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Joe Strong on the high wire
Joe Strong on the high wire

Chapter XIX

Chapter 19 of Joe Strong on the high wire is here in full — 86 sentences across 18 reading sections, with audio for every sentence and word.

Cover illustration for Joe Strong on the high wire
Context Illustration Reading 1/17 · 5 lines
English subtitles · tap any word to listen 1 / 5
JOE'S MARKSMANSHIP There was a different atmosphere about the circus in Madison Square Garden than there had been on the road while showing under canvas.
The performers seemed keyed up to a higher pitch, for they realized, or most of them did, that the most critical audience in the world was looking at them.
"You have to make good in New York--or--quit," said Jim Tracy, and Joe felt this to be true.
Still he did not worry, as his act had already, in a measure, been on trial in the big city.
Some of the other performers, though, were a bit nervous as to how their turns would go.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Joe Strong on the high wire

Chapter XIX

Chapter 19 of Joe Strong on the high wire is here in full — 86 sentences across 18 reading sections, with audio for every sentence and word.

Reading 1/17 · 5 reading units · Lines 1–5

Line 1
JOE'S MARKSMANSHIP There was a different atmosphere about the circus in Madison Square Garden than there had been on the road while showing under canvas.
Line 2
The performers seemed keyed up to a higher pitch, for they realized, or most of them did, that the most critical audience in the world was looking at them.
/ðə pərˈfɔːrmərz siːmd kiːd ʌp tuː ə ˈhaɪər pɪtʃ fɔːr ðeɪ ˈriːəlaɪzd ɔːr moʊst ʌv ðem dɪd ðæt ðə moʊst ˈkrɪtɪkəl ˈɑːdiəns ɪn ðə wɜːrld wɑːz ˈlʊkɪŋ æt ðem/
Line 3
"You have to make good in New York--or--quit," said Jim Tracy, and Joe felt this to be true.
Line 4
Still he did not worry, as his act had already, in a measure, been on trial in the big city.
/stɪl hiː dɪd nɑːt ˈwɜːri æz hɪz ækt hæd ɔːlˈredi ɪn ə ˈmeʒər bɪn ɑːn ˈtraɪəl ɪn ðə bɪɡ ˈsɪti/
Line 5
Some of the other performers, though, were a bit nervous as to how their turns would go.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

circus noun US /ˈsɜːrkəs/

a travelling company of entertainers; including trained animals

From this reading “JOE'S MARKSMANSHIP There was a different atmosphere about the circus in Madison Square Garden than there had been on the road while showing under canvas.”

critical adjective US /ˈkrɪtɪkəl/

marked by a tendency to find and call attention to errors and flaws

From this reading “The performers seemed keyed up to a higher pitch, for they realized, or most of them did, that the most critical audience in the world was looking at them.”

keyed adjective US /kiːd/

fitted with or secured by a key

From this reading “The performers seemed keyed up to a higher pitch, for they realized, or most of them did, that the most critical audience in the world was looking at them.”

Madison noun US /ˈmædəsən/

4th President of the United States; member of the Continental Congress and rapporteur at the Constitutional Convention in 1776; helped frame the Bill of Rights (1751-1836)

From this reading “JOE'S MARKSMANSHIP There was a different atmosphere about the circus in Madison Square Garden than there had been on the road while showing under canvas.”

marksmanship noun US /ˈmɑːrksmənʃɪp/

skill in shooting

From this reading “JOE'S MARKSMANSHIP There was a different atmosphere about the circus in Madison Square Garden than there had been on the road while showing under canvas.”

performers noun US /pərˈfɔːrmərz/

plural of “performer” — an entertainer who performs a dramatic or musical work for an audience

From this reading “The performers seemed keyed up to a higher pitch, for they realized, or most of them did, that the most critical audience in the world was looking at them.”

pitch noun US /pɪtʃ/

the property of sound that varies with variation in the frequency of vibration

From this reading “The performers seemed keyed up to a higher pitch, for they realized, or most of them did, that the most critical audience in the world was looking at them.”

