror; frighten greatly

From this reading Let him, therefore, take his rod away from me, and let not his fear terrify me."_ There exists, at this moment, in good preservation a remarkable work of Schalken's.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading An Account of Some Strange Disturbances in Aungier Street (1853) _"For he is not a man as I am that we should come together; neither is there any that might lay his hand upon us both.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading The curious management of its lights constitutes, as usual in his pieces, the chief apparent merit of the picture.

thereadverbUS /ðer/

in or at that place or location

From this reading An Account of Some Strange Disturbances in Aungier Street (1853) _"For he is not a man as I am that we should come together; neither is there any that might lay his hand upon us both.

thereforeadverbUS /ˈðerfɔːr/

for that reason; as a result

From this reading Let him, therefore, take his rod away from me, and let not his fear terrify me."_ There exists, at this moment, in good preservation a remarkable work of Schalken's.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading Let him, therefore, take his rod away from me, and let not his fear terrify me."_ There exists, at this moment, in good preservation a remarkable work of Schalken's.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading The picture represents the interior of what might be a chamber in some antique religious building; and its foreground is occupied by a female figure, in a species of white robe, part of which is arranged so as to form a veil.

togetheradverbUS /təˈɡeðər/

in contact with each other or in proximity

From this reading An Account of Some Strange Disturbances in Aungier Street (1853) _"For he is not a man as I am that we should come together; neither is there any that might lay his hand upon us both.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading An Account of Some Strange Disturbances in Aungier Street (1853) _"For he is not a man as I am that we should come together; neither is there any that might lay his hand upon us both.

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading An Account of Some Strange Disturbances in Aungier Street (1853) _"For he is not a man as I am that we should come together; neither is there any that might lay his hand upon us both.

usualadjectiveUS /ˈjuːʒəwəl/

occurring or encountered or experienced or observed frequently or in accordance with regular practice or procedure

From this reading The curious management of its lights constitutes, as usual in his pieces, the chief apparent merit of the picture.

valuenounUS /ˈvæljuː/

a numerical quantity measured or assigned or computed

From this reading I say _apparent_, for in its subject, and not in its handling, however exquisite, consists its real value.

veilnounUS /veɪl/

a garment that covers the head and face

From this reading The picture represents the interior of what might be a chamber in some antique religious building; and its foreground is occupied by a female figure, in a species of white robe, part of which is arranged so as to form a veil.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading An Account of Some Strange Disturbances in Aungier Street (1853) _"For he is not a man as I am that we should come together; neither is there any that might lay his hand upon us both.

whatpronounUS /wʌt/

used to ask for information about something

From this reading The picture represents the interior of what might be a chamber in some antique religious building; and its foreground is occupied by a female figure, in a species of white robe, part of which is arranged so as to form a veil.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading The picture represents the interior of what might be a chamber in some antique religious building; and its foreground is occupied by a female figure, in a species of white robe, part of which is arranged so as to form a veil.

whitenounUS /waɪt/

a Caucasian

From this reading The picture represents the interior of what might be a chamber in some antique religious building; and its foreground is occupied by a female figure, in a species of white robe, part of which is arranged so as to form a veil.

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading Let him, therefore, take his rod away from me, and let not his fear terrify me."_ There exists, at this moment, in good preservation a remarkable work of Schalken's.

Chapter 1 of J. S. Le Fanu's Ghostly Tales, Volume 1 by Joseph Sheridan Le Fanu holds 578 sentences, grouped into 116 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of J. S. Le Fanu's Ghostly Tales, Volume 1 contain?

Chapter 1 holds 578 sentences of J. S. Le Fanu's Ghostly Tales, Volume 1, unabridged, divided into 116 reading sections.

This page carries chapter 1 of J. S. Le Fanu's Ghostly Tales, Volume 1 by Joseph Sheridan Le Fanu exactly as it stands in the source edition, without abridgement. It runs to 578 sentences, grouped into 116 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of J. S. Le Fanu's Ghostly Tales, Volume 1?

Work through the 116 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 116 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading J. S. Le Fanu's Ghostly Tales, Volume 1

Common questions about reading J. S. Le Fanu's Ghostly Tales, Volume 1 by Joseph Sheridan Le Fanu on this page, its source edition and its audio.

Is this the complete text of J. S. Le Fanu's Ghostly Tales, Volume 1?

Yes. All 578 sentences of Project Gutenberg eBook #11699 are kept, with a record of which sentences cover which part.

Which edition of J. S. Le Fanu's Ghostly Tales, Volume 1 is used?

Project Gutenberg eBook #11699, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does J. S. Le Fanu's Ghostly Tales, Volume 1 take to read?

About 48 minutes of reading across 116 sections of 5 sentences each, at an unhurried pace.

How to read J. S. Le Fanu's Ghostly Tales, Volume 1 section by section

How to work through J. S. Le Fanu's Ghostly Tales, Volume 1 section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 1 chapters of J. S. Le Fanu's Ghostly Tales, Volume 1 to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in J. S. Le Fanu's Ghostly Tales, Volume 1

Words and structures a reader meets early in J. S. Le Fanu's Ghostly Tales, Volume 1, each tappable for pronunciation and meaning.

Account
A word that appears in the opening chapter of J. S. Le Fanu's Ghostly Tales, Volume 1; the reader can tap it to hear it and see its dictionary entry.
Strange
A word that appears in the opening chapter of J. S. Le Fanu's Ghostly Tales, Volume 1; the reader can tap it to hear it and see its dictionary entry.
Disturbances
A word that appears in the opening chapter of J. S. Le Fanu's Ghostly Tales, Volume 1; the reader can tap it to hear it and see its dictionary entry.
Aungier
A word that appears in the opening chapter of J. S. Le Fanu's Ghostly Tales, Volume 1; the reader can tap it to hear it and see its dictionary entry.