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Journeys Through Bookland, Vol. 10: The Guide
Journeys Through Bookland, Vol. 10: The Guide

Chapter XI · Chapter 11

Chapter 11 of Journeys Through Bookland, Vol. 10: The Guide is here in full — 611 sentences across 123 reading sections, with audio for every sentence and word.

Cover illustration for Journeys Through Bookland, Vol. 10: The Guide
Context Illustration Reading 1/122 · 5 lines
English subtitles · tap any word to listen 1 / 5
READING POETRY Nothing so brings out the music and the structural beauty of poetry as reading it aloud, and many who have cared nothing for verse in any of its forms learn to love it when they hear it read frequently by a sympathetic voice.
Children love the nursery rhymes largely because they have heard them and have caught the sound and rhythm more than the meaning.
It is the lively music more than the whimsical meaning that has made the rhymes popular.
When the time comes that children begin to lose their interest and consider poetry beneath them, their flagging attention often may be aroused and new interest created by simply reading new selections aloud to them and talking with them about the meaning and beauties of the poems.
On page 410 of Volume One is Longfellow's exquisite poem, _The Reaper and the Flowers_.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Journeys Through Bookland, Vol. 10: The Guide

Chapter XI · Chapter 11

Chapter 11 of Journeys Through Bookland, Vol. 10: The Guide is here in full — 611 sentences across 123 reading sections, with audio for every sentence and word.

Reading 1/122 · 5 reading units · Lines 1–5

Line 1
READING POETRY Nothing so brings out the music and the structural beauty of poetry as reading it aloud, and many who have cared nothing for verse in any of its forms learn to love it when they hear it read frequently by a sympathetic voice.
/ˈriːdɪŋ ˈpoʊətri ˈnʌθɪŋ soʊ brɪŋz aʊt ðə ˈmjuːzɪk ənd ðə ˈstrʌktʃərəl ˈbjuːti ʌv ˈpoʊətri æz ˈriːdɪŋ ɪt əˈlaʊd ənd ˈmeni huː hæv kerd ˈnʌθɪŋ fɔːr vɜːrs ɪn ˈeni ʌv ɪts fɔːrmz lɜːrn tuː lʌv ɪt wen ðeɪ hiːr ɪt red ˈfriːkwəntli baɪ ə ˌsɪmpəˈθetɪk vɔɪs/
Line 2
Children love the nursery rhymes largely because they have heard them and have caught the sound and rhythm more than the meaning.
/ˈtʃɪldrən lʌv ðə ˈnɜːrsəri raɪmz ˈlɑːrdʒli bɪˈkɔːz ðeɪ hæv hɜːrd ðem ənd hæv kɑːt ðə saʊnd ənd ˈrɪðəm mɔːr ðæn ðə ˈmiːnɪŋ/
Line 3
It is the lively music more than the whimsical meaning that has made the rhymes popular.
/ɪt ɪz ðə ˈlaɪvli ˈmjuːzɪk mɔːr ðæn ðə ˈwɪmzɪkəl ˈmiːnɪŋ ðæt hæz meɪd ðə raɪmz ˈpɑːpjələr/
Line 4
When the time comes that children begin to lose their interest and consider poetry beneath them, their flagging attention often may be aroused and new interest created by simply reading new selections aloud to them and talking with them about the meaning and beauties of the poems.
/wen ðə taɪm kʌmz ðæt ˈtʃɪldrən bɪˈɡɪn tuː luːz ðer ˈɪntrəst ənd kənˈsɪdər ˈpoʊətri bɪˈniːθ ðem ðer ˈflæɡɪŋ əˈtenʃən ˈɔːfən meɪ biː ərˈaʊzd ənd nuː ˈɪntrəst kriˈeɪtəd baɪ ˈsɪmpli ˈriːdɪŋ nuː səˈlekʃənz əˈlaʊd tuː ðem ənd ˈtɔːkɪŋ wɪð ðem əˈbaʊt ðə ˈmiːnɪŋ ənd ˈbjuːtiz ʌv ðə ˈpoʊəmz/
Line 5
On page 410 of Volume One is Longfellow's exquisite poem, _The Reaper and the Flowers_.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

flagging noun US /ˈflæɡɪŋ/

flagstones collectively

From this reading “When the time comes that children begin to lose their interest and consider poetry beneath them, their flagging attention often may be aroused and new interest created by simply reading new selections aloud to them and talking with them about the meaning and beauties of the poems.”

nursery noun US /ˈnɜːrsəri/

a child's room for a baby

From this reading “Children love the nursery rhymes largely because they have heard them and have caught the sound and rhythm more than the meaning.”