Tracy noun US /ˈtreɪsi/

United States film actor who appeared in many films with Katharine Hepburn (1900-1967)

From this reading “"You have to make good in New York--or--quit," said Jim Tracy, and Joe felt this to be true.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

higher pitch adjective + noun

In this reading “The performers seemed keyed up to a higher pitch, for they realized, or most of them did, that the most critical audience in the world was looking at them.”

most critical adverb + adjective

In this reading “The performers seemed keyed up to a higher pitch, for they realized, or most of them did, that the most critical audience in the world was looking at them.”

under canvas preposition + noun

In this reading “JOE'S MARKSMANSHIP There was a different atmosphere about the circus in Madison Square Garden than there had been on the road while showing under canvas.”

big city adjective + noun

In this reading “Still he did not worry, as his act had already, in a measure, been on trial in the big city.”

on the road preposition + article + noun counted as “on … road”

travelling about

In this reading “JOE'S MARKSMANSHIP There was a different atmosphere about the circus in Madison Square Garden than there had been on the road while showing under canvas.”

in the world preposition + article + noun counted as “in … world”

In this reading “The performers seemed keyed up to a higher pitch, for they realized, or most of them did, that the most critical audience in the world was looking at them.”

All words in this reading · 83

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading JOE'S MARKSMANSHIP There was a different atmosphere about the circus in Madison Square Garden than there had been on the road while showing under canvas.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading JOE'S MARKSMANSHIP There was a different atmosphere about the circus in Madison Square Garden than there had been on the road while showing under canvas.

actverbUS /ækt/

perform an action, or work out or perform (an action)

From this reading Still he did not worry, as his act had already, in a measure, been on trial in the big city.

alreadyadverbUS /ɔːlˈredi/

prior to a specified or implied time

From this reading Still he did not worry, as his act had already, in a measure, been on trial in the big city.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading "You have to make good in New York--or--quit," said Jim Tracy, and Joe felt this to be true.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Still he did not worry, as his act had already, in a measure, been on trial in the big city.

atprepositionUS /æt/

in or near a particular place or position

From this reading The performers seemed keyed up to a higher pitch, for they realized, or most of them did, that the most critical audience in the world was looking at them.

atmospherenounUS /ˈætməsfɪr/

a particular environment or surrounding influence

From this reading JOE'S MARKSMANSHIP There was a different atmosphere about the circus in Madison Square Garden than there had been on the road while showing under canvas.

audiencenounUS /ˈɑːdiəns/

a gathering of spectators or listeners at a (usually public) performance

From this reading The performers seemed keyed up to a higher pitch, for they realized, or most of them did, that the most critical audience in the world was looking at them.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading "You have to make good in New York--or--quit," said Jim Tracy, and Joe felt this to be true.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading JOE'S MARKSMANSHIP There was a different atmosphere about the circus in Madison Square Garden than there had been on the road while showing under canvas.

bigadjectiveUS /bɪɡ/

above average in size or number or quantity or magnitude or extent

From this reading Still he did not worry, as his act had already, in a measure, been on trial in the big city.

bitnounUS /bɪt/

a small piece or quantity of something

From this reading Some of the other performers, though, were a bit nervous as to how their turns would go.

canvasnounUS /ˈkænvəs/

a heavy, closely woven fabric (used for clothing or chairs or sails or tents)

From this reading JOE'S MARKSMANSHIP There was a different atmosphere about the circus in Madison Square Garden than there had been on the road while showing under canvas.

circusnounUS /ˈsɜːrkəs/

a travelling company of entertainers; including trained animals

From this reading JOE'S MARKSMANSHIP There was a different atmosphere about the circus in Madison Square Garden than there had been on the road while showing under canvas.

citynounUS /ˈsɪti/

a large and densely populated urban area; may include several independent administrative districts

From this reading Still he did not worry, as his act had already, in a measure, been on trial in the big city.

criticaladjectiveUS /ˈkrɪtɪkəl/

marked by a tendency to find and call attention to errors and flaws

From this reading The performers seemed keyed up to a higher pitch, for they realized, or most of them did, that the most critical audience in the world was looking at them.

