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Journeys Through Bookland, Vol. 8
Journeys Through Bookland, Vol. 8

Chapter XII · Chapter 12

Chapter 12 of Journeys Through Bookland, Vol. 8 is here in full — 419 sentences across 84 reading sections, with audio for every sentence and word.

Cover illustration for Journeys Through Bookland, Vol. 8
Context Illustration Reading 1/83 · 5 lines
English subtitles · tap any word to listen 1 / 5
[370-5] _Amazement_ means _anguish_ and _deep distress_ rather than astonishment.
[370-6] In the time of Shakespeare it was not considered inelegant English to use two forms of the comparative and superlative degrees.
_More better_, _most best_ are good examples.
[370-7] _Meddle_ means _mix_.
Miranda says she never thought of knowing more about herself or her father.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Journeys Through Bookland, Vol. 8

Chapter XII · Chapter 12

Chapter 12 of Journeys Through Bookland, Vol. 8 is here in full — 419 sentences across 84 reading sections, with audio for every sentence and word.

Reading 1/83 · 5 reading units · Lines 1–5

Line 1
[370-5] _Amazement_ means _anguish_ and _deep distress_ rather than astonishment.
Line 2
[370-6] In the time of Shakespeare it was not considered inelegant English to use two forms of the comparative and superlative degrees.
Line 3
_More better_, _most best_ are good examples.
/mɔːr ˈbetər moʊst best ɑːr ɡʊd ɪɡˈzæmpəlz/
Line 4
[370-7] _Meddle_ means _mix_.
Line 5
Miranda says she never thought of knowing more about herself or her father.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Amazement noun US /əˈmeɪzmənt/

the feeling that accompanies something extremely surprising

anguish noun US /ˈæŋɡwɪʃ/

extreme mental distress

comparative adjective US /kəmˈperətɪv/

relating to or based on or involving comparison

From this reading “[370-6] In the time of Shakespeare it was not considered inelegant English to use two forms of the comparative and superlative degrees.”

examples noun US /ɪɡˈzæmpəlz/

plural of “example” — an item of information that is typical of a class or group

From this reading “_More better_, _most best_ are good examples.”

Meddle verb US /ˈmedəl/

intrude in other people's affairs or business; interfere unwantedly

mix verb US /mɪks/

mix together different elements

Shakespeare noun US /ˈʃeɪkspiːr/

English poet and dramatist considered one of the greatest English writers (1564-1616)

From this reading “[370-6] In the time of Shakespeare it was not considered inelegant English to use two forms of the comparative and superlative degrees.”

superlative noun US /sʊˈpɜːrlətɪv/

an exaggerated expression (usually of praise)

From this reading “[370-6] In the time of Shakespeare it was not considered inelegant English to use two forms of the comparative and superlative degrees.”

All words in this reading · 51

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

370

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading [370-5] _Amazement_ means _anguish_ and _deep distress_ rather than astonishment.

5

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading [370-5] _Amazement_ means _anguish_ and _deep distress_ rather than astonishment.

6

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading [370-6] In the time of Shakespeare it was not considered inelegant English to use two forms of the comparative and superlative degrees.

7

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading [370-7] _Meddle_ means _mix_.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading Miranda says she never thought of knowing more about herself or her father.

AmazementnounUS /əˈmeɪzmənt/

the feeling that accompanies something extremely surprising

From this reading [370-5] _Amazement_ means _anguish_ and _deep distress_ rather than astonishment.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading [370-5] _Amazement_ means _anguish_ and _deep distress_ rather than astonishment.

anguishnounUS /ˈæŋɡwɪʃ/

extreme mental distress

From this reading [370-5] _Amazement_ means _anguish_ and _deep distress_ rather than astonishment.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading _More better_, _most best_ are good examples.

astonishmentnounUS /əˈstɑːnɪʃmənt/

the feeling that accompanies something extremely surprising

From this reading [370-5] _Amazement_ means _anguish_ and _deep distress_ rather than astonishment.

bestnounUS /best/

the supreme effort one can make

From this reading _More better_, _most best_ are good examples.