Reaper noun US /ˈriːpər/

someone who helps to gather the harvest

From this reading “On page 410 of Volume One is Longfellow's exquisite poem, _The Reaper and the Flowers_.”

rhymes noun US /raɪmz/

plural of “rhyme” — correspondence in the sounds of two or more lines (especially final sounds)

From this reading “Children love the nursery rhymes largely because they have heard them and have caught the sound and rhythm more than the meaning.”

rhythm noun US /ˈrɪðəm/

the basic rhythmic unit in a piece of music

From this reading “Children love the nursery rhymes largely because they have heard them and have caught the sound and rhythm more than the meaning.”

selections noun US /səˈlekʃənz/

plural of “selection” — the act of choosing or selecting

From this reading “When the time comes that children begin to lose their interest and consider poetry beneath them, their flagging attention often may be aroused and new interest created by simply reading new selections aloud to them and talking with them about the meaning and beauties of the poems.”

structural adjective US /ˈstrʌktʃərəl/

relating to or caused by structure, especially political or economic structure

From this reading “READING POETRY Nothing so brings out the music and the structural beauty of poetry as reading it aloud, and many who have cared nothing for verse in any of its forms learn to love it when they hear it read frequently by a sympathetic voice.”

whimsical adjective US /ˈwɪmzɪkəl/

determined by chance or impulse or whim rather than by necessity or reason

From this reading “It is the lively music more than the whimsical meaning that has made the rhymes popular.”

All words in this reading · 90

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

410

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading On page 410 of Volume One is Longfellow's exquisite poem, _The Reaper and the Flowers_.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading READING POETRY Nothing so brings out the music and the structural beauty of poetry as reading it aloud, and many who have cared nothing for verse in any of its forms learn to love it when they hear it read frequently by a sympathetic voice.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading When the time comes that children begin to lose their interest and consider poetry beneath them, their flagging attention often may be aroused and new interest created by simply reading new selections aloud to them and talking with them about the meaning and beauties of the poems.

aloudadverbUS /əˈlaʊd/

using the voice; not silently

From this reading READING POETRY Nothing so brings out the music and the structural beauty of poetry as reading it aloud, and many who have cared nothing for verse in any of its forms learn to love it when they hear it read frequently by a sympathetic voice.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading READING POETRY Nothing so brings out the music and the structural beauty of poetry as reading it aloud, and many who have cared nothing for verse in any of its forms learn to love it when they hear it read frequently by a sympathetic voice.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading READING POETRY Nothing so brings out the music and the structural beauty of poetry as reading it aloud, and many who have cared nothing for verse in any of its forms learn to love it when they hear it read frequently by a sympathetic voice.

arousedadjectiveUS /ərˈaʊzd/

aroused to action

From this reading When the time comes that children begin to lose their interest and consider poetry beneath them, their flagging attention often may be aroused and new interest created by simply reading new selections aloud to them and talking with them about the meaning and beauties of the poems.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading READING POETRY Nothing so brings out the music and the structural beauty of poetry as reading it aloud, and many who have cared nothing for verse in any of its forms learn to love it when they hear it read frequently by a sympathetic voice.

attentionnounUS /əˈtenʃən/

the process whereby a person concentrates on some features of the environment to the (relative) exclusion of others

From this reading When the time comes that children begin to lose their interest and consider poetry beneath them, their flagging attention often may be aroused and new interest created by simply reading new selections aloud to them and talking with them about the meaning and beauties of the poems.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading When the time comes that children begin to lose their interest and consider poetry beneath them, their flagging attention often may be aroused and new interest created by simply reading new selections aloud to them and talking with them about the meaning and beauties of the poems.