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading The performers seemed keyed up to a higher pitch, for they realized, or most of them did, that the most critical audience in the world was looking at them.

differentadjectiveUS /ˈdɪfərənt/

unlike in nature or quality or form or degree

From this reading JOE'S MARKSMANSHIP There was a different atmosphere about the circus in Madison Square Garden than there had been on the road while showing under canvas.

feltverbUS /felt/

mat together and make felt-like

From this reading "You have to make good in New York--or--quit," said Jim Tracy, and Joe felt this to be true.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading The performers seemed keyed up to a higher pitch, for they realized, or most of them did, that the most critical audience in the world was looking at them.

GardennounUS /ˈɡɑːrdən/

a plot of ground where plants are cultivated

From this reading JOE'S MARKSMANSHIP There was a different atmosphere about the circus in Madison Square Garden than there had been on the road while showing under canvas.

goverbUS /ɡoʊ/

change location; move, travel, or proceed, also metaphorically

From this reading Some of the other performers, though, were a bit nervous as to how their turns would go.

goodadjectiveUS /ɡʊd/

having desirable or positive qualities especially those suitable for a thing specified

From this reading "You have to make good in New York--or--quit," said Jim Tracy, and Joe felt this to be true.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading JOE'S MARKSMANSHIP There was a different atmosphere about the circus in Madison Square Garden than there had been on the road while showing under canvas.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading "You have to make good in New York--or--quit," said Jim Tracy, and Joe felt this to be true.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading Still he did not worry, as his act had already, in a measure, been on trial in the big city.

higheradjectiveUS /ˈhaɪər/

advanced in complexity or elaboration

From this reading The performers seemed keyed up to a higher pitch, for they realized, or most of them did, that the most critical audience in the world was looking at them.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Still he did not worry, as his act had already, in a measure, been on trial in the big city.

how

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Some of the other performers, though, were a bit nervous as to how their turns would go.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading JOE'S MARKSMANSHIP There was a different atmosphere about the circus in Madison Square Garden than there had been on the road while showing under canvas.

Jim

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "You have to make good in New York--or--quit," said Jim Tracy, and Joe felt this to be true.

Joe

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "You have to make good in New York--or--quit," said Jim Tracy, and Joe felt this to be true.

JOE'S

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading JOE'S MARKSMANSHIP There was a different atmosphere about the circus in Madison Square Garden than there had been on the road while showing under canvas.

keyedadjectiveUS /kiːd/

fitted with or secured by a key

From this reading The performers seemed keyed up to a higher pitch, for they realized, or most of them did, that the most critical audience in the world was looking at them.

lookingnounUS /ˈlʊkɪŋ/

the act of directing the eyes toward something and perceiving it visually

From this reading The performers seemed keyed up to a higher pitch, for they realized, or most of them did, that the most critical audience in the world was looking at them.

MadisonnounUS /ˈmædəsən/

4th President of the United States; member of the Continental Congress and rapporteur at the Constitutional Convention in 1776; helped frame the Bill of Rights (1751-1836)

From this reading JOE'S MARKSMANSHIP There was a different atmosphere about the circus in Madison Square Garden than there had been on the road while showing under canvas.

makeverbUS /meɪk/

engage in

From this reading "You have to make good in New York--or--quit," said Jim Tracy, and Joe felt this to be true.

MARKSMANSHIPnounUS /ˈmɑːrksmənʃɪp/

skill in shooting

From this reading JOE'S MARKSMANSHIP There was a different atmosphere about the circus in Madison Square Garden than there had been on the road while showing under canvas.

measurenounUS /ˈmeʒər/

any maneuver made as part of progress toward a goal

From this reading Still he did not worry, as his act had already, in a measure, been on trial in the big city.

mostadverbUS /moʊst/

used to form the superlative

From this reading The performers seemed keyed up to a higher pitch, for they realized, or most of them did, that the most critical audience in the world was looking at them.

nervousadjectiveUS /ˈnɜːrvəs/

easily agitated

From this reading Some of the other performers, though, were a bit nervous as to how their turns would go.