betteradjectiveUS /ˈbetər/

(comparative of “good”) superior to another (of the same class or set or kind) in excellence or quality or desirability or suitability; more highly skilled than another

From this reading _More better_, _most best_ are good examples.

comparativeadjectiveUS /kəmˈperətɪv/

relating to or based on or involving comparison

From this reading [370-6] In the time of Shakespeare it was not considered inelegant English to use two forms of the comparative and superlative degrees.

consideredadjectiveUS /kənˈsɪdərd/

carefully weighed

From this reading [370-6] In the time of Shakespeare it was not considered inelegant English to use two forms of the comparative and superlative degrees.

deepadjectiveUS /diːp/

relatively deep or strong; affecting one deeply

From this reading [370-5] _Amazement_ means _anguish_ and _deep distress_ rather than astonishment.

degreesnounUS /dɪˈɡriːz/

plural of “degree” — a position on a scale of intensity or amount or quality

From this reading [370-6] In the time of Shakespeare it was not considered inelegant English to use two forms of the comparative and superlative degrees.

distressnounUS /dɪˈstres/

psychological suffering

From this reading [370-5] _Amazement_ means _anguish_ and _deep distress_ rather than astonishment.

EnglishnounUS /ˈɪŋɡlɪʃ/

an Indo-European language belonging to the West Germanic branch; the official language of Britain and the United States and most of the commonwealth countries

From this reading [370-6] In the time of Shakespeare it was not considered inelegant English to use two forms of the comparative and superlative degrees.

examplesnounUS /ɪɡˈzæmpəlz/

plural of “example” — an item of information that is typical of a class or group

From this reading _More better_, _most best_ are good examples.

fathernounUS /ˈfɑːðər/

a male parent (also used as a term of address to your father)

From this reading Miranda says she never thought of knowing more about herself or her father.

formsnounUS /fɔːrmz/

plural of “form” — the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading [370-6] In the time of Shakespeare it was not considered inelegant English to use two forms of the comparative and superlative degrees.

goodadjectiveUS /ɡʊd/

having desirable or positive qualities especially those suitable for a thing specified

From this reading _More better_, _most best_ are good examples.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading Miranda says she never thought of knowing more about herself or her father.

herselfpronounUS /hərˈself/

used when the woman or girl doing the action is also its object

From this reading Miranda says she never thought of knowing more about herself or her father.

InprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading [370-6] In the time of Shakespeare it was not considered inelegant English to use two forms of the comparative and superlative degrees.

inelegantadjective

lacking in refinement or grace or good taste

From this reading [370-6] In the time of Shakespeare it was not considered inelegant English to use two forms of the comparative and superlative degrees.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading [370-6] In the time of Shakespeare it was not considered inelegant English to use two forms of the comparative and superlative degrees.

knowingadjectiveUS /ˈnoʊɪŋ/

evidencing the possession of inside information

From this reading Miranda says she never thought of knowing more about herself or her father.

meansnounUS /miːnz/

thing or person that acts to produce a particular effect or achieve an end

From this reading [370-5] _Amazement_ means _anguish_ and _deep distress_ rather than astonishment.

MeddleverbUS /ˈmedəl/

intrude in other people's affairs or business; interfere unwantedly

From this reading [370-7] _Meddle_ means _mix_.

Miranda

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Miranda says she never thought of knowing more about herself or her father.

mixverbUS /mɪks/

mix together different elements

From this reading [370-7] _Meddle_ means _mix_.

MoreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading _More better_, _most best_ are good examples.

mostadverbUS /moʊst/

used to form the superlative

From this reading _More better_, _most best_ are good examples.

neveradverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading Miranda says she never thought of knowing more about herself or her father.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading [370-6] In the time of Shakespeare it was not considered inelegant English to use two forms of the comparative and superlative degrees.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading [370-6] In the time of Shakespeare it was not considered inelegant English to use two forms of the comparative and superlative degrees.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Miranda says she never thought of knowing more about herself or her father.

ratheradverbUS /ˈræðər/

on the contrary

From this reading [370-5] _Amazement_ means _anguish_ and _deep distress_ rather than astonishment.

saysnounUS /sez/

plural of “say” — the chance to speak

From this reading Miranda says she never thought of knowing more about herself or her father.