beautiesnounUS /ˈbjuːtiz/

plural of “beauty” — the qualities that give pleasure to the senses

From this reading When the time comes that children begin to lose their interest and consider poetry beneath them, their flagging attention often may be aroused and new interest created by simply reading new selections aloud to them and talking with them about the meaning and beauties of the poems.

beautynounUS /ˈbjuːti/

the qualities that give pleasure to the senses

From this reading READING POETRY Nothing so brings out the music and the structural beauty of poetry as reading it aloud, and many who have cared nothing for verse in any of its forms learn to love it when they hear it read frequently by a sympathetic voice.

becauseconjunctionUS /bɪˈkɔːz/

for the reason that

From this reading Children love the nursery rhymes largely because they have heard them and have caught the sound and rhythm more than the meaning.

beginverbUS /bɪˈɡɪn/

take the first step or steps in carrying out an action

From this reading When the time comes that children begin to lose their interest and consider poetry beneath them, their flagging attention often may be aroused and new interest created by simply reading new selections aloud to them and talking with them about the meaning and beauties of the poems.

beneathprepositionUS /bɪˈniːθ/

Directly under; in or to a lower position than.

From this reading When the time comes that children begin to lose their interest and consider poetry beneath them, their flagging attention often may be aroused and new interest created by simply reading new selections aloud to them and talking with them about the meaning and beauties of the poems.

bringsverbUS /brɪŋz/

third-person singular of “bring” — take something or somebody with oneself somewhere

From this reading READING POETRY Nothing so brings out the music and the structural beauty of poetry as reading it aloud, and many who have cared nothing for verse in any of its forms learn to love it when they hear it read frequently by a sympathetic voice.

byprepositionUS /baɪ/

showing who or what does the action

From this reading READING POETRY Nothing so brings out the music and the structural beauty of poetry as reading it aloud, and many who have cared nothing for verse in any of its forms learn to love it when they hear it read frequently by a sympathetic voice.

caredverbUS /kerd/

past form of “care” — feel concern or interest

From this reading READING POETRY Nothing so brings out the music and the structural beauty of poetry as reading it aloud, and many who have cared nothing for verse in any of its forms learn to love it when they hear it read frequently by a sympathetic voice.

caughtverbUS /kɑːt/

inflected form of “catch” — discover or come upon accidentally, suddenly, or unexpectedly; catch somebody doing something or in a certain state

From this reading Children love the nursery rhymes largely because they have heard them and have caught the sound and rhythm more than the meaning.

ChildrennounUS /ˈtʃɪldrən/

plural of “child” — a young person of either sex

From this reading Children love the nursery rhymes largely because they have heard them and have caught the sound and rhythm more than the meaning.

comesnounUS /kʌmz/

plural of “come” — the thick white fluid containing spermatozoa that is ejaculated by the male genital tract

From this reading When the time comes that children begin to lose their interest and consider poetry beneath them, their flagging attention often may be aroused and new interest created by simply reading new selections aloud to them and talking with them about the meaning and beauties of the poems.

considerverbUS /kənˈsɪdər/

deem to be

From this reading When the time comes that children begin to lose their interest and consider poetry beneath them, their flagging attention often may be aroused and new interest created by simply reading new selections aloud to them and talking with them about the meaning and beauties of the poems.

createdverbUS /kriˈeɪtəd/

past form of “create” — make or cause to be or to become

From this reading When the time comes that children begin to lose their interest and consider poetry beneath them, their flagging attention often may be aroused and new interest created by simply reading new selections aloud to them and talking with them about the meaning and beauties of the poems.

exquisiteadjectiveUS /ˈekskwəzət/

intense or sharp

From this reading On page 410 of Volume One is Longfellow's exquisite poem, _The Reaper and the Flowers_.

flaggingnounUS /ˈflæɡɪŋ/

flagstones collectively

From this reading When the time comes that children begin to lose their interest and consider poetry beneath them, their flagging attention often may be aroused and new interest created by simply reading new selections aloud to them and talking with them about the meaning and beauties of the poems.