NewadjectiveUS /nuː/

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading "You have to make good in New York--or--quit," said Jim Tracy, and Joe felt this to be true.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Still he did not worry, as his act had already, in a measure, been on trial in the big city.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading The performers seemed keyed up to a higher pitch, for they realized, or most of them did, that the most critical audience in the world was looking at them.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading JOE'S MARKSMANSHIP There was a different atmosphere about the circus in Madison Square Garden than there had been on the road while showing under canvas.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading The performers seemed keyed up to a higher pitch, for they realized, or most of them did, that the most critical audience in the world was looking at them.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading Some of the other performers, though, were a bit nervous as to how their turns would go.

performersnounUS /pərˈfɔːrmərz/

plural of “performer” — an entertainer who performs a dramatic or musical work for an audience

From this reading The performers seemed keyed up to a higher pitch, for they realized, or most of them did, that the most critical audience in the world was looking at them.

pitchnounUS /pɪtʃ/

the property of sound that varies with variation in the frequency of vibration

From this reading The performers seemed keyed up to a higher pitch, for they realized, or most of them did, that the most critical audience in the world was looking at them.

quitverbUS /kwɪt/

put an end to a state or an activity

From this reading "You have to make good in New York--or--quit," said Jim Tracy, and Joe felt this to be true.

realizedadjectiveUS /ˈriːəlaɪzd/

successfully completed or brought to an end

From this reading The performers seemed keyed up to a higher pitch, for they realized, or most of them did, that the most critical audience in the world was looking at them.

roadnounUS /roʊd/

an open way (generally public) for travel or transportation

From this reading JOE'S MARKSMANSHIP There was a different atmosphere about the circus in Madison Square Garden than there had been on the road while showing under canvas.

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading "You have to make good in New York--or--quit," said Jim Tracy, and Joe felt this to be true.

seemedverbUS /siːmd/

past form of “seem” — give a certain impression or have a certain outward aspect

From this reading The performers seemed keyed up to a higher pitch, for they realized, or most of them did, that the most critical audience in the world was looking at them.

showingnounUS /ˈʃoʊɪŋ/

the display of a motion picture

From this reading JOE'S MARKSMANSHIP There was a different atmosphere about the circus in Madison Square Garden than there had been on the road while showing under canvas.

SomeadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading Some of the other performers, though, were a bit nervous as to how their turns would go.

SquareverbUS /skwer/

make square

From this reading JOE'S MARKSMANSHIP There was a different atmosphere about the circus in Madison Square Garden than there had been on the road while showing under canvas.

StilladjectiveUS /stɪl/

not in physical motion

From this reading Still he did not worry, as his act had already, in a measure, been on trial in the big city.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading JOE'S MARKSMANSHIP There was a different atmosphere about the circus in Madison Square Garden than there had been on the road while showing under canvas.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading The performers seemed keyed up to a higher pitch, for they realized, or most of them did, that the most critical audience in the world was looking at them.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading JOE'S MARKSMANSHIP There was a different atmosphere about the circus in Madison Square Garden than there had been on the road while showing under canvas.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading Some of the other performers, though, were a bit nervous as to how their turns would go.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading The performers seemed keyed up to a higher pitch, for they realized, or most of them did, that the most critical audience in the world was looking at them.

ThereadverbUS /ðer/

in or at that place or location

From this reading JOE'S MARKSMANSHIP There was a different atmosphere about the circus in Madison Square Garden than there had been on the road while showing under canvas.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading The performers seemed keyed up to a higher pitch, for they realized, or most of them did, that the most critical audience in the world was looking at them.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading "You have to make good in New York--or--quit," said Jim Tracy, and Joe felt this to be true.

thoughconjunctionUS /ðoʊ/

in spite of the fact that

From this reading Some of the other performers, though, were a bit nervous as to how their turns would go.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading The performers seemed keyed up to a higher pitch, for they realized, or most of them did, that the most critical audience in the world was looking at them.