ShakespearenounUS /ˈʃeɪkspiːr/

English poet and dramatist considered one of the greatest English writers (1564-1616)

From this reading [370-6] In the time of Shakespeare it was not considered inelegant English to use two forms of the comparative and superlative degrees.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading Miranda says she never thought of knowing more about herself or her father.

superlativenounUS /sʊˈpɜːrlətɪv/

an exaggerated expression (usually of praise)

From this reading [370-6] In the time of Shakespeare it was not considered inelegant English to use two forms of the comparative and superlative degrees.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading [370-5] _Amazement_ means _anguish_ and _deep distress_ rather than astonishment.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading [370-6] In the time of Shakespeare it was not considered inelegant English to use two forms of the comparative and superlative degrees.

thoughtnounUS /θɔːt/

the content of cognition; the main thing you are thinking about

From this reading Miranda says she never thought of knowing more about herself or her father.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading [370-6] In the time of Shakespeare it was not considered inelegant English to use two forms of the comparative and superlative degrees.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading [370-6] In the time of Shakespeare it was not considered inelegant English to use two forms of the comparative and superlative degrees.

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading [370-6] In the time of Shakespeare it was not considered inelegant English to use two forms of the comparative and superlative degrees.

usenounUS /juːs/

the act of using

From this reading [370-6] In the time of Shakespeare it was not considered inelegant English to use two forms of the comparative and superlative degrees.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading [370-6] In the time of Shakespeare it was not considered inelegant English to use two forms of the comparative and superlative degrees.

Chapter 12 of Journeys Through Bookland, Vol. 8 by Charles Herbert Sylvester holds 419 sentences, grouped into 84 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 12 of Journeys Through Bookland, Vol. 8 contain?

Chapter 12 holds 419 sentences of Journeys Through Bookland, Vol. 8, unabridged, divided into 84 reading sections.

This page carries chapter 12 of Journeys Through Bookland, Vol. 8 by Charles Herbert Sylvester exactly as it stands in the source edition, without abridgement. It runs to 419 sentences, grouped into 84 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 12 of Journeys Through Bookland, Vol. 8?

Work through the 84 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 84 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 12 be read aloud to me?

Yes — every sentence and every individual word in chapter 12 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Journeys Through Bookland, Vol. 8

Common questions about reading Journeys Through Bookland, Vol. 8 by Charles Herbert Sylvester on this page, its source edition and its audio.

Is this the complete text of Journeys Through Bookland, Vol. 8?

Yes. All 5036 sentences of Project Gutenberg eBook #24532 are kept, with a record of which sentences cover which part.

Which edition of Journeys Through Bookland, Vol. 8 is used?

Project Gutenberg eBook #24532, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Journeys Through Bookland, Vol. 8 take to read?

About 419 minutes of reading across 1008 sections of 5 sentences each, at an unhurried pace.

How to read Journeys Through Bookland, Vol. 8 section by section

How to work through Journeys Through Bookland, Vol. 8 section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 13 chapters of Journeys Through Bookland, Vol. 8 to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Journeys Through Bookland, Vol. 8

Words and structures a reader meets early in Journeys Through Bookland, Vol. 8, each tappable for pronunciation and meaning.

Obvious
A word that appears in the opening chapter of Journeys Through Bookland, Vol. 8; the reader can tap it to hear it and see its dictionary entry.
Typographical
A word that appears in the opening chapter of Journeys Through Bookland, Vol. 8; the reader can tap it to hear it and see its dictionary entry.
Errors
A word that appears in the opening chapter of Journeys Through Bookland, Vol. 8; the reader can tap it to hear it and see its dictionary entry.
Corrected
A word that appears in the opening chapter of Journeys Through Bookland, Vol. 8; the reader can tap it to hear it and see its dictionary entry.