FlowersnounUS /ˈflaʊərz/

plural of “flower” — a plant cultivated for its blooms or blossoms

From this reading On page 410 of Volume One is Longfellow's exquisite poem, _The Reaper and the Flowers_.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading READING POETRY Nothing so brings out the music and the structural beauty of poetry as reading it aloud, and many who have cared nothing for verse in any of its forms learn to love it when they hear it read frequently by a sympathetic voice.

formsnounUS /fɔːrmz/

plural of “form” — the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading READING POETRY Nothing so brings out the music and the structural beauty of poetry as reading it aloud, and many who have cared nothing for verse in any of its forms learn to love it when they hear it read frequently by a sympathetic voice.

frequentlyadverbUS /ˈfriːkwəntli/

many times at short intervals

From this reading READING POETRY Nothing so brings out the music and the structural beauty of poetry as reading it aloud, and many who have cared nothing for verse in any of its forms learn to love it when they hear it read frequently by a sympathetic voice.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading It is the lively music more than the whimsical meaning that has made the rhymes popular.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading READING POETRY Nothing so brings out the music and the structural beauty of poetry as reading it aloud, and many who have cared nothing for verse in any of its forms learn to love it when they hear it read frequently by a sympathetic voice.

hearverbUS /hiːr/

perceive (sound) via the auditory sense

From this reading READING POETRY Nothing so brings out the music and the structural beauty of poetry as reading it aloud, and many who have cared nothing for verse in any of its forms learn to love it when they hear it read frequently by a sympathetic voice.

heardadjectiveUS /hɜːrd/

detected or perceived by the sense of hearing

From this reading Children love the nursery rhymes largely because they have heard them and have caught the sound and rhythm more than the meaning.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading READING POETRY Nothing so brings out the music and the structural beauty of poetry as reading it aloud, and many who have cared nothing for verse in any of its forms learn to love it when they hear it read frequently by a sympathetic voice.

interestnounUS /ˈɪntrəst/

a sense of concern with and curiosity about someone or something

From this reading When the time comes that children begin to lose their interest and consider poetry beneath them, their flagging attention often may be aroused and new interest created by simply reading new selections aloud to them and talking with them about the meaning and beauties of the poems.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading It is the lively music more than the whimsical meaning that has made the rhymes popular.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading READING POETRY Nothing so brings out the music and the structural beauty of poetry as reading it aloud, and many who have cared nothing for verse in any of its forms learn to love it when they hear it read frequently by a sympathetic voice.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading READING POETRY Nothing so brings out the music and the structural beauty of poetry as reading it aloud, and many who have cared nothing for verse in any of its forms learn to love it when they hear it read frequently by a sympathetic voice.

largelyadverbUS /ˈlɑːrdʒli/

in large part; mainly or chiefly

From this reading Children love the nursery rhymes largely because they have heard them and have caught the sound and rhythm more than the meaning.

learnverbUS /lɜːrn/

gain knowledge or skills

From this reading READING POETRY Nothing so brings out the music and the structural beauty of poetry as reading it aloud, and many who have cared nothing for verse in any of its forms learn to love it when they hear it read frequently by a sympathetic voice.

livelyadjectiveUS /ˈlaɪvli/

full of life and energy

From this reading It is the lively music more than the whimsical meaning that has made the rhymes popular.

Longfellow's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading On page 410 of Volume One is Longfellow's exquisite poem, _The Reaper and the Flowers_.

loseverbUS /luːz/

fail to keep or to maintain; cease to have, either physically or in an abstract sense

From this reading When the time comes that children begin to lose their interest and consider poetry beneath them, their flagging attention often may be aroused and new interest created by simply reading new selections aloud to them and talking with them about the meaning and beauties of the poems.

lovenounUS /lʌv/

a strong positive emotion of regard and affection

From this reading READING POETRY Nothing so brings out the music and the structural beauty of poetry as reading it aloud, and many who have cared nothing for verse in any of its forms learn to love it when they hear it read frequently by a sympathetic voice.