TracynounUS /ˈtreɪsi/

United States film actor who appeared in many films with Katharine Hepburn (1900-1967)

From this reading "You have to make good in New York--or--quit," said Jim Tracy, and Joe felt this to be true.

trialnounUS /ˈtraɪəl/

the act of testing something

From this reading Still he did not worry, as his act had already, in a measure, been on trial in the big city.

trueadjectiveUS /truː/

consistent with fact or reality; not false

From this reading "You have to make good in New York--or--quit," said Jim Tracy, and Joe felt this to be true.

turnsnounUS /tɜːrnz/

plural of “turn” — a circular segment of a curve

From this reading Some of the other performers, though, were a bit nervous as to how their turns would go.

underprepositionUS /ˈʌndər/

below or beneath something; less than

From this reading JOE'S MARKSMANSHIP There was a different atmosphere about the circus in Madison Square Garden than there had been on the road while showing under canvas.

upadjectiveUS /ʌp/

being or moving higher in position or greater in some value; being above a former position or level

From this reading The performers seemed keyed up to a higher pitch, for they realized, or most of them did, that the most critical audience in the world was looking at them.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading JOE'S MARKSMANSHIP There was a different atmosphere about the circus in Madison Square Garden than there had been on the road while showing under canvas.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading Some of the other performers, though, were a bit nervous as to how their turns would go.

whileconjunctionUS /waɪl/

during the time that

From this reading JOE'S MARKSMANSHIP There was a different atmosphere about the circus in Madison Square Garden than there had been on the road while showing under canvas.

worldnounUS /wɜːrld/

everything that exists anywhere

From this reading The performers seemed keyed up to a higher pitch, for they realized, or most of them did, that the most critical audience in the world was looking at them.

worryverbUS /ˈwɜːri/

be worried, concerned, anxious, troubled, or uneasy

From this reading Still he did not worry, as his act had already, in a measure, been on trial in the big city.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading Some of the other performers, though, were a bit nervous as to how their turns would go.

YorknounUS /jɔːrk/

the English royal house (a branch of the Plantagenet line) that reigned from 1461 to 1485; its emblem was a white rose

From this reading "You have to make good in New York--or--quit," said Jim Tracy, and Joe felt this to be true.

YoupronounUS /juː/

the person or people being spoken to

From this reading "You have to make good in New York--or--quit," said Jim Tracy, and Joe felt this to be true.

Chapter 19 of Joe Strong on the high wire by Vance Barnum holds 86 sentences, grouped into 18 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 19 of Joe Strong on the high wire contain?

Chapter 19 holds 86 sentences of Joe Strong on the high wire, unabridged, divided into 18 reading sections.

This page carries chapter 19 of Joe Strong on the high wire by Vance Barnum exactly as it stands in the source edition, without abridgement. It runs to 86 sentences, grouped into 18 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 19 of Joe Strong on the high wire?

Work through the 18 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 18 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 19 be read aloud to me?

Yes — every sentence and every individual word in chapter 19 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Joe Strong on the high wire

Common questions about reading Joe Strong on the high wire by Vance Barnum on this page, its source edition and its audio.

Is this the complete text of Joe Strong on the high wire?

Yes. All 3264 sentences of Project Gutenberg eBook #76025 are kept, with a record of which sentences cover which part.

Which edition of Joe Strong on the high wire is used?

Project Gutenberg eBook #76025, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Joe Strong on the high wire take to read?

About 272 minutes of reading across 653 sections of 5 sentences each, at an unhurried pace.

How to read Joe Strong on the high wire section by section

How to work through Joe Strong on the high wire section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 25 chapters of Joe Strong on the high wire to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Joe Strong on the high wire

Words and structures a reader meets early in Joe Strong on the high wire, each tappable for pronunciation and meaning.

Good-bye
A word that appears in the opening chapter of Joe Strong on the high wire; the reader can tap it to hear it and see its dictionary entry.
Introduce
A word that appears in the opening chapter of Joe Strong on the high wire; the reader can tap it to hear it and see its dictionary entry.
Lizzie
A word that appears in the opening chapter of Joe Strong on the high wire; the reader can tap it to hear it and see its dictionary entry.
Thought
A word that appears in the opening chapter of Joe Strong on the high wire; the reader can tap it to hear it and see its dictionary entry.