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading It is the lively music more than the whimsical meaning that has made the rhymes popular.

manyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading READING POETRY Nothing so brings out the music and the structural beauty of poetry as reading it aloud, and many who have cared nothing for verse in any of its forms learn to love it when they hear it read frequently by a sympathetic voice.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading When the time comes that children begin to lose their interest and consider poetry beneath them, their flagging attention often may be aroused and new interest created by simply reading new selections aloud to them and talking with them about the meaning and beauties of the poems.

meaningnounUS /ˈmiːnɪŋ/

the message that is intended or expressed or signified

From this reading Children love the nursery rhymes largely because they have heard them and have caught the sound and rhythm more than the meaning.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading Children love the nursery rhymes largely because they have heard them and have caught the sound and rhythm more than the meaning.

musicnounUS /ˈmjuːzɪk/

an artistic form of auditory communication incorporating instrumental or vocal tones in a structured and continuous manner

From this reading READING POETRY Nothing so brings out the music and the structural beauty of poetry as reading it aloud, and many who have cared nothing for verse in any of its forms learn to love it when they hear it read frequently by a sympathetic voice.

newadjectiveUS /nuː/

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading When the time comes that children begin to lose their interest and consider poetry beneath them, their flagging attention often may be aroused and new interest created by simply reading new selections aloud to them and talking with them about the meaning and beauties of the poems.

NothingpronounUS /ˈnʌθɪŋ/

not one thing; not anything

From this reading READING POETRY Nothing so brings out the music and the structural beauty of poetry as reading it aloud, and many who have cared nothing for verse in any of its forms learn to love it when they hear it read frequently by a sympathetic voice.

nurserynounUS /ˈnɜːrsəri/

a child's room for a baby

From this reading Children love the nursery rhymes largely because they have heard them and have caught the sound and rhythm more than the meaning.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading READING POETRY Nothing so brings out the music and the structural beauty of poetry as reading it aloud, and many who have cared nothing for verse in any of its forms learn to love it when they hear it read frequently by a sympathetic voice.

oftenadverbUS /ˈɔːfən/

many times at short intervals

From this reading When the time comes that children begin to lose their interest and consider poetry beneath them, their flagging attention often may be aroused and new interest created by simply reading new selections aloud to them and talking with them about the meaning and beauties of the poems.

OnprepositionUS /ɑːn/

touching and supported by a surface

From this reading On page 410 of Volume One is Longfellow's exquisite poem, _The Reaper and the Flowers_.

OnepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading On page 410 of Volume One is Longfellow's exquisite poem, _The Reaper and the Flowers_.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading READING POETRY Nothing so brings out the music and the structural beauty of poetry as reading it aloud, and many who have cared nothing for verse in any of its forms learn to love it when they hear it read frequently by a sympathetic voice.

pagenounUS /peɪdʒ/

one side of one leaf (of a book or magazine or newspaper or letter etc.) or the written or pictorial matter it contains

From this reading On page 410 of Volume One is Longfellow's exquisite poem, _The Reaper and the Flowers_.

poemnounUS /ˈpoʊəm/

a composition written in metrical feet forming rhythmical lines

From this reading On page 410 of Volume One is Longfellow's exquisite poem, _The Reaper and the Flowers_.

poemsnounUS /ˈpoʊəmz/

plural of “poem” — a composition written in metrical feet forming rhythmical lines

From this reading When the time comes that children begin to lose their interest and consider poetry beneath them, their flagging attention often may be aroused and new interest created by simply reading new selections aloud to them and talking with them about the meaning and beauties of the poems.

POETRYnounUS /ˈpoʊətri/

literature in metrical form

From this reading READING POETRY Nothing so brings out the music and the structural beauty of poetry as reading it aloud, and many who have cared nothing for verse in any of its forms learn to love it when they hear it read frequently by a sympathetic voice.

popularadjectiveUS /ˈpɑːpjələr/

regarded with great favor, approval, or affection especially by the general public

From this reading It is the lively music more than the whimsical meaning that has made the rhymes popular.

readverbUS /red/

interpret something that is written or printed

From this reading READING POETRY Nothing so brings out the music and the structural beauty of poetry as reading it aloud, and many who have cared nothing for verse in any of its forms learn to love it when they hear it read frequently by a sympathetic voice.

READINGnounUS /ˈriːdɪŋ/

the cognitive process of understanding a written linguistic message

From this reading READING POETRY Nothing so brings out the music and the structural beauty of poetry as reading it aloud, and many who have cared nothing for verse in any of its forms learn to love it when they hear it read frequently by a sympathetic voice.

ReapernounUS /ˈriːpər/

someone who helps to gather the harvest

From this reading On page 410 of Volume One is Longfellow's exquisite poem, _The Reaper and the Flowers_.

rhymesnounUS /raɪmz/

plural of “rhyme” — correspondence in the sounds of two or more lines (especially final sounds)

From this reading Children love the nursery rhymes largely because they have heard them and have caught the sound and rhythm more than the meaning.

rhythmnounUS /ˈrɪðəm/

the basic rhythmic unit in a piece of music

From this reading Children love the nursery rhymes largely because they have heard them and have caught the sound and rhythm more than the meaning.

selectionsnounUS /səˈlekʃənz/

plural of “selection” — the act of choosing or selecting

From this reading When the time comes that children begin to lose their interest and consider poetry beneath them, their flagging attention often may be aroused and new interest created by simply reading new selections aloud to them and talking with them about the meaning and beauties of the poems.

simplyadverbUS /ˈsɪmpli/

and nothing more

From this reading When the time comes that children begin to lose their interest and consider poetry beneath them, their flagging attention often may be aroused and new interest created by simply reading new selections aloud to them and talking with them about the meaning and beauties of the poems.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading READING POETRY Nothing so brings out the music and the structural beauty of poetry as reading it aloud, and many who have cared nothing for verse in any of its forms learn to love it when they hear it read frequently by a sympathetic voice.

soundnounUS /saʊnd/

the particular auditory effect produced by a given cause

From this reading Children love the nursery rhymes largely because they have heard them and have caught the sound and rhythm more than the meaning.

structuraladjectiveUS /ˈstrʌktʃərəl/

relating to or caused by structure, especially political or economic structure

From this reading READING POETRY Nothing so brings out the music and the structural beauty of poetry as reading it aloud, and many who have cared nothing for verse in any of its forms learn to love it when they hear it read frequently by a sympathetic voice.

sympatheticadjectiveUS /ˌsɪmpəˈθetɪk/

of or relating to the sympathetic nervous system

From this reading READING POETRY Nothing so brings out the music and the structural beauty of poetry as reading it aloud, and many who have cared nothing for verse in any of its forms learn to love it when they hear it read frequently by a sympathetic voice.

talkingnounUS /ˈtɔːkɪŋ/

an exchange of ideas via conversation

From this reading When the time comes that children begin to lose their interest and consider poetry beneath them, their flagging attention often may be aroused and new interest created by simply reading new selections aloud to them and talking with them about the meaning and beauties of the poems.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading Children love the nursery rhymes largely because they have heard them and have caught the sound and rhythm more than the meaning.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading It is the lively music more than the whimsical meaning that has made the rhymes popular.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading READING POETRY Nothing so brings out the music and the structural beauty of poetry as reading it aloud, and many who have cared nothing for verse in any of its forms learn to love it when they hear it read frequently by a sympathetic voice.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading When the time comes that children begin to lose their interest and consider poetry beneath them, their flagging attention often may be aroused and new interest created by simply reading new selections aloud to them and talking with them about the meaning and beauties of the poems.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading Children love the nursery rhymes largely because they have heard them and have caught the sound and rhythm more than the meaning.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading READING POETRY Nothing so brings out the music and the structural beauty of poetry as reading it aloud, and many who have cared nothing for verse in any of its forms learn to love it when they hear it read frequently by a sympathetic voice.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading When the time comes that children begin to lose their interest and consider poetry beneath them, their flagging attention often may be aroused and new interest created by simply reading new selections aloud to them and talking with them about the meaning and beauties of the poems.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading READING POETRY Nothing so brings out the music and the structural beauty of poetry as reading it aloud, and many who have cared nothing for verse in any of its forms learn to love it when they hear it read frequently by a sympathetic voice.

versenounUS /vɜːrs/

literature in metrical form

From this reading READING POETRY Nothing so brings out the music and the structural beauty of poetry as reading it aloud, and many who have cared nothing for verse in any of its forms learn to love it when they hear it read frequently by a sympathetic voice.

voicenounUS /vɔɪs/

the distinctive quality or pitch or condition of a person's speech

From this reading READING POETRY Nothing so brings out the music and the structural beauty of poetry as reading it aloud, and many who have cared nothing for verse in any of its forms learn to love it when they hear it read frequently by a sympathetic voice.

VolumenounUS /ˈvɑːljuːm/

the amount of 3-dimensional space occupied by an object

From this reading On page 410 of Volume One is Longfellow's exquisite poem, _The Reaper and the Flowers_.

whenconjunctionUS /wen/

at the time that

From this reading READING POETRY Nothing so brings out the music and the structural beauty of poetry as reading it aloud, and many who have cared nothing for verse in any of its forms learn to love it when they hear it read frequently by a sympathetic voice.

whimsicaladjectiveUS /ˈwɪmzɪkəl/

determined by chance or impulse or whim rather than by necessity or reason

From this reading It is the lively music more than the whimsical meaning that has made the rhymes popular.

whopronounUS /huː/

which person or people

From this reading READING POETRY Nothing so brings out the music and the structural beauty of poetry as reading it aloud, and many who have cared nothing for verse in any of its forms learn to love it when they hear it read frequently by a sympathetic voice.

withprepositionUS /wɪð/

in the company of; together with

From this reading When the time comes that children begin to lose their interest and consider poetry beneath them, their flagging attention often may be aroused and new interest created by simply reading new selections aloud to them and talking with them about the meaning and beauties of the poems.

Chapter 11 of Journeys Through Bookland, Vol. 10: The Guide by Charles Herbert Sylvester holds 611 sentences, grouped into 123 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 11 of Journeys Through Bookland, Vol. 10: The Guide contain?

Chapter 11 holds 611 sentences of Journeys Through Bookland, Vol. 10: The Guide, unabridged, divided into 123 reading sections.

This page carries chapter 11 of Journeys Through Bookland, Vol. 10: The Guide by Charles Herbert Sylvester exactly as it stands in the source edition, without abridgement. It runs to 611 sentences, grouped into 123 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 11 of Journeys Through Bookland, Vol. 10: The Guide?

Work through the 123 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 123 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 11 be read aloud to me?

Yes — every sentence and every individual word in chapter 11 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Journeys Through Bookland, Vol. 10: The Guide

Common questions about reading Journeys Through Bookland, Vol. 10: The Guide by Charles Herbert Sylvester on this page, its source edition and its audio.

Is this the complete text of Journeys Through Bookland, Vol. 10: The Guide?

Yes. All 7074 sentences of Project Gutenberg eBook #24857 are kept, with a record of which sentences cover which part.

Which edition of Journeys Through Bookland, Vol. 10: The Guide is used?

Project Gutenberg eBook #24857, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Journeys Through Bookland, Vol. 10: The Guide take to read?

About 589 minutes of reading across 1415 sections of 5 sentences each, at an unhurried pace.

How to read Journeys Through Bookland, Vol. 10: The Guide section by section

How to work through Journeys Through Bookland, Vol. 10: The Guide section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 19 chapters of Journeys Through Bookland, Vol. 10: The Guide to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Journeys Through Bookland, Vol. 10: The Guide

Words and structures a reader meets early in Journeys Through Bookland, Vol. 10: The Guide, each tappable for pronunciation and meaning.

Original
A word that appears in the opening chapter of Journeys Through Bookland, Vol. 10: The Guide; the reader can tap it to hear it and see its dictionary entry.
Reading
A word that appears in the opening chapter of Journeys Through Bookland, Vol. 10: The Guide; the reader can tap it to hear it and see its dictionary entry.
Applied
A word that appears in the opening chapter of Journeys Through Bookland, Vol. 10: The Guide; the reader can tap it to hear it and see its dictionary entry.
World's
A word that appears in the opening chapter of Journeys Through Bookland, Vol. 10: The Guide; the reader can tap it to hear it and see its dictionary entry.